tag:blogger.com,1999:blog-47696904641687906712024-02-07T08:33:23.388+01:00MEMOIRE VIVEUnknownnoreply@blogger.comBlogger277125tag:blogger.com,1999:blog-4769690464168790671.post-68528254745156994232016-12-08T09:39:00.004+01:002016-12-08T09:47:02.791+01:00Victor Brauner et le cadre<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;">En
écho au post sur les <a href="http://maximememoirevive.blogspot.fr/2016/10/bordures-dimages-pictures-edges.html" target="_blank">bordures d'images</a>, voici un ensemble de <a href="http://www.husgallery.com/25-biographie-BRAUNER_Victor.html" target="_blank">Victor Brauner</a> (1903-1966), réalisé en 1965 qui est un cas limite, trouble
justement, entre bordure d'image et cadre. Ses dernières œuvres
ont été réalisées par l'artiste avant sa mort. Cet ensemble est constitué de 14 oeuvres
qui appartiennent au </span><span style="font-size: small;">musée
de l'Abbaye Sainte-Croix, <a href="http://www.lemasc.fr/collection/victor-brauner/" target="_blank">aux Sables d'Olonne</a>, est constitué de 2
séries : 9 Mythologies et 4 Mères (fête des mères) auxquels
s'ajoute « le Bel animal moderne ». Toutes les œuvres
sont assemblées selon le principe identique d'un panneau de toile
peinte encastré dans un cadre de bois également peint et conçu
selon une forme plus ou moins évocatrice<span style="font-family: "trebuchet ms" , sans-serif;">. C<span style="font-family: "trebuchet ms" , sans-serif;">'est</span></span> la beauté de la
gamme chromatique, la liberté figurale<span style="font-family: "trebuchet ms" , sans-serif;"> et</span> la mise en scène hyper
efficace des scènes, à la fois primitif et pop<span style="font-family: "trebuchet ms" , sans-serif;"> qui m'ont surtout retenu.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">Cette
série met en scène et questionne l’humain, l’animal et le
végétal. Ce sont des créatures primitives ni hommes ni femmes, ou
peut-être bien les deux à la fois. On est donc dans un registre de
brouillage des limites (dont ce jeux avec la cadre fait partie) et
des définitions : enfance (formes scolaires de vaisseaux,
voitures ou même forme hybrides de poisson-voiture ou
sein-voiture-télévision. On est à la fois dans la salle de classe
à l'ancienne et dans l'objet artisanal pièce unique (chaque cadre en
bois est façonné traité, gravé et dessiné selon des registres
décoratifs divers en écho à des zones et tradition culturelles
multiples). Ces cadres en bois réalisés par l'artiste avant sa mort
font bien sur penser à des cercueils, mais de façon symbolique et
ludique, pas dramatique, comme des navires égyptiens ou des
reliquaires, qui vont faire tenir l'image dans l'avenir et les aider
à traverser le temps et la mort. Les cadres donnent une solidité, un corps, à
ce qui s'y insert. Justement des formes plus fluides et élastiques,
multiples, comme des intérieurs de ventres (d'où le titre de
Mères). Cette situation topographique et imaginaire lui permet
d'inventer des corps, des formes de corps, des rapports de corps dans
une logique perverse et polymorphe, érotique et infantile, animale
et gourmande, jouissive et arbitraire.</span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">Êtres
(bébé ou adulte ? ) tétant au sein avec une double langue et une
érection, corps qui aurait mangé (sniffé ?) le soleil et
assis sur la lune, gémellité et division des cellules dans le cadre
serpent (nouvel Adam & Eve?), tête à la fois sexes, serpent,
casques, masques, prolongement joyeux de l'animal en humain ou
l'inverse, vocabulaire formel identique recombiné circulant d'un
tableau à l'autre. Voici une narration (un dessin animé qui annonce
les Shadoks ?) ludique et sexuelle, fluide et incarnée, qui reprend
les figures et codes de sa fin de carrière (scène de rêve, scène
sexuelles, chimères dont je ne résiste pas au plaisir de partager
quelques exemples en fin de post)</span></span>.</span></span></div>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">Le
saut qualitatif entre cette série (par le cadre) et ses précédentes
oeuvres, est un saut conceptuel qui met une distance entre l'image
et le monde qui la regarde mais paradoxalement s'émancipe de la
convention ordinaire qui fait qu'on peut voir toute image
moderne/surréaliste comme une fenêtre sur un outre monde. Ici,
l'image devient un objet DANS notre monde, une trace d'une
civilisation/d'une culture parmi nous. Elle est PROJETEE dans notre
monde autant que nous pouvons nous y projeter. Il dépasse ainsi les
influences trop prononcées dans son travail (à mon goût) de Klee
et Ernst pour ouvrir sur une iconographie dont Dorothy Iannone,
William Copley ou même Marisol Escobar pourraient se revendiquer. </span></span>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcUAeBAz-9aNomxYz4xtRAXPOqX3waBuGTrgGlLrjn-GnoouEpTd3V4XR49m8o7HR5yC2ptY2QrClAB85BxXQg43qpMb08XROqRz2DjHrFgY20mLKJ-aZjkDrndW2HQUeYkBljqtZSOFU/s1600/brauner_la-passivite-comblee-1964.jpg%2521xlMedium.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcUAeBAz-9aNomxYz4xtRAXPOqX3waBuGTrgGlLrjn-GnoouEpTd3V4XR49m8o7HR5yC2ptY2QrClAB85BxXQg43qpMb08XROqRz2DjHrFgY20mLKJ-aZjkDrndW2HQUeYkBljqtZSOFU/s400/brauner_la-passivite-comblee-1964.jpg%2521xlMedium.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Victor Brauner, <i>La passivité comblée,</i> 1964</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCbGpwGCfQMV11jPs0OdiWhKaYEGAtmD7B0Vrs9bdzDyT1hgx3On2Fcg2HNl6AUv6aJPp357k2y1uzdMpYC0QcdRpc7jyUqWJWn9ZGfakW5mzgdjy_ZoBxbcJEx7nwPD3lErqfj108KEM/s1600/brauner+victor+vistoriel.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCbGpwGCfQMV11jPs0OdiWhKaYEGAtmD7B0Vrs9bdzDyT1hgx3On2Fcg2HNl6AUv6aJPp357k2y1uzdMpYC0QcdRpc7jyUqWJWn9ZGfakW5mzgdjy_ZoBxbcJEx7nwPD3lErqfj108KEM/s640/brauner+victor+vistoriel.jpg" width="545" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Victor Brauner,<i> victor victorel procureur général de l'orgasme propulseur,</i> 1949</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPofapZLmEKfgV4c7LuNF7mSvxgDVWt7Qt3LPiWb73tPR7W8HiP_xrQj99hlcxlNWW8xw5z6nYN33Rh9SOuSdFhfMWXMQk208pMoUP-09k3azeoUTF4yXeeF12_quSaMf_koD94kEJUTk/s1600/brauner_Totalite+Androgyne+VI.+Oil+on+c_+1961.+100+x+81cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPofapZLmEKfgV4c7LuNF7mSvxgDVWt7Qt3LPiWb73tPR7W8HiP_xrQj99hlcxlNWW8xw5z6nYN33Rh9SOuSdFhfMWXMQk208pMoUP-09k3azeoUTF4yXeeF12_quSaMf_koD94kEJUTk/s640/brauner_Totalite+Androgyne+VI.+Oil+on+c_+1961.+100+x+81cm.jpg" width="513" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Victor Brauner, Totalité Androgyne VI. 1961. 100 x 81cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhplMThHNZ6Gdjbib2DJn5FWCuEeKt1qjk20NgXoHrO7Ob953ubrUWCZ1unqo8Va-iYl1oMbmRsvHMb9h4-FMKSPMG0XKQS1RgDMfNbzElK2rIDSY8GUWt6QlFJEJvjPXF38ZlqkxFPQak/s1600/brauner_Victor+Victorel+%25C3%25A0+l%2527hyperco%25C3%25AFt+barbarog%25C3%25A9ne+%25281949%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhplMThHNZ6Gdjbib2DJn5FWCuEeKt1qjk20NgXoHrO7Ob953ubrUWCZ1unqo8Va-iYl1oMbmRsvHMb9h4-FMKSPMG0XKQS1RgDMfNbzElK2rIDSY8GUWt6QlFJEJvjPXF38ZlqkxFPQak/s640/brauner_Victor+Victorel+%25C3%25A0+l%2527hyperco%25C3%25AFt+barbarog%25C3%25A9ne+%25281949%2529.jpg" width="524" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Victor Brauner, <i>victor Victorel à l'hypercoït barbarogéne</i>, 1949</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfoZcG_YjyZFzR07-ltF1gUn1gpWoGQFh-zw8M7u164HDrKppJgIa6VZQ2Dza00jHfvrfFh14lyOYCvFMwL4I8hLPw5SxfQxbso4mIB4zmILVQaWrHWueE30oSM6ldeA7xzKLdz1rSSak/s1600/20160804_121558.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfoZcG_YjyZFzR07-ltF1gUn1gpWoGQFh-zw8M7u164HDrKppJgIa6VZQ2Dza00jHfvrfFh14lyOYCvFMwL4I8hLPw5SxfQxbso4mIB4zmILVQaWrHWueE30oSM6ldeA7xzKLdz1rSSak/s640/20160804_121558.jpg" width="489" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: x-small;">Dorothy Iannone, vue dans l'exposition <a href="http://peresprojects.com/exhibitions/wild-style/" target="_blank">Wild Style, Peres project, Berlin</a></span></span></span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEnvo8_RjH6kAJpKm1Zf3vDeVdLr_w6As3TYTSW7wNR9UIpnHmrkZOzTGrfdx09ofJn0aJOdJPRjydK6f0rI93XX8eeliN39s4OafS9xr8ZE2JTOe9vmnVco3l3FNJG2n6PsjmOxYhQ00/s1600/Copley-variation-on-someone-else_s-theme-1980.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEnvo8_RjH6kAJpKm1Zf3vDeVdLr_w6As3TYTSW7wNR9UIpnHmrkZOzTGrfdx09ofJn0aJOdJPRjydK6f0rI93XX8eeliN39s4OafS9xr8ZE2JTOe9vmnVco3l3FNJG2n6PsjmOxYhQ00/s400/Copley-variation-on-someone-else_s-theme-1980.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: "trebuchet ms" , sans-serif;">William Copley, <i>variation on someone else's theme</i>, 1980</span></span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsQAFdSwxe-ztgGBfKPzmRN762JCUigDFVE2Wx357PyYwDQJwRy39p5TuO_iyoQVX81vZqOtM2VhyphenhypheniA0bRnuvdeIknaxGjh9bOSpfaYMmFtC5WtsTSjsBOOzceledgIEBMpghYQyvY7_4/s1600/couples_marisol.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsQAFdSwxe-ztgGBfKPzmRN762JCUigDFVE2Wx357PyYwDQJwRy39p5TuO_iyoQVX81vZqOtM2VhyphenhypheniA0bRnuvdeIknaxGjh9bOSpfaYMmFtC5WtsTSjsBOOzceledgIEBMpghYQyvY7_4/s400/couples_marisol.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Marisol Escobar, <i>couples</i></td></tr>
</tbody></table>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJxcQJRAyAq0ls6rSWJ5EYHralQcR3kAUvm16jSBAnhKR763TOZsgZFqLxnevvMaTbE-cwEEVwiUk0m4Ti0Hktph35YlDFexMXMR0aBPxdaRySBC6fgerXRRbpleeIfZF3d7-4gz_dE5o/s1600/Victor-Brauner.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJxcQJRAyAq0ls6rSWJ5EYHralQcR3kAUvm16jSBAnhKR763TOZsgZFqLxnevvMaTbE-cwEEVwiUk0m4Ti0Hktph35YlDFexMXMR0aBPxdaRySBC6fgerXRRbpleeIfZF3d7-4gz_dE5o/s640/Victor-Brauner.JPG" width="436" /></a></div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-18189826225026121712016-11-28T19:01:00.001+01:002016-11-28T19:01:06.659+01:00GYMNASTIQUE, de la figure en peinture
<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Cette sélection, pas fermée du tout,
rassemble divers artistes peintres revus ou découverts récemment
autour d'une grande variété possible de corps, d'incarnations de la
figure humaine dans la peinture récente.
</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><br />
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG7B5Hvu_WoMsouFvmh3FQstZIiQHCbJiPUDwI4oaD2r7e1bl8lRT4DyS52Tl_OCU4Zn8s-hxLhsr-Z4I4wKD958n5sxDka5CioeKayHJSnDC8aFAb62i55PcsH5V-PVEwa5lXXCy7UR4/s1600/Bienvenu_yogi.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG7B5Hvu_WoMsouFvmh3FQstZIiQHCbJiPUDwI4oaD2r7e1bl8lRT4DyS52Tl_OCU4Zn8s-hxLhsr-Z4I4wKD958n5sxDka5CioeKayHJSnDC8aFAb62i55PcsH5V-PVEwa5lXXCy7UR4/s640/Bienvenu_yogi.jpg" width="531" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Todd Bienvenu, <i>yogi</i>, 2013</td></tr>
</tbody></table>
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<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Ce titre plus particulier
me semble dire aussi comment la figure nait et se déforme en même
temps qu'elle naît dans la matière peinture ET grâce et a travers
du geste du peintre. Donc élastique, plastique, gymnastique de corps
nouées et enlacés, vivacité et pluralité de la peinture actuelle.
Pacte entre les corps, ceux du peintre et ceux sur la toile …</span></span></div>
<div style="text-align: justify;">
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinWZVA6Ar7D2IHA3OPwT9_n1Bb-JF8L0u65KU36dv30KnwGer1MLQo12XI8u_nJJtKcuPCFfMNas_sjhBDkZLYWHwWg1p3SdBbQoUeQnHnhrUmTluhJqn6n2AOYGaJd7e19BuLQZvLDhg/s1600/Culprit%252C+Watermelon+Crawl%252C+2016%252C+acrylic%252C+crayon%252C+graphite%252C+oil%252C+oil+pastel.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinWZVA6Ar7D2IHA3OPwT9_n1Bb-JF8L0u65KU36dv30KnwGer1MLQo12XI8u_nJJtKcuPCFfMNas_sjhBDkZLYWHwWg1p3SdBbQoUeQnHnhrUmTluhJqn6n2AOYGaJd7e19BuLQZvLDhg/s640/Culprit%252C+Watermelon+Crawl%252C+2016%252C+acrylic%252C+crayon%252C+graphite%252C+oil%252C+oil+pastel.jpg" width="523" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chelsea Culprit, <i>Watermelon Crawl</i>, 2016, acrylic, crayon, graphite, oil, oil pastel</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjj4p2IzbPkxuj5GisoRBpn3GAC_xDoo4PsGZaZcDCi3kogxtKf7OF71fSnMQu5hlEQdR8pHo9CwMABtSIuaJP1ILxUnBE7m1-tSqz0epaLjp2ndgEjHF0Td_qcRh3IzjkQC0MLw0DMx8/s1600/Clemente_morning+1982+woodcut+35x50cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="467" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjj4p2IzbPkxuj5GisoRBpn3GAC_xDoo4PsGZaZcDCi3kogxtKf7OF71fSnMQu5hlEQdR8pHo9CwMABtSIuaJP1ILxUnBE7m1-tSqz0epaLjp2ndgEjHF0Td_qcRh3IzjkQC0MLw0DMx8/s640/Clemente_morning+1982+woodcut+35x50cm.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Francesco Clemente,<i> morning</i>, 1982, woodcut 35 x 50cm</td></tr>
</tbody></table>
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<br />
<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Une première sélection qui va du portrait, figure seule ou en duos ou bien figures imbriquées dans des univers
stylistiques et graphiques leur correspondant/les générant. Figures isolées,
plein cadre ou inscrites dans des compositions. De la puissance de la
figuration au delà du photographique et de cette sempiternelle
manie/pression de copier des photographies/la publicité par la
peinture … avec moultes exemples cherchant ici à s'en émanciper.</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga6Ht66bG00ioRl4I8ilF1rfH7jTA7aP7H063ZR98EFxPwQJu1Q0ijLshIbQzgEox4shF6lAOvSKmr3nXG5lhPkgwrDc-zcH76bop42NFG_ko_dVw5oVPouHP5M9eWR9JPEfTHdcB7Gf8/s1600/fratino_ankleiden+2016.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga6Ht66bG00ioRl4I8ilF1rfH7jTA7aP7H063ZR98EFxPwQJu1Q0ijLshIbQzgEox4shF6lAOvSKmr3nXG5lhPkgwrDc-zcH76bop42NFG_ko_dVw5oVPouHP5M9eWR9JPEfTHdcB7Gf8/s640/fratino_ankleiden+2016.jpg" width="523" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://louisfratino.com/" target="_blank">Louis Fratino</a>, <i>ankleiden</i>, 2016</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgujN8CwLNxhgR0uD_VdW3kBR60VsgX4gj32Mv4c-jowfg7fejr4J4dDUEj7r0p8BF_HL4x5tyx4PfuuvEWtzdm7HL18lbI_Re5YDnpRWJ6Wev1moxC-bnGdF_4MXAsWFzxyT3W4S7ppXo/s1600/McIntosh-TheFreshman75x70_2015+flashe+%2526+oil.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgujN8CwLNxhgR0uD_VdW3kBR60VsgX4gj32Mv4c-jowfg7fejr4J4dDUEj7r0p8BF_HL4x5tyx4PfuuvEWtzdm7HL18lbI_Re5YDnpRWJ6Wev1moxC-bnGdF_4MXAsWFzxyT3W4S7ppXo/s640/McIntosh-TheFreshman75x70_2015+flashe+%2526+oil.jpg" width="577" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Elizabeth McIntosh, <i>The Freshman</i> 75 x 70 cm 2015 flashe & oil on canvas</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjTHEYNY3a8vaTDVPSZWRU-FgvQlkuHjqwukULSYMT_YMlTHOXzINEHy4aYJmg6WIQce6zZkCos8qhRnO_EEBy6EJgFV5z82R_uq5cdJq6eGIYuw68TI_jSGb6sfk90B6fYOVssbqslX8/s1600/Thornton%252C+torey_Frieza+Put+Through+A+Distortion+Pedal+And+Pieced+Back+Together%252C+2014%252C+acrylic%252C+spray+paint%252C+collage+on+wood+panel%252C+137+x+120+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjTHEYNY3a8vaTDVPSZWRU-FgvQlkuHjqwukULSYMT_YMlTHOXzINEHy4aYJmg6WIQce6zZkCos8qhRnO_EEBy6EJgFV5z82R_uq5cdJq6eGIYuw68TI_jSGb6sfk90B6fYOVssbqslX8/s640/Thornton%252C+torey_Frieza+Put+Through+A+Distortion+Pedal+And+Pieced+Back+Together%252C+2014%252C+acrylic%252C+spray+paint%252C+collage+on+wood+panel%252C+137+x+120+cm.jpg" width="577" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Torey Thornton, <i>Frieza Put Through A Distortion Pedal And Pieced Back Together</i>, 2014, acrylic, spray paint, collage on wood panel, 137 x 120 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_s7pSc43-1mlK5xDIx10FNBJqZuqmxeID2L0baV5vbbYgzXMvVu-SvZkLw354nYsI3uduV5JDj9LmpqPpS2UHrwhgLsIvwpjGLi39c_ObATXVA-XXRKmDIyVYykbnSi23kGnFLk0z8l4/s1600/quarles_they+rested+on+their+backs.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_s7pSc43-1mlK5xDIx10FNBJqZuqmxeID2L0baV5vbbYgzXMvVu-SvZkLw354nYsI3uduV5JDj9LmpqPpS2UHrwhgLsIvwpjGLi39c_ObATXVA-XXRKmDIyVYykbnSi23kGnFLk0z8l4/s640/quarles_they+rested+on+their+backs.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.christinaquarles.com/2016.html" target="_blank">Christina Quarles</a>, they rested on their backs, acrylic on canvas, 2016</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNr16JJjhYIwzRaPbVf4myWXvneqJSuPPWYbgCpGQgnTMVg0Saf1XOIQ-4jFHWMtmy4uKOcuxzoEmCViUPB58ZLqY0zyNXmiiDTFRSiDRGlVpw1iIwxWZ1i7Ls2gDI41yq7fxvne88m9c/s1600/whiteford%252C+blair-junge-amerikanische-malerei.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNr16JJjhYIwzRaPbVf4myWXvneqJSuPPWYbgCpGQgnTMVg0Saf1XOIQ-4jFHWMtmy4uKOcuxzoEmCViUPB58ZLqY0zyNXmiiDTFRSiDRGlVpw1iIwxWZ1i7Ls2gDI41yq7fxvne88m9c/s640/whiteford%252C+blair-junge-amerikanische-malerei.jpg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Blair Whiteford,non identifié</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDUaZa1cRzGxshyphenhyphenZKTnWG6cDUieJXBJYP80P9WckSurQRJELLTgNCcG3R_KDlA709t1nkAAAn4ElDV9QGJStk4vJDhA3Y9o_DkQHrQ98vg0UAD2ixYlF98IdhDof6LlrBeJYIHS9yY_0M/s1600/Geerk%252C+lenz_Lotion%252C+2016%252C+acrylic+on+wool%252C+160+x+115+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDUaZa1cRzGxshyphenhyphenZKTnWG6cDUieJXBJYP80P9WckSurQRJELLTgNCcG3R_KDlA709t1nkAAAn4ElDV9QGJStk4vJDhA3Y9o_DkQHrQ98vg0UAD2ixYlF98IdhDof6LlrBeJYIHS9yY_0M/s640/Geerk%252C+lenz_Lotion%252C+2016%252C+acrylic+on+wool%252C+160+x+115+cm.jpg" width="481" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lenz Geerk, <i>Lotion</i>, 2016, acrylic on wool, 160 x 115 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoGxdPGV4bIaN-NvLHk5YkmzVfghZ-WhBk5bZa0auxinT8dZhyphenhyphen6ZYiULjY71M89TRSF03TDaxkMg_nRhaGmQkblO7GaAEfGV-U0eCW8JHS0KxOQc3PJljz0Pwj7REgsuj2ONDwczKZI78/s1600/Lassnig.+Inside+and+Outside+the+Canvas+IV%252C+1984%25E2%2580%25935.+Oil+paint+on+canvas%252C+80+x+100+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoGxdPGV4bIaN-NvLHk5YkmzVfghZ-WhBk5bZa0auxinT8dZhyphenhyphen6ZYiULjY71M89TRSF03TDaxkMg_nRhaGmQkblO7GaAEfGV-U0eCW8JHS0KxOQc3PJljz0Pwj7REgsuj2ONDwczKZI78/s400/Lassnig.+Inside+and+Outside+the+Canvas+IV%252C+1984%25E2%2580%25935.+Oil+paint+on+canvas%252C+80+x+100+cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maria Lassnig. <i>Inside and Outside the Canvas IV</i>, 1984–5. Oil paint on canvas, 80 x 100 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOYFp8W_aPAPKSzXRRKWxV25tM_T3lcWWz0g5QVJSkZJijZooI1XtUUCyOjaCzzIXpnYIQ7M1V3raBjLci1G6X4wFowJqdBLVw6yvIiqM7LParIyJqUxjx8HpXKwkjaRPDsCQTy1iMzR0/s1600/Gardner%252C+jonathan_Studio-Life-High-Res.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOYFp8W_aPAPKSzXRRKWxV25tM_T3lcWWz0g5QVJSkZJijZooI1XtUUCyOjaCzzIXpnYIQ7M1V3raBjLci1G6X4wFowJqdBLVw6yvIiqM7LParIyJqUxjx8HpXKwkjaRPDsCQTy1iMzR0/s400/Gardner%252C+jonathan_Studio-Life-High-Res.jpg" width="358" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jonathan Gardner, <i>Studio-Life</i>, <span class="st">2014, Oil on canvas, 137.2 × 127 cm</span></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB-XcxQmCC2TWq0i7sBir5vbiFH8j59FbN9sAiraMO6EBSF3HsMakf1H0cVmMqCo-ONVv5EPz6gEGwT_dxsVNpTmKYq0nTpCO5BiZLoy5fIFAoF93UNklBoa93Thf6QWWa0Gu07p1N12c/s1600/Lee%252C+austin_Joy+2016+acry.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB-XcxQmCC2TWq0i7sBir5vbiFH8j59FbN9sAiraMO6EBSF3HsMakf1H0cVmMqCo-ONVv5EPz6gEGwT_dxsVNpTmKYq0nTpCO5BiZLoy5fIFAoF93UNklBoa93Thf6QWWa0Gu07p1N12c/s400/Lee%252C+austin_Joy+2016+acry.jpg" width="393" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Austin Lee, <i>Joy</i>, 2016 acrylic on canvas</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOZbzpwQFRQqVtUUIexIHpynfSgje3c0Jgj-QjeyTMPCWI-2bJc8xoM9yeiJRCwqSrqufvVPaihqQBdC0BMm4v4CkVMRfb0RUWe55ABlueKUsdcj-mZnFewMMydc202-spEU6f239m3yY/s1600/nathanson+wait+2015.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOZbzpwQFRQqVtUUIexIHpynfSgje3c0Jgj-QjeyTMPCWI-2bJc8xoM9yeiJRCwqSrqufvVPaihqQBdC0BMm4v4CkVMRfb0RUWe55ABlueKUsdcj-mZnFewMMydc202-spEU6f239m3yY/s640/nathanson+wait+2015.jpg" width="458" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Joshua Nathanson, <i>Wait,</i> 2015</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2PK8qXmvkhy6FWCMRZA0_QHGLhH0ne8eQBB1MPwwbEx1ZIGBKPZilhY6uMpZzduKI_s54761DfoZOUGJlFBVw-HCSgEcpilF3vScBWWT4OHq5sM-vXuNNim9kk90ybLcZ8muM1uFUd9M/s1600/Maslansky_MILA2014-Photo-Joshua_White-0713.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2PK8qXmvkhy6FWCMRZA0_QHGLhH0ne8eQBB1MPwwbEx1ZIGBKPZilhY6uMpZzduKI_s54761DfoZOUGJlFBVw-HCSgEcpilF3vScBWWT4OHq5sM-vXuNNim9kk90ybLcZ8muM1uFUd9M/s640/Maslansky_MILA2014-Photo-Joshua_White-0713.jpg" width="450" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Max Maslansky,<i> MILA</i>, 2014</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJxlS2XDrfiZjIT6mUdqDiTmTbDZS4wXQjtPPPmIgGpKDFrza5L6hd6uptKL7VPKj1hH8HwSLkekm0C6Btilo0J3a6QpLBH_WOBp1h347aNBRUC2c_vMvKCXxxtsnxXlz400MkmOFS1H8/s1600/maslansky_IMG_6337.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJxlS2XDrfiZjIT6mUdqDiTmTbDZS4wXQjtPPPmIgGpKDFrza5L6hd6uptKL7VPKj1hH8HwSLkekm0C6Btilo0J3a6QpLBH_WOBp1h347aNBRUC2c_vMvKCXxxtsnxXlz400MkmOFS1H8/s640/maslansky_IMG_6337.jpg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Max Maslansky, non identifié</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdTSd1oexOjvvK3uy6a_X4ykQhbnQpoPcFXN3b-5h-gikwLzlzkcrT3zd8qlBl6cKAhXMqVgbFNA_XVwiu1Ull_KCPm2MznncjJBSw8JOrHGl6djWTGmxvwuBXtRzWuLsLhRRauOW2fMQ/s1600/Kowalski%252C+thomas_unt+2015+acry+spray+on+canvas+140x120cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdTSd1oexOjvvK3uy6a_X4ykQhbnQpoPcFXN3b-5h-gikwLzlzkcrT3zd8qlBl6cKAhXMqVgbFNA_XVwiu1Ull_KCPm2MznncjJBSw8JOrHGl6djWTGmxvwuBXtRzWuLsLhRRauOW2fMQ/s640/Kowalski%252C+thomas_unt+2015+acry+spray+on+canvas+140x120cm.jpg" width="545" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Thomas Kowalski, <i>untitled,</i> 2015 acrylic & spray on canvas 140 x 120 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1zjDlBDyvrYZkz1PSQIBPPWa4jAe99S6tSmHabinBl0NqKkX8oIC2eO4vmDdGTW4wK-aKIlPSQnpezUY4FysGjPV-dDTDZmaD2xteD_p3ncMI0_VFXhT3I5KYQ0sXlojF2C2HvxFlYHQ/s1600/kowalski+dancer.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1zjDlBDyvrYZkz1PSQIBPPWa4jAe99S6tSmHabinBl0NqKkX8oIC2eO4vmDdGTW4wK-aKIlPSQnpezUY4FysGjPV-dDTDZmaD2xteD_p3ncMI0_VFXhT3I5KYQ0sXlojF2C2HvxFlYHQ/s640/kowalski+dancer.jpg" width="560" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Thomas Kowalski, <i>dancer</i></td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5GxyLacBmiI0MVT8bgFRnRMK5TrkN8XCT3ObnAtNumOBuFRZdPl87cU_rsXt4j02SUm2tkoavmtAGOFIv2nH-vQ7tQAkQIKaht6cr6NrSPmKcaoOMBo-dQMw77X2EeKtZvaQkAXkes-o/s1600/kantarovsky%252C+sanya_.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5GxyLacBmiI0MVT8bgFRnRMK5TrkN8XCT3ObnAtNumOBuFRZdPl87cU_rsXt4j02SUm2tkoavmtAGOFIv2nH-vQ7tQAkQIKaht6cr6NrSPmKcaoOMBo-dQMw77X2EeKtZvaQkAXkes-o/s640/kantarovsky%252C+sanya_.jpg" width="484" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sanya Kantarovsky, <i>squeeze</i>, 2015</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivqn3LF0-kOavrFbH3u3aLH59GhcZV3SIc-ZXCTCvtcBi7wukvGTFY_6PtVegXGS1pDDb-VyFZ8mkuo3TjDiEBwK6K7yxCOD5uKoTZZPoUPURZEC0r807XdJ7EfkbWULTHjxwRKPNYpT0/s1600/Hurzlmeier%252C+Dehnende+Reiterin+%2528Stretching+Equestrian%2529%252C+2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivqn3LF0-kOavrFbH3u3aLH59GhcZV3SIc-ZXCTCvtcBi7wukvGTFY_6PtVegXGS1pDDb-VyFZ8mkuo3TjDiEBwK6K7yxCOD5uKoTZZPoUPURZEC0r807XdJ7EfkbWULTHjxwRKPNYpT0/s640/Hurzlmeier%252C+Dehnende+Reiterin+%2528Stretching+Equestrian%2529%252C+2013.jpg" width="384" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Leonhard Hurzlmeier, <i>Dehnende Reiterin (Stretching Equestrian),</i> 2013</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8phRwRyoHVBQphAPr49pB27dpFn2oClK2LUPRHPvoMUERSyqpeyv9zym9m-FIkK5FwBiZdAz43VQmg1_ma_Ckzle_Tfx5jdsjKOomKfYk_hOoXQozOTAXIuO53uHlui_OmF0iBb0IehU/s1600/pinard+la+rencontre+2014+huile+30x30cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8phRwRyoHVBQphAPr49pB27dpFn2oClK2LUPRHPvoMUERSyqpeyv9zym9m-FIkK5FwBiZdAz43VQmg1_ma_Ckzle_Tfx5jdsjKOomKfYk_hOoXQozOTAXIuO53uHlui_OmF0iBb0IehU/s400/pinard+la+rencontre+2014+huile+30x30cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Guillaume Pinard, <i>la rencontre</i>, 2014, huile sur toile 30x30 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA4bWKumMN-7zR1N2ZXHOMnA8ZSIeR9sj6HucJRbK4hgWIwOcd-EdgkpYsJHeym9su9ad-wXYTJu-6bRgUJhDakJ0dtDSxevJP-7z3zAu1DMAEUHyw9IXJ4xfdXhjdxR9jo50ZuckFRyU/s1600/amaral-tarsila-do-antropofagia-1929.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="352" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA4bWKumMN-7zR1N2ZXHOMnA8ZSIeR9sj6HucJRbK4hgWIwOcd-EdgkpYsJHeym9su9ad-wXYTJu-6bRgUJhDakJ0dtDSxevJP-7z3zAu1DMAEUHyw9IXJ4xfdXhjdxR9jo50ZuckFRyU/s400/amaral-tarsila-do-antropofagia-1929.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tarsila Do Amaral, <i>antropofagia</i>, 1929</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikgwxPN9eCVSq66DM2ltu70OeTs_2TFoHMfgQpa83tdMRsj-GhxLGh6qBJ5-Y55HQS0AJCQt5MZ_hK-b_I3301Q3JWtyTsXBWwFzXHCr_dt-WhPkIgBnLk0wtqoo-u0ZQU9DxibPNULfg/s1600/Bonnet%252C+louise_The+Daisy%252C+2016%252C+Oil+on+canvas_182.9+x+152.4+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikgwxPN9eCVSq66DM2ltu70OeTs_2TFoHMfgQpa83tdMRsj-GhxLGh6qBJ5-Y55HQS0AJCQt5MZ_hK-b_I3301Q3JWtyTsXBWwFzXHCr_dt-WhPkIgBnLk0wtqoo-u0ZQU9DxibPNULfg/s640/Bonnet%252C+louise_The+Daisy%252C+2016%252C+Oil+on+canvas_182.9+x+152.4+cm.jpg" width="531" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Louise Bonnet, <i>The Daisy,</i> 2016, Oil on canvas, 182.9 x 152.4 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe87NtsGYscDWAXooFPd9Cixpxj7H_KLOSRhQ4545IQKG7loDYqTXdotVVBKHZH_WiTaBsx1HvFKywlPkyHbiiWMLIp1-mCah2TRi6RAQjjktn04Alk64VwAaYhCtDCbKYWAbcqdKKRBU/s1600/Brodman+2016+gavun+brown+02.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="520" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe87NtsGYscDWAXooFPd9Cixpxj7H_KLOSRhQ4545IQKG7loDYqTXdotVVBKHZH_WiTaBsx1HvFKywlPkyHbiiWMLIp1-mCah2TRi6RAQjjktn04Alk64VwAaYhCtDCbKYWAbcqdKKRBU/s640/Brodman+2016+gavun+brown+02.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vittorio Brodmann, 2016, non identifié</td></tr>
</tbody></table>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy0I4nZJONdZAmaei-ofoucVRlqVF6tNZXK2fU1tzjeQVdj-HPfMGpoDmpqLoxASYuGOfZYpq9yxTf4iU_8ITDN1rCgnN6TWg7L7_KQeNgg13qn_FVo3S-7rl8o5m_PFLYv8N9yOzU6AA/s1600/eisermann_Nach+Oben+Weinen%252C+2016%252C+oil+on+canvas%252C+80+x+60+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiy0I4nZJONdZAmaei-ofoucVRlqVF6tNZXK2fU1tzjeQVdj-HPfMGpoDmpqLoxASYuGOfZYpq9yxTf4iU_8ITDN1rCgnN6TWg7L7_KQeNgg13qn_FVo3S-7rl8o5m_PFLYv8N9yOzU6AA/s640/eisermann_Nach+Oben+Weinen%252C+2016%252C+oil+on+canvas%252C+80+x+60+cm.jpg" width="548" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Leon Eisermann, <i>Nach Oben Weinen,</i> 2016, oil on canvas, 80 x 60 cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4rgRL_8_eMAXeF-B3TF5NU5Y8-ZGaBdWgIxIo0CERuX8ANsxZBI2zfXBbCplHVct-s2vt4lVgpojN4DQtXaTI1KiSf9cWNTNZouJz3Rf7bL516KxVhvRy3eyk_xILV2PnG7c3xcDFc2E/s1600/bienvenu+prince.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4rgRL_8_eMAXeF-B3TF5NU5Y8-ZGaBdWgIxIo0CERuX8ANsxZBI2zfXBbCplHVct-s2vt4lVgpojN4DQtXaTI1KiSf9cWNTNZouJz3Rf7bL516KxVhvRy3eyk_xILV2PnG7c3xcDFc2E/s400/bienvenu+prince.jpg" width="396" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Todd Bienvenu,<i> Prince</i>, 2015</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiMiv-3RAWvEJrUktXewb5YDHDRcMO_BNXedTPakLQxz3oTyMnHU0QDmWRN4AjJ0usYPfG9FTZAkJrNG4_oQecQtXiHnObRRBc5ENCbtRIczlbNm7mnLH82zGLlo8FMVeTjWgcMCZUXdI/s1600/mosley_A+three+act+opera%252C+2015.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiMiv-3RAWvEJrUktXewb5YDHDRcMO_BNXedTPakLQxz3oTyMnHU0QDmWRN4AjJ0usYPfG9FTZAkJrNG4_oQecQtXiHnObRRBc5ENCbtRIczlbNm7mnLH82zGLlo8FMVeTjWgcMCZUXdI/s640/mosley_A+three+act+opera%252C+2015.jpg" width="532" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ryan Mosley, <i>a three act opera</i>, 2015</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYIwnhp_CSVcE-wj-MX9IXQzUQSkfnZTHGKc584-XvgPmP70GK5di1Vktbt-BGta-_6A9TPD6lYe4JCSc2jNPIS86eWnfyfsfAgWRx3Z99Co1oJEkaBoD0C0JBnzpgWZtFVGZEGdZgt5c/s1600/saul-2016-man-with-a-secret+acry+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYIwnhp_CSVcE-wj-MX9IXQzUQSkfnZTHGKc584-XvgPmP70GK5di1Vktbt-BGta-_6A9TPD6lYe4JCSc2jNPIS86eWnfyfsfAgWRx3Z99Co1oJEkaBoD0C0JBnzpgWZtFVGZEGdZgt5c/s640/saul-2016-man-with-a-secret+acry+canvas.jpg" width="552" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Peter Saul, <i>man with a secret</i>, 2016 acrylic on canvas</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHvHKtzJC4KOanwPFOYNcN41MMrLoJJkCnIUqJLJWZ1tBXDwvScGDSt79ZlRvq8bymhOJ-PUta2q4PFpLVwKcxkjcyFDIcNMP1Ei8D3-xiIEH5VWi32Qk18-yvlZGnjtxBUmZCkhpf7jU/s1600/kokoska_suicide+harlequin+%2528nipplehead%2529+2016+24x18in.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHvHKtzJC4KOanwPFOYNcN41MMrLoJJkCnIUqJLJWZ1tBXDwvScGDSt79ZlRvq8bymhOJ-PUta2q4PFpLVwKcxkjcyFDIcNMP1Ei8D3-xiIEH5VWi32Qk18-yvlZGnjtxBUmZCkhpf7jU/s640/kokoska_suicide+harlequin+%2528nipplehead%2529+2016+24x18in.jpg" width="468" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Brian kokoska, <i>suicide harlequin (nipplehead)</i>, 2016, 61 x 45 cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUt91yFR9TVYwJYb3Zqsi9phKRzt1Gj9YVJYviXartyqUCH7CnB_XjuFu30WcwSnlvLEpTeXwwVbus4NGyHPMnW5BY51Jg_rdsI4dHL_nq17TqfPHOgrURh1Kui6Z97AZmAuyQW5nbqFI/s1600/laska%252C+sadie.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUt91yFR9TVYwJYb3Zqsi9phKRzt1Gj9YVJYviXartyqUCH7CnB_XjuFu30WcwSnlvLEpTeXwwVbus4NGyHPMnW5BY51Jg_rdsI4dHL_nq17TqfPHOgrURh1Kui6Z97AZmAuyQW5nbqFI/s640/laska%252C+sadie.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sadie Laska, non identifié</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPG8619LzXNZMdiAqgCypmzO7yt3Vk1WGyDFznLWTmeuEUepOf-DTJxC2b64JhmWcb-79FooYzLMuJBDKfx4aJZVdC2W4IyFs1g-1rdJaLvC0bTH-Ixq5YM2fZ9QLSY5Ly22uxtmQ89fI/s1600/schutz+bowler+oil+183x122cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPG8619LzXNZMdiAqgCypmzO7yt3Vk1WGyDFznLWTmeuEUepOf-DTJxC2b64JhmWcb-79FooYzLMuJBDKfx4aJZVdC2W4IyFs1g-1rdJaLvC0bTH-Ixq5YM2fZ9QLSY5Ly22uxtmQ89fI/s640/schutz+bowler+oil+183x122cm.jpg" width="434" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dana Schutz,<i> bowler</i>, oil on canvas 183x122cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhea8kd5YtkuEieuQJ5KpXFip15oV3rQqJKyPjsOW3KB9vYsaHeYhU0DOJIjMjIJkXBCbwqkJpYI3U3ptNBAAafbt0SWLx88u_R9kqVJi_Ki18A7ohvZVHbNyqPo-yYgXoyegqbtQQ0mAQ/s1600/bankston+come+closer+2015.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhea8kd5YtkuEieuQJ5KpXFip15oV3rQqJKyPjsOW3KB9vYsaHeYhU0DOJIjMjIJkXBCbwqkJpYI3U3ptNBAAafbt0SWLx88u_R9kqVJi_Ki18A7ohvZVHbNyqPo-yYgXoyegqbtQQ0mAQ/s640/bankston+come+closer+2015.jpg" width="478" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">John Bankston, <i>come closer</i>, 2015</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKtV0QCmzhW6WbNda7MXnGgXPARZ0tYzysaO0xEz3TngI1m-r2AwfgiE-4r65brnV1kS0BJS1T_LMg2SPLTPoJAERD1xZKuKVtywwlFdZG-4uaqZyvwaHXN-4sBDDRRKdv5-yZxHHX32g/s1600/tritz_fianc%25C3%25A9e2016.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKtV0QCmzhW6WbNda7MXnGgXPARZ0tYzysaO0xEz3TngI1m-r2AwfgiE-4r65brnV1kS0BJS1T_LMg2SPLTPoJAERD1xZKuKVtywwlFdZG-4uaqZyvwaHXN-4sBDDRRKdv5-yZxHHX32g/s640/tritz_fianc%25C3%25A9e2016.jpg" width="422" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sarah Tritz, <i>la fiancée</i>, 2016 gouache et crayon sur papier, collage</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjTJ1H2LPu30_tUn1vlaFC6dw1pdEraKoXQOoPdKztK2K3RFUy_dIugpyr4BZ_2SJulTQNCS2omzQy4I3LAUkIxLJonwC6zzhNFlfupfE9mT_zdw4vw8nX5AFNvPsTH5JKH8AmdWNbCsg/s1600/Abelow%252C+j__file_43618.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjTJ1H2LPu30_tUn1vlaFC6dw1pdEraKoXQOoPdKztK2K3RFUy_dIugpyr4BZ_2SJulTQNCS2omzQy4I3LAUkIxLJonwC6zzhNFlfupfE9mT_zdw4vw8nX5AFNvPsTH5JKH8AmdWNbCsg/s640/Abelow%252C+j__file_43618.jpg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Joshua Abelow, non identifié</td></tr>
</tbody></table>
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<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOkFawMkquPm6XcMiz7sIT_TobDjIxNm5tKRaGqXY9kThcY18o8uAocWSthpptTRRV4yCG0Frl37M8-eBQctXHgJk205ccI6npzEVxGTF3zI6GouiqNymTkrrN2FhqJJthSVH43d9kFyU/s1600/dunham+another+portrait+2000.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="333" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOkFawMkquPm6XcMiz7sIT_TobDjIxNm5tKRaGqXY9kThcY18o8uAocWSthpptTRRV4yCG0Frl37M8-eBQctXHgJk205ccI6npzEVxGTF3zI6GouiqNymTkrrN2FhqJJthSVH43d9kFyU/s400/dunham+another+portrait+2000.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Caroll Dunham, <i>another portrait</i>, 2000</td></tr>
</tbody></table>
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<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih_gbXl58SdMsval72r43zQl1XSUMm_X49rSNM1PGeb2yhd_nIwsDfd0aimBXqCEnEc6dDyoA39vcxgN2YRicSJNZXwKRcxYTsF6hBgjBQlmJFjtG4Z8din_fo7xyclFzBtZX8q1lbzr4/s1600/LASSNIG-1997-obit-blog427.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih_gbXl58SdMsval72r43zQl1XSUMm_X49rSNM1PGeb2yhd_nIwsDfd0aimBXqCEnEc6dDyoA39vcxgN2YRicSJNZXwKRcxYTsF6hBgjBQlmJFjtG4Z8din_fo7xyclFzBtZX8q1lbzr4/s640/LASSNIG-1997-obit-blog427.jpg" width="513" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maria Lassnig, non identifié, 1997</td></tr>
</tbody></table>
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<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNobuLyMkqXGDWN_MXXh2pLJLs41AX5xCJhR550ArQvYB19cV_C3w5HCbc344CAYnC8b_i97l_-weU_UoXlPR-oMJ2SLsq4-8UqL2fOsDevM3Ex1-8wbMGDmrgDuNK49nEhUSg988bj3M/s1600/Hempton_Kamal-2015_-e1453478299587.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNobuLyMkqXGDWN_MXXh2pLJLs41AX5xCJhR550ArQvYB19cV_C3w5HCbc344CAYnC8b_i97l_-weU_UoXlPR-oMJ2SLsq4-8UqL2fOsDevM3Ex1-8wbMGDmrgDuNK49nEhUSg988bj3M/s640/Hempton_Kamal-2015_-e1453478299587.jpg" width="540" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Celia Hempton, <i>Kamal</i>, 2015</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXX2FOaEM2UQfhZtM1j8ViKk-K7io1Ts6l_TA1fLY5V8Ox1rsJqi3ABgLK9_z-Q6yRQq_8gFLTG1r661XrRl7LnkZB-bvJDl8FM8PwxZjjMEQUwSedC8I-TDvVOUr4OIoUl-QVp2LC12s/s1600/pinard+buste+2014+46x38cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXX2FOaEM2UQfhZtM1j8ViKk-K7io1Ts6l_TA1fLY5V8Ox1rsJqi3ABgLK9_z-Q6yRQq_8gFLTG1r661XrRl7LnkZB-bvJDl8FM8PwxZjjMEQUwSedC8I-TDvVOUr4OIoUl-QVp2LC12s/s640/pinard+buste+2014+46x38cm.jpg" width="521" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Guillaume Pinard, <i>buste</i>, 2014, huile sur toile</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxKkBEq6AvWJn2i5b0gn1Mm51mpt8ERDAasN9lXE_e8IC3J_NJBq1yUnhXvp9RKQBk8Vcl3xqOotWUxl7maecALXhPqMD-rdtZMLWLfhOPr27DVY8ESrg3e0CJzE9KQdN4xPs6QjYDu0k/s1600/berg_Greg_acrylic+on+paper_66x101cm%252C+2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxKkBEq6AvWJn2i5b0gn1Mm51mpt8ERDAasN9lXE_e8IC3J_NJBq1yUnhXvp9RKQBk8Vcl3xqOotWUxl7maecALXhPqMD-rdtZMLWLfhOPr27DVY8ESrg3e0CJzE9KQdN4xPs6QjYDu0k/s640/berg_Greg_acrylic+on+paper_66x101cm%252C+2013.jpg" width="492" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tatiana Berg, <i>Greg</i>, acrylic on paper, 66x101cm, 2013</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8_vWenR_QPL6xrZ6xfA6zvQYu6y2R0_g7WIzSUQddAO_JdpdxEJdLSseIXsS9ODHcpK0ZNq_v8VrLJTkjUbl0uY3gy3PG6XWSut97hRPvYv9n1XuNYTHcPkKVKFdFb2c7Azb1wpUkF_0/s1600/eisenman__file_18684.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8_vWenR_QPL6xrZ6xfA6zvQYu6y2R0_g7WIzSUQddAO_JdpdxEJdLSseIXsS9ODHcpK0ZNq_v8VrLJTkjUbl0uY3gy3PG6XWSut97hRPvYv9n1XuNYTHcPkKVKFdFb2c7Azb1wpUkF_0/s640/eisenman__file_18684.jpg" width="436" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nicole Eisenman, non identifié, oeuvre sur papier, 2016</td></tr>
</tbody></table>
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<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_n8UKApMMls0dwHT5ZkrUdV9aC-epRBSjDaCi-a0sO2L6I_0cpGIett4vrA1oqlCeVFA2R8nBwxp219axuXsDalFqK5xvibM9vmq6lG7qcOpFAYXIL0-A2bR0Na163yJ7l4ZaG7RLCJM/s1600/Cahn+Mutterliebe%252C+1998+oil+on+canvas+48+x+35+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_n8UKApMMls0dwHT5ZkrUdV9aC-epRBSjDaCi-a0sO2L6I_0cpGIett4vrA1oqlCeVFA2R8nBwxp219axuXsDalFqK5xvibM9vmq6lG7qcOpFAYXIL0-A2bR0Na163yJ7l4ZaG7RLCJM/s640/Cahn+Mutterliebe%252C+1998+oil+on+canvas+48+x+35+cm.jpg" width="465" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Miriam Cahn, <i>Mutterliebe,</i> 1998, oil on canvas 48 x 35 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7I2f2t_XufobgrlHhl7mUepLsmPP3wS2EaeJ6WpnjtK2gpY5lk9uplj_f3DBadfQMgyyYBEyAnymh6a1V7Tkh1cxcSgst0QRJD_dhTJRX0_ucqyoTTFYtXL8gwjf46jzTo4NYu7ZPPFA/s1600/kantarovsky__2015_blue_agency.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7I2f2t_XufobgrlHhl7mUepLsmPP3wS2EaeJ6WpnjtK2gpY5lk9uplj_f3DBadfQMgyyYBEyAnymh6a1V7Tkh1cxcSgst0QRJD_dhTJRX0_ucqyoTTFYtXL8gwjf46jzTo4NYu7ZPPFA/s640/kantarovsky__2015_blue_agency.jpg" width="500" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sanya Kantarovsky, <i>blue agency,</i> 2015</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-z8L_WUD52R5DW3UhH-LDdetaRDgCwQKVZpaj1hvMKOPRSZdBuLmWOC_bMMOi2EqVIviRKBQ7wjWxOzz1XSa4PPHOzZKvOQqIKW438_gAjOORgciGHg5J97zLbugVIMhyphenhyphenJ68khXCBOEo/s1600/keiichi+murakami+1981.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-z8L_WUD52R5DW3UhH-LDdetaRDgCwQKVZpaj1hvMKOPRSZdBuLmWOC_bMMOi2EqVIviRKBQ7wjWxOzz1XSa4PPHOzZKvOQqIKW438_gAjOORgciGHg5J97zLbugVIMhyphenhyphenJ68khXCBOEo/s640/keiichi+murakami+1981.jpg" width="482" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Keiichi Murakami, 1981, non identifié</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib7RiTdMTfU5qenhLuVA-zPql56Bb6GgxNMl8w-M_o-bxix3qG5K2bLPqmmR0IJaBxAJeeBHuI9OYkzkp3OT3jCo-1OpDTvzXNPeLVtxCQ0TyQtECL5VS8mkSw0W0cb7KNCxwBJ56s4pc/s1600/Brown.+All+Hands+on+Deck.+2016.+Acrylic%252C+flashe%252C+oil%252C+resin%252C+and+silkscreen+on+corrugated+aluminum.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib7RiTdMTfU5qenhLuVA-zPql56Bb6GgxNMl8w-M_o-bxix3qG5K2bLPqmmR0IJaBxAJeeBHuI9OYkzkp3OT3jCo-1OpDTvzXNPeLVtxCQ0TyQtECL5VS8mkSw0W0cb7KNCxwBJ56s4pc/s640/Brown.+All+Hands+on+Deck.+2016.+Acrylic%252C+flashe%252C+oil%252C+resin%252C+and+silkscreen+on+corrugated+aluminum.jpg" width="448" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Melissa Brown. <i>All Hands on Deck</i>. 2016. Acrylic, flashe, oil, resin, and silkscreen on corrugated aluminum</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhGolAo-HYdmOLgb6gewTep-dU82fN2L0j9nWDVJmxHS-WYP9rVRjs6ohdCLDyw9XpEahbdE3_2pocI0WPWCz9PnN2rx6rMa7s3tLtJPDqqddbr3Hmq2vNbi5mZUZLfSGC6Z3tdhfqpKQ/s1600/bienvenu+shades.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhGolAo-HYdmOLgb6gewTep-dU82fN2L0j9nWDVJmxHS-WYP9rVRjs6ohdCLDyw9XpEahbdE3_2pocI0WPWCz9PnN2rx6rMa7s3tLtJPDqqddbr3Hmq2vNbi5mZUZLfSGC6Z3tdhfqpKQ/s400/bienvenu+shades.jpg" width="333" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Todd Bienvenu, Shades</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-i8cHxzIXrTZMhNOYCofsfY7GsgLtSgma0tgg7RGu984VCrsSAnEAn__NTltSxt_Qy53-6tilyJLJoMZrvyVBAevdvk-LCX4MccV5CyzA94SyxVXjEgnL3yGcwfNiCIeQqNhRf3xRMk0/s1600/tritz_2016.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-i8cHxzIXrTZMhNOYCofsfY7GsgLtSgma0tgg7RGu984VCrsSAnEAn__NTltSxt_Qy53-6tilyJLJoMZrvyVBAevdvk-LCX4MccV5CyzA94SyxVXjEgnL3yGcwfNiCIeQqNhRf3xRMk0/s640/tritz_2016.jpg" width="499" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sarah Tritz, sans titre, 2016, flashe, feutre acrylique sur papier</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipae3da4D4kMyUjgEKsuqsZqbADI5MemvJCLHC2x0iaggPQ4MMVKXMyz2S6Cj-1f23tc9lXCGGAiZ9WrsVPudLGtXh8jtj2V_S3MNkPmPIg6QJ1hQrbSfXlyVLSrqPE5hOzRtz8pn_BVE/s1600/bienvenu_beach+shadow+2016.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipae3da4D4kMyUjgEKsuqsZqbADI5MemvJCLHC2x0iaggPQ4MMVKXMyz2S6Cj-1f23tc9lXCGGAiZ9WrsVPudLGtXh8jtj2V_S3MNkPmPIg6QJ1hQrbSfXlyVLSrqPE5hOzRtz8pn_BVE/s640/bienvenu_beach+shadow+2016.jpg" width="564" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Todd Bienvenu, <i>beach shadow</i>, 2016</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJLbO9VU-cMnIS2XlgSV3Pyt7yfwz6Q2qgBPES5FVf33XaqavP8_fCcDVQxgD6Icoq5C4tlQk7c8Ody47sCJlG479UNKkyUTn2mKKPe14PgXQNhqueIq7PzTNH75Gj19DiVw_YlCpaJKw/s1600/kruglyanskaya_The+Pursuit_2013-oil+oil+bar+linen.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJLbO9VU-cMnIS2XlgSV3Pyt7yfwz6Q2qgBPES5FVf33XaqavP8_fCcDVQxgD6Icoq5C4tlQk7c8Ody47sCJlG479UNKkyUTn2mKKPe14PgXQNhqueIq7PzTNH75Gj19DiVw_YlCpaJKw/s640/kruglyanskaya_The+Pursuit_2013-oil+oil+bar+linen.jpg" width="502" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ella Kruglyanskaya, <i>The Pursuit</i>, 2013, oil & oil bar on linen</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmSxU1Yqokz3jUD0RHRGBtJZevYVctDv4OhWvxPe32E2BZha0eKYFacyXWYk4A58jqa4j7zJMedzuvLgEkfUERz5oeUovnPrpX5_z8l2k9v8LJ6zNLjlHFMYqQYDHA1yanoIiKJ6MwUic/s1600/Iacono%252C+Vase+2015.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmSxU1Yqokz3jUD0RHRGBtJZevYVctDv4OhWvxPe32E2BZha0eKYFacyXWYk4A58jqa4j7zJMedzuvLgEkfUERz5oeUovnPrpX5_z8l2k9v8LJ6zNLjlHFMYqQYDHA1yanoIiKJ6MwUic/s640/Iacono%252C+Vase+2015.jpg" width="494" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anthony Iacono, <i>vase</i>, 2015</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzPvrUQ9lAA9-zX1cjbTRX_DjMmJ1-bQafYnc3gwGv2hxfbQCeDMkpvvT9x05cLqq8Y_OAKwsO_cx1uIiXiOmHcUC42d5Z6nVg3uSpsGkj9Aw1l0ZPNPlVkR6gaU_lGsC-bYqRR_r6dEM/s1600/Iacono%252C+anthony_Grapefruit+2015.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzPvrUQ9lAA9-zX1cjbTRX_DjMmJ1-bQafYnc3gwGv2hxfbQCeDMkpvvT9x05cLqq8Y_OAKwsO_cx1uIiXiOmHcUC42d5Z6nVg3uSpsGkj9Aw1l0ZPNPlVkR6gaU_lGsC-bYqRR_r6dEM/s640/Iacono%252C+anthony_Grapefruit+2015.jpg" width="520" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anthony Iacono,<i> Grapefruit</i>, 2015</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ0-Vh4ilJzPvUUuC1WlGC-Uv3E4NIOM3zVgwaE9m8jT-tIk27MDygqbF7EpuIfzv4QWgAIi8RKUWlnku_Oov-zEydE60oJWn9WOLtyd9tSkJobkDYIhW68DG4wUW3SGc69qFEZVbEf_4/s1600/GLANTZ_Portrait_of_Jack_2015_oil+56x46+in.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ0-Vh4ilJzPvUUuC1WlGC-Uv3E4NIOM3zVgwaE9m8jT-tIk27MDygqbF7EpuIfzv4QWgAIi8RKUWlnku_Oov-zEydE60oJWn9WOLtyd9tSkJobkDYIhW68DG4wUW3SGc69qFEZVbEf_4/s400/GLANTZ_Portrait_of_Jack_2015_oil+56x46+in.jpg" width="328" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anna GLANTZ, <i>Portrait of Jack,</i> 2015, oil on canvas 56 x 46 in</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSuX7qegEFOkOm51Sucr6kZ60T_kTF5bKMAgKqmTB5y-ZXyo1aJo-2Dp1Irh2R4K_M4s7IF7owtKVVyaAque3aeXpVUKpv2uOaJMnW3OWPTQWHAolAFbzOgKoM7lm-YxKQca564Q3PAag/s1600/Di-Massimo-the+black+cloud+2015+89+x+66+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSuX7qegEFOkOm51Sucr6kZ60T_kTF5bKMAgKqmTB5y-ZXyo1aJo-2Dp1Irh2R4K_M4s7IF7owtKVVyaAque3aeXpVUKpv2uOaJMnW3OWPTQWHAolAFbzOgKoM7lm-YxKQca564Q3PAag/s640/Di-Massimo-the+black+cloud+2015+89+x+66+cm.jpg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Patrizio Di Massimo,<i> the black cloud</i>, 2015 89 x 66 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGE6PWfFAlCdtlc6sLg_SoMphpTUYo1kkY4hm_RotCR7PExsBU3uDpqEmUU2zUG418KL6Yoq6jLves6TGcaZji4QeNvgBs-_I6i2lv-R9sRLRUdD6nefZgZgc03ka3xWSl4De2qyU0_Bw/s1600/Keogh+Intestine+and+Tassels%252C+2015+Acrylic+on+canvas_213.4+x+160+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGE6PWfFAlCdtlc6sLg_SoMphpTUYo1kkY4hm_RotCR7PExsBU3uDpqEmUU2zUG418KL6Yoq6jLves6TGcaZji4QeNvgBs-_I6i2lv-R9sRLRUdD6nefZgZgc03ka3xWSl4De2qyU0_Bw/s640/Keogh+Intestine+and+Tassels%252C+2015+Acrylic+on+canvas_213.4+x+160+cm.jpg" width="484" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cailtin Keogh, <i>Intestine and Tassels,</i> 2015 Acrylic on canvas, 213.4 x 160 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQx1Dju_U7CO2iR574OSuuxLfb8i9keYGUcuWUfSMyxADwsGmprD98ihGhb9-aXrjbxoS33E1pP5PFaV8JAkMrpZR1Y41LrQJW2u-WyBhVklRYLeYFS2_KSm0Ik-S1bULDeLUJIk1DOnQ/s1600/Treib_M_A__Reading_2015_watercolour+gouache+paper.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQx1Dju_U7CO2iR574OSuuxLfb8i9keYGUcuWUfSMyxADwsGmprD98ihGhb9-aXrjbxoS33E1pP5PFaV8JAkMrpZR1Y41LrQJW2u-WyBhVklRYLeYFS2_KSm0Ik-S1bULDeLUJIk1DOnQ/s640/Treib_M_A__Reading_2015_watercolour+gouache+paper.jpg" width="473" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Patricia Treib,<i> MA Reading</i>, 2015, watercolour & gouache on paper</td></tr>
</tbody></table>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-22129303028199117282016-11-28T17:04:00.004+01:002016-11-28T17:04:31.756+01:00Picabia avec un S<br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRgIeGmb1h0W5MbgJxN93K-jCkGvHfDwnaRo7Qw2L2CVCw5Yy-KtLuMbrzmXc6zh0-3Z-CBuSq-PuhyIG87fFAkW0zzGcobGAAtRlqdKBfYpWGHMjnxKn61zdgJBQ1kUmk6FWiKn_29_I/s1600/AVT_Francis-Picabia_4666.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRgIeGmb1h0W5MbgJxN93K-jCkGvHfDwnaRo7Qw2L2CVCw5Yy-KtLuMbrzmXc6zh0-3Z-CBuSq-PuhyIG87fFAkW0zzGcobGAAtRlqdKBfYpWGHMjnxKn61zdgJBQ1kUmk6FWiKn_29_I/s640/AVT_Francis-Picabia_4666.jpeg" width="496" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">dessin non identifié, 1930</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"><br /></span></span>
<div style="margin-bottom: 0cm;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Je profite de l'inauguration toute récente d'une
rétrospective Picabia au MOMA de New-York (<a href="http://press.moma.org/2016/02/francis-picabia-our-heads-are-round-so-our-thoughts-can-change-direction/" target="_blank">Our heads are round so our thoughts can change direction</a>) pour me souvenir de celle vue en
2003 (Singulier idéal) au Musée d'art moderne de la ville de Paris
et ainsi partager ces découvertes continues offertes par internet et
les foires, ventes. La liberté stylistique et capricieuse de Picabia
est son trésor le plus précieux (voir le titre de l'expo au MOMA)
et ce qui peut nous aider au quotidien à lutter contre la tentation
à s'auto-résumer, se simplifier et donc autoriser à se contredire,
s'assouplir, enrichir le regard sur le travail, forcément plus riche
et ouvert que ce qu'on veut en voir. Il est le meilleur exemple du multiple en soi et en action au travail, un des seuls à naviguer librement en son temps entre abstraction et figuration...</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioM6lHhOB0FkhxUFOjfD4CSx9UBRXPPc2Z1DOJ71C5PwSmup08_Rfrjx75WrgRE0Edc548dzexbCFYBrX8owa62eUdJNc5JQaSosRs559aqoCwUk93IXnTOdNSBlBmJbUvgRZEGBxTXls/s1600/picabia+profil+1931.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioM6lHhOB0FkhxUFOjfD4CSx9UBRXPPc2Z1DOJ71C5PwSmup08_Rfrjx75WrgRE0Edc548dzexbCFYBrX8owa62eUdJNc5JQaSosRs559aqoCwUk93IXnTOdNSBlBmJbUvgRZEGBxTXls/s640/picabia+profil+1931.jpg" width="416" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Profil, 1931</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgceWPa7v-ztlh18lHC7vvNyTDgcG2f5ztn-uUWGKsS73ZUwGFyOzVsLadsIuljcpBSowjvLDtJufaeHmmxRyHlbQ1mfriOXmodCyO-Jd6Vws9opCPcqZYPwD2p6nKeKx5eSijCGwW1kVw/s1600/9.+Aello+crop.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgceWPa7v-ztlh18lHC7vvNyTDgcG2f5ztn-uUWGKsS73ZUwGFyOzVsLadsIuljcpBSowjvLDtJufaeHmmxRyHlbQ1mfriOXmodCyO-Jd6Vws9opCPcqZYPwD2p6nKeKx5eSijCGwW1kVw/s320/9.+Aello+crop.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Aello (detail)</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2_a4Par3xs-q_ULW35TUe_l3S8stTaMB3PpAZz-S5vfvIgQvDXX8l1ESpdThsKsIAKtcAmomgzNxDxiw-uC0BcBCFt0nnfLTjn2Amy14ayxGoYcg6HWHgLikMSuJ19qN9ZnCU33b7EEI/s1600/picabia+-+les+mouettes+v1935-40+huiles+carton+21x17%252C5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2_a4Par3xs-q_ULW35TUe_l3S8stTaMB3PpAZz-S5vfvIgQvDXX8l1ESpdThsKsIAKtcAmomgzNxDxiw-uC0BcBCFt0nnfLTjn2Amy14ayxGoYcg6HWHgLikMSuJ19qN9ZnCU33b7EEI/s640/picabia+-+les+mouettes+v1935-40+huiles+carton+21x17%252C5.jpg" width="528" /></a></div>
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<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Une suite d'images, d'oeuvres et
quelques citations clés parmi l'abondante prolifération de Picabia
en paroles, textes, manifestes, revues, déclarations, slogans, plus
ou moins sérieux, pénibles, paranoiaques, stratégiques, bref tout
et son contraire. Un homme qui a lutté toujours contre l'oeuvre
figée et donc réduite, pour le mouvement donc la vie (lire en cela
ses titres) même si ce sont des banalités.</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja6TGe5f9pJYO0g61zbFG03giYShSetQPCNPY0Nez8ljmRDNRozU9a-IwCKa2qgCFDWMW1rTkZ8znXnyH8Usf7IZXPjQPVSDhKPqHcMOaT8Hi0a9PT3R5FIoFNDfEHNR45Os9urdXOMEc/s1600/francis-picabia-bouquet-de-fleurs+v1940+55.5+x+46+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEja6TGe5f9pJYO0g61zbFG03giYShSetQPCNPY0Nez8ljmRDNRozU9a-IwCKa2qgCFDWMW1rTkZ8znXnyH8Usf7IZXPjQPVSDhKPqHcMOaT8Hi0a9PT3R5FIoFNDfEHNR45Os9urdXOMEc/s320/francis-picabia-bouquet-de-fleurs+v1940+55.5+x+46+cm.jpg" width="370" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">bouquet de fleurs, vers 1940 55.5 x 46 cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiACMztOHWD00YayyWCN1_JLxe1W_wHTl7VNjpAepsbG8y5j-SgGtIv8mHEbADR2Po7JNUlgW7RGYlC4xzbzQB5sur92rmzhaQlaL88aKcrIfsQuvkzsuZ94ecFORg_3tx3eYGXBUM924U/s1600/picabia+la+blonde+gouache+v40-46_46x38cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiACMztOHWD00YayyWCN1_JLxe1W_wHTl7VNjpAepsbG8y5j-SgGtIv8mHEbADR2Po7JNUlgW7RGYlC4xzbzQB5sur92rmzhaQlaL88aKcrIfsQuvkzsuZ94ecFORg_3tx3eYGXBUM924U/s640/picabia+la+blonde+gouache+v40-46_46x38cm.jpg" width="522" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">la blonde, gouache, vers 1940-46, 46 x 38cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyfsXJrcWgViSbRKdgspRS4B4f9-uE0jf-NF_5ZlWa6U52JsP3IgZfXx764VoGoxjGefixtEBq1dsslZHcASmxvgDa1uXM43NZtc_ZYjTzr1hbzEOcWxX0Eo4K9Ux0Qr1iapXkkxaABak/s1600/picabia+la+blonde+gouache+v40-46_46x38cm+copy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyfsXJrcWgViSbRKdgspRS4B4f9-uE0jf-NF_5ZlWa6U52JsP3IgZfXx764VoGoxjGefixtEBq1dsslZHcASmxvgDa1uXM43NZtc_ZYjTzr1hbzEOcWxX0Eo4K9Ux0Qr1iapXkkxaABak/s640/picabia+la+blonde+gouache+v40-46_46x38cm+copy.jpg" width="444" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaoN_QtEfVPFHGHk87OzbywucDCyn5WgYWVna5Lb3LOuYdiePe9Ts4PYaITHYbo9Uu-Ubu9BPiMNXpKgt5_lVT6xck3nRLN6llg0NM11DQt3iK8q85RIuxJ8yLSJY_5IO6ODskq7-ByS0/s1600/picabia+lever+de+soleil.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaoN_QtEfVPFHGHk87OzbywucDCyn5WgYWVna5Lb3LOuYdiePe9Ts4PYaITHYbo9Uu-Ubu9BPiMNXpKgt5_lVT6xck3nRLN6llg0NM11DQt3iK8q85RIuxJ8yLSJY_5IO6ODskq7-ByS0/s640/picabia+lever+de+soleil.JPG" width="416" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI7UbLFjgwLWCmLvzqasLqviSXfinPNLaNo98dgSVxsCmF8pih79f_f8iep9FLyfAzl5TrJ_RcjGxJWETS2BsmNfxuGkH6xD3zagJf9PbLrj010ebLSeyPEIcPB6LqRHuf44EGymudfvA/s1600/picabia+la+lecture+1924.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI7UbLFjgwLWCmLvzqasLqviSXfinPNLaNo98dgSVxsCmF8pih79f_f8iep9FLyfAzl5TrJ_RcjGxJWETS2BsmNfxuGkH6xD3zagJf9PbLrj010ebLSeyPEIcPB6LqRHuf44EGymudfvA/s640/picabia+la+lecture+1924.jpg" width="491" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">la lecture</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQLTiTquPH0mMmkFJKjhv1FbnbNwgE-QobWX87Y6EkTOAPXPQj6s_VF0vQmLsYlgGnVWt-yl1oX5tGYMobrabKjzkJ_KLqV_qaPaibRMRJcm0ah3-t3peh8eOvEsS8PQApjfi5vwS2h0k/s1600/picabia-non+id.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQLTiTquPH0mMmkFJKjhv1FbnbNwgE-QobWX87Y6EkTOAPXPQj6s_VF0vQmLsYlgGnVWt-yl1oX5tGYMobrabKjzkJ_KLqV_qaPaibRMRJcm0ah3-t3peh8eOvEsS8PQApjfi5vwS2h0k/s400/picabia-non+id.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP8s2QaxBVQWl1MEeH6-5qIGQGw-T8JpDHsfhTf85kepibjr7PucSNqgFBd6Y03199MjQf0e4rxiH0RN7fW3WUyGcb6PZcz6oYFCT7dGN9Zzz6p3axbJ55gafrMV1PUBTMN8vh9voNEqY/s1600/francis-picabia-cyclope.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP8s2QaxBVQWl1MEeH6-5qIGQGw-T8JpDHsfhTf85kepibjr7PucSNqgFBd6Y03199MjQf0e4rxiH0RN7fW3WUyGcb6PZcz6oYFCT7dGN9Zzz6p3axbJ55gafrMV1PUBTMN8vh9voNEqY/s640/francis-picabia-cyclope.jpg" width="450" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cyclope</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6v8OkeKhTuXbxC7FqoXudV0PIt6dpBJFY9mTbWO2Ky0_-_fxx7LGeyd-B32qRePvyFp8H5QztrC10Lrx3BGs-suJrVWiyKgBpaZbOk8QcTzrqoYVjPfz1gzNS67q1sVLKd00odZI4tTY/s1600/Picabia_Tableau_vivant.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6v8OkeKhTuXbxC7FqoXudV0PIt6dpBJFY9mTbWO2Ky0_-_fxx7LGeyd-B32qRePvyFp8H5QztrC10Lrx3BGs-suJrVWiyKgBpaZbOk8QcTzrqoYVjPfz1gzNS67q1sVLKd00odZI4tTY/s400/Picabia_Tableau_vivant.jpg" width="285" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">tableau vivant, </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWXBZ_rgRCvMr8dMvw1V9zHcc3FHAJRTlZZAA1kLyE2_ysKdOw29_lZMWzRAW5daCYfLh90YNict_CAgxmWNpVmjBo_fEy-6Zd-CxWsJ-3VWYiG4dXiDIqpESbKO8tkt7EZYu1R1vUikU/s1600/Picabia%252C+Haschich+%2528Hashish%2529%252C+1948.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWXBZ_rgRCvMr8dMvw1V9zHcc3FHAJRTlZZAA1kLyE2_ysKdOw29_lZMWzRAW5daCYfLh90YNict_CAgxmWNpVmjBo_fEy-6Zd-CxWsJ-3VWYiG4dXiDIqpESbKO8tkt7EZYu1R1vUikU/s640/Picabia%252C+Haschich+%2528Hashish%2529%252C+1948.jpg" width="488" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hachich, 1948</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ55DTH3miKW-clb2hgys3BFv0jwWttwzaXt8JbV7xcaG1yy2FA0YpblisKUTG6E64iYlw72V7TzPxLdWuGnE-_1AMOf0AOO5wkKQP5mEJAwo-gJRQluo2O0q8fJO6_BeVUB-QS9L8cQU/s1600/picabia_je+vous+attends_1940.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ55DTH3miKW-clb2hgys3BFv0jwWttwzaXt8JbV7xcaG1yy2FA0YpblisKUTG6E64iYlw72V7TzPxLdWuGnE-_1AMOf0AOO5wkKQP5mEJAwo-gJRQluo2O0q8fJO6_BeVUB-QS9L8cQU/s640/picabia_je+vous+attends_1940.jpg" width="506" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Je vous attend, 1940</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;">une citation précieuse de 1948 : <i> </i></span></span></div>
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<br /></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"><i>"</i></span></span><i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Je tiens à exprimer certaines
remarques générales sur l'art du style. Communiquer un état d'âme,
une tension intérieure, une émotion au moyen de signes - y compris
l'aspect de ses signes- , voilà ce qu'est le style.</span></span></i></div>
<i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">
</span></span></i><div style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span></i>
</div>
<i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">
</span></span></i><div style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Etant donné que chez moi la
multiplicité des états d'âme est infinie, je possède un grand
nombre de ressources stylistiques, l'art du style le plus varié dont
quiconque ait jamais disposé.</span></span></i></div>
<i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">
</span></span></i><div style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span></i>
</div>
<i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">
</span></span></i><div style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Tout style est bon s'il communique
vraiment un état d'âme, sans se laisser leurrer par l'aspect des
signes, des gestes. Le bon signe en soi est une pure niaiserie de
l'idéalisme pur, à peu près comme le beau en soi, le bon en soi,
la chose en soi ...</span></span></i></div>
<i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">
</span></span></i><div style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span></i>
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<i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">
</span></span></i><div style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Etant bien sur entendu qu'il existe des
yeux pour voir, des oreilles pour entendre, des hommes dignes
d'éprouver une émotion identique, des hommes avec qui il vaut la
peine de communiquer."</span></span></i></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrVXKi8m2vQP2Ak7IxvMCO9IokgQapOZ_SlQOnF1XA6Pu3tlSOuywHu4OCnmZ9iVm7a2n3S4kTjKmqcXJWv7gECD39k0f634q3bSGBtFgP3rJRD-SZvq96QqKWc6Lxidj-_QE2zrFbehk/s1600/picabia_au+theatre+1935+117+by+89+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrVXKi8m2vQP2Ak7IxvMCO9IokgQapOZ_SlQOnF1XA6Pu3tlSOuywHu4OCnmZ9iVm7a2n3S4kTjKmqcXJWv7gECD39k0f634q3bSGBtFgP3rJRD-SZvq96QqKWc6Lxidj-_QE2zrFbehk/s640/picabia_au+theatre+1935+117+by+89+cm.jpg" width="488" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">au théâtre, 1935, 117 by 89 cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUuI-9r2hHE9_HkQdJOQcZ61YlBYeP2UMJ4xcNSotdX1-RH9HgKYe4nCJe-0Fuu-GtRvVi_gYDy9dpScZ_jSU1f7Di6xQZvYGhguVB9YK3xtvzkmhUtF_Q8KBMcQQhDcAEe66bsxExrr0/s1600/picabia+l%2527oiseau+%2528pigeon%2529+v1946+65+by+54.5+cm.Jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUuI-9r2hHE9_HkQdJOQcZ61YlBYeP2UMJ4xcNSotdX1-RH9HgKYe4nCJe-0Fuu-GtRvVi_gYDy9dpScZ_jSU1f7Di6xQZvYGhguVB9YK3xtvzkmhUtF_Q8KBMcQQhDcAEe66bsxExrr0/s640/picabia+l%2527oiseau+%2528pigeon%2529+v1946+65+by+54.5+cm.Jpeg" width="536" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">l'oiseau (pigeon), vers 1946, 65 x 54.5 c<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">m</span></span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib4EHcmvF65OXaDEJjXyYfV-D6S91N1KsMaycrVUo3oX3OVh5uAda-3Lyi4H-uvjVBJVzK90MJn1Uz_tYyET-dGjtngj-DD9uEQrHOpvtrFXrfUPTe0wI7qtO81VXhwTv91rdE4gpCA1E/s1600/Picabia-Je-revois-en-souvenir-ma-chere-Udnie-1914-300x370.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib4EHcmvF65OXaDEJjXyYfV-D6S91N1KsMaycrVUo3oX3OVh5uAda-3Lyi4H-uvjVBJVzK90MJn1Uz_tYyET-dGjtngj-DD9uEQrHOpvtrFXrfUPTe0wI7qtO81VXhwTv91rdE4gpCA1E/s400/Picabia-Je-revois-en-souvenir-ma-chere-Udnie-1914-300x370.jpg" width="322" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Je revois en souvenir ma chère Udnie, 1914</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2R5xTLaKxA6jhwQb8ePN-CFXmAJcpA2z2Pi-bhe6J1N97XP1M42qBAq7ssxsdTbV1EGdZTnKWxvutvGIKv5BdVlOAxf3zp-Jnd-tLN-NJLdr8lk-WahISfdh0gs0PNxCwpZ4ZoZvPvVM/s1600/Francis_Picabia___Autumn_1917.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2R5xTLaKxA6jhwQb8ePN-CFXmAJcpA2z2Pi-bhe6J1N97XP1M42qBAq7ssxsdTbV1EGdZTnKWxvutvGIKv5BdVlOAxf3zp-Jnd-tLN-NJLdr8lk-WahISfdh0gs0PNxCwpZ4ZoZvPvVM/s400/Francis_Picabia___Autumn_1917.jpeg" width="313" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Automne, 1917</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvNkHrY1IJLxVGvbCDqINvTZ_mv9nP_hJyo1XiOc0IQtLI7qRi6e36lfBnPeHmxzT4ssU4gtDkhUMxQh6TO3nG6jG6SkdlCtK3hWitalVeuCkCsLfMrUnKyHXLunDgdjRSdpJLaCtev6U/s1600/picabia+femme+au+masque.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvNkHrY1IJLxVGvbCDqINvTZ_mv9nP_hJyo1XiOc0IQtLI7qRi6e36lfBnPeHmxzT4ssU4gtDkhUMxQh6TO3nG6jG6SkdlCtK3hWitalVeuCkCsLfMrUnKyHXLunDgdjRSdpJLaCtev6U/s400/picabia+femme+au+masque.jpg" width="322" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Femme au masque</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDArztPF3Nr2a2ZCdNZNp8INPKVo740eql3DUjYjM-6CClV0JPmLBV8JtVUHXSk30WfL2kzt9BeExH2388LpqTYMsJ5TkYDZUSoISm6kPqDte5lv5PlHmtBVJvvGkdlCQScO3riAqiabM/s1600/picabia_abstract+NO.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDArztPF3Nr2a2ZCdNZNp8INPKVo740eql3DUjYjM-6CClV0JPmLBV8JtVUHXSk30WfL2kzt9BeExH2388LpqTYMsJ5TkYDZUSoISm6kPqDte5lv5PlHmtBVJvvGkdlCQScO3riAqiabM/s400/picabia_abstract+NO.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqdZc-WdQLVPSu0lqieWE9wgVIF7HKjqIXtwhgx7WpemZ_Q8CHM_tUhZ6sUJX4U1ARYF4QWnAULFTRQSgrx-Xts-gmPPSAtaITpKirwB7PhkVZnWtqLIdx8a54hXuj0IB6dtu0_7m3vWE/s1600/picabia+chaves+et+chauves+1947.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqdZc-WdQLVPSu0lqieWE9wgVIF7HKjqIXtwhgx7WpemZ_Q8CHM_tUhZ6sUJX4U1ARYF4QWnAULFTRQSgrx-Xts-gmPPSAtaITpKirwB7PhkVZnWtqLIdx8a54hXuj0IB6dtu0_7m3vWE/s640/picabia+chaves+et+chauves+1947.jpg" width="536" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chaves et chauves, 1947</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhISLSUUIT5OY3JACkazRCm8b6IXYMX_oR8ZL3Ih44JHlYkx5NAuO1yKJIVfLKWTyzp3fMjFlLwXaxwT9Qyvpt7DXaf4NhTWr1K8h5m6UNWU3_ykMT93BxHLfotdyUeo-VwQCUrQOdxYLw/s1600/picabia+foi+en+moi-m%25C3%25AAme+1947.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhISLSUUIT5OY3JACkazRCm8b6IXYMX_oR8ZL3Ih44JHlYkx5NAuO1yKJIVfLKWTyzp3fMjFlLwXaxwT9Qyvpt7DXaf4NhTWr1K8h5m6UNWU3_ykMT93BxHLfotdyUeo-VwQCUrQOdxYLw/s640/picabia+foi+en+moi-m%25C3%25AAme+1947.jpg" width="532" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Foi en moi-même</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOjbMF7a_wM1rJUIbR3T1e3ryj4TKnTXmf7AlxOMuB90ym9RGQC1y_d25EiFUe3sP21Hbrwmk1438lKdUX9-zBe1cL-jiUJwQoNPm1beXHlwOVFjg-_LlOgh9JX0CqK-7tJdxNpsXgZ8g/s1600/picabia+ST+1936.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOjbMF7a_wM1rJUIbR3T1e3ryj4TKnTXmf7AlxOMuB90ym9RGQC1y_d25EiFUe3sP21Hbrwmk1438lKdUX9-zBe1cL-jiUJwQoNPm1beXHlwOVFjg-_LlOgh9JX0CqK-7tJdxNpsXgZ8g/s640/picabia+ST+1936.jpg" width="472" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">sans titre, 1936</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTiQReSirqlXhObx8auWZUdjJB6ZrkNpyvvULwLAA7-CU1pYqGLFYdQJ2kSXbUAtqsUNjHbYwztJ2EVdVEzO9yg7aMigvWbnKODqWLCQgmPMIGx14wPGicwY4BzRT2e3vJv5tK5d3OqMA/s1600/picabia+vol+doiseau+40x37cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTiQReSirqlXhObx8auWZUdjJB6ZrkNpyvvULwLAA7-CU1pYqGLFYdQJ2kSXbUAtqsUNjHbYwztJ2EVdVEzO9yg7aMigvWbnKODqWLCQgmPMIGx14wPGicwY4BzRT2e3vJv5tK5d3OqMA/s400/picabia+vol+doiseau+40x37cm.jpg" width="370" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">vol d'oiseau, 1949, 40 x 37cm</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd9tTfWRU62eTgu2riPk4mr4KSiencqbNxzoDHVzumL-fas-vD6duGqmyZHzbYawQ5zM6xeHLoSdNstBJHOkylVBJ6GTPylmOYRXGBx18bi_mB2NFrZq6N0RmvgGI9gxa8tZS5RuTmeKo/s1600/picabia+%25C3%25A9toile+1947.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd9tTfWRU62eTgu2riPk4mr4KSiencqbNxzoDHVzumL-fas-vD6duGqmyZHzbYawQ5zM6xeHLoSdNstBJHOkylVBJ6GTPylmOYRXGBx18bi_mB2NFrZq6N0RmvgGI9gxa8tZS5RuTmeKo/s640/picabia+%25C3%25A9toile+1947.jpg" width="528" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Etoile, 1947</td></tr>
</tbody></table>
<div style="text-align: justify;">
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: justify;">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCtLb4BKzrYyww8_Drt4r79fUBbjnCe1YgLG6uXa3suIH1rCpX8oUW7T2c_1UD7bJesJ8WRlikGln8ccJxFr7rhQvlL58mwYJ16BvbnajH9vyiluqvU406a6LHFTCZhYkYHmZc_fyVYhk/s1600/picabia_main+mysterieuse.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCtLb4BKzrYyww8_Drt4r79fUBbjnCe1YgLG6uXa3suIH1rCpX8oUW7T2c_1UD7bJesJ8WRlikGln8ccJxFr7rhQvlL58mwYJ16BvbnajH9vyiluqvU406a6LHFTCZhYkYHmZc_fyVYhk/s400/picabia_main+mysterieuse.jpg" width="340" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">La main mystérieuse</td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: justify;">
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNgfmG2lt0B87087tNCKwACM73bn4nMwg2pNYX3dU3GX8gXEE4Xsp8Xxz7MDDmTtzIzU6G3VREA3WXzmmMHq6MfhQzclGT_WUTM7A7aDXgy8xt0uBncG_UooLnKfRhDQukVKV5uQXidIs/s1600/craccae-1928.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNgfmG2lt0B87087tNCKwACM73bn4nMwg2pNYX3dU3GX8gXEE4Xsp8Xxz7MDDmTtzIzU6G3VREA3WXzmmMHq6MfhQzclGT_WUTM7A7aDXgy8xt0uBncG_UooLnKfRhDQukVKV5uQXidIs/s640/craccae-1928.jpg" width="482" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">cracae</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSwEWlIfxXi8JopwqV3WkTGPP6vbO4PKEYEx6FyWKDXYr8RUGRULRlx5IiOtvW9fJCeqkhsL6IXLE_Tx2tH4q2xSgKqLLEs_9tElBuTMAOUAHw2mbkDWUrnxSZrkO1Imabxpt5-4sK59Q/s1600/picabia+espagne.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSwEWlIfxXi8JopwqV3WkTGPP6vbO4PKEYEx6FyWKDXYr8RUGRULRlx5IiOtvW9fJCeqkhsL6IXLE_Tx2tH4q2xSgKqLLEs_9tElBuTMAOUAHw2mbkDWUrnxSZrkO1Imabxpt5-4sK59Q/s640/picabia+espagne.jpg" width="504" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitfzoNiXuVbKtnhoca7wi4-0-nooEm5-UdcbHHL3zoZIGocyf5BJ7PWw-ecT8vZNp9aRJQ6ZlXfjzvd4gdxTrhtyMWUsy_XmAQQttbSlWCt_JaxNzRSfcxXKrux7lSBubSCf4ElNBc1Ig/s1600/uncana.Jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitfzoNiXuVbKtnhoca7wi4-0-nooEm5-UdcbHHL3zoZIGocyf5BJ7PWw-ecT8vZNp9aRJQ6ZlXfjzvd4gdxTrhtyMWUsy_XmAQQttbSlWCt_JaxNzRSfcxXKrux7lSBubSCf4ElNBc1Ig/s640/uncana.Jpeg" width="452" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Uncana</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi10lnNT9tJsK8ZSw8U_B4aZyE85NhORtMsXzPOD243xCvd8lFegkAAy3H5LZyFzd-ic8ixoKI7mZWt5OMuKhuhvN8Lqtc52csD43JiO9tLNJcevmW6NOKI-5pe2s2OBZqQ3kAx0kOMVdI/s1600/PICABIA-GERTRUDE-STEIN.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi10lnNT9tJsK8ZSw8U_B4aZyE85NhORtMsXzPOD243xCvd8lFegkAAy3H5LZyFzd-ic8ixoKI7mZWt5OMuKhuhvN8Lqtc52csD43JiO9tLNJcevmW6NOKI-5pe2s2OBZqQ3kAx0kOMVdI/s640/PICABIA-GERTRUDE-STEIN.jpg" width="481" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gertrude Stein</td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnhUhJezan3BjmPXsmqVlCJ-VWiIZtFuu_Fqy8FGbO7msXahd6aKQQQXQ_1fp45mlcSsJqP_WZD6H8vwLGIGZcxOVjanZXE1SY8rZHH0f58M4akhYwQMVy5_g7ZAbR_LP6WjrXBDNoG3s/s1600/picabia_baigneuses.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnhUhJezan3BjmPXsmqVlCJ-VWiIZtFuu_Fqy8FGbO7msXahd6aKQQQXQ_1fp45mlcSsJqP_WZD6H8vwLGIGZcxOVjanZXE1SY8rZHH0f58M4akhYwQMVy5_g7ZAbR_LP6WjrXBDNoG3s/s640/picabia_baigneuses.jpg" width="568" /></a></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJzOjFKOBJKQ8rhGpfPqtzC6eM0tsM8nVu9K3CSGyhnivnUElUoLWLg4X-ESELX82YAwc_Ye7tY-3TWXI8wvCELYLpzzMNEVU7YSfYzJ5ghAkYwKRAzTzje2FNeGNNwBWaj5fA1LlDSrM/s1600/Picabia_transparence_non+id.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="468" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJzOjFKOBJKQ8rhGpfPqtzC6eM0tsM8nVu9K3CSGyhnivnUElUoLWLg4X-ESELX82YAwc_Ye7tY-3TWXI8wvCELYLpzzMNEVU7YSfYzJ5ghAkYwKRAzTzje2FNeGNNwBWaj5fA1LlDSrM/s640/Picabia_transparence_non+id.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRZAGvaGN40LNfv61deHZcAsSag2DPt6UY7ERrobG8_GDI3v61Yvk4tU8yBEP3YQw3GjxRvcm-2TNQNAPJwEsCoACc1EjgXczryLdYD806tg7qgQ5zu2KM0CaO5FKq_ni1WrWRW5l29z8/s1600/picabia+l%2527enfer+gouache+sur+papier+1926.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRZAGvaGN40LNfv61deHZcAsSag2DPt6UY7ERrobG8_GDI3v61Yvk4tU8yBEP3YQw3GjxRvcm-2TNQNAPJwEsCoACc1EjgXczryLdYD806tg7qgQ5zu2KM0CaO5FKq_ni1WrWRW5l29z8/s400/picabia+l%2527enfer+gouache+sur+papier+1926.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">L'enfer, gouache sur papier, 1926</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO8hD4oUGFnIuzMWpozq4eWqv68d-hkGX9Nf9wb3zUAayVhCeCjyM7AkWCRx7uH6ROmBMIqrSa_Kd2P3ykFwZyEOpV5oxV9OrpHO3rkZCfML_5ywNA6GG_bKtbCmz8DERj3fIP88uyySY/s1600/picabia_tarica10-16-14.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO8hD4oUGFnIuzMWpozq4eWqv68d-hkGX9Nf9wb3zUAayVhCeCjyM7AkWCRx7uH6ROmBMIqrSa_Kd2P3ykFwZyEOpV5oxV9OrpHO3rkZCfML_5ywNA6GG_bKtbCmz8DERj3fIP88uyySY/s400/picabia_tarica10-16-14.jpg" width="397" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Portrait de femme aux allumettes, No 1, 1923-25</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrOxNSutfKKX7vq56kNbZ-JYlx0nL7J6U-1pYSDp_s59oLtvBA5RFLiP9gSkpj30G65U_8Edodtlhr6MEueJK9X6K82UAOD85IF7il2vB1Ygny-LwVNoFKTkLLgMOckhrnJyvGXEBNHXQ/s1600/Picabia+femme+nue+c1942.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrOxNSutfKKX7vq56kNbZ-JYlx0nL7J6U-1pYSDp_s59oLtvBA5RFLiP9gSkpj30G65U_8Edodtlhr6MEueJK9X6K82UAOD85IF7il2vB1Ygny-LwVNoFKTkLLgMOckhrnJyvGXEBNHXQ/s640/Picabia+femme+nue+c1942.jpg" width="513" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">femme nue, vers 1942</td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjYdvL1EDFQVPsBKVt08Z9CQapfxO_4AqQDb2kDExQp0p-WEM4SqqGAu2s9DJWPxP_t9gfx69gs_Rek9oVTJRKsfmgWRVIW4VgojeRrV8RNNn_Ik1kYJzL6Yew9LngJUfi8QTnIKNqJNs/s1600/picabia_basket_50x39_1936-38.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjYdvL1EDFQVPsBKVt08Z9CQapfxO_4AqQDb2kDExQp0p-WEM4SqqGAu2s9DJWPxP_t9gfx69gs_Rek9oVTJRKsfmgWRVIW4VgojeRrV8RNNn_Ik1kYJzL6Yew9LngJUfi8QTnIKNqJNs/s400/picabia_basket_50x39_1936-38.jpg" width="315" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">basket, 50 x 39 cm, 1936-38</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_QZlrHBhIR9Vu_MTmdULqLjUbdLbJqOViyaycdV8bAulr-248E6lX3Nw6mUg0t4qfoSzuTPR9pfKXoFZHaiADXGzPQLOnTPSeJXTVddda82hc4I6z2RijO44bXMJD-RtKDQtLuEYH4D0/s1600/Femme+a+la+fenetre+et+nu%252C+ca.1941-1942.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_QZlrHBhIR9Vu_MTmdULqLjUbdLbJqOViyaycdV8bAulr-248E6lX3Nw6mUg0t4qfoSzuTPR9pfKXoFZHaiADXGzPQLOnTPSeJXTVddda82hc4I6z2RijO44bXMJD-RtKDQtLuEYH4D0/s640/Femme+a+la+fenetre+et+nu%252C+ca.1941-1942.jpg" width="436" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Femme a la fenetre et nu,vers.1941-1942</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXlebxkIAHUS8PI6joNUSmNzpGDahY6qny9e8Cv56dKDnb0IYx-Sx2NNsfhsgkFyFy6K-vYDEO1v4at68DvuZ7J3siRcJlj2K6SfJg4D1z6BRm-xWT4-WTw5X9WlSFArBi2l_GSqsfHIM/s1600/Bleu%252C+1949.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXlebxkIAHUS8PI6joNUSmNzpGDahY6qny9e8Cv56dKDnb0IYx-Sx2NNsfhsgkFyFy6K-vYDEO1v4at68DvuZ7J3siRcJlj2K6SfJg4D1z6BRm-xWT4-WTw5X9WlSFArBi2l_GSqsfHIM/s400/Bleu%252C+1949.jpg" width="331" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bleu, 1949</td></tr>
</tbody></table>
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<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvhezdKwEAdNwMA8keZW4CLW4OAYFZ6MZzFKnkv1dMqCZSTuf8GUXUeUapSBHI7Fjx2NgI8L0t4KIx5VjmXIU7QXYZy84uX_nzjSwYaooTLw-fqJZa0nLvIFyeQp0Qji3jQkuI00sThns/s1600/img984.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvhezdKwEAdNwMA8keZW4CLW4OAYFZ6MZzFKnkv1dMqCZSTuf8GUXUeUapSBHI7Fjx2NgI8L0t4KIx5VjmXIU7QXYZy84uX_nzjSwYaooTLw-fqJZa0nLvIFyeQp0Qji3jQkuI00sThns/s640/img984.jpg" width="496" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
</tbody></table>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYjNUHwW3ZBglP_yQ0Xidx4xV7r540vFXKk_mP0j03Jh7u8ChtqasFxblx2bmenC5ifjkpAEYp2sLeS0a4cTWi1r8pGpHa5k-SqNrRjG_3RSBds12i5TR8A5SS-ASdg2jNNREu_f3L-Uo/s1600/picabia_tableau+de+poche+1942+8x6+cm+oil+sur+bois+copy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYjNUHwW3ZBglP_yQ0Xidx4xV7r540vFXKk_mP0j03Jh7u8ChtqasFxblx2bmenC5ifjkpAEYp2sLeS0a4cTWi1r8pGpHa5k-SqNrRjG_3RSBds12i5TR8A5SS-ASdg2jNNREu_f3L-Uo/s320/picabia_tableau+de+poche+1942+8x6+cm+oil+sur+bois+copy.jpg" width="274" /></a></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5KNaiXOkuuLlRXZIJwAxIfHMtZQ33z0IjtD4rPMfvNvZWyUQ2U7tt61x1omyyCrsWwTY40PsJeLBq-lV-2SKND1eic6q0r9j8DbBPwa11PwggGVabQlVI596Ej85tblfSYmm8Lpm5gnw/s1600/picabia_tableau+de+poche+1942+8x6+cm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5KNaiXOkuuLlRXZIJwAxIfHMtZQ33z0IjtD4rPMfvNvZWyUQ2U7tt61x1omyyCrsWwTY40PsJeLBq-lV-2SKND1eic6q0r9j8DbBPwa11PwggGVabQlVI596Ej85tblfSYmm8Lpm5gnw/s320/picabia_tableau+de+poche+1942+8x6+cm.jpg" width="274" /></a></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3Qz3Rx4edoGWYBX76vBtyozbwaE1VBCDUbB5xN7ECRgbybsT0KFQrRZitcGZ9q7Uipe8tVjk4LVlJ-Wqk2CvET9Ll337k8WLithtdxXMIh5QIx7wV9pyO73uwMedbjM_yACrJVdYy9zI/s1600/picabia_tableau+de+poche+1942+10x8+cm+oil+sur+bois+copy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3Qz3Rx4edoGWYBX76vBtyozbwaE1VBCDUbB5xN7ECRgbybsT0KFQrRZitcGZ9q7Uipe8tVjk4LVlJ-Wqk2CvET9Ll337k8WLithtdxXMIh5QIx7wV9pyO73uwMedbjM_yACrJVdYy9zI/s320/picabia_tableau+de+poche+1942+10x8+cm+oil+sur+bois+copy.jpg" width="278" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">3 tableaux de poche, 1942, 10x8 cm</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMKzUrtqE1Fa0mF79b7zWJPSIq1UXP8V8Ka8t9w8w-PQ4i-ls8L-XeQQIDMgRkJWDKOMS2da48sbBlSD-Msb88iwOZtneaEk3Jn4krA0p6YN0UoELp35sucCjBiuBtkPHHhkKlLj8kubQ/s1600/Picabia-Trois-mimes.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMKzUrtqE1Fa0mF79b7zWJPSIq1UXP8V8Ka8t9w8w-PQ4i-ls8L-XeQQIDMgRkJWDKOMS2da48sbBlSD-Msb88iwOZtneaEk3Jn4krA0p6YN0UoELp35sucCjBiuBtkPHHhkKlLj8kubQ/s320/Picabia-Trois-mimes.jpg" width="262" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">trois mimes</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhveukcMSiTyj2ucIRKp4eGv3hpsNyEkA1cuJkBEF85jvk65PRlL6D9K9O_Wj7qM6-AhhFCBge72PQj_6_gh85JC1jR1LYqYWiISQ1FGN9vUz-cYRXQX90h_C9rJ1gxdxrNs8vu7DJtqsY/s1600/picabia+masque+ouvert+1936.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhveukcMSiTyj2ucIRKp4eGv3hpsNyEkA1cuJkBEF85jvk65PRlL6D9K9O_Wj7qM6-AhhFCBge72PQj_6_gh85JC1jR1LYqYWiISQ1FGN9vUz-cYRXQX90h_C9rJ1gxdxrNs8vu7DJtqsY/s400/picabia+masque+ouvert+1936.jpg" width="280" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">masque ouvert, 1936</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdyct80zgL9sQJlJlJXvh0bpNjSGSSJ3ZYzQHXHXWCfdFbZ8KrplY164spcH7FbkNn6Xbq-X1tg0WSxnXAbGP4ibH0K4VeSxAO8OL08U7kibYIcsj51P5qqfLGst2ezD_ZxVfQK5VB9X8/s1600/tendresse+1942.bmp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdyct80zgL9sQJlJlJXvh0bpNjSGSSJ3ZYzQHXHXWCfdFbZ8KrplY164spcH7FbkNn6Xbq-X1tg0WSxnXAbGP4ibH0K4VeSxAO8OL08U7kibYIcsj51P5qqfLGst2ezD_ZxVfQK5VB9X8/s400/tendresse+1942.bmp" width="396" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">la tendresse, 1942</td></tr>
</tbody></table>
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<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-jIpBbHIctnvLVPPhjzvDXZa26jqM49uXrqUD5gQwgiI5Ya0fBRJrbCBgkL2OqYY647oZvnfIO-bwSZ80YoDK4EMif1Ql-p5fvrckiU3YP6uL-vhJtxm0Q8hyphenhyphenCt0SRp29oplMUSU2WJg/s1600/picabia_a26991dd57.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-jIpBbHIctnvLVPPhjzvDXZa26jqM49uXrqUD5gQwgiI5Ya0fBRJrbCBgkL2OqYY647oZvnfIO-bwSZ80YoDK4EMif1Ql-p5fvrckiU3YP6uL-vhJtxm0Q8hyphenhyphenCt0SRp29oplMUSU2WJg/s640/picabia_a26991dd57.jpg" width="448" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7y-hZlFYWfD-2zn1OSKuBbn_iIJX7frkNUDD48NF2hF8L3HpjQrhfTeuvkWnv0RNlu_IUWJkZpdn5mDERbPznI5bui1UzoUZzgnm1Jp0HBY6hzh1YfaTFvcNMBlLEt-pYUNfZEW-j_9I/s1600/Picabia%252C+Le+Bel+Ami%252C+c.+1924.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7y-hZlFYWfD-2zn1OSKuBbn_iIJX7frkNUDD48NF2hF8L3HpjQrhfTeuvkWnv0RNlu_IUWJkZpdn5mDERbPznI5bui1UzoUZzgnm1Jp0HBY6hzh1YfaTFvcNMBlLEt-pYUNfZEW-j_9I/s640/Picabia%252C+Le+Bel+Ami%252C+c.+1924.jpg" width="372" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">le bel ami, 1924</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtm2prApSgMDBebTS6XxOG_Ql0jmfP3Be1b7AIJbAcgXzJxMi2Wny_pD7wz3YHIhyphenhyphenD2FHRFrJdLNcoPY8a-_o5g-jGOXMLFl52cW7Faiv-JHUGnKzR4dXNDgvQarjDKqhCXNDkI48DQLo/s1600/picabia+point+1951.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtm2prApSgMDBebTS6XxOG_Ql0jmfP3Be1b7AIJbAcgXzJxMi2Wny_pD7wz3YHIhyphenhyphenD2FHRFrJdLNcoPY8a-_o5g-jGOXMLFl52cW7Faiv-JHUGnKzR4dXNDgvQarjDKqhCXNDkI48DQLo/s640/picabia+point+1951.jpg" width="434" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Point, 1951</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt6eQahHZIgBdJI2apiwhd511l6HhUC6xkspIBxLm9_KLsQBx5tGGq7N8wS2aDOOytOGjCmjaQiK46FI0MvqiZakoD91LT7xpiDkinaX3OeuPlH4Iq8tjWEQ-G2GUOmMonGmcu9IKf-_Y/s1600/Picabia-7091.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt6eQahHZIgBdJI2apiwhd511l6HhUC6xkspIBxLm9_KLsQBx5tGGq7N8wS2aDOOytOGjCmjaQiK46FI0MvqiZakoD91LT7xpiDkinaX3OeuPlH4Iq8tjWEQ-G2GUOmMonGmcu9IKf-_Y/s640/Picabia-7091.JPG" width="496" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">7091</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJz93VDsroOp1m0G1fhCj7-jpysmKbhP-z8wzAvAd5E0pkPB6oR-C3WfXTDWz4Oty89kSFegZxZSRWLdpQGGTPV2e2jP_CS6zzC_AjlE2MBbCFqB4RZV6_qNiQj8M1MNjMFzRGpagLWq4/s1600/u+%25281950%2529.Jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJz93VDsroOp1m0G1fhCj7-jpysmKbhP-z8wzAvAd5E0pkPB6oR-C3WfXTDWz4Oty89kSFegZxZSRWLdpQGGTPV2e2jP_CS6zzC_AjlE2MBbCFqB4RZV6_qNiQj8M1MNjMFzRGpagLWq4/s640/u+%25281950%2529.Jpeg" width="446" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">u, 1950</td></tr>
</tbody></table>
<div style="text-align: justify;">
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: justify;">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOg0ORYaTfuOIAEpf-fKH_qXm5DT2DIyZxLzk_vQPua5ssvF1Ty3pZWbUkJHCFMVEGB16nAouwcwaQ0QEr-kTM5rlT_liwSlUZ-ToDuhReBbOOve9n_dsKqLcF_sPV-TbF3jnN3MFVJKM/s1600/Picabia+banza+%2528verso%2529+46.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOg0ORYaTfuOIAEpf-fKH_qXm5DT2DIyZxLzk_vQPua5ssvF1Ty3pZWbUkJHCFMVEGB16nAouwcwaQ0QEr-kTM5rlT_liwSlUZ-ToDuhReBbOOve9n_dsKqLcF_sPV-TbF3jnN3MFVJKM/s640/Picabia+banza+%2528verso%2529+46.JPG" width="520" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Banza, 1946</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyTQi45Zbs3UecK-m-a7XS9ZD8WkkQYTESjLsZte-851kEpOCnu_x4MA4MvM1FaOLn8dnNzxXJxToEMa3Kb9QeiEpyxLkWF9mTNYFxNJHYSLEYiFHFHZJyKOF9ZAWEQYpIzK7xvqzSoIg/s1600/picabia+46+chose+a+moi+m%25C3%25AAme+92x76+huile+sur+carton.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyTQi45Zbs3UecK-m-a7XS9ZD8WkkQYTESjLsZte-851kEpOCnu_x4MA4MvM1FaOLn8dnNzxXJxToEMa3Kb9QeiEpyxLkWF9mTNYFxNJHYSLEYiFHFHZJyKOF9ZAWEQYpIzK7xvqzSoIg/s640/picabia+46+chose+a+moi+m%25C3%25AAme+92x76+huile+sur+carton.jpg" width="494" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chose à moi même, 1946, 92 x 76cm, huile sur carton</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHjoTUur7pdTDUYlmxC7SujSQl2k8gmmaMc9MHmMwUDuLzyONvN5b35dxEpdMvRWN6z6eROKP5g1t3yVIGhD5wQ4XQF8Uk07cKbDYqQtKX3G8cmsGIKSllWZcJZ-7SB0_i6VP4n_8ui3A/s1600/tender+for+all+that+45+64x53cm+oil+board.bmp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHjoTUur7pdTDUYlmxC7SujSQl2k8gmmaMc9MHmMwUDuLzyONvN5b35dxEpdMvRWN6z6eROKP5g1t3yVIGhD5wQ4XQF8Uk07cKbDYqQtKX3G8cmsGIKSllWZcJZ-7SB0_i6VP4n_8ui3A/s640/tender+for+all+that+45+64x53cm+oil+board.bmp" width="556" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">tender for all that, 1945 64x53cm oil on board</td></tr>
</tbody></table>
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"></span></span></div>
<div style="text-align: justify;">
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqA0btFXLGMfX4t0hlY5LIr5wOfFBoHpG7M4q-tJFTKNoGHXmkzL7c9hf99EeBxl8Loz2Y4kRR9zdo4cbq1yYueIS0GzIAQwQgIUemifGE4zu5VrSuqh3e1lvh1UpQ-e9RagYyV9SUIpw/s1600/Modele+vivant%252C+ca.1924-1927.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqA0btFXLGMfX4t0hlY5LIr5wOfFBoHpG7M4q-tJFTKNoGHXmkzL7c9hf99EeBxl8Loz2Y4kRR9zdo4cbq1yYueIS0GzIAQwQgIUemifGE4zu5VrSuqh3e1lvh1UpQ-e9RagYyV9SUIpw/s640/Modele+vivant%252C+ca.1924-1927.jpg" width="484" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Modele vivant, ca.1924-1927</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSq8CcS0eI3mkMzjfUwzo5G_lmYZk1VNfD4CslfDEQBkQirQ2LuvQjbMuCfGookUl0ooKSdQXOP21px_Etv7V3QDTbhsU35Qyaq7EOhDljH4y4GB9rqYHgFahsmcxQkYh4HRlHNXJ72Js/s1600/tuesday-mardi.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSq8CcS0eI3mkMzjfUwzo5G_lmYZk1VNfD4CslfDEQBkQirQ2LuvQjbMuCfGookUl0ooKSdQXOP21px_Etv7V3QDTbhsU35Qyaq7EOhDljH4y4GB9rqYHgFahsmcxQkYh4HRlHNXJ72Js/s400/tuesday-mardi.jpg" width="323" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">mardi</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT9mNnyzll1OdSOAsdnBWLDt2XImbiQCSbYBzG_coYiCRhOMD5leorjOtMDh84qwy0f0FDlya2EmBlvHwmiTXyMjP0iRHGlRz3yEm2OvnFBvNlwKHlBdcnKXEy-x-5BZVFwlvr_Rg9h8o/s1600/picabia+1941-42.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT9mNnyzll1OdSOAsdnBWLDt2XImbiQCSbYBzG_coYiCRhOMD5leorjOtMDh84qwy0f0FDlya2EmBlvHwmiTXyMjP0iRHGlRz3yEm2OvnFBvNlwKHlBdcnKXEy-x-5BZVFwlvr_Rg9h8o/s400/picabia+1941-42.jpg" width="337" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">portait, 1941-42</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-jseAsNQ-GfzO9KJnjQopxqDb69MtYcJpFfj564U3Iu0gvygpeYu4ado8olteMhEOZZIPj4GwUMj-uaY8M446Wr4CiLhg5SEVAgTI3rcsYCGoSsn8IuS5VuKIEYWHrz29DkIb7FnkhC0/s1600/picabia_main-mysterieuse-portrait-de-femme-mysterious-hand-portrait-of-a-woman.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-jseAsNQ-GfzO9KJnjQopxqDb69MtYcJpFfj564U3Iu0gvygpeYu4ado8olteMhEOZZIPj4GwUMj-uaY8M446Wr4CiLhg5SEVAgTI3rcsYCGoSsn8IuS5VuKIEYWHrz29DkIb7FnkhC0/s640/picabia_main-mysterieuse-portrait-de-femme-mysterious-hand-portrait-of-a-woman.jpg" width="510" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">portrait de femme</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLB1cQe32056_iPkkfz7gclHzYTWaZpmXm92QIvQTKM6XUdTi8G3SU2XU9qwpi0G_TvCFc3zK7euo7-1fU8vAdC_VvXYbA_8dumGbiBk4FWrlMGFGSDgRHv0RUqENblbIjfmuQIsrOlFc/s1600/Picabia+femme+%25C3%25A0+la+toque+42.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLB1cQe32056_iPkkfz7gclHzYTWaZpmXm92QIvQTKM6XUdTi8G3SU2XU9qwpi0G_TvCFc3zK7euo7-1fU8vAdC_VvXYbA_8dumGbiBk4FWrlMGFGSDgRHv0RUqENblbIjfmuQIsrOlFc/s640/Picabia+femme+%25C3%25A0+la+toque+42.JPG" width="538" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">femme à la toque 1942</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAwzNPjv6s3TbfXuT2PwRxKGedZyjwPJvovJPAdAL3TIKg6osuKFk5y-ANf6bIRRCVjC07ko0S5-dqp8nAA9SeGeIKLIIuPI3qXWFO1NQgoe74ae-qns6t9qltaxljtZQppJMkGqukYTI/s1600/bonheurdel%2527aveuglement47.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAwzNPjv6s3TbfXuT2PwRxKGedZyjwPJvovJPAdAL3TIKg6osuKFk5y-ANf6bIRRCVjC07ko0S5-dqp8nAA9SeGeIKLIIuPI3qXWFO1NQgoe74ae-qns6t9qltaxljtZQppJMkGqukYTI/s640/bonheurdel%2527aveuglement47.jpg" width="406" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bonheur de l'aveuglement, 1947</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI_ydEDbsekzdLtSH8wHo7YSUTD0WyYu_TCW-KDP2cB7MixERL9H1cShLvRYLq4zPSA3bb4TYh_ic0w51AHtdAJYC3RqHTGy0V57ytAGYTWmU-iBfuIOlx_2PGZhB8Sj3G9kKK3Yv1DyA/s1600/suzy+solidor+33.bmp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI_ydEDbsekzdLtSH8wHo7YSUTD0WyYu_TCW-KDP2cB7MixERL9H1cShLvRYLq4zPSA3bb4TYh_ic0w51AHtdAJYC3RqHTGy0V57ytAGYTWmU-iBfuIOlx_2PGZhB8Sj3G9kKK3Yv1DyA/s640/suzy+solidor+33.bmp" width="512" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Suzy Solidor</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRY_MO2i_Xpa-_7x0PCsQJLOlKLxeuOBQlscSmYnUr1_vjwr0w5sWI4b_PbK3QltgmTN6F4V-oaLxQGH0_tnizG76DXqo1K3YEA9XMdeEyy2m6ZplgpFR594FRiJq6Gl1UJxxWO6rnT54/s1600/Picabia_le+viol_1948.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRY_MO2i_Xpa-_7x0PCsQJLOlKLxeuOBQlscSmYnUr1_vjwr0w5sWI4b_PbK3QltgmTN6F4V-oaLxQGH0_tnizG76DXqo1K3YEA9XMdeEyy2m6ZplgpFR594FRiJq6Gl1UJxxWO6rnT54/s640/Picabia_le+viol_1948.JPG" width="504" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">le Viol, 1948</td></tr>
</tbody></table>
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<div style="text-align: justify;">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWCNEffQi3YaSNyQ9g1QM0BonR0MuW0GEH9Q_CFENA-zXI3-b6ErxKY2-CVatYIvdH83Ss8oYCKTP2Vw_Ba8s4icLnK35MhJ5Cahri-rmWZoYceR7qSD0cd4sH-aRexbqEhqZeCJWUk5E/s1600/picabia_mardi+gras+1925.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWCNEffQi3YaSNyQ9g1QM0BonR0MuW0GEH9Q_CFENA-zXI3-b6ErxKY2-CVatYIvdH83Ss8oYCKTP2Vw_Ba8s4icLnK35MhJ5Cahri-rmWZoYceR7qSD0cd4sH-aRexbqEhqZeCJWUk5E/s640/picabia_mardi+gras+1925.jpg" width="508" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">mardi gras, 1925</td></tr>
</tbody></table>
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<div style="margin-bottom: 0cm;">
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;">une citation de novembre 1945 : </span></span><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><i>« Chaque tableau est un drame,
passant par tous les états de ma production antérieure, formes,
transparences, superposées, pour continuer plus et aboutir à cet
instant fugitif, mais extatique où je sais que je tiens cet
insaisissable qui est le réel »</i></span></span></div>
</div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3HT3e5ckGkG4jKncyUiECicbmr3hOTyGs9e15alGyQqTaOPn0wyHVqi0MGt7cdOumP6wAM7uwnJsdTde2z_qe3o42xHe147_lsbjwlaVNeQl14T9rvmSp-24OZNZZFaWaqAKXM-g8IDc/s1600/11-27-16_9e_Picabia.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3HT3e5ckGkG4jKncyUiECicbmr3hOTyGs9e15alGyQqTaOPn0wyHVqi0MGt7cdOumP6wAM7uwnJsdTde2z_qe3o42xHe147_lsbjwlaVNeQl14T9rvmSp-24OZNZZFaWaqAKXM-g8IDc/s640/11-27-16_9e_Picabia.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vue de l'exposition, MOMA, 2016</td></tr>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-174046492273901962016-11-21T21:05:00.001+01:002016-11-22T08:32:33.862+01:00Eva Hesse, l'autre<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1jVujxAWrO7qdmdygZ7Bvwu8VD1vzrz7yGQgfooGk0J6dCnQynqQPLqedE7GYRf74tnnTVMJRGsQk1tXQvhpS3BbIUWkQipbbe12jCHzpDnqvlZizkCsEUmEmcYTBQRpIz8REFe4ns9M/s1600/Hesse+no+title1960+oil+91x91cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1jVujxAWrO7qdmdygZ7Bvwu8VD1vzrz7yGQgfooGk0J6dCnQynqQPLqedE7GYRf74tnnTVMJRGsQk1tXQvhpS3BbIUWkQipbbe12jCHzpDnqvlZizkCsEUmEmcYTBQRpIz8REFe4ns9M/s400/Hesse+no+title1960+oil+91x91cm.jpg" width="398" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">no title, 1960, huile sur toile, 91 x 91 cm</td></tr>
</tbody></table>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">A nouveau, une réaction à la lecture
d'un livre acheté récemment, <a href="http://yalebooks.co.uk/display.asp?k=9780300164152" target="_blank"><i>Eva Hesse Spectres 1960</i></a>, un
catalogue publié par Yale en 2010 sur une série de peintures de
jeunesse de la célèbre sculptrice. Avant de commencer mes
critiques, je tiens à signaler cet ouvrage, la qualité des
reproductions et des nombreuses descriptions détaillées d'oeuvres,
pour le fait qu'il existe enfin pour mettre en exergue ce travail
pictural peu connu. Mais justement mes critiques portent sur les
textes et leur façon de revaloriser ce travail, très maladroit et
même parfois très contre-productif.</span></span></div>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7VkBPW22jIi1ohUldQLEIT0tz7ky9q5xNhGxbucctjmT-vL61e9pmYFIZ1uas9rYCKb-6smUGSRbP5mmNTFRw1XSIrJ61TngYETtVqkqXPpDi04-wz23QH6XzrGG_5QbJCA_5rjXybds/s1600/Eva_Hesse_Spectres_1960_Brooklyn_Museum_1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7VkBPW22jIi1ohUldQLEIT0tz7ky9q5xNhGxbucctjmT-vL61e9pmYFIZ1uas9rYCKb-6smUGSRbP5mmNTFRw1XSIrJ61TngYETtVqkqXPpDi04-wz23QH6XzrGG_5QbJCA_5rjXybds/s400/Eva_Hesse_Spectres_1960_Brooklyn_Museum_1.jpg" width="396" /></a></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8QPuhJdOhHali49niXwRNQPX6wwFGZDUutKAtoz-aJm4SIqKC8F803NazxTp29mQ1YNl8x6RRK-oN8oAgwi1xR7-2AmPOeaRxGpTq1Q12MYyEUqFJTA9jX1ZOqMIM6Nm-N3EMjCodhdE/s1600/IMG_2768.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8QPuhJdOhHali49niXwRNQPX6wwFGZDUutKAtoz-aJm4SIqKC8F803NazxTp29mQ1YNl8x6RRK-oN8oAgwi1xR7-2AmPOeaRxGpTq1Q12MYyEUqFJTA9jX1ZOqMIM6Nm-N3EMjCodhdE/s640/IMG_2768.JPG" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">no title, 1960 (et détail)</td></tr>
</tbody></table>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;">Il est ouvertement dit que l'on ne
saurait quoi penser de ces peintures si l'artiste n'avait produit
ensuite ces sculptures, et même que l'on n'en ferait pas grand cas
!!! Dans son introduction, Helen Molesworth critique à juste titre
l'opinion canonique qui voudrait que, avant 1965, ce soit un faux
départ pour Hesse, opinion (circonstanciée et stratégique alors)
établie par Lucy Lippard. Mais bizarrement, les autres textes du
catalogue tentent désespérément de situer, justifier, valider et
comprendre ces peintures, jugées «enfantines, mystérieuses,
à la limite du grotesque » (selon Louise S. Milne).
Elisabeth Bronfen déclare qu'on ne peut les voir que comme des «miroirs du Soi», des «autoportraits»
et images déformés de « sa vie intérieure » !
ou de la construction de soi ! La pauvre Eva Hesse, traité comme une
malade, une indigène d'un pays troublé et lointain colonisé par le
savoir adulte et valide des historiens de l'art !
</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0fo-DUsOA_JkLealDd5SMDH1PQLqfRvdsAXpcDQvqdoHRYWkvn1miufwRxHrLDtWExlv5towdiR5hnEkfn5-ycY0ggVt2KPJhASm1HaRYjNjYPelSPZxR2q7y6X9rES_X7VIbPEZ0PHg/s1600/1960+125x123+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0fo-DUsOA_JkLealDd5SMDH1PQLqfRvdsAXpcDQvqdoHRYWkvn1miufwRxHrLDtWExlv5towdiR5hnEkfn5-ycY0ggVt2KPJhASm1HaRYjNjYPelSPZxR2q7y6X9rES_X7VIbPEZ0PHg/s400/1960+125x123+cm.jpg" width="390" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">no title, 1960, huile sur toile, 125 x 123 cm</td></tr>
</tbody></table>
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<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">Et donc sur les nombreuses pages de
texte du catalogue, on filtre TOUT par le biais de la biographie
: elle a été traumatisée par la seconde guerre mondiale, le
suicide de sa mère, son mariage récent, on donne le nom de son psy,
on cite des témoignages de proches, son journal et sa
correspondance, etc. En plus, elle vient d'Allemagne, donc on peut
justifier des liens stylistiques avec le Cri de Munch (!) et bien sur
faire appel à d'innombrables de citation de Freud, Lacan, Kristeva,
Mary Shelley, Frankenstein et des auteurs féministes américaines.
Il est vraiment très surprenant de lire des textes qui défendent
ces œuvres là mais au fond sont très embarrassés par leur sujet,
sans s'en cacher d'ailleurs. Le dernier texte conclut même sur
l'intérêt de cette exposition pour la connaissance qu'il nous donne
de la vie intérieure de l'artiste au seuil de ses grandes créations
à venir, annulant (presque) tout le sens du présent projet !! Si
cela ne m'intéresse pas de savoir si elles ont raison ou pas (seule
l'artiste pourrait nous le dire mais elle n'est plus là), ce qui
m'intéresse c'est de pouvoir regarder et apprécier les œuvres et
les laisser exister comme œuvres, à part entière, aujourd'hui
encore vivantes. Je voudrais qu'on REGARDE finalement les peintures.
</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3cUNBoV8T-fOfMI9YCd67D2DXqb7Cg3WarLHsi7yGgIbqdT21RHfKZl_aMGZePSqgcwAFQN8vojeQwxycjHHxHpa0P-8GKhQBGJHhYdEDTpvPzydR5mEcA7dt2l757NYxdp3yqDm4A8Q/s1600/untitled.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="397" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3cUNBoV8T-fOfMI9YCd67D2DXqb7Cg3WarLHsi7yGgIbqdT21RHfKZl_aMGZePSqgcwAFQN8vojeQwxycjHHxHpa0P-8GKhQBGJHhYdEDTpvPzydR5mEcA7dt2l757NYxdp3yqDm4A8Q/s400/untitled.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">Donc voici une sélection de travaux
qui excèdent ceux présentés dans cet ouvrage, que je recommande
quand même, pour altérer, assouplir notre regard sur cet œuvre,
l'élargir, pour essayer de bouger hors des catégories établies
auxquelles les auteurs se soumettent maladroitement. Ses toiles ont
été diffusés et exposées pour la première fois en 2010, il en
existe 48 de cette époque, 21 sont rassemblées sous le terme de
Spectres, autour de figures, visages, cranes, poupées, couples à la
limite d'apparaitre/disparaitre, corps transparents sur les fonds.
Ce trouble constitue bien le sujet des toiles. Des coiffes peuvent
être des chapeaux, on ne sait pas si on est devant ou dedans ses
corps-visages. Si cela est dramatique ou grotesque, cartoonesque
même. S'il s'agit de portraits ce sont forcément aussi des
dialogues, mais entre soi et la peinture, pas entre soi et soi. La
réalité des matériaux est indéniable et produit l'image. Citons
ici Hesse elle-même : </span></span></div>
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<i><span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">«Do what you feel, remember irst
guess is good » … </span></span></i><span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">Elle décrit ses peintures ainsi </span></span><i><span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">
: « Free in feeling and handling of medium … Ultra
alive … My last two paintings look good to me, they are painterly,
they are developped images, they were really built, made and came
into being. Both of them spoke back to me. »</span></span></i></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYRHwU5lTR1l8gINBcCQOpl0c8VtZetjgIbraRmmYniX4KYLtOdVlXhuBnzR2W_1K7LEkFzX66OlfTAIofb803tBntgLgqaNrQjIXgSoFXaVybra-VsniIdhan9uhUUPlzD32qnbJ-_7A/s1600/1960+91+x+91+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYRHwU5lTR1l8gINBcCQOpl0c8VtZetjgIbraRmmYniX4KYLtOdVlXhuBnzR2W_1K7LEkFzX66OlfTAIofb803tBntgLgqaNrQjIXgSoFXaVybra-VsniIdhan9uhUUPlzD32qnbJ-_7A/s400/1960+91+x+91+cm.jpg" width="392" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">no title, 1960, huile sur toile, 91 x 91 cm</td></tr>
</tbody></table>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiojIdbvGab7GGfqd9yF855F2FBqVEw7FdhdYPSYfH7XyGwG6raCisWvjjyKYeWRZl0pjTG9ApXHNKxmSg7QI6EDTgDw9UI1fyj0RvyfsBxd_spno5v5YBhU3C-T0oloLl2BVONppwiHmE/s1600/Eva-Hesse.-No-title-1960.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiojIdbvGab7GGfqd9yF855F2FBqVEw7FdhdYPSYfH7XyGwG6raCisWvjjyKYeWRZl0pjTG9ApXHNKxmSg7QI6EDTgDw9UI1fyj0RvyfsBxd_spno5v5YBhU3C-T0oloLl2BVONppwiHmE/s400/Eva-Hesse.-No-title-1960.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">no title, 1960, huile sur toile</td></tr>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">J'adore ici cette formule :
<i>ultra alive</i> et ce champ-contre-champ entre elle et sa toile.
L'image me regarde. Preuve d'une vie PRODUITE par l'oeuvre. Oui, on
peut <i>biologiser</i> l'oeuvre ! Ce rapport au vivant
rejoint mon texte récent sur <a href="http://maximememoirevive.blogspot.fr/2016/11/donna-haraway-la-creation.html" target="_blank">Haraway</a> et exprime exacteme<span style="font-family: "trebuchet ms" , sans-serif;">nt</span> ce que je
recherche quand je travaille, que ce qui se produit me renvoie un
regard, constitue une présence, indéniable qui demande alors
à être acceptée, développée ou validée telle quelle.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip8VnyISclGKkdogrCJASFflnjNBaYnjw4bP15aIp4b_8tmXxYLFDmJEmRRm8Nva3sZ3Fbf4pqA4W98BD-Rc1D5-XoEG84T2zmO4w6HfWHgcx5-t9F17V7Wi9arfN8ZM31lCodfJNbhyphenhyphen4/s1600/hesse+unt+1960+oil+45x40cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEip8VnyISclGKkdogrCJASFflnjNBaYnjw4bP15aIp4b_8tmXxYLFDmJEmRRm8Nva3sZ3Fbf4pqA4W98BD-Rc1D5-XoEG84T2zmO4w6HfWHgcx5-t9F17V7Wi9arfN8ZM31lCodfJNbhyphenhyphen4/s640/hesse+unt+1960+oil+45x40cm.jpg" width="571" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">no title, 1960 huile sur toile, 45 x 40 cm</td></tr>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">Ces peintures sont plutôt facilement
visibles pour nous aujourd'hui, hors du seul contexte expressionniste
abstrait (et tirées hors de l'influence réelle de Pollock, Gorky,
De Kooning bien sur) parce qu'on connait la Bad painting, Basquiat,
Asger Jorn ou Dubuffet, mais aussi Philip Guston, Miriam Cahn,
Marlene Dumas et Maria Lassnig (jamais mentionnés dans ce catalogue
qui SEPARE et veut identifier isolément Hesse, croyant que cela lui
sert). Il faudrait d'ailleurs revenir sur la dimension graphique
cartoonesque présente chez les AbEx (un vrai chantier pour les
historiens) dont je place ici quelques exemples.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGSSCe9i1yX_6cSEgm4e0QGPvOtwCyiI0XpRI2uDGycSpL8vYvaccObDe9hfIldNVRDZvKT99WJ6TXZGEQoEtP0DaVZCfnUT2KupQDb1_KikoLQxvz9xHa8VkDkWPQwz5KK8Z27LngHLE/s1600/de+kooning+1945_Pink+Angels_c1945.+Oil+and+charcoal+on+canvas%252C+132.1+x+101.6+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGSSCe9i1yX_6cSEgm4e0QGPvOtwCyiI0XpRI2uDGycSpL8vYvaccObDe9hfIldNVRDZvKT99WJ6TXZGEQoEtP0DaVZCfnUT2KupQDb1_KikoLQxvz9xHa8VkDkWPQwz5KK8Z27LngHLE/s320/de+kooning+1945_Pink+Angels_c1945.+Oil+and+charcoal+on+canvas%252C+132.1+x+101.6+cm.jpg" width="246" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">William de Kooning, <i>pink angels</i>, 1945</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7dfHFqarvOd-eZaLla1BiAayOEz5ETv7NVwWV9UtdXnC5LyqkHGSw4dtNDm4riAGVqlETDnjpmVJx9PLuJLANDpiNPZtq_8u1XJtSheP1pKqS219DSX1iUuQJeAWfj5YGUy6f2bbQxwk/s1600/hoffman%252C+the+mannequin%252C+1946%252C+oil+on+paperboard%252C+40.5+x+31.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7dfHFqarvOd-eZaLla1BiAayOEz5ETv7NVwWV9UtdXnC5LyqkHGSw4dtNDm4riAGVqlETDnjpmVJx9PLuJLANDpiNPZtq_8u1XJtSheP1pKqS219DSX1iUuQJeAWfj5YGUy6f2bbQxwk/s320/hoffman%252C+the+mannequin%252C+1946%252C+oil+on+paperboard%252C+40.5+x+31.jpg" width="237" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hans Hoffman, <i>the mannequin</i>, 1946</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHO562knMHD6gWyz0LZjslCCVyq-7jnVZzk_rUATd5ZntTnopmOaDBBQLcScgSEa8AjUyWXNqCOjg3qe6qt-WeHuWmcMoseVUcRRdDbtahjgkGzWVQrnK4qFh7BHjVytfYfi-tV1CZcT0/s1600/Baziotes_green+dwarf+03-1947.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHO562knMHD6gWyz0LZjslCCVyq-7jnVZzk_rUATd5ZntTnopmOaDBBQLcScgSEa8AjUyWXNqCOjg3qe6qt-WeHuWmcMoseVUcRRdDbtahjgkGzWVQrnK4qFh7BHjVytfYfi-tV1CZcT0/s320/Baziotes_green+dwarf+03-1947.jpg" width="280" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">William Baziotes, <i>green dwarf</i>, 1947</td></tr>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">Venons en aux œuvres. J'aime ici ses
couleurs : sa palette de mélange long et denses :
allant du gris au marron pâle à la limite du violet/lavande. Ses
dorés crémeux virevoltant dans le reste de la toile pour embarquer
du blanc, marron et tracer, nuancer, dégrader ou contraster en même
temps, dans le même mouvement. Ce qui produit en plus des effets de
lumière et d'éclairage incroyables, métallisés, phosphorescent.
En cela sa palette anticipe Lassnig, Sonnier ou Cahn. On sent de
longs balayages, répétés, rebondissant entre les bords et la
figure, qui sont autant de moments de réglages de ses couleurs,
laissant l'historique et l'évolution visible par endroit ou pas
transparence.
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2l9DCHrqDefXO3Ko6K3t1cPu9DKfrqU63fxtO484-rUsybI5MTuebdbyUCJBy5Ug-rNAKw8s-ikJr7ahXmF2yRxKC8YE9nSnkO3g-8mXH32wao_M0ym82YiMX5pjKuRmgJIUU0vk3ps8/s1600/c1960+oil+canvas+61x61+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2l9DCHrqDefXO3Ko6K3t1cPu9DKfrqU63fxtO484-rUsybI5MTuebdbyUCJBy5Ug-rNAKw8s-ikJr7ahXmF2yRxKC8YE9nSnkO3g-8mXH32wao_M0ym82YiMX5pjKuRmgJIUU0vk3ps8/s640/c1960+oil+canvas+61x61+cm.jpg" width="628" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">no title, vers 1960, 61 x 61 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6EIwdJ9nhzC6ycg5uygqP0oXEmxUQQnzOfbSk-ukJWE_qDhYh20ZMVmDbQC94lShmfE0rHpISYyPckMewMo0_KcX2dcOlH2Sa91ub5iri6Ltyp-Y_F269ZEaxNEVeaCX1vPgvUvUEZEY/s1600/tumblr_l2li55EnIs1qa244mo1_500.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6EIwdJ9nhzC6ycg5uygqP0oXEmxUQQnzOfbSk-ukJWE_qDhYh20ZMVmDbQC94lShmfE0rHpISYyPckMewMo0_KcX2dcOlH2Sa91ub5iri6Ltyp-Y_F269ZEaxNEVeaCX1vPgvUvUEZEY/s640/tumblr_l2li55EnIs1qa244mo1_500.jpg" width="627" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAx8fWr9wGQBF20w_HhBqWS9ZmsGXxpdfDrKs5StjuTNHnzYbL_8khxTrmh-cF9e-lmsBmcfspLdzoMLM7WaztFYplJG2C77G5yBk9eL0KWR3GNhvIAK_ArjYNq9yNy_RRz97McL_iC9M/s1600/Eva-Hesse-Untitled-4.-Spectres-and-Studiowork-Kukje-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAx8fWr9wGQBF20w_HhBqWS9ZmsGXxpdfDrKs5StjuTNHnzYbL_8khxTrmh-cF9e-lmsBmcfspLdzoMLM7WaztFYplJG2C77G5yBk9eL0KWR3GNhvIAK_ArjYNq9yNy_RRz97McL_iC9M/s400/Eva-Hesse-Untitled-4.-Spectres-and-Studiowork-Kukje-Gallery.jpg" width="392" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzvaRtk5kf5PSs2qH46uXTf7jwKn4fjyy9sNLctvRyNLYJonMmTcdDcYKlsZwlrqtYHffUjG07w75NgRO65hv31U5Iehsy9Hesr8c8hvooGDIf1_nla3FB7A6uiG5qH5w_5VHMZkHtslo/s1600/Hesse_unt+1960+oil+51x51cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzvaRtk5kf5PSs2qH46uXTf7jwKn4fjyy9sNLctvRyNLYJonMmTcdDcYKlsZwlrqtYHffUjG07w75NgRO65hv31U5Iehsy9Hesr8c8hvooGDIf1_nla3FB7A6uiG5qH5w_5VHMZkHtslo/s400/Hesse_unt+1960+oil+51x51cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1960, huile sur toile, 51 x 51cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1UPRiq-WqTQsdxNX0BpvyXX_Xk1wzTeCJnY0LUG-IRu82ARs-ppAwi_StCVS_ct3-q1n5a6ZRI-hY3hhYrfnk-90alKmP6AEnjkiBvFU6Knf32q_DVNzbr3i9gwuq7Rz3RX-8n7T9AZo/s1600/hesse_oil+canvas+60+45x38cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1UPRiq-WqTQsdxNX0BpvyXX_Xk1wzTeCJnY0LUG-IRu82ARs-ppAwi_StCVS_ct3-q1n5a6ZRI-hY3hhYrfnk-90alKmP6AEnjkiBvFU6Knf32q_DVNzbr3i9gwuq7Rz3RX-8n7T9AZo/s640/hesse_oil+canvas+60+45x38cm.jpg" width="536" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">no title, 1960, 45 x 38 cm</td></tr>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">J'aime sa façon de dessiner en peignant,
de surprendre par le choix de la couleur qui trace, consolide un bord
d'épaule, de torse, une courbe. Ou alors, le bout de bois du pinceau
qui gratte, griffe et grave la surface. Son coup de pinceau est sans
complexe ni manière, elle profite de détails, passages et stries en
bordures d'une couleur avec une autre pour marquer des traits
d'expression aux personnages, plis d'oeil, sourires, tension du cou,
du buste, fictions de matières... Les toiles sont travaillées
longtemps et intensément. Elles s'ouvrent en deux parfois sur un
duo, un vis a vis de 2 personnages, une danse, une esquive où
s'incarne la question du contraste entre eux, de la complémentarité
des couleurs, des résidus de l'un dans l'autre et du fond qui les
connecte. Ses fonds presque byzantins sont chargés, lourds comme du
mercure, électriques et contagieux. Tendus entre pâte et matière
visqueuse, collante, gluante (peinture à l'huile) et liquidité
fluide, coulures et jus baveux. On est dans un carnaval plongés dans
une brume ou sortie de vapeurs toxiques, gothiques de science fiction
des années 80. Ses surfaces qui suintent, grasses, vibrent de
coulures et empâtement en sous-couches multiples sont déjà des
questions propres à ses sculptures.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8xYG7QVOMmgAKvzlDQiNB8nFR1IR76g9oJKley1AOfPhfyDpyneIOFnk64eWYiJUZ4juGDxyG0dc0wjYe5BE3IlKcfeRhO9exCB_F1cUF_ZdVy_bcJzkCYBodG8c_vjtmMhAm6mh-w5c/s1600/Hesse+1962+oil+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8xYG7QVOMmgAKvzlDQiNB8nFR1IR76g9oJKley1AOfPhfyDpyneIOFnk64eWYiJUZ4juGDxyG0dc0wjYe5BE3IlKcfeRhO9exCB_F1cUF_ZdVy_bcJzkCYBodG8c_vjtmMhAm6mh-w5c/s640/Hesse+1962+oil+canvas.jpg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">no title, 1962, huile sur toile</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUa6CIW8xFj8FzvvQx3BHnnxwlSfMc2w54wM70Krx-D0aWzat6s-ykHwXxWhuYSb1KHH0bp77ZCyGDfQbytuJ-azL2MPmyhyphenhyphen994tKTjjUJC62siW9igI4FU6A9q3yPSKKVjUuFynLBCo8/s1600/hesse+unt+1960+91.4+x+91.4+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="397" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUa6CIW8xFj8FzvvQx3BHnnxwlSfMc2w54wM70Krx-D0aWzat6s-ykHwXxWhuYSb1KHH0bp77ZCyGDfQbytuJ-azL2MPmyhyphenhyphen994tKTjjUJC62siW9igI4FU6A9q3yPSKKVjUuFynLBCo8/s400/hesse+unt+1960+91.4+x+91.4+cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">no title, 1960, huile sur toile, 91.4 x 91.4 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGci5p2529xB43InkbOKJnYCEn8607y4IBRfkA38KtZebsgCrJhfjbEtZPeu72swyvL5DlkaD0r0aFNjTPT4CondCPfZxYHaXISiGS-mCk8bTVWzzMASgkmi73Zeixwtxa5JJ5OuQTeGM/s1600/Hesse_1962_21.5+x+27.8+cm+Graphite%252C+gouache%252C+crayon%252C+black+ink+and+collage+paper.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGci5p2529xB43InkbOKJnYCEn8607y4IBRfkA38KtZebsgCrJhfjbEtZPeu72swyvL5DlkaD0r0aFNjTPT4CondCPfZxYHaXISiGS-mCk8bTVWzzMASgkmi73Zeixwtxa5JJ5OuQTeGM/s400/Hesse_1962_21.5+x+27.8+cm+Graphite%252C+gouache%252C+crayon%252C+black+ink+and+collage+paper.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">no title 1962, 21.5 x 27.8 cm Graphite, gouache, crayon, black ink and collage paper</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9GP-nYdNtXvozHwwDUhMFEnz3yPX5uw0-Q-wqilhFjv0ngmPKxVdAr8WkJEUADzA_XRMEBgCazl6epRscBlH0Iap5YCbJHosnjR63A-vZBR-AtUE2FW8K8MLEiCSDJi6RrOcgEZ-gyiE/s1600/Hesse%252C+No+Title%252C+1961%252C+oil+on+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9GP-nYdNtXvozHwwDUhMFEnz3yPX5uw0-Q-wqilhFjv0ngmPKxVdAr8WkJEUADzA_XRMEBgCazl6epRscBlH0Iap5YCbJHosnjR63A-vZBR-AtUE2FW8K8MLEiCSDJi6RrOcgEZ-gyiE/s400/Hesse%252C+No+Title%252C+1961%252C+oil+on+canvas.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">No title, 1961, huile sur toile</td></tr>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">Les corps-formes bougent et cherchent
une place dans ses compositions, dans des formats carrés ou presque.
Jeu avec les bords, décentrés, sautant, vrillant, vacillant,
surpris et hagards, oscillant entre le bord et l'interaction avec
l'autre forme dans le cadre. La question qui se développe ensuite,
avec les couleurs plus pop (rose, jaune, vert), plus pleines et
séparées seraient peut-être celle de la cellule, de ce qui se
divise, se place, s'emboîte, se sépare, trouve un passage et
explicite pour le spectateur les flux en jeu dans le travail. Des
jeux de constructions apparaissent, blocs, barres, empilements ou
bien agrégats (si on considère qu'on voit d'en face ou du dessus)
puis entrelacs, donc jets et surgissements/enfouissements, ondes et
spirales. Le dessin s'assume d'avantage seul, presque comme croquis
de machineries, comme ligne de structure avant le volume et la mise
en espace. Mais toujours cette question de la transparence, du
translucide, d'une lumière qui passe dans l'oeuvre, le corps des
formes semble essentielle. Chaque période, support et matériaux
permet une approche tactile différente et interroge chaque fois
différemment la psychologie de la perception de l'oeuvre par
celui/celle qui lui fait face.
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlh2k_1REOng9Eu97UDADyGa-mPkfZ_4Or7BsrPthJHiC0Tt0z0ymo8K09oTMkVrVh6rW3yuLqAbrW9ZQ_r6fZ7eaAymMluVEmAdsJ45hOmShX0efjLiLI3gjqtyrZ2EBnjU51bs2oAyw/s1600/hesse_ink+on+paper+1965.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlh2k_1REOng9Eu97UDADyGa-mPkfZ_4Or7BsrPthJHiC0Tt0z0ymo8K09oTMkVrVh6rW3yuLqAbrW9ZQ_r6fZ7eaAymMluVEmAdsJ45hOmShX0efjLiLI3gjqtyrZ2EBnjU51bs2oAyw/s400/hesse_ink+on+paper+1965.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">1965, no title_encre et gouache sur papier 50 x 65 cm</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">H+H, 1965, Varnish, ink, gouache, enamel, cord, metal, wood, papier-mâché</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4FkiUo7XW_C9exClW-XpfyBEE9i9GgdcogFe_BLVGIR0XMEnEDUnag2qWxKXvE5Qqrv8Ig9Oz7Oy90NoOMnPoJ93HYvePbff-eu58RCbuIL8rcSSlqLlbcld6wCC_4bXkBApyFwOTTBY/s1600/hauser-wirth-london-23-savile-row-south-gallery-legs-of-a-walking-ball-may-19651.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4FkiUo7XW_C9exClW-XpfyBEE9i9GgdcogFe_BLVGIR0XMEnEDUnag2qWxKXvE5Qqrv8Ig9Oz7Oy90NoOMnPoJ93HYvePbff-eu58RCbuIL8rcSSlqLlbcld6wCC_4bXkBApyFwOTTBY/s400/hauser-wirth-london-23-savile-row-south-gallery-legs-of-a-walking-ball-may-19651.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Legs of a walkin ball, 1965</td></tr>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy6zArDHJbkODT4jh9QthSQJ8brX39N3G0mKT5VdkOtybMFbwGvv6TTXQdQlmIk1n-xSVFpZtwDZEGdCJFjlN3GH_FYtzvSdZ-TgLt1YghwtNgOl5GuP2PiR4fj6DABliAM1voWBkQyms/s1600/hesse+tate+1965+Ink+and+gouache+on+paper+49x65cm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjy6zArDHJbkODT4jh9QthSQJ8brX39N3G0mKT5VdkOtybMFbwGvv6TTXQdQlmIk1n-xSVFpZtwDZEGdCJFjlN3GH_FYtzvSdZ-TgLt1YghwtNgOl5GuP2PiR4fj6DABliAM1voWBkQyms/s400/hesse+tate+1965+Ink+and+gouache+on+paper+49x65cm.jpg" width="400" /></a></span></span></div>
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<tr><td class="tr-caption" style="text-align: center;">1965, no title_encre et gouache sur papier 50 x 65 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNNTTNTFokKqbKejRarqVqWqJh2pUUbwYF4Cjf1_1lOxfe_b-4_RjOt_B3iN0bqT3CvtoBJx52IHmWCcrCnbe6iW2qVIvLWgu5JMS1SMlHIaL2E8kMPONJlYs8e3MMG9F6CNRoodzdzho/s1600/Hesse_S-2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="363" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNNTTNTFokKqbKejRarqVqWqJh2pUUbwYF4Cjf1_1lOxfe_b-4_RjOt_B3iN0bqT3CvtoBJx52IHmWCcrCnbe6iW2qVIvLWgu5JMS1SMlHIaL2E8kMPONJlYs8e3MMG9F6CNRoodzdzho/s400/Hesse_S-2.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">sans titre, 1964</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir5FNoLvdDhyphenhyphenTfS8ncFVJVKkWYdJ1hjdC3mq7qBUFof5lv9FuLnZFyboniTSUikPM77TwnHLZ1Nd7cy9sQv6zymS6He4DgQNVrnHxcI_STwA-I1nMX3izSyGYY_K18sYrgbiL5lz-Ox-I/s1600/hesse+unt+1963+drawing+57+x+72.4+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir5FNoLvdDhyphenhyphenTfS8ncFVJVKkWYdJ1hjdC3mq7qBUFof5lv9FuLnZFyboniTSUikPM77TwnHLZ1Nd7cy9sQv6zymS6He4DgQNVrnHxcI_STwA-I1nMX3izSyGYY_K18sYrgbiL5lz-Ox-I/s400/hesse+unt+1963+drawing+57+x+72.4+cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"> 1963 drawing 57 x 72.4 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6MFWs-aNOEkxcKnkNs9zO53lWkO-n1MSdT5p8-CjV5xCvP-fPupfuWBoqecmQw70RKAQf83-JmB2V5smbWIhmZZR3kdph0LgxbFZfbG2zoskCi3n1QSIqqR3O4WJLFy_7Ehi1nRRab80/s1600/hesse+1963+28x35+cm+Untitled%252C+ca.+1963.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6MFWs-aNOEkxcKnkNs9zO53lWkO-n1MSdT5p8-CjV5xCvP-fPupfuWBoqecmQw70RKAQf83-JmB2V5smbWIhmZZR3kdph0LgxbFZfbG2zoskCi3n1QSIqqR3O4WJLFy_7Ehi1nRRab80/s400/hesse+1963+28x35+cm+Untitled%252C+ca.+1963.jpg" width="312" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">sans titre, 1963, sur papier 38 x 25 cm</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Top Shot 1965 Flexible metal cord, electrical cord, metal hardware, paint</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">sans titre, 1964, encre sur papier</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">no title 1965, oil canvas 87 x 104 cm</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">3 oeuvres de 1965</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">vers 1964</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Vue de l'atelier, vers 1965</td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: x-small;">no title, vers 1969/70, gouache et encre sur papier</span></td></tr>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-50492645487158026182016-11-13T21:40:00.001+01:002016-11-13T21:40:28.719+01:00Donna Haraway & la création<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">La lecture récente
d'un ouvrage sur la pensée de Donna Haraway et son parcours
intellectuel (<a href="http://www.editions-harmattan.fr/index.asp?navig=catalogue&obj=livre&no=44501" target="_blank">Maria Puig de la Bellacasa</a>, <i>LES SAVOIRS SITUÉS
DE SANDRA HARDING ET DONNA HARAWAY</i></span></span><i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"></span></span></i><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><i>, Science et épistémologies féministes</i>,
L'Harmattan, 2014) a été à la fois un grand apaisement et une vive
stimulation à continuer le travail et la lutte pour certaines formes
d'art, de travail et d'existence au monde. L'ouvrage de cette
universitaire, enseignante / chercheuse en science, féminisme et
technologies, est très accessible et cite richement les ouvrages de
Haraway plus ou moins facile d'accès en français, c'est donc une
pensée transmise ici en seconde main de façon limpide me
semble-t-il.
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP-zi5Zls6o_wsL167_9AiMXd4JzhwtB_OcyeUIwZefk_OZ3Kx9qglSvlauRlNLcXwJtoJmSAOHqB4JQPCGrtxopd9GMaLIZt2NLpYtpF0l59Dkxrun20U9WfBhaxg2a7tYWZgZWEreXk/s1600/aillaud+orang+outang+derri%25C3%25A8re+la+vitre+1975+135x120cm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP-zi5Zls6o_wsL167_9AiMXd4JzhwtB_OcyeUIwZefk_OZ3Kx9qglSvlauRlNLcXwJtoJmSAOHqB4JQPCGrtxopd9GMaLIZt2NLpYtpF0l59Dkxrun20U9WfBhaxg2a7tYWZgZWEreXk/s400/aillaud+orang+outang+derri%25C3%25A8re+la+vitre+1975+135x120cm.jpg" width="361" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4S9Tni7jomwXHm8GfcrRAI8pgKFKq5ViDBJoHoBqtgH2g55iP6l4BA0wUiANSOSYGn5BQD7fN3-WlwA3f8g7CKrgfb5DYpBfoNdI9LeyYHp6ErNv3X7MYYggJsia0HARNc3x03m-4eaE/s1600/20161109_145207.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4S9Tni7jomwXHm8GfcrRAI8pgKFKq5ViDBJoHoBqtgH2g55iP6l4BA0wUiANSOSYGn5BQD7fN3-WlwA3f8g7CKrgfb5DYpBfoNdI9LeyYHp6ErNv3X7MYYggJsia0HARNc3x03m-4eaE/s400/20161109_145207.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gilles Aillaud, <i>orang outang derrière la vitre</i>, 1975, et détail . Huile sur toile, 135 x 120 cm</td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Haraway part d'une critique historique,
sociologique et féministe des sciences, particulièrement de la
biologie dans les années 70. Elle remet en cause les objectivités
scientifiques, les méthodes et protocoles de validation dans ce
qu'ils excluent et ignorent de façon «naturelle» pour en souligner
le caractère genré et situé et donc relatif (et non absolu, non
objectif). Elle souligne que toute expérience est située dans un
temps historique avec ses propres camps idéologiques, des conditions
matérielles particulières, des transformations en cours (du
mouvement) et des possibles à créer. Elle nous offre ainsi ce
concept de <i>Chronotope</i> (reprise de l'ancien « d'où
parles-tu? »). Elle pointe aussi la notion d'<i>Oeil détaché</i> de
tout corps, d'oeil objectif et de vision neutre de la Science comme
d'un mensonge énoncé comme vrai par un Homme, Blanc, occidental et
d'une science qui remplace le divin.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcjAKzgbn_XMOpch1sfckFJWGwBB6t8-IQkYPIp0qJunhtM23IO38Ac7xpODYAt0YmQXRqyxY2CdL-TUmeMHz6KrrTr6uYmV1Lz2v0pmRz0X643RT2Ep8dX0lHZfwbaBOsL-7CDgMK3jI/s1600/Cahn%252C+Kleines+Tier+%2528Small+Animal%2529%252C+1998%252C+huile+sur+toile+32+x+22+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcjAKzgbn_XMOpch1sfckFJWGwBB6t8-IQkYPIp0qJunhtM23IO38Ac7xpODYAt0YmQXRqyxY2CdL-TUmeMHz6KrrTr6uYmV1Lz2v0pmRz0X643RT2Ep8dX0lHZfwbaBOsL-7CDgMK3jI/s640/Cahn%252C+Kleines+Tier+%2528Small+Animal%2529%252C+1998%252C+huile+sur+toile+32+x+22+cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Miriam Cahn, <i>Kleines Tier (Small Animal)</i>, 1998, huile sur toile 32 x 22 cm</td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Jamais Haraway (via Puig) n'évoque ni ne traite
de l'art et de la création, à chaque instant, pourtant le rapport
au vivant et aux formes de la création semble accueilli et
considéré. Les formes du travail de création (d'un certain type de
création bien sur, j'y reviendrai), sont, j'en suis sur, <b>des formes
vivantes</b> mais mal nommées/mal identifiées, pas encore stabilisées
et catégorisées, puisque justement elles sont en train
d'apparaître. Dans l'atelier, au travail, des formes de vie luttent
pour trouver une existence, jamais arrivée encore, mais dont il faut
faire culture dans l'instant, pour l'intégrer et construire le travail en cours. Elle s'adresse ainsi à tous ces
micros-moments, ces questions continues qui passent en tête pendant
l'action et forcent à négocier en permanence avec l'envie de
contrôle, même un certain autoritarisme que nous serions sommés
d'avoir sur notre propre travail. Clôturer, fermer, unifier,
identifier notre travail, voilà le danger, au risque d'une rupture
d'avec les flux de vie et de faire un art «de professionnels de la
profession». Cela c'est toute l'écologie du vivant de
l'atelier qui résonne donc beaucoup en moi avec la pensée de
Haraway.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjct-j2dgWAumCdyqIA95SsdGHj1mZSU3bF9wKmE2MoRlhk3nSa03moPcUzZb4SR3tbGJruH66K7YjRYOWqW2-XSFhxFJ1prDvmCtGUFBDnvps0lViZCDnUtdgsYZCk3StTu5uT16JSax0/s1600/dunham+unt+%2528purple%2529+1993-94+styrofoam+sand+crayon+graphite+oil+203x127x13cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjct-j2dgWAumCdyqIA95SsdGHj1mZSU3bF9wKmE2MoRlhk3nSa03moPcUzZb4SR3tbGJruH66K7YjRYOWqW2-XSFhxFJ1prDvmCtGUFBDnvps0lViZCDnUtdgsYZCk3StTu5uT16JSax0/s640/dunham+unt+%2528purple%2529+1993-94+styrofoam+sand+crayon+graphite+oil+203x127x13cm.jpg" width="396" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Caroll Dunham <i>untitled (purple)</i> 1993-94, styrofoam sand crayon graphite oil on canvas 203 x 127 x 13 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM0Sd30iouzlifj4R85aqAwx4dkrLb5F_fwQirqgQdvs9_Id-D-r2hILtCs0ZNG2c0JC22R8ZLfmelEL80_tBd-0Mi373kNPO0KwIgJN7A5Qy02NoBiqVSkhbBDWQkrsmDUD6t8B3_qxM/s1600/dunham+no+nature+1985-86.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM0Sd30iouzlifj4R85aqAwx4dkrLb5F_fwQirqgQdvs9_Id-D-r2hILtCs0ZNG2c0JC22R8ZLfmelEL80_tBd-0Mi373kNPO0KwIgJN7A5Qy02NoBiqVSkhbBDWQkrsmDUD6t8B3_qxM/s640/dunham+no+nature+1985-86.jpg" width="380" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Caroll Dunham, <i>no nature</i>, 1985-86</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgKKZz7hzi35gLnoLj6-NVVt8G0CeG8XLyLWWpZVJLO3P4L3eVDOY1iG0KKi38a-uXp6M9olcu0jqUVC58zipp4tEnpHUxOtQ8lkTWovQKOIN8W3JjecaKqkH1e5cXfN9s_I3dBf0ZLVQ/s1600/thieffine_disco_2016.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgKKZz7hzi35gLnoLj6-NVVt8G0CeG8XLyLWWpZVJLO3P4L3eVDOY1iG0KKi38a-uXp6M9olcu0jqUVC58zipp4tEnpHUxOtQ8lkTWovQKOIN8W3JjecaKqkH1e5cXfN9s_I3dBf0ZLVQ/s640/thieffine_disco_2016.jpg" width="529" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maxime Thieffine, <i>Disco</i>, 2016. Huile et acrylique sur toile. 40 x 30 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8ZF43b6AfnrM8pV8__2uaJWunJSjutsM_Y5PKUUn0UQKPDy7cKbuw6Gw-5W7lLzVK1rF6I-Sztfx3kMgCI13tKJObkSHu1oCZtn9eVW_ul64tJzn-GlJ2cYwfSqF_IhFYpyFphGouKI0/s1600/curry+2016_head+trip+236x196cm+acry+cancas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8ZF43b6AfnrM8pV8__2uaJWunJSjutsM_Y5PKUUn0UQKPDy7cKbuw6Gw-5W7lLzVK1rF6I-Sztfx3kMgCI13tKJObkSHu1oCZtn9eVW_ul64tJzn-GlJ2cYwfSqF_IhFYpyFphGouKI0/s640/curry+2016_head+trip+236x196cm+acry+cancas.jpg" width="492" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Aaron Curry 2016, <i>head trip</i>, 236 x 196cm acrylic on canvas</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO3xctE4FySqOpWla-bcf7G8lAZZhSDTirsf1nWxVr7QfWNpI3-SnCIXSIei1D_niyuqAiUFngynyHpbUgUEDbvRfFDaeMaRh4QoJfOSmmHIz6zTIi1IEbtXWKq739Tzaxi5zwXpHjYR8/s1600/Eisenman%252C+Guy+Capitalist%252C+2011%252C+oil+and+mixed+media+on+canvas%252C+76+%25C3%2597+60+in.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO3xctE4FySqOpWla-bcf7G8lAZZhSDTirsf1nWxVr7QfWNpI3-SnCIXSIei1D_niyuqAiUFngynyHpbUgUEDbvRfFDaeMaRh4QoJfOSmmHIz6zTIi1IEbtXWKq739Tzaxi5zwXpHjYR8/s640/Eisenman%252C+Guy+Capitalist%252C+2011%252C+oil+and+mixed+media+on+canvas%252C+76+%25C3%2597+60+in.jpg" width="489" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nicole Eisenman, <i>Guy Capitalist</i>, 2011, oil and mixed media on canvas, 76 × 60 in</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiehP0u8Mu8vIqjn1hgShuJou3W2vfiL7DfWvyWogNmXboKnT64FO94R7g6ASZQ1JMuvhX7aM9gF8IrTbuIv2VNVqVwQdsB2FkMnXvKWw-cvmOshqUjg3oP8-CChSe-TfB184GCetJyq68/s1600/saul_nervous+woman+2002+101x76+on+paper.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiehP0u8Mu8vIqjn1hgShuJou3W2vfiL7DfWvyWogNmXboKnT64FO94R7g6ASZQ1JMuvhX7aM9gF8IrTbuIv2VNVqVwQdsB2FkMnXvKWw-cvmOshqUjg3oP8-CChSe-TfB184GCetJyq68/s640/saul_nervous+woman+2002+101x76+on+paper.jpg" width="476" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Peter Saul, <i>nervous woman</i>, 2002, 101 x 76 cm</td></tr>
</tbody></table>
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<div class="western" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Elle accepte une ouverture au vivant et à sa mise
en relation plurielle et hybride : animaux, êtres humains hors
normes, êtres bâtards (l'<i>Onco-Mouse</i>, souris de laboratoire
brevetée), technologie, végétal naturel ou modifié, bref elle
nous situe dans ce que nous sommes et devenons un peu plus chaque
jour. Pour elle, tout cela demande à être pensé et mis en relation
plutôt que séparé/écarté et hiérarchisé selon des valeurs
morales ou pré-conçues. Ces états et présence des <i>naturecultures</i>
sans cesse évolutives, c'est moi, nous, nos relations, corps-corps,
corps-objets, objets-sujets, animaux-robots, toutes ces définitions
désormais moins nettes et plus fluides entre elles. Haraway part
donc d'identités anciennes fracturées, multiples (je pense ainsi à
Picabia et à sa revendication au droit à plusieurs styles),
identités contradictoires, bricolées qui doivent re-formuler
régulièrement leur alliance avec d'autres, inventer des rapports de
cohabitation et d'alliance. Elle pense donc du point de vue de
figures singulières, des « créatures leviers d'imagination
et d'espoirs » et invente même des mots et appelle à nommer
ces nouvelles combinaisons : primates, cyborg, chiens,
vampires, bombes, puces, gènes, toute une «ménagerie» qui a
justement été inventée par l'art contemporain, au delà des
transgenres. Elle pense donc comment on a définit l'humain, donc
exclut ce qui ne l'est pas et sur comment la technologie et
l'ingénierie biologique a écrit et modifié les frontières (l'ADN
encodé, les cultures transgéniques, le fameux modèle du cyborg,
mutant bio-technologique). Elle spécule sur des identités et cas
limites pour voir comment se passent et se construisent des
existences mutantes et quelles relations on établie avec elles.</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6bjfBAxp6iC7Q-9gemmt7sqfEApve9iqNvUZHcoW483t_vfFtCCPn6AzKFGoNyZWpSdUObsLDMQ5VN-sURyS1dV3hjWPHYqDxTJyzXULfsEdCEKQCEjleXBg1iGYjMQBvbzNeRChjFus/s1600/Phyllis-Galembo-25-540x545.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6bjfBAxp6iC7Q-9gemmt7sqfEApve9iqNvUZHcoW483t_vfFtCCPn6AzKFGoNyZWpSdUObsLDMQ5VN-sURyS1dV3hjWPHYqDxTJyzXULfsEdCEKQCEjleXBg1iGYjMQBvbzNeRChjFus/s400/Phyllis-Galembo-25-540x545.jpg" width="396" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://maximememoirevive.blogspot.fr/2014/08/phyllis-galembo.html" target="_blank">Phyllis Galembo</a>, photographie non identifiée</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNQFrYS353Jr6hOMMQbZz6HtOnfBwthRAzEIRVEDRSWB8Varq3NpIE42kZEP8f3FZWQTWFal_Ic_n9fcR0k395diP6tnDg8X4RXtjwEYwpGIaw9H_3mQVFvzrY7WPtspuOovafMSSlEug/s1600/P1170500devok72.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNQFrYS353Jr6hOMMQbZz6HtOnfBwthRAzEIRVEDRSWB8Varq3NpIE42kZEP8f3FZWQTWFal_Ic_n9fcR0k395diP6tnDg8X4RXtjwEYwpGIaw9H_3mQVFvzrY7WPtspuOovafMSSlEug/s400/P1170500devok72.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maxime Thieffine, <i>Chose</i>, 2014, huile sur toile, fil et clous</td></tr>
</tbody></table>
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<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgooh2o3gahEpqgHdTWrY9PiVXTfGmrJPh1uMrGlRhtb5bDvz-C9aSI7DwT57h9uN76cl2r_dX_4mj6yUilNJk02mc35UQ_QHDug-AGV7NTHxWW3izQ73MHnLiYyK2EyQ14l8-k5kIwzfQ/s1600/lozano_no+title+%2528hygiene+3%2529+1961-63.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="539" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgooh2o3gahEpqgHdTWrY9PiVXTfGmrJPh1uMrGlRhtb5bDvz-C9aSI7DwT57h9uN76cl2r_dX_4mj6yUilNJk02mc35UQ_QHDug-AGV7NTHxWW3izQ73MHnLiYyK2EyQ14l8-k5kIwzfQ/s640/lozano_no+title+%2528hygiene+3%2529+1961-63.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lee Lozano, <i>no title (hygiène 3)</i>, 1961-63</td></tr>
</tbody></table>
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<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">J'entendais Tristan Garcia parlé de cela (ou presque) à la <a href="https://www.franceculture.fr/emissions/la-grande-table-2eme-partie/nous-un-millefeuille-didentites" target="_blank">radio</a> de ce NOUS défait,
brisé en morceaux et de son idée de calques/couches d'identités
multiples superposées. Triste pansement et pirouette timide alors
que Haraway travaille et propose des situations et exemples incarnés,
dramatiques, cruels, tendus et irrésolus mais qui me parlent
terriblement. Cela libère du NOUS, qui sacrifie toujours un peu de
réalité pour raboter et inclure universellement le maximum d'êtres
et donc en laisser dehors forcément. Cette déprise du NOUS au
profit de LIENS entre des situations, je la ressens comme un
soulagement, par le fait de dire si simplement ce qu'il me semble
vivre confusément. J'ai repensé au moment où j'ai découvert John
Cage et son rapport à l'écoute, les modes, conditions et registres
d'écoute plutôt qu'un rapport hiérarchique, paranoïaque,
autoritaire à la musique, bonne/mauvaise. Une même bouffée d'air
frais et dépressurisé, un don pour libérer du mouvement et de
l'action individuelle.</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv_JyTcXKJ-GrDez6-y0wekKqcF4IuH5JMekvp3pCaI-o5ZlSGz8asGvFRev-d-1ZAxkKA1mMgH5R4VJbQPCy_o9jgi_s5UFhsqPAKs3_z2RNAFKqzq98-3xuQ6Xzp_wut8wOUgvL4VBc/s1600/cahn_tierschiksal_animal+destiny_2004oil+130x195cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="435" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv_JyTcXKJ-GrDez6-y0wekKqcF4IuH5JMekvp3pCaI-o5ZlSGz8asGvFRev-d-1ZAxkKA1mMgH5R4VJbQPCy_o9jgi_s5UFhsqPAKs3_z2RNAFKqzq98-3xuQ6Xzp_wut8wOUgvL4VBc/s640/cahn_tierschiksal_animal+destiny_2004oil+130x195cm.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Miriam Cahn, tierschiksal (animal destiny) 2004 oil on canvas 130 x 195 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQPuZQ5pAv9yLSczTsSYTcefAv1zrTdDnY10b7pBpEHLeTDaGQsVllXd9-MV8loRz0XqPngMkU8iyx7WF-2u1W90nwK8rYK2UJ7DopTra0zOmlbrOh2Yrg_mwGTZC2fm2zdiLzxZaN94g/s1600/Lassnig_Lines+of+Fate%252C+Re-lations+VIII_1994%252C+oil.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="472" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQPuZQ5pAv9yLSczTsSYTcefAv1zrTdDnY10b7pBpEHLeTDaGQsVllXd9-MV8loRz0XqPngMkU8iyx7WF-2u1W90nwK8rYK2UJ7DopTra0zOmlbrOh2Yrg_mwGTZC2fm2zdiLzxZaN94g/s640/Lassnig_Lines+of+Fate%252C+Re-lations+VIII_1994%252C+oil.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maria Lassnig, Lines of Fate, Re-lations VIII, 1994, oil on canvas</td></tr>
</tbody></table>
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<div class="separator" style="clear: both; text-align: center;">
</div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsb_SMmAKXVnjP9a6knu9LqEWHq7P3fXAEMyb5fo8EZDoONPCu9tZuYQgNyx0wk1sTUfpGRsJvNGPp1_dCEpHpLsM3h-oN4k8cr9_M6nkGp_vUyA-7CiiBb-oNttxHqzS_uVGHqCznBM8/s1600/Jonathan+Baldock+and+Emma+Hart_washing+machine+2016.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsb_SMmAKXVnjP9a6knu9LqEWHq7P3fXAEMyb5fo8EZDoONPCu9tZuYQgNyx0wk1sTUfpGRsJvNGPp1_dCEpHpLsM3h-oN4k8cr9_M6nkGp_vUyA-7CiiBb-oNttxHqzS_uVGHqCznBM8/s640/Jonathan+Baldock+and+Emma+Hart_washing+machine+2016.jpg" width="476" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jonathan Baldock and Emma Hart, <a href="http://www.peeruk.org/forthcoming/" target="_blank"><i>washing machine</i></a>, 2016</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEvpW5ksfcm_SKQ_QnDkG5R_RpsT5eo8bC-OMsx4d7CeN9yy4aS5OnOBeNoY4urF3Rpk5RTeQLkGy3BceKrwCAHKFUbqceDSKSo266stzBg6-Z0pQ6SwMcEsxb1v2nkjZpthYPUu5qD-8/s1600/hesse_1965_notitle_oil+canvas+87x104.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEvpW5ksfcm_SKQ_QnDkG5R_RpsT5eo8bC-OMsx4d7CeN9yy4aS5OnOBeNoY4urF3Rpk5RTeQLkGy3BceKrwCAHKFUbqceDSKSo266stzBg6-Z0pQ6SwMcEsxb1v2nkjZpthYPUu5qD-8/s400/hesse_1965_notitle_oil+canvas+87x104.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Eva Hesse, 1965, <i>notitle</i>, oil on canvas 87 x 104 vm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiGTpm7UzjDRVFq9mUvsnkA4iL6DtT2zMzX1dA55bPnyUMs0idPmhbJ6ifjzq_X6EXA5HEPqpP5hk9PBTZkskN7T-UHwn8KLKwIXb6OtjSIlBjvYUdca4KZIlQcqsvDIUHShbVeIhIHhw/s1600/Hesse%252C+eva_1965_H%252BH_gouache+vernis+code+metal+sur+masonite67x70x13cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="387" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiGTpm7UzjDRVFq9mUvsnkA4iL6DtT2zMzX1dA55bPnyUMs0idPmhbJ6ifjzq_X6EXA5HEPqpP5hk9PBTZkskN7T-UHwn8KLKwIXb6OtjSIlBjvYUdca4KZIlQcqsvDIUHShbVeIhIHhw/s400/Hesse%252C+eva_1965_H%252BH_gouache+vernis+code+metal+sur+masonite67x70x13cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Eva Hesse, <i>H+H</i>, 1965, gouache vernis metal sur masonite, 67 x 70 x 13 cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnpgOS6DgfhBw5j_6yFtc29V6gcYQSQkFhfJIZdy1p0qiRMXHGrQ5KHe8HL3n0n-2kAMe8x6_Jpv39vAkS4gg8KSyP7jJfT3d-TCkuNvDoB7ggeKK6S1HOXZ8T7HIGpNSV8AGvRywtRrc/s1600/kelley+floor+show20120623-01786.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnpgOS6DgfhBw5j_6yFtc29V6gcYQSQkFhfJIZdy1p0qiRMXHGrQ5KHe8HL3n0n-2kAMe8x6_Jpv39vAkS4gg8KSyP7jJfT3d-TCkuNvDoB7ggeKK6S1HOXZ8T7HIGpNSV8AGvRywtRrc/s640/kelley+floor+show20120623-01786.jpg" width="480" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mike Kelley, non identifié</td></tr>
</tbody></table>
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<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFOniebpLkTWLMX6EDERn7OGYRKzXZN0RJcEDFIIILueOv3u8JM2sfJHMKmuo6chEmrq8awcuIiO8tVeE7n7ado5CMoc3t0U_10ZMXEeDdHMcFHKwTTEp2xgRXnOhP_ogV4xNNWyongTE/s1600/Savinio1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFOniebpLkTWLMX6EDERn7OGYRKzXZN0RJcEDFIIILueOv3u8JM2sfJHMKmuo6chEmrq8awcuIiO8tVeE7n7ado5CMoc3t0U_10ZMXEeDdHMcFHKwTTEp2xgRXnOhP_ogV4xNNWyongTE/s640/Savinio1.jpg" width="532" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alberto Savinio, non identifié</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO9HqsqfvwIUqg4iXoxpWVprEEB6BHlGG65i-akWSjENAa62kq6J4yhub47ddWre3vpahnL__HSThf3hB9K8Dj1urvSDmCF4rVLrChzj-xouQ-tDNR1fR89jc8bkCvooj6_-CSDOxmyq0/s1600/semmel+multiples+1999.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO9HqsqfvwIUqg4iXoxpWVprEEB6BHlGG65i-akWSjENAa62kq6J4yhub47ddWre3vpahnL__HSThf3hB9K8Dj1urvSDmCF4rVLrChzj-xouQ-tDNR1fR89jc8bkCvooj6_-CSDOxmyq0/s400/semmel+multiples+1999.jpg" width="330" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Joan Semmel, <i>multiple,</i> 1999</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXFM2LHPSbgSUDA2_66KrOMocNUNVWTn0fERySIAolXVYObiVeRdJybuvoUqYsDmFBqlrP1b3yiFjwg6K9ibfuQdPX8CaH0tlijnQufA_Px6O3okNt4OQ8NAwz2afZmS7Ogbk5AwHWMDQ/s1600/o%25C3%25B9+sont+les+ames+des+b%25C3%25AAtes.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXFM2LHPSbgSUDA2_66KrOMocNUNVWTn0fERySIAolXVYObiVeRdJybuvoUqYsDmFBqlrP1b3yiFjwg6K9ibfuQdPX8CaH0tlijnQufA_Px6O3okNt4OQ8NAwz2afZmS7Ogbk5AwHWMDQ/s400/o%25C3%25B9+sont+les+ames+des+b%25C3%25AAtes.jpg" width="331" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Francis Picabia, <i>ou sont les ames des bêtes</i></td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFa_qS0kGwi6ThTQ2JcVrcNUZkjhc7wPvQnh5_Y6Q1SBKFS8Q6TebiCRf8nmnRYjaacH1fd9Wnqm72lTHpYM9jKfqOU8fogW7Vm6Bw93zQYxmaRTE6JzYcyxs0ANMjqCDCAAGxprzfy40/s1600/eisenman_one+eye+2016144x114cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFa_qS0kGwi6ThTQ2JcVrcNUZkjhc7wPvQnh5_Y6Q1SBKFS8Q6TebiCRf8nmnRYjaacH1fd9Wnqm72lTHpYM9jKfqOU8fogW7Vm6Bw93zQYxmaRTE6JzYcyxs0ANMjqCDCAAGxprzfy40/s640/eisenman_one+eye+2016144x114cm.jpg" width="504" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nicole Eisenman, <i>one eye</i>, 2016, 144 x 114 cm</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvgBw5wydmGhBN5ceW7CiOGfwRlPOUpjrDfO4yyHMSqrOPDkbAGu84of6xtl8ZXaCxQCafK26RJN3ur2Prlc2bhP9ApreAVJ840aiKvldzGSOfUXNzwIEr3yX01sGaAuYgXMGmBNMA0nA/s1600/brauner+%25C3%25AAtre+r%25C3%25A9tract%25C3%25A9+en+chien+1949.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="556" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvgBw5wydmGhBN5ceW7CiOGfwRlPOUpjrDfO4yyHMSqrOPDkbAGu84of6xtl8ZXaCxQCafK26RJN3ur2Prlc2bhP9ApreAVJ840aiKvldzGSOfUXNzwIEr3yX01sGaAuYgXMGmBNMA0nA/s640/brauner+%25C3%25AAtre+r%25C3%25A9tract%25C3%25A9+en+chien+1949.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Victor Brauner, <i>être rétracté en chien</i>, 1949</td></tr>
</tbody></table>
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<div style="margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "Trebuchet MS",sans-serif;">Si tout cela paraît évident, c'est
libérateur, non pas pour tout relativiser et dire que toute vérité
se vaut (surtout pas) mais plutôt pour affiner le débat et les
définitions de chacun. Pour ainsi SITUER les discours plutôt que
définir des NOUS, des identités par catégories et sous catégories.
Ici, j'ai beaucoup pensé à l'historie de l'art moderne et même
ancien, aux -Ismes, mouvements et périodisations établies ne se
définissant et se démarquant les unes contre/ à rebours des
autres, en particulier dans l'art moderne avec ses manifestes et
slogans, excluant hors du goût (bon) des formes, des pratiques et
des œuvres très nombreuses que par ailleurs de nombreux
artistes/commissaires ne cessent régulièrement de ré-inclure
(pensons à Phyllida Barlow, Carole Rama, Alina Szapocznikow, Sheila
Hicks, la sculpture figurative dans l'art contemporain, la céramique
etc...)</span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWhyphenhyphenim133Ciyo9K5Fz3YoLTrelCQTmI3ik-ctIrOlUgERER6-YsHg-hWuwcJjDcbomF5sUUhhvUuFzrpVcK4h7wIVXZOfMZaj3h6e_LsFtVogoUpDMQP1tP6D27DaMH5uEyFC88j_bozg/s1600/Loughran_Rubenoir%252C+2010+c%25C3%25A9ramique.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWhyphenhyphenim133Ciyo9K5Fz3YoLTrelCQTmI3ik-ctIrOlUgERER6-YsHg-hWuwcJjDcbomF5sUUhhvUuFzrpVcK4h7wIVXZOfMZaj3h6e_LsFtVogoUpDMQP1tP6D27DaMH5uEyFC88j_bozg/s400/Loughran_Rubenoir%252C+2010+c%25C3%25A9ramique.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Patrick Loughran, <i>Rubenoir</i>, 2010 céramique</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYVUHakvQpgfhIO6RdOmq7tKryVlTU7fxyTL7pJm1-BxS_xl7iI0lSbi95vFMnqPoIPC9srel_FeMfqSNdJQXPKQwTmKXe2IHf5HLmSAjkfUpqkqLhqiYvIVHY3N_whfRpRh1jDqOkHew/s1600/murray+sentimental+education+1982+oil+canvas+322x+243.8+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYVUHakvQpgfhIO6RdOmq7tKryVlTU7fxyTL7pJm1-BxS_xl7iI0lSbi95vFMnqPoIPC9srel_FeMfqSNdJQXPKQwTmKXe2IHf5HLmSAjkfUpqkqLhqiYvIVHY3N_whfRpRh1jDqOkHew/s640/murray+sentimental+education+1982+oil+canvas+322x+243.8+cm.jpg" width="512" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Elizabeth Murray, <i>sentimental education</i>, 1982, oil on canvas 322 x 243.8 cm</td></tr>
</tbody></table>
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<div class="separator" style="clear: both; text-align: center;">
</div>
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<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Donc pas de nostalgie pour un temps
idéal et naturel mais pas non plus d'hymne au libéralisme
technologique. Plutôt un rapport ouvert et horizontal à l'impur,
aux liens contre-nature. Pas de pureté ou purisme, pas de rupture ou
table rase mais du lien sale, circonstancié, situé, subjectif avec
les autres et le présent pour vivre et avancer. Il s'agit ici de
voir d'en bas, d'où on se trouve (pensons à Bataille et Mike
Kelley) et pas d'un point de vue surplombant. Pensons donc ici à ces
innombrables textes de <i>statements</i> et communiqués de presse où
l'artiste tente d'être au dessus de son travail (et pas dedans),
d'en être le conférencier et le marketeur. Un «corps est un tissu
de relations» dit-elle, à tous les sens du terme. Magnifique
formule qui dit le mouvement et donc aussi la cruauté à figer les
configurations pour les dire et les mettre en rapport. Ce travail
parle donc autant du vivant à l'oeuvre dans la création que de sa
représentation dans des formes de langage. Ici la situation de
l'artiste est très concernée par ce que décrit Haraway, triplement
: en tant qu'agent d'une création de formes de vies en devenir, dont
il est responsable, en tant que cobaye premier de ce laboratoire aux
frontières mouvantes entre lui et les formes et enfin en tant que
représentant symbolique de ce travail en cours/en mouvement aux yeux
des autres. Position hautement politique de visibilité, de défense
et de lutte pour certaines formes d'art, d'oeuvres et de vies/modes
de vies qui produisent ces formes. Politique pour ceux à qui ce
rapport à la création parle.</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLi2aIKDVe1vFJOML-rrn60l6NPy-ys44GT4ekDV2QkQhuzCYIK1tyC_z8rjvTssewQ9MnCPPlzowjBRy499wAfgd_a0ywkeKP_i41o23SznYlA2gsHAcZrEWQA-IvGrbqn3F9zIRRMGs/s1600/gironcoli_Soax+Lup%252C+1972.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLi2aIKDVe1vFJOML-rrn60l6NPy-ys44GT4ekDV2QkQhuzCYIK1tyC_z8rjvTssewQ9MnCPPlzowjBRy499wAfgd_a0ywkeKP_i41o23SznYlA2gsHAcZrEWQA-IvGrbqn3F9zIRRMGs/s400/gironcoli_Soax+Lup%252C+1972.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bruno Gironcoli, <i>soax lup,</i> 1972</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTdDRybiGKq29l5mTXwbvoBX9q8xV60MYKV2NKW6ErCzuWcHddx0QYIRnUlm50-RTDnzw-NNbRrfvbObdNltTmvCPquySn0KdVWDTKg-fKgwVQhAEnKGbZ_sbEZP1RYG3aT88_bnOZQ20/s1600/Kelley_unk.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTdDRybiGKq29l5mTXwbvoBX9q8xV60MYKV2NKW6ErCzuWcHddx0QYIRnUlm50-RTDnzw-NNbRrfvbObdNltTmvCPquySn0KdVWDTKg-fKgwVQhAEnKGbZ_sbEZP1RYG3aT88_bnOZQ20/s400/Kelley_unk.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mike Kelley, non identifié, 1999</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9W5Lx-55hFwYbfvKQUht95f0uX1kn1F3-OFSVsGMFWXEyOnbQ_URkonGK1kxsXL5hJnz_YpyxCcisqM39Ne62FFYkbrf1gauUYb2wbsE54mxf0aMt7SIW3omX5En75Jpj9MSYGcl0llw/s1600/Conner+rat+bastard+2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9W5Lx-55hFwYbfvKQUht95f0uX1kn1F3-OFSVsGMFWXEyOnbQ_URkonGK1kxsXL5hJnz_YpyxCcisqM39Ne62FFYkbrf1gauUYb2wbsE54mxf0aMt7SIW3omX5En75Jpj9MSYGcl0llw/s640/Conner+rat+bastard+2.jpg" width="491" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bruce Conner, <i>rat bastard II</i></td></tr>
</tbody></table>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
</div>
<div class="western" style="text-align: justify;">
<br /></div>
<div class="western" style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Comme toujours en lisant cet ouvrage, je croise et
tombe ou revoit des choses qui coincident parfaitement avec cette
lecture : par exemple <a href="http://bombmagazine.org/article/2548612/nicole-eisenman-and-david-humphrey" target="_blank">un article</a> sur Nicole Eisenman, ce <a href="https://www.abebooks.fr/servlet/BookDetailsPL?bi=16610200653&searchurl=tn%3Dalberto%2Bsavinio%26sortby%3D17%26an%3Dalberto%2Bsavinio" target="_blank">livreacheté</a> sur Alberto Savinio, ce dossier dans l'ordinateur sur Maria
Lassnig ou l'exposition de Gilles Aillaud vue à la Galerie
<a href="http://loevenbruck.com/?id=aillaud&bio" target="_blank">Loevenbruck</a>, tout ceci m'a semblé parfaitement travaillé en
peinture, dans des corps matériels (peinture, toile, couleurs) et
symbolique (images / représentations). Et donc pour accompagner ce
texte, un choix d'oeuvres d'art plastiques et une famille d'artistes
ici rassemblées qui sont travaillées par des incarnations
problématiques et irrésolues.</span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-38129415502584650142016-11-12T18:19:00.002+01:002016-11-13T21:01:48.187+01:00John ALTOON<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqhEiSxcjeevEfkESFltiGorZzBuQd8RWck27K4CL_bOhJJTVNF2kS2GbWQe59wK3Yl0vkLy9Jq0L4otUoOvu-48jTPbYJXm196T-Zoan3e_hVWkG-xmesfT6eECOY46u0KAWHjErrjCc/s1600/altoon-unt-63-64-from-hyperion.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqhEiSxcjeevEfkESFltiGorZzBuQd8RWck27K4CL_bOhJJTVNF2kS2GbWQe59wK3Yl0vkLy9Jq0L4otUoOvu-48jTPbYJXm196T-Zoan3e_hVWkG-xmesfT6eECOY46u0KAWHjErrjCc/s640/altoon-unt-63-64-from-hyperion.jpg" width="601" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">de la série Hyperion, 1964</td></tr>
</tbody></table>
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<span style="font-family: "trebuchet ms" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd3eXt2F2xpLepVt1_6NCHp5YeQP5pk-V5NtDKBwdwzfeJUttycI0f98LMxOWCS8TjA-il6VTKw_th6m5Ufgp8htNUpiMBTAm7jbKEMm-VYDFHznswowOHs2zM668-CADkabd9PHtOMzQ/s1600/PS_xx_New-for-Closing-Spread_-old-2_32Goode-of-Altoon_img048.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="325" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd3eXt2F2xpLepVt1_6NCHp5YeQP5pk-V5NtDKBwdwzfeJUttycI0f98LMxOWCS8TjA-il6VTKw_th6m5Ufgp8htNUpiMBTAm7jbKEMm-VYDFHznswowOHs2zM668-CADkabd9PHtOMzQ/s400/PS_xx_New-for-Closing-Spread_-old-2_32Goode-of-Altoon_img048.jpg" width="400" /></a></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif; font-size: small;"><span style="font-size: xx-small;"><a href="https://en.wikipedia.org/wiki/John_Altoon" target="_blank">John Altoon</a> (1925-1969) est un artiste de Los Angeles, actif pendant les
années 50 et 60, largement méconnu en Europe, dont j'ai découvert
l'oeuvre lors de l<a href="http://www.lacma.org/art/exhibition/john-altoon" target="_blank">'été 2014</a> et dont je voulais parler car depuis,
je ne cesse de revenir à son travail, en particulier sa grammaire de
couleurs, ses gestes graphiques et compositions en apparence
ordinairement expressives et abstraites, mais finalement très
singulières, précises dans un registres entre les genres (hybride) abstra<span style="font-family: "trebuchet ms" , sans-serif;">ction col<span style="font-family: "trebuchet ms" , sans-serif;">or</span>ée</span> gestuelle et figuration dessinée, qui me
semble tout a fait pertinente et utile aujourd'hui.</span></span></div>
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<tr><td class="tr-caption" style="text-align: center;">Untitled (from Harpers series) 1964 et détail</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivUUABPKe4zuZRyvIxgl-IHmMk0WHqkGZ6tGy26O9Ko2UAGu-sTA9UFa1rAaCo-YtkprtbZAA66L0bw6ZlbAthyywsGqpu53IiL2nhOgX7KxEnE6GORRuqB4RAsMiX1f3yFNi4jw3kvGo/s1600/altoon_haircut+2+1965.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivUUABPKe4zuZRyvIxgl-IHmMk0WHqkGZ6tGy26O9Ko2UAGu-sTA9UFa1rAaCo-YtkprtbZAA66L0bw6ZlbAthyywsGqpu53IiL2nhOgX7KxEnE6GORRuqB4RAsMiX1f3yFNi4jw3kvGo/s400/altoon_haircut+2+1965.jpg" width="372" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Untitled, (Haircut #2), 1965, 152 x 142 cm</i></td></tr>
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<tr><td style="text-align: center;"><span style="font-size: x-small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfpCqdbHedzCcubUQZtPzrT2vp5yCjLmE2fNmHRGBBY0_GxqjN83JUu6_iU6_yfaQz7lfV7vP8iQk2lt0Vha9FqYxUepJscDuFzOlpDmteyz0WcxbRHUXxC7Y9KeG0OSDyuc0KpQ1cvLg/s1600/cowboys+and+indians+1968.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfpCqdbHedzCcubUQZtPzrT2vp5yCjLmE2fNmHRGBBY0_GxqjN83JUu6_iU6_yfaQz7lfV7vP8iQk2lt0Vha9FqYxUepJscDuFzOlpDmteyz0WcxbRHUXxC7Y9KeG0OSDyuc0KpQ1cvLg/s400/cowboys+and+indians+1968.jpg" width="400" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><i>cowboys and indians</i>, 1968</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;">De la série <i>Hyperion</i>, 1964</td></tr>
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<span style="font-family: "arial" , sans-serif; font-size: small;"><span style="font-size: xx-small;">Personnage
apparemment haut en couleur, alcoolique, paranoïaque, diagnostiqué
schizophrène passé la trentaine, il a détruit beaucoup de son
travail. Il a été très central dans le développement de la scène
artistique de LA dans les années 50 autour de Ferus Gallery (voir le
documentaire <a href="https://www.youtube.com/watch?v=hEmmDOpL2NQ" target="_blank">the Cool School</a>, où il apparaît furtivement dans
presque toutes les photos mais qui est juste évoqué sommairement à la
fin). Il vécut à New York de 1951 à 1955 où il s'imprègne du
vocabulaire Ab Ex, proche sans doute des premiers <a href="http://maximememoirevive.blogspot.fr/2013/06/mark-rothko-une-decennie.html" target="_blank">Rothko</a>
d'obédience surréaliste, puis passe un an en Europe et se
ré-installe ensuite à </span><span style="font-size: xx-small;"><span style="font-family: "trebuchet ms" , sans-serif;">Venice,
Ocean Park, Santa Monica, autour de LA. Il aura une expo solo au LA
County Museum of Art en 1964. Il a dessiné aussi des pochettes pour des disques de jazz.</span></span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif; font-size: small;"><span style="font-size: xx-small;">Sa
palette « californienne » aux couleurs saturées et/ou
pales, roses, mauves, ensoleillées accueille des formes qui semblent
venues du dessin automatique, du geste improvisé mais qu'on pourrait
identifier comme des résurgences animales (dans la série <a href="https://fr.wikipedia.org/wiki/Hyp%C3%A9rion_%28mythologie%29" target="_blank">Hypérion</a>,
1963-64), je préfère citer ici une description évocatrice :
"mutant shapes, one resembling a vaguely bovine creature, the
other a pig, float hazily in a murky ether of crimson-blue pigment.
These central forms oscillate between image and abstraction with
fresh visual buoyancy. It’s a barnyard logic where the bulbous and
lumpy intersect, where fleshy pinks and lime greens jostle with their
muddy surroundings in static hilarity"</span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: x-small;"><span style="font-size: small;">J'alterne
ici les séries (<span style="font-family: "trebuchet ms" , sans-serif;">Ocean P<span style="font-family: "trebuchet ms" , sans-serif;">ark, hyperion, About Women, Sunset) </span></span>et la pratique du dessin (à l'encre et pastel) comme de la lithographie car elle éclaire ses
peintures. Son dessin proche de l'illustration de mode (il a été
formé pour devenir illustrateur), du croquis rapide mais stylisé,
mèle trait fin et figuratif à l'encre et des nuées à l'<span style="font-family: "trebuchet ms" , sans-serif;">aéro<span style="font-family: "trebuchet ms" , sans-serif;">graphe</span></span>
ou le pastel pour la couleur. L'héritage des <i>myths makers</i>
tourne au fantasme érotique. Des scènes primitives, satiriques,
carnavalesques et ouvertement sexuelles (pas forcément érotiques)
ne s'enferment pas dans une bulle à la Balthus mais sont plus ancrés
socialement</span><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"> tout en acceptant l'improvisation formelle.</span></span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwMBRI9O5qO3I0zpXl2TOzH9qf_1PFzSP8KpdUzu5ZaWiXZYF2myjbCJDMPy-DwTtJclLq3DpCiorC0VUj78CIzawvnsI1_123eqGnAMl7AhTaEQ5oFsRpOcuorhyOFfmoANMbMjSG3sE/s1600/75.25+x+100.81+cm+1959.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="337" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwMBRI9O5qO3I0zpXl2TOzH9qf_1PFzSP8KpdUzu5ZaWiXZYF2myjbCJDMPy-DwTtJclLq3DpCiorC0VUj78CIzawvnsI1_123eqGnAMl7AhTaEQ5oFsRpOcuorhyOFfmoANMbMjSG3sE/s400/75.25+x+100.81+cm+1959.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">dessin non identifié, 75.25 x 100.81 cm, 1959</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjakru0d_JxvDfF4UdGzLRBXyozYHfhBsperhP1iYw9LnQAKrkPZPjSs0eABmuxal6WdJq9rDmbp-UYtNGBFxwsY5Iu71wloCFOCws2E_VgUhfoxtdormHmelkkEDoZmLrKFa4KjQykd_4/s1600/lacma-1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="619" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjakru0d_JxvDfF4UdGzLRBXyozYHfhBsperhP1iYw9LnQAKrkPZPjSs0eABmuxal6WdJq9rDmbp-UYtNGBFxwsY5Iu71wloCFOCws2E_VgUhfoxtdormHmelkkEDoZmLrKFa4KjQykd_4/s640/lacma-1.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Ocean Park serie</i>s, n12, 1962 huile sur toile</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjcQ6YMu9G9x7PqU7bb2Fb8Y7ijLa_pIXS8CE8qwEUxTv8gm6DwFRmI3jJGemeYX7mGW_ocCt3t7NoBP8tjrT-pHGuCwvYmz48VERXbp-E90Bicy1H_y0eV9-KmmJfGgd4Lok2tMQAfdY/s1600/ocean+park+8+1962.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="386" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjcQ6YMu9G9x7PqU7bb2Fb8Y7ijLa_pIXS8CE8qwEUxTv8gm6DwFRmI3jJGemeYX7mGW_ocCt3t7NoBP8tjrT-pHGuCwvYmz48VERXbp-E90Bicy1H_y0eV9-KmmJfGgd4Lok2tMQAfdY/s400/ocean+park+8+1962.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Ocean Park series #8</i>, 1962 oil on canvas, 207 x 213.4 cm</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Civic virtue</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">About women, lithographie, 96 x 48 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_EwlbrUvyL92I9xDQdAZ42Te_xGEHvxmdcZLzcrUJ2GQlbHm8K3d6v4a0dqbzIKcXoHGQBzdgAy1XXtZL65DQIFB4OoL623yf1CwV6qEr1VtH-_2MngYck2Sb5WtaH822MuRmYnQXSqI/s1600/unt+1965.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_EwlbrUvyL92I9xDQdAZ42Te_xGEHvxmdcZLzcrUJ2GQlbHm8K3d6v4a0dqbzIKcXoHGQBzdgAy1XXtZL65DQIFB4OoL623yf1CwV6qEr1VtH-_2MngYck2Sb5WtaH822MuRmYnQXSqI/s400/unt+1965.jpeg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié, 1965</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid1Z_NDJnr1e4DGjcksw44oTi3Puwx9d6Wxn7fnHybUeEJU2n3Uri0QQ54voiDtFV_7IUO1u2_ubHcPr60ZdPbgULeYaM_9JpMyQLkYhQUGHxxbyyD9ouY7wk2gLpLAb3o5bUSSDpGsOo/s1600/gm_322928ex1_d.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="587" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEid1Z_NDJnr1e4DGjcksw44oTi3Puwx9d6Wxn7fnHybUeEJU2n3Uri0QQ54voiDtFV_7IUO1u2_ubHcPr60ZdPbgULeYaM_9JpMyQLkYhQUGHxxbyyD9ouY7wk2gLpLAb3o5bUSSDpGsOo/s640/gm_322928ex1_d.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ocean Park series, 1962 oil on canvas 183 x 213 cm</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Vue d'exposition pour se rendre compte des formats</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">untitled-(f-4), pastel et encre sur papier</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSOfqQjbznWJBwVDUzY2whv4RB6JbNFLNEfxMm-YxeAIwdqGzQ8uAz9yxcx2rqq4ZxQ4Zcma7TWST0UwFrNyZGWSq-2SBz5EFg47GWjRpeJ3lb7XkPLKQRoFgy_P-RGEOYlDNMx8jQtE8/s1600/altoon+unt+1965.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSOfqQjbznWJBwVDUzY2whv4RB6JbNFLNEfxMm-YxeAIwdqGzQ8uAz9yxcx2rqq4ZxQ4Zcma7TWST0UwFrNyZGWSq-2SBz5EFg47GWjRpeJ3lb7XkPLKQRoFgy_P-RGEOYlDNMx8jQtE8/s400/altoon+unt+1965.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sunset serie</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Sunset Serie</td></tr>
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<div style="font-weight: normal; margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "trebuchet ms" , sans-serif; font-size: small;"><span style="font-size: xx-small;">Ainsi
ce style que l<span style="font-family: "trebuchet ms" , sans-serif;">e</span> <a href="http://www.lacma.org/art/exhibition/john-altoon" target="_blank">LACMA</a> décrit comme hybride entre abstraction et
figuration me semble ce qui passe le mieux l'épreuve du temps et me
nourrit et me motive aujourd'hui pour trouver des pa<span style="font-family: "trebuchet ms" , sans-serif;">rtenaires</span> engagés et
sophistiqués dans ce registre de formes. Cellules et formes de vies
émergentes, non identifiées, devenus badges et emblèmes primitives
ou cherchant à chahuter ou phagocyter les voisines. Plancton,
organes, peignes et miroirs, oiseaux, cuisses, langues, manches,
piscines, chevelures … entre détails de mode et dîner mondain<span style="font-family: "trebuchet ms" , sans-serif;"> ou </span>vie sous-marine de poissons exotiques fluorescents … Une vision du
sexuel sous-jacent à la vie sociale ….<span style="font-family: "trebuchet ms" , sans-serif;"> des t</span>ravestissements, mises en
scène et délires ordinaires … pas loin du Héliogabale de Artaud</span></span></div>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: "trebuchet ms" , sans-serif;">d'autres liens <a href="http://www.beatmuseum.org/altoon/johnaltoon.html" target="_blank">ici</a> et <a href="https://www.youtube.com/watch?v=LnNEGVoD2lk" target="_blank">ici</a>. Il y aurait un grand travail de recherche a faire sur son oeuvre pour la placer aux coté de De Kooning, Ken Price, <a href="http://maximememoirevive.blogspot.fr/2014/10/eileen-agar.html" target="_blank">Eilen Agar</a>, <a href="http://maximememoirevive.blogspot.fr/2016/05/barbara-rossi.html" target="_blank">Barbara Rossi</a> et affirmer son importance dans l'art du XXeme siècle.</span></span></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-56541214084719499592016-11-12T18:00:00.002+01:002016-11-12T18:00:53.553+01:00Derrière<div class="separator" style="clear: both; text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Hymne pictural aux fesses, au travers de divers médium, époques, focales et situations qui permettent de jouer avec divers enjeux et questions formelles aussi (tout de même !)</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglmukipPK3fmYVQsnNtvMP9CO0hc5qoU7VXs46wV1-ZaWE8UEPXKDfirmxGhms5AKf9YMBe7Yp8N177PTNspf4di0wiz6wovnn9CuX-Kbqgo53uoNMDONUbh4Lqq3fNWqCIvFZ4rHZJ3A/s1600/Tingaud%252C+JM_ST+Ile+Mar%25C3%25A9%252C+nlle+cal%25C3%25A9donie+1990.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglmukipPK3fmYVQsnNtvMP9CO0hc5qoU7VXs46wV1-ZaWE8UEPXKDfirmxGhms5AKf9YMBe7Yp8N177PTNspf4di0wiz6wovnn9CuX-Kbqgo53uoNMDONUbh4Lqq3fNWqCIvFZ4rHZJ3A/s400/Tingaud%252C+JM_ST+Ile+Mar%25C3%25A9%252C+nlle+cal%25C3%25A9donie+1990.jpg" width="313" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">J.-M. Tingaud,<i> Sans Titre (Ile Maré, nouvelle Calédonie)</i>, 1990 photographie</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirrXB2BSULpE3z5vIYEieLPHsSuvjSUs4S_h1V5qiewve3tfrdMUtcQFAj1sCRQpPyfZjMEWf5sxq0u6fOT4YR5XQdJ1nealxtYUaKhK_o2wqgfSi0j-RWSJxLXSWCBKK-ujJD6SS3M54/s1600/tillmans+nackt+2014.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirrXB2BSULpE3z5vIYEieLPHsSuvjSUs4S_h1V5qiewve3tfrdMUtcQFAj1sCRQpPyfZjMEWf5sxq0u6fOT4YR5XQdJ1nealxtYUaKhK_o2wqgfSi0j-RWSJxLXSWCBKK-ujJD6SS3M54/s640/tillmans+nackt+2014.jpg" width="436" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Wolfgang Tillmans, <i>Nackt</i>, 2014, vue d'exposition</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAc2oGc9mkF26EpnvRmznQrYm3r1VctSWBnyOO2etIV2JAI4cf7NFQUF9fNpNp5iZmGM8cSAgSC_sqHojEGkTtzr53xLPZlc6rVyewWRvZajPxfL34YVm8QFXKfUj6bmN5TqWweX70bZs/s1600/Zaloudek%252C+Milarepa+XI%252C+1965%252C+acrylic+on+canvas%252C+60+x+68.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAc2oGc9mkF26EpnvRmznQrYm3r1VctSWBnyOO2etIV2JAI4cf7NFQUF9fNpNp5iZmGM8cSAgSC_sqHojEGkTtzr53xLPZlc6rVyewWRvZajPxfL34YVm8QFXKfUj6bmN5TqWweX70bZs/s400/Zaloudek%252C+Milarepa+XI%252C+1965%252C+acrylic+on+canvas%252C+60+x+68.jpg" width="350" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Duane Zaloudek, <i>Milarepa XI</i>, 1965, acrylic on canvas, 60 x 68 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikPtrm6NvBdFQbNlMdK0BrfuXv7xtglctgmNjAhekedK08AxgCLErjgpl5EG0HTf5tHFuQSgbZQLDpFFoPG0ZveSwsZdC_eOnWUu_ziZO0pxSHugj_c2IrlCUlzOiaBOPAlYw_4vdFFjk/s1600/LF+yel%2526whte+copy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikPtrm6NvBdFQbNlMdK0BrfuXv7xtglctgmNjAhekedK08AxgCLErjgpl5EG0HTf5tHFuQSgbZQLDpFFoPG0ZveSwsZdC_eOnWUu_ziZO0pxSHugj_c2IrlCUlzOiaBOPAlYw_4vdFFjk/s400/LF+yel%2526whte+copy.jpg" width="336" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lorser Feitelson, <i>yellow & white</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJicHGGiT_Pbdn1Il7j9iHOZtkPBTw2vCBazm8oz2_IW6E7xtSfPG42xJlj42KskLSz9ZAYBKQt16jTCLoBMBCj6lA4s6dOmDp3JaeIZC_RtibPpZtW0E-BCLARsmWuLBI3pQ9WNusADo/s1600/MacNaughton%252C+Kathryn+fracture+fiction+2016+resin+enamel+acrylic+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJicHGGiT_Pbdn1Il7j9iHOZtkPBTw2vCBazm8oz2_IW6E7xtSfPG42xJlj42KskLSz9ZAYBKQt16jTCLoBMBCj6lA4s6dOmDp3JaeIZC_RtibPpZtW0E-BCLARsmWuLBI3pQ9WNusADo/s400/MacNaughton%252C+Kathryn+fracture+fiction+2016+resin+enamel+acrylic+canvas.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kathryn MacNaughton, <i>fracture fiction</i>, 2016 resin, enamel, acrylic on canvas</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDCiX6mX1MZrFqi1cEMwJ_pQrNNc729nlxv6irrzNksVqf9JnYnYWHElKqmc86zxPBZgG0rGYj-Y_qCQyZQjbSiao8E0FB0kGB-EMV2Txf0CMJN_6-MqP8k6wN6j60BaTJdesctZvCjGE/s1600/Luthi_ST_1983+acrulic+toile.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDCiX6mX1MZrFqi1cEMwJ_pQrNNc729nlxv6irrzNksVqf9JnYnYWHElKqmc86zxPBZgG0rGYj-Y_qCQyZQjbSiao8E0FB0kGB-EMV2Txf0CMJN_6-MqP8k6wN6j60BaTJdesctZvCjGE/s400/Luthi_ST_1983+acrulic+toile.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Urs Luthi, <i>sans titre</i>, 1983, acrylique sur toile</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-KyXIMteB7fplCjeS-RP1QMdsjoG_LSeeGcyGGGxuzyi3_5NaMkGwBt4cyO52gyz5qsf-d7imxQ4tdKKWYIkVmlDK9eFuVqRhYgkcWfJwy0nxJpN1sOFNRzq-Va_xPfvzxZirNpF06Fg/s1600/caland+1973+oil+linen.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-KyXIMteB7fplCjeS-RP1QMdsjoG_LSeeGcyGGGxuzyi3_5NaMkGwBt4cyO52gyz5qsf-d7imxQ4tdKKWYIkVmlDK9eFuVqRhYgkcWfJwy0nxJpN1sOFNRzq-Va_xPfvzxZirNpF06Fg/s400/caland+1973+oil+linen.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Huguette Caland, sans titre, 1973, huile sur toile</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipwVcn9EDFvXlLNgzP0k-pkm7bJ5ORPfSjF2Ql0gXbbokZJ7Ph9OMUaSe0LvMVvUFZdZBccxGHI9ofaCLG1GkOQu0v9sClId5uyk3n_nn3nsoyMQHNC0IZdlBWL-PB5UUkShwTxPsTMU8/s1600/caland_steel-blue.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipwVcn9EDFvXlLNgzP0k-pkm7bJ5ORPfSjF2Ql0gXbbokZJ7Ph9OMUaSe0LvMVvUFZdZBccxGHI9ofaCLG1GkOQu0v9sClId5uyk3n_nn3nsoyMQHNC0IZdlBWL-PB5UUkShwTxPsTMU8/s400/caland_steel-blue.jpg" width="367" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Huguette Caland, <i>steel blue, </i>années 70</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyvZupp3HmkEs9s1KbdpKOIJECvGmo1AvJnZxDPkbxT2IKJuN8HtrAzdokHhkl-xwZWHKY-THMBeCD7JfTBGBfOkX5vfz6zcL0mu-c8Vq0zM3IykYKUhGA4YOXtC9YQinMOaBfRJGX46A/s1600/Zaloudek%252C+Pink%252C+1970%252C+oil+on+canvas%252C+172%252C7+x+223%252C5+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyvZupp3HmkEs9s1KbdpKOIJECvGmo1AvJnZxDPkbxT2IKJuN8HtrAzdokHhkl-xwZWHKY-THMBeCD7JfTBGBfOkX5vfz6zcL0mu-c8Vq0zM3IykYKUhGA4YOXtC9YQinMOaBfRJGX46A/s640/Zaloudek%252C+Pink%252C+1970%252C+oil+on+canvas%252C+172%252C7+x+223%252C5+cm.jpg" width="491" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Duane Zaloudek, <i>Pink</i>, 1970, oil on canvas, 172,7 x 223,5 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF-r4B0sKx0kyiJedQXRRVzK_IJXylT1YVsRI2WoB0Qehs6MtqVNLwOLCdTBq6KDATx7c89DWVS4UP5Q5T7VwKIsKGf1_8E0-23V8DV04KP9fvVHqBMtIX6s4ddqd3xoC_k1zh4vrWtoc/s1600/currin+bottom+1991+gagosian.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF-r4B0sKx0kyiJedQXRRVzK_IJXylT1YVsRI2WoB0Qehs6MtqVNLwOLCdTBq6KDATx7c89DWVS4UP5Q5T7VwKIsKGf1_8E0-23V8DV04KP9fvVHqBMtIX6s4ddqd3xoC_k1zh4vrWtoc/s400/currin+bottom+1991+gagosian.jpg" width="370" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">John Currin,<i> bottom</i>, 1991 </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_Nmg0CCXMBDYKsEQDbuv2rVSYfsCDDtXI74Zj1P-ZYjs3uKr0kUbDoVx7oug3YeVgxk7yFSJxGHulG_XYRtgYogVvXAvegBN2jaq4hWwOQBBDKEdNeDfQBrfxKI8bcZZZJ4Ml7P9dYeI/s1600/brandt+nu.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_Nmg0CCXMBDYKsEQDbuv2rVSYfsCDDtXI74Zj1P-ZYjs3uKr0kUbDoVx7oug3YeVgxk7yFSJxGHulG_XYRtgYogVvXAvegBN2jaq4hWwOQBBDKEdNeDfQBrfxKI8bcZZZJ4Ml7P9dYeI/s400/brandt+nu.jpg" width="353" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bill Brandt, non identifié, photographie</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2NZN5sUxUdbZoJG5P5UpUcXJRLH2r_9Afzi1zwu5DCFex8sAu-8DK1oz60Er4t1RfcMILMpBt5IkfuhHdBOf8dJ2cZifuV6rqYxC4_A8JrE3HZr437P8l1I9oABN1RDSQUeIcBZvxGps/s1600/man+ray+monument+a+sade+1933-35.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2NZN5sUxUdbZoJG5P5UpUcXJRLH2r_9Afzi1zwu5DCFex8sAu-8DK1oz60Er4t1RfcMILMpBt5IkfuhHdBOf8dJ2cZifuV6rqYxC4_A8JrE3HZr437P8l1I9oABN1RDSQUeIcBZvxGps/s400/man+ray+monument+a+sade+1933-35.jpg" width="323" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Man ray, monument à DAF Sade, 1933-35</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNkye8xHFXsEoHDHZP8SL_cslhFGKmYsh_zpBhV-1gf857I9nBCr1qcTllez98p4yJ0yxGQKo1dj0Ht8aSSMjqbeG2mVOyyPBAp-rqXOpaNIAffgixFT8bx1LPgB5HXbaf1LqMoUheTQc/s1600/Hoch-The-Beautiful-Bottom+1959.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNkye8xHFXsEoHDHZP8SL_cslhFGKmYsh_zpBhV-1gf857I9nBCr1qcTllez98p4yJ0yxGQKo1dj0Ht8aSSMjqbeG2mVOyyPBAp-rqXOpaNIAffgixFT8bx1LPgB5HXbaf1LqMoUheTQc/s400/Hoch-The-Beautiful-Bottom+1959.jpg" width="286" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hannah Hoch, <i>the beautiful bottom</i>, 1959 collage</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEingd2_adK8ZDFGDf3mA7dxLL5hPhVGbr2dsOquEqkQHjivuTrFrnLzhCcJhQ_WszCRmfX32pV_oLCTmfOeBvc_0otHvY1j7IA9SYkObm5S4Ec5GfO7rK4d4dAgVyQZ63TFyrSw_OK3nTc/s1600/Tritz-les+fesses+2014.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEingd2_adK8ZDFGDf3mA7dxLL5hPhVGbr2dsOquEqkQHjivuTrFrnLzhCcJhQ_WszCRmfX32pV_oLCTmfOeBvc_0otHvY1j7IA9SYkObm5S4Ec5GfO7rK4d4dAgVyQZ63TFyrSw_OK3nTc/s400/Tritz-les+fesses+2014.jpg" width="323" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sarah Tritz,<i> les fesses</i>, impression jet d'encre, peinture et collage sur aluminium, 2014</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXenqLihLfthTVc8izpdtqMYe-gLGiLLBBfPGIqzFjhLCNnjHPmfdktbTAIWSMEBtq1jFEM8FxCt4V8So-cwyKtRsYUdCIG-JkruGXR6AEheB7B1ngIit3UFR6qj8XKuyJ3ZTlCUeYAvk/s1600/kelley+twin+henrys+2009.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXenqLihLfthTVc8izpdtqMYe-gLGiLLBBfPGIqzFjhLCNnjHPmfdktbTAIWSMEBtq1jFEM8FxCt4V8So-cwyKtRsYUdCIG-JkruGXR6AEheB7B1ngIit3UFR6qj8XKuyJ3ZTlCUeYAvk/s400/kelley+twin+henrys+2009.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mike Kelley, <i>Twin Henrys</i>, 2009 acrylic on canvas, 66.7 × 97.2 × 3.8 cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzxNVA3LIq9l5yd4kFJZZIVPQbjWyj6JCVTKdUo08NPm0c8nN5GeBlWMNDZjSUr1AtlfkEZaVYoIWZBiKolDL8jqRDuPn-DJ7JKbZsSKimKgABP_4Pw9SwTEohHHCP6zR3MaILiy0Zq9I/s1600/Madani%252C+Sun+god%252C+2016+Oil+on+linen+43.2+x+51+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzxNVA3LIq9l5yd4kFJZZIVPQbjWyj6JCVTKdUo08NPm0c8nN5GeBlWMNDZjSUr1AtlfkEZaVYoIWZBiKolDL8jqRDuPn-DJ7JKbZsSKimKgABP_4Pw9SwTEohHHCP6zR3MaILiy0Zq9I/s400/Madani%252C+Sun+god%252C+2016+Oil+on+linen+43.2+x+51+cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tala Madani, <i>Sun god</i>, 2016, Oil on linen, 43.2 x 51 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb3NfvPkchCasfV5gw9SFYN-6icw43mXTPAKgZg7u21v9b_WgvZry5GYWT7lAyHOiFNCkyHNMWjgXpk-3LMh3fFoo3vtukwjXfOIFBrAqVyy6zRTTdcIpwYQ6R1rM8pMKogtcQ0IzHEvI/s1600/pierson+unt+drawing+2012.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="301" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb3NfvPkchCasfV5gw9SFYN-6icw43mXTPAKgZg7u21v9b_WgvZry5GYWT7lAyHOiFNCkyHNMWjgXpk-3LMh3fFoo3vtukwjXfOIFBrAqVyy6zRTTdcIpwYQ6R1rM8pMKogtcQ0IzHEvI/s400/pierson+unt+drawing+2012.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jack Pierson, <i>untitled drawing</i>, 2012</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO-iaVexiDNDvu4QMNJQb7jcTGSVRa9wQnY8_1erlEfHBcNVVnL3n5I8ORhGYcO7x7_u0mQSzK83_tke23Z-vYD-kHr0ptYwqJIjrVU-i1Py32BzYY35nU9mSCu6Eg2NAubZZaxRGYtvA/s1600/Eisenmann+at+Susanne+Vielmetter.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO-iaVexiDNDvu4QMNJQb7jcTGSVRa9wQnY8_1erlEfHBcNVVnL3n5I8ORhGYcO7x7_u0mQSzK83_tke23Z-vYD-kHr0ptYwqJIjrVU-i1Py32BzYY35nU9mSCu6Eg2NAubZZaxRGYtvA/s400/Eisenmann+at+Susanne+Vielmetter.JPG" width="302" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nicole Eisenman, non identifié, vue d'exposition (mal cadrée)</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlY1NfTMIcY-Gl4iDFHEk1-vq7XwIImJ3rzePJrfk99Goa0HIARtv01H7I1jPhd-_t3gYVnmH6gTPd7O-Zj0giteWVpeMDt1N26UD6W7ZnmNtOPRoa5b-n5uRtWDCHah9cEa5hzx_PRDA/s1600/anuszkiewicz_unt+1963+polymer+on+cardboard+18x18+in.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlY1NfTMIcY-Gl4iDFHEk1-vq7XwIImJ3rzePJrfk99Goa0HIARtv01H7I1jPhd-_t3gYVnmH6gTPd7O-Zj0giteWVpeMDt1N26UD6W7ZnmNtOPRoa5b-n5uRtWDCHah9cEa5hzx_PRDA/s400/anuszkiewicz_unt+1963+polymer+on+cardboard+18x18+in.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Richard Anuszkiewicz,<i> untitled</i>, 1963 polymer on cardboard</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfGz-30sMNLTgIEG7WVH89ghhHa3gfSSiTTvecwLUQLZdtx1w_kZsyFOHZmmhL9squ4mXPTzTxYAmStGWvJljAk060mldE1bUUcG-8_HJMB1oVYodtttYCB5z-5SGHZe0y-CPRqkYpnxI/s1600/Flowers-Orange-screenprint-1964.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfGz-30sMNLTgIEG7WVH89ghhHa3gfSSiTTvecwLUQLZdtx1w_kZsyFOHZmmhL9squ4mXPTzTxYAmStGWvJljAk060mldE1bUUcG-8_HJMB1oVYodtttYCB5z-5SGHZe0y-CPRqkYpnxI/s400/Flowers-Orange-screenprint-1964.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Andy Warhol, <i>orange flowers</i>, 1964, screenprint on canvas</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzMvO5HTcgxExzrg3G7W7F344FfX1kzB3pZG8H6lqS8QaNPFtf5an6vyiwE6cRT-EUNZ6_LwzDJIwWLzjikZTkvJTcMxCHQ1AEDR4OZPtnBmothlMfoheCQsovzRARKLOvs_9m1SHdncU/s1600/Patrizio-Di-Massimo-CCuscino+n.2+%2528Ritratto+di+Eliza%2529+2012+oil+on+velvet+cushion+40x40cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzMvO5HTcgxExzrg3G7W7F344FfX1kzB3pZG8H6lqS8QaNPFtf5an6vyiwE6cRT-EUNZ6_LwzDJIwWLzjikZTkvJTcMxCHQ1AEDR4OZPtnBmothlMfoheCQsovzRARKLOvs_9m1SHdncU/s400/Patrizio-Di-Massimo-CCuscino+n.2+%2528Ritratto+di+Eliza%2529+2012+oil+on+velvet+cushion+40x40cm.jpg" width="322" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Patrizio Di Massimo, <i>Cuscino n.2 (Ritratto di Eliza)</i>, 2012 oil on velvet cushion, 40x40cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl0Z5n1Twf5iGyP_k3xVjnBB4m4fk0hlbDeZerHsjhuV_R8iA4ti4XV5EkN6puSHgG82l8UFO_iaJpT_mCOojYqrKSWJOCeffgA94B1cTbmt_BBiSxA2OLeb3SnMf1kuhg_HC3CeV91BM/s1600/Di-Massimo-Il+lussurioso+Cuscini+2012+55x40cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhl0Z5n1Twf5iGyP_k3xVjnBB4m4fk0hlbDeZerHsjhuV_R8iA4ti4XV5EkN6puSHgG82l8UFO_iaJpT_mCOojYqrKSWJOCeffgA94B1cTbmt_BBiSxA2OLeb3SnMf1kuhg_HC3CeV91BM/s400/Di-Massimo-Il+lussurioso+Cuscini+2012+55x40cm.jpg" width="311" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">PAtrizio Di Massimo, <i>Il lussurioso Cuscini</i>, 2012, oil on canvas, 55 x 40 cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuKxnyQNmhFiyG_CMqjG_YL8hJc1hpjLFUPETNamhsIdV5BKudOMYLA46UK8Ut422oGH96D4cI6BdtcW8d8JluanWl_-nn-ebsYF8EBPudJ5X8wa1KPgaD7a7FB7l5Aet-Vl1BChKvUdA/s1600/Di-Massimo-sleeping+2014+oil+and+charcoal+on+cotton.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuKxnyQNmhFiyG_CMqjG_YL8hJc1hpjLFUPETNamhsIdV5BKudOMYLA46UK8Ut422oGH96D4cI6BdtcW8d8JluanWl_-nn-ebsYF8EBPudJ5X8wa1KPgaD7a7FB7l5Aet-Vl1BChKvUdA/s400/Di-Massimo-sleeping+2014+oil+and+charcoal+on+cotton.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Patrizio Di Massimo, sleeping, 2014 oil and charcoal on cotton</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDTWVrUhvBLfQy1M1QWAtF9_vSiJhCETPCUBVQyRhgLdKQa_q7aAKxn_vjNWsgXLOVvn989q1nDuT5RHAtI-PM2ghQXF5SSozMmHutWQO44vjUdMupI2fePxjmg-4MHehqwSJLQXfEog8/s1600/copley-McQueen-1974.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDTWVrUhvBLfQy1M1QWAtF9_vSiJhCETPCUBVQyRhgLdKQa_q7aAKxn_vjNWsgXLOVvn989q1nDuT5RHAtI-PM2ghQXF5SSozMmHutWQO44vjUdMupI2fePxjmg-4MHehqwSJLQXfEog8/s400/copley-McQueen-1974.jpg" width="323" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">William L. Copley, Mc Queen, 1974</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC6wYwOsWzxjpvky2XDxlbYC5XOO1d3LnyqxpsKvRINr5miFbiGB1XXQSmUDO6Ptu2teJuEray-Vy0xqVqILoSCNanIz59qTPmd3Z6jMLjezbaotDXmlYtQcHLDZmZ4pxhJfcGFUVFCHI/s1600/Dumas+Fingers+1999+oil+canvas+40x50cm+2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="325" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC6wYwOsWzxjpvky2XDxlbYC5XOO1d3LnyqxpsKvRINr5miFbiGB1XXQSmUDO6Ptu2teJuEray-Vy0xqVqILoSCNanIz59qTPmd3Z6jMLjezbaotDXmlYtQcHLDZmZ4pxhJfcGFUVFCHI/s400/Dumas+Fingers+1999+oil+canvas+40x50cm+2.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Marlene Dumas, <i>Fingers</i>, 1999, oil on canvas 40 x 50cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv7p8KcZZFN7Gv_qd5zB94bEPFih8-6w9LIFKHGfiChyZc9eaI2Qvhab1uNXcTnH67XyXDfMPMlsDjdasuWrUPypH0MNXtuW3j6BdPmiMxEiOBKz6ETrz4sXc4nQM1z53CPxpaUV4pefs/s1600/Anthea_Hamilton%252C_2016_%25281%2529-large_trans%252B%252BgsaO8O78rhmZrDxTlQBjdGtT0gK_6EfZT336f62EI5U.jpg" imageanchor="1"><img border="0" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv7p8KcZZFN7Gv_qd5zB94bEPFih8-6w9LIFKHGfiChyZc9eaI2Qvhab1uNXcTnH67XyXDfMPMlsDjdasuWrUPypH0MNXtuW3j6BdPmiMxEiOBKz6ETrz4sXc4nQM1z53CPxpaUV4pefs/s320/Anthea_Hamilton%252C_2016_%25281%2529-large_trans%252B%252BgsaO8O78rhmZrDxTlQBjdGtT0gK_6EfZT336f62EI5U.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anthea Hamilton, <i>Project for a door (after Gaetano Pesce)</i> 2015</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjstMkX7tbhShyphenhyphenknJRNXpQHPWnSBQq5p_9WfpPvCfVvKrL_vNqc0TAQKu_546T-B4RR-vnLFsN0cDgb9bVNQRX9dkFW8WlvpDSm7J5nWHd_QMAaOwCRcPwVJSplN9yA6vJ7VeyPDW0gy0Q/s1600/Pesce+project+1972.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjstMkX7tbhShyphenhyphenknJRNXpQHPWnSBQq5p_9WfpPvCfVvKrL_vNqc0TAQKu_546T-B4RR-vnLFsN0cDgb9bVNQRX9dkFW8WlvpDSm7J5nWHd_QMAaOwCRcPwVJSplN9yA6vJ7VeyPDW0gy0Q/s400/Pesce+project+1972.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gaetano Pesce, <i>Project for a door</i>, 1973</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2ZMjCaMMBl_GNkSr9lwL8jz0dVIZOlubC2pKawH507IN7ytWTy4kJqRZZK2GQM7CsNNUpZXwTCPRyavfH7TLRKgh9sHM2mbrQSYFpjwGD_lkbTZVmOmLSaYIpUetcaIruguHxoP2h0sA/s1600/picasso+standing+woman1946.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2ZMjCaMMBl_GNkSr9lwL8jz0dVIZOlubC2pKawH507IN7ytWTy4kJqRZZK2GQM7CsNNUpZXwTCPRyavfH7TLRKgh9sHM2mbrQSYFpjwGD_lkbTZVmOmLSaYIpUetcaIruguHxoP2h0sA/s400/picasso+standing+woman1946.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pablo Picasso, <i>femme debout</i>, 1946</td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil3kXH4qMkzaEXiCqEfHHoB5hyZNFK-FM_mO5rsjFKj8uNkQZm1cxYAjw8hw22_KjBQSIzTKEHpE2tdKY3wOYrGubJJPvTd1CGEn-WpPiqSyEsLcsTPEyeMSFCLzcwOslkonv5h3HTi9E/s1600/sinsel+unk.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil3kXH4qMkzaEXiCqEfHHoB5hyZNFK-FM_mO5rsjFKj8uNkQZm1cxYAjw8hw22_KjBQSIzTKEHpE2tdKY3wOYrGubJJPvTd1CGEn-WpPiqSyEsLcsTPEyeMSFCLzcwOslkonv5h3HTi9E/s400/sinsel+unk.jpg" width="340" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">David Sinsel, non identifiée, vers 2008, huile sur toile, coquille de noisette</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOQO3nhe3iS9YTOw0f-Vb2xKmvIGXUGf1oORdHjqHhFvHtwsY71lDlr-HsJDXRHe3tcP7NDjykmTMZwkipTii8cp2lFGXfjf0ss0UCcAhkYWrJQgkKzd-AEhyphenhyphenzzaiWu_80iyyXjaBugYI/s1600/Bader_heaven%2526earth_blum%2526poe+2013_anus+and-with+greyness.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOQO3nhe3iS9YTOw0f-Vb2xKmvIGXUGf1oORdHjqHhFvHtwsY71lDlr-HsJDXRHe3tcP7NDjykmTMZwkipTii8cp2lFGXfjf0ss0UCcAhkYWrJQgkKzd-AEhyphenhyphenzzaiWu_80iyyXjaBugYI/s400/Bader_heaven%2526earth_blum%2526poe+2013_anus+and-with+greyness.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Darren Bader, 2013, anus and / with greyness</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGkcscWFqg4q3jzvzmKVSQ2ZTlVu5OX6y3e6ZQFo6kHOtmbvld3OyLVa0LmcphyphenhyphenCnWdqBVMY9CQg07GY9kZhOw3W3-R0Dd149TlqHhE5GHFRUgu0JrWd24hVBFocjwqJ0DLZ3SuSCp8h8/s1600/breder+02.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGkcscWFqg4q3jzvzmKVSQ2ZTlVu5OX6y3e6ZQFo6kHOtmbvld3OyLVa0LmcphyphenhyphenCnWdqBVMY9CQg07GY9kZhOw3W3-R0Dd149TlqHhE5GHFRUgu0JrWd24hVBFocjwqJ0DLZ3SuSCp8h8/s400/breder+02.jpg" width="387" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hans Breder, photographie, années 70.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1CpMAw-mOpw9nsNnBo01SGcaTIrkWY63otSAVxsYze1BdgGGSTuRizWhxg2L9GR5BbvXotImnQg67jJXkSLmUSOsl-guDapZiVL-Zflj1PloOeyPrwBoJNFG6j4fvKM8jLsQ8rCd8bKs/s1600/Feitelson_unt+1964+oil+enamel+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1CpMAw-mOpw9nsNnBo01SGcaTIrkWY63otSAVxsYze1BdgGGSTuRizWhxg2L9GR5BbvXotImnQg67jJXkSLmUSOsl-guDapZiVL-Zflj1PloOeyPrwBoJNFG6j4fvKM8jLsQ8rCd8bKs/s640/Feitelson_unt+1964+oil+enamel+canvas.jpg" width="424" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lorser Feitenson, sans titre, oil and enamel on canvas, 1964</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCLT3sfuYR0k__UM3M2DWqJ-jZ9PT2iOi2vMhx0mzSKpyb0gy7H1oxh0R6EUwgY0bldGOLYHSL7Ue1z9PZ_WATcQJiBvIH8ZLxzlbxWeycE520R1Yhu2zH3xr1ME9vDc2q0WxC8ewzgNM/s1600/kacere_loretta+79+litho+53x69+inch.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCLT3sfuYR0k__UM3M2DWqJ-jZ9PT2iOi2vMhx0mzSKpyb0gy7H1oxh0R6EUwgY0bldGOLYHSL7Ue1z9PZ_WATcQJiBvIH8ZLxzlbxWeycE520R1Yhu2zH3xr1ME9vDc2q0WxC8ewzgNM/s400/kacere_loretta+79+litho+53x69+inch.jpg" width="338" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">John Kacere, <i>Loretta</i>, 1979, lithographie</td></tr>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-39951025046901777752016-10-31T16:00:00.003+01:002016-10-31T16:00:51.213+01:00Bordures d'Images / Pictures' edges<div class="separator" style="clear: both; text-align: center;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5LWJgHR8GooqWELC35C83_WiHkcOvW8-KwwrLEDewKC28KaoD8QdiEMi1w5Pw_NQY1lor86ZaKOxtCgO6AtFP_-wH4KAu4dLNdl_BWla193d-EHl2NBney_cyy9z62h_4LI8cdiV20sk/s1600/fontana+teatrino+1966+2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5LWJgHR8GooqWELC35C83_WiHkcOvW8-KwwrLEDewKC28KaoD8QdiEMi1w5Pw_NQY1lor86ZaKOxtCgO6AtFP_-wH4KAu4dLNdl_BWla193d-EHl2NBney_cyy9z62h_4LI8cdiV20sk/s400/fontana+teatrino+1966+2.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lucio Fontana, <i>teatrino</i>, 1966</td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">A partir du post récent sur <a href="http://maximememoirevive.blogspot.fr/2016/09/le-theatre-pictural-de-roger-brown.html" target="_blank">Roger Brown et sa théâtralisation de l'image</a>, plus précisément de l'apparition de l'image, sur la surface et dans le cadre de la toile principalement, voici une suite d'oeuvres réunies autour de ce jeu sur le cadre peint DANS l'image, déformé, tordu, dessiné d'un trait, cadres doubles, surcadré, fictionnalisé, ré-injecté etc ... Si je me souviens bien, cet intérêt pour le cadre dans l'image remonte à Roy Lichtenstein pour moi et historiquement on peut faire remonter cela à <a href="http://www.actes-sud.fr/catalogue/actes-sud-beaux-arts/paul-klee-le-theatre-de-la-vie" target="_blank">Paul Klee</a> et pour finir avec des toiles récentes magistrales de <a href="http://www.cfa-berlin.de/exhibitions/waiting_for_the_barbarians/works/" target="_blank">Dana Schutz</a>.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqZFVJ2vcDCAuLFhgsF1JSKTXH3bbuEDltYDYHze8ijKPbps5rX0r7I7x6xJCBxrwFbYsQ3a9OGoLi0KXMI-V78TbtgLO4ey-L3lKHstZY1fXdEk6-8q-72AcumdyXCpMeeiwR1PEcN_0/s1600/entrance+to+subway+1938.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqZFVJ2vcDCAuLFhgsF1JSKTXH3bbuEDltYDYHze8ijKPbps5rX0r7I7x6xJCBxrwFbYsQ3a9OGoLi0KXMI-V78TbtgLO4ey-L3lKHstZY1fXdEk6-8q-72AcumdyXCpMeeiwR1PEcN_0/s400/entrance+to+subway+1938.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Rothko, entrance to subway, 1938</td><td class="tr-caption" style="text-align: center;"> </td><td class="tr-caption" style="text-align: center;"> </td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizXyBm3CQpZHzjR3badwBOfJ2ISt6teEVjFHPdFMHCO6eR_nEAY9WsTKTEmDQUX9QD_LXcyoL-tEE4gRevvsELB-z710_Zp38a2Ipq1NP0ZUKHoxS0dvr43pJxooYL9d6NsUyw5gsFsa4/s1600/Rothko+Heads+1941-42.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizXyBm3CQpZHzjR3badwBOfJ2ISt6teEVjFHPdFMHCO6eR_nEAY9WsTKTEmDQUX9QD_LXcyoL-tEE4gRevvsELB-z710_Zp38a2Ipq1NP0ZUKHoxS0dvr43pJxooYL9d6NsUyw5gsFsa4/s400/Rothko+Heads+1941-42.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">Rothko, <i>heads</i>, 1941-42</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0etDDB9lubRrSCaWxhkXXP5ImgqM-6wct2wRalTKgtRyzsMMQLF9AJbsUZt0EB5ltS9U_2I-xbQWlDwFmf5QHv4uw619KXoAQi8igTxDgghDsiOeBccTmV6KrPSkAaixo61itX28uK4k/s1600/Eichwald_silberkuppe_2016__25035.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0etDDB9lubRrSCaWxhkXXP5ImgqM-6wct2wRalTKgtRyzsMMQLF9AJbsUZt0EB5ltS9U_2I-xbQWlDwFmf5QHv4uw619KXoAQi8igTxDgghDsiOeBccTmV6KrPSkAaixo61itX28uK4k/s400/Eichwald_silberkuppe_2016__25035.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Michaela Eichwald, keine narration 2016</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0OESqYViCO8HtqVH4qJCB2hqEBvnIeGWm4FFlR0PbRYcrpqCnGOAUxFZJsFOkoHpwMTbDWg8fMFyqrs6ZbBFffSL57Dt7eKoE-nRrH6or-55EvBktuw4BZxaO56Im45CCnfO5BoOWTW0/s1600/McIntosh_LSpace-2015.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="303" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0OESqYViCO8HtqVH4qJCB2hqEBvnIeGWm4FFlR0PbRYcrpqCnGOAUxFZJsFOkoHpwMTbDWg8fMFyqrs6ZbBFffSL57Dt7eKoE-nRrH6or-55EvBktuw4BZxaO56Im45CCnfO5BoOWTW0/s400/McIntosh_LSpace-2015.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Elizabeth McIntosh, <i>L Space</i>, 2015</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMiLGNXEQYIK_EHcdGSZ8nWBvDocEIJU2WOxDnB0aYF_gW4f8XI5cnY264NvERKJ9LTeEhChK3uHBIW9Ylm52_EiCgKgVD4JsKXg4LoEwxdKYxropskCpni_0r3yRuBHVyfc0hgCE65HQ/s1600/Koether+Fall%252C+2012+Oil+on+canvas_160+x+220+x+2+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMiLGNXEQYIK_EHcdGSZ8nWBvDocEIJU2WOxDnB0aYF_gW4f8XI5cnY264NvERKJ9LTeEhChK3uHBIW9Ylm52_EiCgKgVD4JsKXg4LoEwxdKYxropskCpni_0r3yRuBHVyfc0hgCE65HQ/s400/Koether+Fall%252C+2012+Oil+on+canvas_160+x+220+x+2+cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jutta Koether, <i>Fall</i>, 2012 Oil on canvas 160 x 220 x 2 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNnf7lA5WKLkQTCgh4tRqAnnRcX5-jHgz2TJB_6gMD9cfynFpKmpc4Hv63KrYMmx39lSUFI8QhgIZ9cfok3RRmobG8pCe8OeiFmW1Ko0zuAMTTCXdLdmQCem6jPg9BB8UNQpSqNQJb0qU/s1600/rocca_dancing+curls+1968+ink+penceil+paper+61x49.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNnf7lA5WKLkQTCgh4tRqAnnRcX5-jHgz2TJB_6gMD9cfynFpKmpc4Hv63KrYMmx39lSUFI8QhgIZ9cfok3RRmobG8pCe8OeiFmW1Ko0zuAMTTCXdLdmQCem6jPg9BB8UNQpSqNQJb0qU/s400/rocca_dancing+curls+1968+ink+penceil+paper+61x49.jpg" width="316" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Suellen Rocca, <i>dancing curls</i> 1968, ink penceil paper, 61x49 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWdpA-qa2ADHPQ00QcUSV35-5TjYHeeZQ5Vn7YjHOqxvuOoNreXp22w_nf3x46Wg3uhhk-m903B1mDeOPZfKIGNm8eBoqYlWoU1Nal8yxRLVBa_70-l3avstjcvEE4tuhCBMO6Hgktv1I/s1600/Smith%252C+J_bad+sign+2015+oil+183x122cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWdpA-qa2ADHPQ00QcUSV35-5TjYHeeZQ5Vn7YjHOqxvuOoNreXp22w_nf3x46Wg3uhhk-m903B1mDeOPZfKIGNm8eBoqYlWoU1Nal8yxRLVBa_70-l3avstjcvEE4tuhCBMO6Hgktv1I/s400/Smith%252C+J_bad+sign+2015+oil+183x122cm.jpg" width="273" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Josh Smith, <i>bad sign</i>, 2015 oil on canvas 183 x 122 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs6ZlAwGpyu5vmiQK8Cyxu4RdFZCf_TvCrDVSiPSvpSLvZmnDq0TC4OQ982LifYqt6X_vsJISvdiy2Q5xAARCF1W2Ulou2-qjf6KC5NtHdXUYTlIaXtZmwsobUm51AutHOU1e-V6i0Kzg/s1600/Krushenick_Ice%25E2%2580%2599s+Wild_1987%252C+acrylic+on+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs6ZlAwGpyu5vmiQK8Cyxu4RdFZCf_TvCrDVSiPSvpSLvZmnDq0TC4OQ982LifYqt6X_vsJISvdiy2Q5xAARCF1W2Ulou2-qjf6KC5NtHdXUYTlIaXtZmwsobUm51AutHOU1e-V6i0Kzg/s400/Krushenick_Ice%25E2%2580%2599s+Wild_1987%252C+acrylic+on+canvas.jpg" width="345" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nicholas Krushenick, <i>Ice’s Wild</i>, 1987, acrylic on canvas</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Richard Aldrich, non identifié</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYupaKMuud2zNi4Sdc2Sst2FMUo9v9ISdvcp5Y2SAxaHr0x-UEOJngoEcw4wvzgV1IKLJty_uM-iLRkYcb-gaJARuQQEi89ek4WPXUwh9JfD8_co8_VmsYGmGLJ-Rj-YpmFsmJJPGt6ek/s1600/rommel+gypsy+2014+64x79in.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYupaKMuud2zNi4Sdc2Sst2FMUo9v9ISdvcp5Y2SAxaHr0x-UEOJngoEcw4wvzgV1IKLJty_uM-iLRkYcb-gaJARuQQEi89ek4WPXUwh9JfD8_co8_VmsYGmGLJ-Rj-YpmFsmJJPGt6ek/s400/rommel+gypsy+2014+64x79in.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julia Rommel, <i>gypsy,</i> 201 </td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Julia Rommel, non identifié</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtM32W8Z-2Gihjf5N2wTHtFn4hhnaxGr22xRDVBYHvd6B4EeM33lJI683nb1L2JUjDKbnUnBY9vo9brXIei7ko-41_rxWDdhGqjwYfYXjSEOnsONb1BnnRGoLjpb9giXmoRl9PRWPkZlk/s1600/guerin_Hat-Ham.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtM32W8Z-2Gihjf5N2wTHtFn4hhnaxGr22xRDVBYHvd6B4EeM33lJI683nb1L2JUjDKbnUnBY9vo9brXIei7ko-41_rxWDdhGqjwYfYXjSEOnsONb1BnnRGoLjpb9giXmoRl9PRWPkZlk/s400/guerin_Hat-Ham.jpg" width="326" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Magalie Guerin, <i>untitled (hat ham)</i> 2013-14 oil on canvas</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpmRpxpLqMpYSQEm-PBxJYGH8GhA5RCyLQ-8IvICv5WiapyITM0gjBmYfpOcJh2aM67FPOPecOoWqQ46kXcJRHM3Ojl-NvgiyS_BOalnf5kCQJpFneXeSFem0ggRgmtinlXfnaiV1DAek/s1600/Luloff%252C+lauren-Couple-Kiss-+2014+56x45cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpmRpxpLqMpYSQEm-PBxJYGH8GhA5RCyLQ-8IvICv5WiapyITM0gjBmYfpOcJh2aM67FPOPecOoWqQ46kXcJRHM3Ojl-NvgiyS_BOalnf5kCQJpFneXeSFem0ggRgmtinlXfnaiV1DAek/s400/Luloff%252C+lauren-Couple-Kiss-+2014+56x45cm.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lauren Luloff, <i>Couple-Kiss</i>, 2014 56 x 45 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsiJc3_QZt4Ry5_RbHWAc1OaPNlEvgcx3Q6TunayWklMz9CnvlTxAIRSjrVaAwSMM24eVNiaydmVgOMGdK4KcIv5U8Jf1b2YVbAKl34mBEuCF8l5tVDOIc8MEX44x_M-ow_16vHF1NE_Y/s1600/Olitski_odeyssey+5%252C+2001+water+based+acry+on+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="346" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsiJc3_QZt4Ry5_RbHWAc1OaPNlEvgcx3Q6TunayWklMz9CnvlTxAIRSjrVaAwSMM24eVNiaydmVgOMGdK4KcIv5U8Jf1b2YVbAKl34mBEuCF8l5tVDOIc8MEX44x_M-ow_16vHF1NE_Y/s400/Olitski_odeyssey+5%252C+2001+water+based+acry+on+canvas.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jules Olitski, Odyssey 5, 2001 acrylic on canvas</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgON5NeSBQjWspi_UNPqvbxjISdgoOSgJ2Zkstp7c_FyYCUSdHFwYj1bnwhmgkA6mlIIuLa3lEWRZdN6VDeJ9LEcinQuZo8q70wisRNY7QqzNzOuU8-mWc1pTfjSD99tVqqrbRNpGkZ4c0/s1600/Mayor_cet+androit+2016+120x100cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgON5NeSBQjWspi_UNPqvbxjISdgoOSgJ2Zkstp7c_FyYCUSdHFwYj1bnwhmgkA6mlIIuLa3lEWRZdN6VDeJ9LEcinQuZo8q70wisRNY7QqzNzOuU8-mWc1pTfjSD99tVqqrbRNpGkZ4c0/s400/Mayor_cet+androit+2016+120x100cm.jpg" width="362" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Genet Mayor, <i>cet endroit sans le son,</i> 2016 acrylique sur toile 120 x 100 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqitepTFj1y7xGVD70SgOnB-GImWlJIRkpguW62uBa3Qm5A4EurrbQ07L72LxTl9raYrvcPFUrzuUnz17aAqzxNkF30GWuZTl15x9QUx59rHSBBiKVxlrHP1rSF9Zus3JB2M23ITF5VD4/s1600/swennen2014-04-walter-swennen.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqitepTFj1y7xGVD70SgOnB-GImWlJIRkpguW62uBa3Qm5A4EurrbQ07L72LxTl9raYrvcPFUrzuUnz17aAqzxNkF30GWuZTl15x9QUx59rHSBBiKVxlrHP1rSF9Zus3JB2M23ITF5VD4/s400/swennen2014-04-walter-swennen.jpg" width="338" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Walter Swennen, 2014 non identifié</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-URouujNS5NacRMoZ7MMKNPNSdwSZmOIxIKrUJT7-2pL5ZozuCxiIyszG3Lq2cH7kTGKf33CoZNeDZqhQzcL4p2Gjqk6hk9_J8Y8zwZoP76h2PqwCGE_IhCrs86N5A06lMmT-HPeOvcE/s1600/LaMelia_eyelashandmonochrome1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-URouujNS5NacRMoZ7MMKNPNSdwSZmOIxIKrUJT7-2pL5ZozuCxiIyszG3Lq2cH7kTGKf33CoZNeDZqhQzcL4p2Gjqk6hk9_J8Y8zwZoP76h2PqwCGE_IhCrs86N5A06lMmT-HPeOvcE/s640/LaMelia_eyelashandmonochrome1.jpg" width="425" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tiziana LaMelia, rectangular pond, 2014</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7mTn5ZL_Ukui7fFhir-dbrhFUz0f2IWFZXW3zP7qNdSp4oNBWTeFGfyUe-rOJzNpjxtF1cwDS1ygaldeywxL4MuIxmFcmR3tXloduitc1t3iuZfVPcPAmUIi93ABPnaG6xhEq1YYPH8s/s1600/McGurn_Carousel.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7mTn5ZL_Ukui7fFhir-dbrhFUz0f2IWFZXW3zP7qNdSp4oNBWTeFGfyUe-rOJzNpjxtF1cwDS1ygaldeywxL4MuIxmFcmR3tXloduitc1t3iuZfVPcPAmUIi93ABPnaG6xhEq1YYPH8s/s400/McGurn_Carousel.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">France-Lise McGurn, <i>non identifié, </i>peinture sur le sol</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwbTBJ5fBRxOliyx_2AAYwFU48Fx6791oYWth9BQFV5YhhLIDZL_rnWdtgXFEJbZKtRbqvuTMUm7kxpiJ5m_og6CCiYsA4pLoCN1fiEBaSQ0KwyIORdWkEchpKmou-3X1e_uEFncjPExQ/s1600/leiby+unt+2013+canvas+22x18+in.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwbTBJ5fBRxOliyx_2AAYwFU48Fx6791oYWth9BQFV5YhhLIDZL_rnWdtgXFEJbZKtRbqvuTMUm7kxpiJ5m_og6CCiYsA4pLoCN1fiEBaSQ0KwyIORdWkEchpKmou-3X1e_uEFncjPExQ/s400/leiby+unt+2013+canvas+22x18+in.jpg" width="322" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sofia Leiby, <i>untitled</i>, 2013</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-nt-IL22Cqy1OLiyEEzIGf7QMFeQq8ptgaihmOzb8tiulQK2QlxhfDzNBGXS0nrnrcK4rbvIgX1OduUhA4wCq9sUoj5q-pV4ICOenf66z9hMfXy1IEnoMievAtUrnI4ti6eS3YcN0Yx4/s1600/holyhead_unt+%2528drawing%2529+watercolor+on+paper+21x15+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-nt-IL22Cqy1OLiyEEzIGf7QMFeQq8ptgaihmOzb8tiulQK2QlxhfDzNBGXS0nrnrcK4rbvIgX1OduUhA4wCq9sUoj5q-pV4ICOenf66z9hMfXy1IEnoMievAtUrnI4ti6eS3YcN0Yx4/s400/holyhead_unt+%2528drawing%2529+watercolor+on+paper+21x15+cm.jpg" width="281" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Robert Holyhead,<i> untitled (drawing)</i> watercolor on paper 21x15 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRTUML-oFaojUEOd2Qc1IOAtskUuzCQlj74U0m64GpIkIckBR-OFoPSLeq4qPUzLKywbtoIPRHV0wX9vIEGPzdx6JTGsCFE4hx2pJSX_8qjFVYHA1fgr9Rf-MIo6V4FghcvS2lCMpZdWQ/s1600/ryman+session+2002.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRTUML-oFaojUEOd2Qc1IOAtskUuzCQlj74U0m64GpIkIckBR-OFoPSLeq4qPUzLKywbtoIPRHV0wX9vIEGPzdx6JTGsCFE4hx2pJSX_8qjFVYHA1fgr9Rf-MIo6V4FghcvS2lCMpZdWQ/s320/ryman+session+2002.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Robert Ryman, <i>session</i>, 2002</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaNsnX6G0Zo25-_7NEEHIh78g5Kq6rGkw5Zo7W-SS7b-5E3XKm4o-WrFtRzLys9sWI1mbmy6Ria__9oc8SFdbcESQb_d3AFCxcKjzyTFkHJDSy1FpBFZH9pzA6NHCC5dBqTzFApigujXg/s1600/palanc%252C+francis_Cette+foire%252Cdes+bruits%252Cdes+cris_des+mots%252C+v1955coquilles+doeufs+pilees_gomme+laque+sur+toile_54+x+81.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaNsnX6G0Zo25-_7NEEHIh78g5Kq6rGkw5Zo7W-SS7b-5E3XKm4o-WrFtRzLys9sWI1mbmy6Ria__9oc8SFdbcESQb_d3AFCxcKjzyTFkHJDSy1FpBFZH9pzA6NHCC5dBqTzFApigujXg/s400/palanc%252C+francis_Cette+foire%252Cdes+bruits%252Cdes+cris_des+mots%252C+v1955coquilles+doeufs+pilees_gomme+laque+sur+toile_54+x+81.png" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Francis Palanc, cette foire,des bruits, des cris, des mots, v1955 coquilles d'oeufs pilées, gomme laque sur toile, 54 x 81 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyDYGnRqC_bPXbilFnhld49wT6k3zf9p8IQaGkMdnQurBTrL0oX1Aot4tqX4lpZ8JFEpx17deB-ILbkirTTSDnUxL4jFIx92hrf3vyIsnDxfQ9pux4t0NcwLl5177awETyFjFWupxomHo/s1600/barnet_enclosed+2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyDYGnRqC_bPXbilFnhld49wT6k3zf9p8IQaGkMdnQurBTrL0oX1Aot4tqX4lpZ8JFEpx17deB-ILbkirTTSDnUxL4jFIx92hrf3vyIsnDxfQ9pux4t0NcwLl5177awETyFjFWupxomHo/s640/barnet_enclosed+2.jpg" width="427" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Will Barnet,<i> enclosed</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8L_eVkDE2dyrCFel74CaWc6NC0OxLgUMHdYzpcg9xqZroTM3Cpcbl7Ofs0bfUZqdg4_gouWMNCHTKUsp_-My6XH_J197vCF8RCKl_UuYtQNYrzdCJuebmH7CzUEOYbDeW8sfacPTLT-4/s1600/Brown%252C+M_Wicked%252C+Oil%252C+spray+paint+and+dye+on+canvas%252C+2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8L_eVkDE2dyrCFel74CaWc6NC0OxLgUMHdYzpcg9xqZroTM3Cpcbl7Ofs0bfUZqdg4_gouWMNCHTKUsp_-My6XH_J197vCF8RCKl_UuYtQNYrzdCJuebmH7CzUEOYbDeW8sfacPTLT-4/s320/Brown%252C+M_Wicked%252C+Oil%252C+spray+paint+and+dye+on+canvas%252C+2013.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Melissa Brown, <i>Wicked</i>, Oil, spray paint and dye on canvas, 2013</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZqQyXnu4Qvl2OsCuttolQnRqeTn5QZD5rPyTFHSK4uNTQ6M8W3mJzSaKpGpSg-yc4rXW900Q47C4amcNnx38xiJxWipk8YDe0Ppjf5E8pskcdZYYoeIO9tbWp9iSFZr1R3czjAZGtzak/s1600/P1220987.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZqQyXnu4Qvl2OsCuttolQnRqeTn5QZD5rPyTFHSK4uNTQ6M8W3mJzSaKpGpSg-yc4rXW900Q47C4amcNnx38xiJxWipk8YDe0Ppjf5E8pskcdZYYoeIO9tbWp9iSFZr1R3czjAZGtzak/s400/P1220987.JPG" width="280" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maxime Thieffine,<i> Branly,</i> 2016 huile sur papier</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8my0PbC33NR9gcyGszxMD8Wa45xEArZy6nld-uYD3b7SAjAMmh4AFjbTXr3xfgWrB4GQQ1VeC_-ZzI9Ptuu5Utk_VJ_F4nc3dFCZkcpzTPzAJT00qlX_F4ORJGM2BBfvp8FDoUpsUBHA/s1600/mato%252C+daniel_2014+55+x+46.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8my0PbC33NR9gcyGszxMD8Wa45xEArZy6nld-uYD3b7SAjAMmh4AFjbTXr3xfgWrB4GQQ1VeC_-ZzI9Ptuu5Utk_VJ_F4nc3dFCZkcpzTPzAJT00qlX_F4ORJGM2BBfvp8FDoUpsUBHA/s400/mato%252C+daniel_2014+55+x+46.jpg" width="332" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Daniel Mato, non identifié, 2014, 55 x 46 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9nw53gDOFtUOA_I7ZAFtUmidiTZIqiV-VuyI2oe862pt9Lqk4Gkk_-nRXaDgLcxi5IesdjOWBySJ1g8Me77AtRkPVhO6OxnbP2ibaadu4EP4RzKv2xu3vrLEUkFndIN18n6k0H8izhyI/s1600/P1220403dev72.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9nw53gDOFtUOA_I7ZAFtUmidiTZIqiV-VuyI2oe862pt9Lqk4Gkk_-nRXaDgLcxi5IesdjOWBySJ1g8Me77AtRkPVhO6OxnbP2ibaadu4EP4RzKv2xu3vrLEUkFndIN18n6k0H8izhyI/s400/P1220403dev72.jpg" width="302" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maxime Thieffine, sans titre, huile sur papier, 2016</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeshbB2F5nFlxuCKyGy4vJ9ktTMZ01VUm_c0D1aNqk65a7T32rqZBLqCrxu5xVF4pcy1ckVs0VVX2Cc_XOYgFBiznQfQw-mc5aXHoikD3UNu1WDaldlRXZ4W-QBjQkZf-hepRMBoxlJ-M/s1600/Flossel_Spins-2013-06-01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeshbB2F5nFlxuCKyGy4vJ9ktTMZ01VUm_c0D1aNqk65a7T32rqZBLqCrxu5xVF4pcy1ckVs0VVX2Cc_XOYgFBiznQfQw-mc5aXHoikD3UNu1WDaldlRXZ4W-QBjQkZf-hepRMBoxlJ-M/s400/Flossel_Spins-2013-06-01.jpg" width="341" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Oliver Flossel, <i>spins</i>, 2013</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuZWeAljr9xp34Aagg5BAV6YZ1qBjossBmGcSmxK4rR54-ngjT6_QsgOG82LeuIgQkwLq1wUZQWoOOJ_UBAJx8TNU6CnOmgY0mX01ysSLYYvAYWDz6AHANE5au7TePkLQnhtRhagLhnPg/s1600/de+soumagnat_bouquetrouge-web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuZWeAljr9xp34Aagg5BAV6YZ1qBjossBmGcSmxK4rR54-ngjT6_QsgOG82LeuIgQkwLq1wUZQWoOOJ_UBAJx8TNU6CnOmgY0mX01ysSLYYvAYWDz6AHANE5au7TePkLQnhtRhagLhnPg/s400/de+soumagnat_bouquetrouge-web.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Zoé de Soumagnat, <i>bouquet</i></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5Ae78lAa6XOl5KiXMy8Ghj8VnY00kKRemYbtUGkOK5Qdi3v5HQrIHmv268L_xJWkNtD9QIllSpXadqsmOsnkv-qHZoOyM11qqGYoWSGqDmf9uFLFaB4-HjFuiB-C-0DXRgy1ygwsz2FQ/s1600/Gabritschevsky-Sans-titre+1946.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5Ae78lAa6XOl5KiXMy8Ghj8VnY00kKRemYbtUGkOK5Qdi3v5HQrIHmv268L_xJWkNtD9QIllSpXadqsmOsnkv-qHZoOyM11qqGYoWSGqDmf9uFLFaB4-HjFuiB-C-0DXRgy1ygwsz2FQ/s400/Gabritschevsky-Sans-titre+1946.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Eugen Gabritschevsky, <i>Sans-titre</i>, 1946</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrLeXlwMwsdbp_WKu2v2J1dscNSl-sx-OgbSYTkOn9IfXTR06u6GEvFTaHmcCJ1v2E0uzk4KkzQ8LvI6ldwwfbMQWhSo7wwy0PiEjuVhC7ZoYUd4c7xe4NlLpcMMJq5TAlozvefP0S7HY/s1600/GABRITSCHEVSKY.Eugene.0115.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrLeXlwMwsdbp_WKu2v2J1dscNSl-sx-OgbSYTkOn9IfXTR06u6GEvFTaHmcCJ1v2E0uzk4KkzQ8LvI6ldwwfbMQWhSo7wwy0PiEjuVhC7ZoYUd4c7xe4NlLpcMMJq5TAlozvefP0S7HY/s400/GABRITSCHEVSKY.Eugene.0115.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Eugen Gabritschevsky, non identifié</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4tPRKXgvVwydzzlFZbftP2r1K-gpNpw9gYbLhjmOwgRltF7urj6zeGhhZuH38SLkmDK7LHbiwfsEa56hShFbae118-k-08p7VHE6zfoqgydYpacHCYS6kcBcMrfYmLG8zSzB8YKjvYDk/s1600/Zaloudek%252C+Milarepa+XV-1%252C+1965%252C+acrylic+on+canvas%252C152+x+172%252C7+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4tPRKXgvVwydzzlFZbftP2r1K-gpNpw9gYbLhjmOwgRltF7urj6zeGhhZuH38SLkmDK7LHbiwfsEa56hShFbae118-k-08p7VHE6zfoqgydYpacHCYS6kcBcMrfYmLG8zSzB8YKjvYDk/s400/Zaloudek%252C+Milarepa+XV-1%252C+1965%252C+acrylic+on+canvas%252C152+x+172%252C7+cm.jpg" width="347" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Duane Zaloudek, <i>Milarepa XV-1</i>, 1965, acrylic on canvas, 152 x 172,7 cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOFkco9_tVZHOmfx495j4GxnkVKBX1obkw-AHYHDad7fHbQ2fzGzv-GRVmWiMF_weVDAQ6xV5wVoB2bk-S9VqN56B8VEIqEx2_1K1-YdLTiFHCkEF8LSJYb-7By7Krgmh250JCzOo5Yb8/s640/wood_chilian+landscape+vase+2015.jpg" style="margin-left: auto; margin-right: auto;" width="488" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jonas Wood, <i>chilian landscape vase,</i> 2015</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxVGpAjO8xpp5Ct4BDSEeoRh0dsUOLGMB_FUkH9zfslqtg4n9MnjYbFSdq5Tm7HqfU9kckvgNfxQCBo-CHu8yn3xS_OGH2S7L7HjDsKQdhfkA3RXpIeXFzwJwWmFLozwwM5A1Cj9K4uhI/s1600/blanc_Jupe+2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxVGpAjO8xpp5Ct4BDSEeoRh0dsUOLGMB_FUkH9zfslqtg4n9MnjYbFSdq5Tm7HqfU9kckvgNfxQCBo-CHu8yn3xS_OGH2S7L7HjDsKQdhfkA3RXpIeXFzwJwWmFLozwwM5A1Cj9K4uhI/s640/blanc_Jupe+2013.jpg" width="499" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mireille Blanc, <span class="st"><em>Jupe</em>, 2013, <em>huile</em> sur <em>toile</em>, 31 x 40 cm</span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTLLteIfA7uQI9SO-3mCh7FTdlHcXGwXqd0lNl4GyiFbnHiwUIXUyTinmoxNWPQ0gHC2hpMcKtDaJmJ9t277F27sdQo-OWObJLaT3b3cbc5NzQclTsCp5-Lw3VxFBfxlctGBb2oHqmdJI/s1600/Blanc+-+Poisson+2011.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTLLteIfA7uQI9SO-3mCh7FTdlHcXGwXqd0lNl4GyiFbnHiwUIXUyTinmoxNWPQ0gHC2hpMcKtDaJmJ9t277F27sdQo-OWObJLaT3b3cbc5NzQclTsCp5-Lw3VxFBfxlctGBb2oHqmdJI/s400/Blanc+-+Poisson+2011.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mireille Blanc, <i>poisson</i>, 2011</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTfGdYpmCh5eLmIazrM2iN4ikdnGL_SZ967kNRgyEb18kCYHSoBacO3HUSpLfHHAXVlVmYrnrgiD-2PiAq0ZdjwNnsYvJI5S4vZqNKs03LfHXeCqoc7jUa8l_8G8kdoezesRNA8KWogNw/s1600/Blanc+Marine+2011+32x+41.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTfGdYpmCh5eLmIazrM2iN4ikdnGL_SZ967kNRgyEb18kCYHSoBacO3HUSpLfHHAXVlVmYrnrgiD-2PiAq0ZdjwNnsYvJI5S4vZqNKs03LfHXeCqoc7jUa8l_8G8kdoezesRNA8KWogNw/s400/Blanc+Marine+2011+32x+41.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mireille Blanc, <i>Marine</i>, 2011 32x 41 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisKYHyxTnxqnO0UVaKgksghd6SAgNCr0HzV_TrADiHP17IMh88cyhhsd3DWI-XMDtPxhC7C4K1z9KmJws_oRbP4V0ggsgIOyBHp1LVekdhfh5iGExeJunYYGSaezaIMnflhGGgIsqeWkw/s1600/hodgkin_nightandday+97-99.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="335" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisKYHyxTnxqnO0UVaKgksghd6SAgNCr0HzV_TrADiHP17IMh88cyhhsd3DWI-XMDtPxhC7C4K1z9KmJws_oRbP4V0ggsgIOyBHp1LVekdhfh5iGExeJunYYGSaezaIMnflhGGgIsqeWkw/s400/hodgkin_nightandday+97-99.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Howard Hodgkin, <i>night and day</i> 1997-99 huile sur bois et cadre</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQyDvqT6WAAGznB-175le5y_WoftYdlsHoJ0Z62DmJ_lWfIUK7XfkHx1fqv9dLDappTbqvNGjWkF_tFp56Wgg81N2SVMCChMAEYpc7J3xG6uci3pbVj9zl1h3kolIfVPQaov3vSyKcymA/s1600/Hodgkin_snapshot_84-93.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQyDvqT6WAAGznB-175le5y_WoftYdlsHoJ0Z62DmJ_lWfIUK7XfkHx1fqv9dLDappTbqvNGjWkF_tFp56Wgg81N2SVMCChMAEYpc7J3xG6uci3pbVj9zl1h3kolIfVPQaov3vSyKcymA/s400/Hodgkin_snapshot_84-93.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Howard Hodgkin, <i>snapshot,</i> 1984-93</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh88FOiui0AyoJN3NV1UTzajzsMRLXFYBj6h_Wevwy9Vwbfcruosz_lE5_oCYDfykFUK1u6PujuQ2s0DFqUmy1lmoc5rVuwbEcF37brCiRFZLZ6l4FbaA5gNDEUvpUxG6W5w80ecoesZ6A/s1600/lichtenstein_Reflections+on+Brushstrokes_litho.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh88FOiui0AyoJN3NV1UTzajzsMRLXFYBj6h_Wevwy9Vwbfcruosz_lE5_oCYDfykFUK1u6PujuQ2s0DFqUmy1lmoc5rVuwbEcF37brCiRFZLZ6l4FbaA5gNDEUvpUxG6W5w80ecoesZ6A/s400/lichtenstein_Reflections+on+Brushstrokes_litho.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Roy Lichtenstein, <i>Reflections on Brushstrokes</i>, lithographie</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil6DS8ap3gF_nGf-FYyj8_O5ZwHbfpdD7-RdBk7F5GMFyWBq4XhfG7sktZOa3Ks6fs7GThktadUDw6OjZ_gKr7T7_0Xk-IDLXa90ed8fd5Vl-1bQhhgv5pQ2b_WU2lJLXtKws1ZFUk4d4/s1600/painting+in+gold+frame+84.bmp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil6DS8ap3gF_nGf-FYyj8_O5ZwHbfpdD7-RdBk7F5GMFyWBq4XhfG7sktZOa3Ks6fs7GThktadUDw6OjZ_gKr7T7_0Xk-IDLXa90ed8fd5Vl-1bQhhgv5pQ2b_WU2lJLXtKws1ZFUk4d4/s400/painting+in+gold+frame+84.bmp" width="303" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Roy Lichtenstein, <i>in gold frame</i>, 1984</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS5AzX8WOb7C9USBBrudYaecMVCuccPoW7qW_UpeJQqUEEyOHkwtCiN9VHCW4JdXBynniz8gP86h-xQyIJjTHL1DT_3GENh9nZBnrlVbU0K-x69QpQzKsMAuWyD1u6qp1cd8fsFP6p9HI/s1600/klee+autumn+flower+1922.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS5AzX8WOb7C9USBBrudYaecMVCuccPoW7qW_UpeJQqUEEyOHkwtCiN9VHCW4JdXBynniz8gP86h-xQyIJjTHL1DT_3GENh9nZBnrlVbU0K-x69QpQzKsMAuWyD1u6qp1cd8fsFP6p9HI/s400/klee+autumn+flower+1922.jpg" width="321" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Paul Klee, <i>fleur d'automne</i> 1922</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgskwgBdvQe4WQ_lsZ4s2SHg36sdmciD-2TOxEmwS9FvWF1HYJDBuTjryp-JNkLt6fDk9sjNoYqL2GFuhqFvSnaNo3hyphenhyphen1CD5S20n7pxl7z54LgVARibRrfINeOOLoMbyU0XhxBCsk0BPDc/s1600/schutz+fight+in+an+elevator+5+2016+oil+244x229cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgskwgBdvQe4WQ_lsZ4s2SHg36sdmciD-2TOxEmwS9FvWF1HYJDBuTjryp-JNkLt6fDk9sjNoYqL2GFuhqFvSnaNo3hyphenhyphen1CD5S20n7pxl7z54LgVARibRrfINeOOLoMbyU0XhxBCsk0BPDc/s400/schutz+fight+in+an+elevator+5+2016+oil+244x229cm.jpg" width="381" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dana Schutz, <i>fight in an elevator 5</i>, 2016, huile sur toile 244 x 229 cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha9NJunLD3qQzbVniwKBx34xDYxUznPpLVpVJgzoTLpA2SOGI99o-c0ZA2BKYWIxU1kgHp24zDnZ-IEwWN7x1p4iz3kXc-NHL63lZxgjISeuZotmQzTegIvffUHYNuzFM0m2GvrWiepSQ/s1600/klee_Urnenbild%252C+1921.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha9NJunLD3qQzbVniwKBx34xDYxUznPpLVpVJgzoTLpA2SOGI99o-c0ZA2BKYWIxU1kgHp24zDnZ-IEwWN7x1p4iz3kXc-NHL63lZxgjISeuZotmQzTegIvffUHYNuzFM0m2GvrWiepSQ/s400/klee_Urnenbild%252C+1921.JPG" width="307" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Paul Klee, Urnenbild, 1921</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0hGBwy_z74KTI_HCKPzkPcMulH1TPRaS4S4hgFqdQ2REHKgndkZLrBK2CFWumTopeE6ZNKV0gvx9CCwDZyjuMndMK7BxL8v1pEHD5BA0PqFqSRsqbBSu2D58CpVtc97cH2gOxrY_KHxk/s1600/SCH-15_009L.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0hGBwy_z74KTI_HCKPzkPcMulH1TPRaS4S4hgFqdQ2REHKgndkZLrBK2CFWumTopeE6ZNKV0gvx9CCwDZyjuMndMK7BxL8v1pEHD5BA0PqFqSRsqbBSu2D58CpVtc97cH2gOxrY_KHxk/s400/SCH-15_009L.jpg" width="375" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dana Schutz, <i>Fight in an Elevator</i>, 2015</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0MdVqAIHUF31xTDMRkdj_Rz6SGwuWftlxlHtlL84kjMICBM7l40M14sUCifnlPoUcmOXdzkHJ9stREcmKjy15XbGC8DV17WP9phwWEkbJfgPboJ2deI59lOE7suvphr96xDVmGhxCLiU/s1600/SCH-15_010L.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0MdVqAIHUF31xTDMRkdj_Rz6SGwuWftlxlHtlL84kjMICBM7l40M14sUCifnlPoUcmOXdzkHJ9stREcmKjy15XbGC8DV17WP9phwWEkbJfgPboJ2deI59lOE7suvphr96xDVmGhxCLiU/s400/SCH-15_010L.jpg" width="368" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dana Schutz, <i>Slow Motion Shower</i>, 2015</td></tr>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-42332431269258394352016-10-31T13:59:00.001+01:002016-10-31T13:59:18.948+01:00Collections de motifs<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNHjFjy3xVtLSFHBc8n-6HebpMb-S3NzmitAPv9EYTHTSupnDLnZzJXLSRAtV3KLWsw79D2Y9-xKEeq1isTIf2yCq6ntXxBMycn7_0APQaFsLVzzUuxz0gqN6Fg5n9HJ5oVt_18gyqTpQ/s1600/Kessel%252C+Drawings+of+insects%252C+c.+1653.+Oil+on+Copper.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNHjFjy3xVtLSFHBc8n-6HebpMb-S3NzmitAPv9EYTHTSupnDLnZzJXLSRAtV3KLWsw79D2Y9-xKEeq1isTIf2yCq6ntXxBMycn7_0APQaFsLVzzUuxz0gqN6Fg5n9HJ5oVt_18gyqTpQ/s400/Kessel%252C+Drawings+of+insects%252C+c.+1653.+Oil+on+Copper.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Times,"Times New Roman",serif;"><span style="font-size: x-small;">Jan van Kessel, <i>Drawings of insects</i>, c. 1653. Oil on Copper</span></span></td></tr>
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<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Un post impromptu sur une préoccupation récente : comment rassembler,
stocker, pour le travail, voir, avancer, en triant la quantité, en
regroupant, en rangeant et en mettant un maximum de gestes et de formes
dans un même endroit : une peinture, une oeuvre etc ... Divers oeuvres
qui rassemblent et collectionnent des motifs, gestes, variations sur une
même forme, qui sont souvent des coulisses du travail, des amont
préparatoires et deviennent ici travail en soi au grand jour. </span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlYUPGkI8LhSUlU3Hck3TDAZ0e9_NWQOJmySQYZzupdIM2S4vGy5lktNDAtmwTE9QA49KR0mi3sXWTpNlECb7R7M-v2WD0zVtEk4bJWea-x_XkTQAuTffQhJwRsIeflGoEFDUZpjWx3r8/s1600/cheselden_t09%252C+osteographia+ou+anatomie+des+os+1733.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlYUPGkI8LhSUlU3Hck3TDAZ0e9_NWQOJmySQYZzupdIM2S4vGy5lktNDAtmwTE9QA49KR0mi3sXWTpNlECb7R7M-v2WD0zVtEk4bJWea-x_XkTQAuTffQhJwRsIeflGoEFDUZpjWx3r8/s640/cheselden_t09%252C+osteographia+ou+anatomie+des+os+1733.jpg" width="475" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">William Cheselden, <i>planche 9 de Osteographia ou anatomie des os</i>, 1733</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTSTz4OHbMjzS-wYEIniyUKe307PQHRafZnWCta4gQT9Sa0ZjfPB0Z384B1WeiF9bNkeGPmkF65CmtgQZ3zMV3uS9O9xVjmKjIvaane6emo3jCjoXc6IY9Z58R4wtdmjduQ6_Hupq2cGA/s1600/rocca+catalogue+DET.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTSTz4OHbMjzS-wYEIniyUKe307PQHRafZnWCta4gQT9Sa0ZjfPB0Z384B1WeiF9bNkeGPmkF65CmtgQZ3zMV3uS9O9xVjmKjIvaane6emo3jCjoXc6IY9Z58R4wtdmjduQ6_Hupq2cGA/s400/rocca+catalogue+DET.jpg" width="400" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoh5zQXximZ3EVbkta7W26Ot9Rd0_mjmgVsgqiub8vC7x52tnrE3KgKz6yBn8VVRYA0woSFrBiCMU3PQ0K5ah2TzT2nczYCt78K4hf10XvdNjVi2KRRfFYZVIEK6Lhbngxbq8eBG45-Pc/s1600/rocca_catalogue+painting+c1965+oil+canvas+36x117cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="128" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoh5zQXximZ3EVbkta7W26Ot9Rd0_mjmgVsgqiub8vC7x52tnrE3KgKz6yBn8VVRYA0woSFrBiCMU3PQ0K5ah2TzT2nczYCt78K4hf10XvdNjVi2KRRfFYZVIEK6Lhbngxbq8eBG45-Pc/s400/rocca_catalogue+painting+c1965+oil+canvas+36x117cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Suellen Rocca_<i>catalogue painting</i>, c1965, oil on canvas 36 x 117 cm et Détail au dessus</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGTKEgRPx_JtLtvTNGPCmaGQeuPW7kx9-D16vL4Ftn3xS2HS2Ucv0f-nu8oB7oFKU1Kqa3fiGOTmeEqxDwQNGp5I0fchr8PCFx5S1rH0Ruu80V7Ta_zA-5TWYGPscjSZeomAUe-tYCByo/s1600/Yoshida_unt+1974+flet+tip+on+paper+cut+out+collage+on+heavy+paper.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGTKEgRPx_JtLtvTNGPCmaGQeuPW7kx9-D16vL4Ftn3xS2HS2Ucv0f-nu8oB7oFKU1Kqa3fiGOTmeEqxDwQNGp5I0fchr8PCFx5S1rH0Ruu80V7Ta_zA-5TWYGPscjSZeomAUe-tYCByo/s400/Yoshida_unt+1974+flet+tip+on+paper+cut+out+collage+on+heavy+paper.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ray Yoshida, <i>untitled</i> 1974 felt-tip on paper, cut out collage on heavy paper</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFPFMBkBSb8t7t9K9udPN0BICPaepejg8oqBRwZa6Z5aF8q1Bcl9GOFsCij2u7DgQHYPA_7pnVxGAhFreu6dZRxI9-OBobnL5ZWSnF906NvXhEr_b1XhbiLfh2Y5oIl41zW-zhT7_YQns/s1600/Kandinksy_succession-1935++81x100cm.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFPFMBkBSb8t7t9K9udPN0BICPaepejg8oqBRwZa6Z5aF8q1Bcl9GOFsCij2u7DgQHYPA_7pnVxGAhFreu6dZRxI9-OBobnL5ZWSnF906NvXhEr_b1XhbiLfh2Y5oIl41zW-zhT7_YQns/s400/Kandinksy_succession-1935++81x100cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vassili Kandinsky, <i>succession</i>, 1935 81x100cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqY4mqS6EjPnslmMQpJhZZbq2LEoy4Tmm6vaGfrFGR5qSMu6oKt0n4RJImjQxdsm8d-vzUD9fuSieRBMQxxMCr6GA-0r4Jf79bYOvkEZJTMBN4LnJJdAyqV9Ygw26_Dok4lm8Pfz5D5Ac/s1600/Dugit+gros_we+are+family+paint+on+plexiglas+200x300+cm+copyright+JC+Lett.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqY4mqS6EjPnslmMQpJhZZbq2LEoy4Tmm6vaGfrFGR5qSMu6oKt0n4RJImjQxdsm8d-vzUD9fuSieRBMQxxMCr6GA-0r4Jf79bYOvkEZJTMBN4LnJJdAyqV9Ygw26_Dok4lm8Pfz5D5Ac/s400/Dugit+gros_we+are+family+paint+on+plexiglas+200x300+cm+copyright+JC+Lett.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chloé Dugit-Gros, <i>we are family</i>, paint on plexiglas, 200x300 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9mtECqdpqm98tgMczUpBLjqDe102Yg1RGSXaqmGUk-VH3AXXYs6T-pDu4e-ebzZwVKA573koied7BJo4VZPF7uOih92okFYavieucHTpNZvd3TrDW62i2Tw4D5PsmguMXfx_jzAG1uBU/s1600/Forg_unt+2009+185x225cm.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9mtECqdpqm98tgMczUpBLjqDe102Yg1RGSXaqmGUk-VH3AXXYs6T-pDu4e-ebzZwVKA573koied7BJo4VZPF7uOih92okFYavieucHTpNZvd3TrDW62i2Tw4D5PsmguMXfx_jzAG1uBU/s400/Forg_unt+2009+185x225cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gunter Forg, <i>untitled</i>, 2009 185x225cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTJu2RQu8tz6M7eukTfhlj5AnQ2gi4LKbY-w0tFsa9h7yGfxLBIvxYrdDUOGcF1Ar6AXo47WJn0k7ekP4vsHwofD88f-3lMaDGS8VHzrGtMYWPxdHStPNQAbTR7lTLvBoawWaDUHQavQg/s1600/lasker+symboilic+farming_2001152x203.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTJu2RQu8tz6M7eukTfhlj5AnQ2gi4LKbY-w0tFsa9h7yGfxLBIvxYrdDUOGcF1Ar6AXo47WJn0k7ekP4vsHwofD88f-3lMaDGS8VHzrGtMYWPxdHStPNQAbTR7lTLvBoawWaDUHQavQg/s400/lasker+symboilic+farming_2001152x203.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jonathan Lasker, <i>symbolic farming</i>, 2001, 152x203 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOKucU6mV5tV-TRhSgiXjuxN8zzn-P0XIY9U3M48rlC8VO50oxsGhOWRLWtIjVqBsAxWjKyLQu3JTnNI3n1Xn8pi-z5m75GUnSSNJTJnbeN9BAhn2AkerzdlbS2DhDkYQawJotilaFOwM/s1600/Jaffe_the+summer+flowers+1990+220x180.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOKucU6mV5tV-TRhSgiXjuxN8zzn-P0XIY9U3M48rlC8VO50oxsGhOWRLWtIjVqBsAxWjKyLQu3JTnNI3n1Xn8pi-z5m75GUnSSNJTJnbeN9BAhn2AkerzdlbS2DhDkYQawJotilaFOwM/s400/Jaffe_the+summer+flowers+1990+220x180.JPG" width="338" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Shirley Jaffe, <i>the summer flower</i>s, 1990, 220 x 180 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNyLQsLVsmeXheJVNfKl0Okm4GVID74nbCtevSEdTayYJ1l3fshes4ECh7SmnTiyhOtP16-A2xCRX2uWcf8uY8sMHTTcJvBOi4aeZ5P8mjbDuanAGZeR3gr5ux8j3zA8kM9PRCV00Q29Q/s1600/Davis-1944-45forinternaluse+only_114.4%25C3%259771.1cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNyLQsLVsmeXheJVNfKl0Okm4GVID74nbCtevSEdTayYJ1l3fshes4ECh7SmnTiyhOtP16-A2xCRX2uWcf8uY8sMHTTcJvBOi4aeZ5P8mjbDuanAGZeR3gr5ux8j3zA8kM9PRCV00Q29Q/s640/Davis-1944-45forinternaluse+only_114.4%25C3%259771.1cm.jpg" width="380" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Stuart Davis, <i>for internal use only</i>, 1944-45, 114x71 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgujsBIdRzPtBBaS0Im771uVbVbJpU8PDH9ztXRwTm1F4-yGzYdqF6A1LpChqZXTPOB40-q8jBorWzlAklEr45iYEuARFLqNOj5q4a5cZCdgtnRK7YCMI8BHtUtNLfteebKVCanwGyS6uo/s1600/lichtenstein_1979+Go+for+Baroque.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgujsBIdRzPtBBaS0Im771uVbVbJpU8PDH9ztXRwTm1F4-yGzYdqF6A1LpChqZXTPOB40-q8jBorWzlAklEr45iYEuARFLqNOj5q4a5cZCdgtnRK7YCMI8BHtUtNLfteebKVCanwGyS6uo/s400/lichtenstein_1979+Go+for+Baroque.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Roy Lichtenstein, <i>go for baroque</i>, 1979</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCZPA7MO3KNUNhu4OIzjWX2RcCJ6KFlcphE0FBHGwwdxnolyduYqvJ4XgYxEG1asLWYoD8euFa9lvmRp6HHhLpzq8WTjYk7FpryWfdqfz1bSKKHzBkhUNVZrsWro2ADiz9QGJNABbaXkM/s1600/2008-ROSARIUMb_zoom.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCZPA7MO3KNUNhu4OIzjWX2RcCJ6KFlcphE0FBHGwwdxnolyduYqvJ4XgYxEG1asLWYoD8euFa9lvmRp6HHhLpzq8WTjYk7FpryWfdqfz1bSKKHzBkhUNVZrsWro2ADiz9QGJNABbaXkM/s400/2008-ROSARIUMb_zoom.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gilbert & George, <i>rosarium</i>, 2008</td></tr>
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<tr><td style="text-align: center;"><img border="0" height="327" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-hB22nim2hG1Zo4G9FBrRcgWVsPnqKKZMuWSehtJQuE7g0fq8wwro8_x4XcuKbZoIVRDfGDXu0sHgWqFFCI3j1Irr7oHJmcXw67MCZ_o0Amlw7rZB-DSHoS2Gyde8k6p90B5mtXfKzrU/s400/Hamilton_My+marilyn_1965Screenprint+on+paper.jpg" style="margin-left: auto; margin-right: auto;" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Richard Hamilton, my Marilyn, 1965, sérigraphie sur papier</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ9ifLe9pWlmdcQixsjTHuHCkREs5Zmmylfnd7awduz4J2ZT3jahW2lPL8EbfnaLFO-AroZ2BNbkyIQOiQyU4yCzNubIOvhJMOwuHv75IRIhA6jLT1snKEuFavN9gv6uB32A8eYzjZCm4/s1600/Guston_painters+table+73.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="341" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ9ifLe9pWlmdcQixsjTHuHCkREs5Zmmylfnd7awduz4J2ZT3jahW2lPL8EbfnaLFO-AroZ2BNbkyIQOiQyU4yCzNubIOvhJMOwuHv75IRIhA6jLT1snKEuFavN9gv6uB32A8eYzjZCm4/s400/Guston_painters+table+73.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Philip Guston, <i>La table du peintre</i>, 1973</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy5xkkp2N586WzuxQu9fpxCCD_Rqg8Ne1FopkSKjSVKdIbpwXRdOIMsjfjuS7nFx-LTG2SmR3AktUUO2IJMdMv65a6vVvCNxTvtQHVmwAcdyppDMNrE5uh0tWAcMk9n8hUF83HbFO0euI/s1600/Laska%252C+Installation+View%252C+Independent+Brussels%252C+2016.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy5xkkp2N586WzuxQu9fpxCCD_Rqg8Ne1FopkSKjSVKdIbpwXRdOIMsjfjuS7nFx-LTG2SmR3AktUUO2IJMdMv65a6vVvCNxTvtQHVmwAcdyppDMNrE5uh0tWAcMk9n8hUF83HbFO0euI/s640/Laska%252C+Installation+View%252C+Independent+Brussels%252C+2016.jpg" width="457" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sadie Laska, Installation View, Independent, Brussels, 2016</td></tr>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-75311620973077256512016-09-27T14:28:00.001+02:002016-09-27T14:29:42.964+02:00Le théâtre pictural de Roger Brown<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK-QGlm767NB3pKiOson1XN9kMJNXdn0fLCnlKew4IfTnOzyJrwVXAeroXhGbfBrO0mfgp_F0Zorz9xHipJF9p6clg_kBzzExOW_zNWZkNSI0K-GoOvCBMkP6X1cPkdElfuztLpImwk7g/s1600/13239990_10209373156188244_8745236770421352644_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK-QGlm767NB3pKiOson1XN9kMJNXdn0fLCnlKew4IfTnOzyJrwVXAeroXhGbfBrO0mfgp_F0Zorz9xHipJF9p6clg_kBzzExOW_zNWZkNSI0K-GoOvCBMkP6X1cPkdElfuztLpImwk7g/s400/13239990_10209373156188244_8745236770421352644_n.jpg" width="400" /></a></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Roger Brown (1941-1997) presque
totalement inconnu de ce coté de l'Atlantique est une figure
importante de la scène des Chicago Imagists déjà évoquée <a href="http://maximememoirevive.blogspot.fr/2016/05/barbara-rossi.html" target="_blank">ici</a>
ainsi que dans le paysage artistique Californien. L'article <a href="https://en.wikipedia.org/wiki/Roger_Brown_(artist)" target="_blank">wikipédia</a>
est très riche et précis en informations sur sa formation, ses
influences diverses ainsi que son activité de collectionneur avide à
travers laquelle il a rempli de nombreuses maison-atelier-musée très
attachés au territoire provincial et multi-ethnique américain. Il a
développé un univers visuel assez distinct et identifiable, mais ce
n'est pas ce qui m'intéresse le plus (ce qui se fixe en une image
canonique) mais plutot les arborescences à partir de ce tronc si
c'en est un. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkekK985ajEZqMMlhON3CktOeah1SiiyFdkkW6okfYOgG56WfFP8lT0-4awF1X55Au4dlH_J0fgL9AU7dODuIxcTHtxQ5_ZtWOMjV6KDARlWFOErVihqhJP7wZ5j4P6GlbJ7YlC2fhADk/s1600/baptism+1968.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkekK985ajEZqMMlhON3CktOeah1SiiyFdkkW6okfYOgG56WfFP8lT0-4awF1X55Au4dlH_J0fgL9AU7dODuIxcTHtxQ5_ZtWOMjV6KDARlWFOErVihqhJP7wZ5j4P6GlbJ7YlC2fhADk/s400/baptism+1968.jpg" width="400" /></a></div>
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<span style="font-size: small;"><span style="font-family: "trebuchet ms" , sans-serif;">Tout d'abord, j'aime et ai été saisi
par sa théâtralisation de l'image picturale, qu'on peut relier à
Klee ou aux Teatrini des années 60 de Lucio Fontana. Il théâtralise
la représentation par les bords et dans l'image même qui ouvre sur
des jeux d'éclairage et de modelé très Fernand Léger/publicitaire.
Cela ouvre ensuite à des paysages stylisés assez pulp où
cohabitent divers échelles très contrastées, surtout des humains
minuscules et non singularisés/des figures non psychologiques.
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4uh8YTVdEiuDUAdXivaNA2UiVdZILP4cgi5Xemz2ksRKQxbn-d0rRFLvXfr9CXukobz7YTgWDzVf4kLxBUQMbho-fUgjH83ADYhGPE5LYVcpKJh7c-HH87tCSOzH7lOU48Q8CV-IrFqs/s1600/theatre+1968.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4uh8YTVdEiuDUAdXivaNA2UiVdZILP4cgi5Xemz2ksRKQxbn-d0rRFLvXfr9CXukobz7YTgWDzVf4kLxBUQMbho-fUgjH83ADYhGPE5LYVcpKJh7c-HH87tCSOzH7lOU48Q8CV-IrFqs/s400/theatre+1968.jpg" width="398" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1X0-i7HQk3Z2idGyuJrgjwFLi0FTFL20v3WLbuNyzlF5r6Tgq_8on2WDWczVPGcTgy-hsGfR5LLHCc8SGkVcxeGfA0Na7f2B-a0wq2_S689eVO9NnNHYvLTzmhd6AywbZExfg-suakxI/s1600/Untitled_Theater_1968.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="375" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1X0-i7HQk3Z2idGyuJrgjwFLi0FTFL20v3WLbuNyzlF5r6Tgq_8on2WDWczVPGcTgy-hsGfR5LLHCc8SGkVcxeGfA0Na7f2B-a0wq2_S689eVO9NnNHYvLTzmhd6AywbZExfg-suakxI/s400/Untitled_Theater_1968.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Roger Brown, <i>Untitled</i>, série des <i>Theater</i>, 1968</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKtx0X0mQOGPuzqaE3CE2OSFNcaQtiFJaQBrfAAbNc0dJW3VwQwRMYOnP5n7fZ9ozsQeNBARbPC7OYmAXw8K_9WkqgVwlvdSpl_37GUqJD0Riinf7FisccPWlbMsAfBqW7JGKJqrw9zbs/s1600/Fontana_concetto_spaziale_teatrino_wateraint+on+canvas+wood+laquer+frame+103.5+x+84.2cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKtx0X0mQOGPuzqaE3CE2OSFNcaQtiFJaQBrfAAbNc0dJW3VwQwRMYOnP5n7fZ9ozsQeNBARbPC7OYmAXw8K_9WkqgVwlvdSpl_37GUqJD0Riinf7FisccPWlbMsAfBqW7JGKJqrw9zbs/s400/Fontana_concetto_spaziale_teatrino_wateraint+on+canvas+wood+laquer+frame+103.5+x+84.2cm.jpg" width="322" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lucio Fontana, concetto spaziale, teatrino, 1960s (peinture à l'eau sur toile, bois laqué) 103.5 x 84.2cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpW_POU0OoxNh-UUe4tnYcURRFt8Iiz0uFQb1hcl6nSzUNur2jsxzc6ELFJ5oQM5XapCbSvOiGMG2OooASJnKJf_G4Eg_Y8sMxJfkmwVmpsGaY8b_HLMYe9e2lPkY_epsCsLA1lZcQJlA/s1600/75.Cutting-the-Rug-1969.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="397" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpW_POU0OoxNh-UUe4tnYcURRFt8Iiz0uFQb1hcl6nSzUNur2jsxzc6ELFJ5oQM5XapCbSvOiGMG2OooASJnKJf_G4Eg_Y8sMxJfkmwVmpsGaY8b_HLMYe9e2lPkY_epsCsLA1lZcQJlA/s400/75.Cutting-the-Rug-1969.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cutting the rug, 1969</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjCyeojNPmyJjsFlxEb_-2_SikIC3_dUc_6HeqGc5PuNSpzYRgiqM8M7igBLux8KYtPLhP2oP_VTu9GnuEYC0dJJgRrpAdF10pmlOEMy9Ou-xCKEMOdCdLHQ6S7wqi7V2SLvdDWr1sa44/s1600/Untitled_Theater_1968WB.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjCyeojNPmyJjsFlxEb_-2_SikIC3_dUc_6HeqGc5PuNSpzYRgiqM8M7igBLux8KYtPLhP2oP_VTu9GnuEYC0dJJgRrpAdF10pmlOEMy9Ou-xCKEMOdCdLHQ6S7wqi7V2SLvdDWr1sa44/s400/Untitled_Theater_1968WB.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Untitled, Theater</i>, 1968</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVHQs_OLizrOL1chvY94KQl51v3Qf-l8WR311cjaN1l251CKFspaWmH4V8qQ0wmcUMNLZfnYfTrO11Uf8l7IAB79VRgOtwt__C19caFQ8WYbXiPW7AmK1T00L9Lx0NSUL51EbvCR3pgkA/s1600/Brown%252C+Viewing+the+Auroral+Drapery%252C+1971%252C+Oil+on+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVHQs_OLizrOL1chvY94KQl51v3Qf-l8WR311cjaN1l251CKFspaWmH4V8qQ0wmcUMNLZfnYfTrO11Uf8l7IAB79VRgOtwt__C19caFQ8WYbXiPW7AmK1T00L9Lx0NSUL51EbvCR3pgkA/s640/Brown%252C+Viewing+the+Auroral+Drapery%252C+1971%252C+Oil+on+canvas.jpg" width="403" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Viewing the Auroral Drapery</i>, 1971, Oil on canvas</td></tr>
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<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "trebuchet ms" , sans-serif;">Qui ouvre ensuite sur du motif,
textile, tribal indien ou décoratif tout en étant encore de la
figuration à minima. Ca figure sur les bords mais pas au milieu. On
trouve ensuite une registre du portrait populaire, de la pancarte
publicitaire africaine qui s'accompagne de slogans et textes/typos
peintes qui fusionnent certains moments dans des paysages totémiques
sexualisés. Graphes, symboles, motifs, paysage et figures cohabitent
dans une forme syncrétique comme s'il avait construit sa propre
mythologie et tribu primitive, sans doute ce qu'il a cherché à
faire au fil des ans. A être un peuple lui-même, élaborant une
écriture plastique et stylistique du rapport à l'autre, aux style
des autres...</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizh3egxYu_Uwvnl2RxaY3mI-sDO0bNMRLEBbIjEN1w6E2rqf_bhxL3jrG6Dm68HbQRNVGDg5O4ymRgsGdtmN9AKMltnZee5duMpx7ka0dsfaQ_aH8RFeNttSGmnA1Y00eIS2vg6KDw3sY/s1600/Atop+Stone+Mountain%252C+1972.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizh3egxYu_Uwvnl2RxaY3mI-sDO0bNMRLEBbIjEN1w6E2rqf_bhxL3jrG6Dm68HbQRNVGDg5O4ymRgsGdtmN9AKMltnZee5duMpx7ka0dsfaQ_aH8RFeNttSGmnA1Y00eIS2vg6KDw3sY/s400/Atop+Stone+Mountain%252C+1972.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Atop Stone Mountain, 1972</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx0x5Bea_8vnqL4v5RtEmb590dSn3F2DhJW6VkcwTo853C5pxcHQ10VYEZP0ebXFJNTJfsXR1z5N_HYbhWtw_A-m3IxTD6JN6OySWq3T2vz4ALd1iuwpwUimOwJ_h5uUblIg3SY9bk_fk/s1600/weather+map+1971.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="397" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx0x5Bea_8vnqL4v5RtEmb590dSn3F2DhJW6VkcwTo853C5pxcHQ10VYEZP0ebXFJNTJfsXR1z5N_HYbhWtw_A-m3IxTD6JN6OySWq3T2vz4ALd1iuwpwUimOwJ_h5uUblIg3SY9bk_fk/s400/weather+map+1971.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Weather map</i> 1971</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQEocPq_ZR2hIBg_Ex_q95rcDP4tcnpviUotw6JZRFddo-L1uqfTWTAPj7Mg06grCMcgT6BKep2wKmq07ygq-Zek7sEvE3hfcBswRfuCzVzDDlVGlKR8nI3Ki9CF3y3jv63z5OoUM0q3Q/s1600/Arrangement+in+Blue+and+Gary+The+Artist+and+His+Friend+Fishing+1985.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQEocPq_ZR2hIBg_Ex_q95rcDP4tcnpviUotw6JZRFddo-L1uqfTWTAPj7Mg06grCMcgT6BKep2wKmq07ygq-Zek7sEvE3hfcBswRfuCzVzDDlVGlKR8nI3Ki9CF3y3jv63z5OoUM0q3Q/s640/Arrangement+in+Blue+and+Gary+The+Artist+and+His+Friend+Fishing+1985.jpg" width="425" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Arrangement in Blue and Gry, The Artist and His Friend Fishing</i> 1985</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0TtrTFAA1nJ_OcsNGdBO10a15QNpTOEx6qATXTzE0_41fqG0jAtChU9_uXZeyRIH8OYq3f848mDsx_GvU6kxlHSG_oi9DDFK1PRlkIRIm3cIxukQY1ioHm-qJEgDTZPanPIxqjFIPlUc/s1600/crosswinds+1983.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0TtrTFAA1nJ_OcsNGdBO10a15QNpTOEx6qATXTzE0_41fqG0jAtChU9_uXZeyRIH8OYq3f848mDsx_GvU6kxlHSG_oi9DDFK1PRlkIRIm3cIxukQY1ioHm-qJEgDTZPanPIxqjFIPlUc/s400/crosswinds+1983.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Crosswinds</i> 1983</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAJDuGFm_tlk5V5iCvauCLfZ_1JGg6kpzPoEBrhNOh_xBoAt_IGxiRCnO0Rk4efCUT0aK4K7QB8iI_G3C1-Du9imYU5-JrVoeMnC4mbWFJIWOvemnh5aCkSxE4EOy0EQh07WJron_ptm4/s1600/Burned+Hills+May+-+October+1997.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAJDuGFm_tlk5V5iCvauCLfZ_1JGg6kpzPoEBrhNOh_xBoAt_IGxiRCnO0Rk4efCUT0aK4K7QB8iI_G3C1-Du9imYU5-JrVoeMnC4mbWFJIWOvemnh5aCkSxE4EOy0EQh07WJron_ptm4/s400/Burned+Hills+May+-+October+1997.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Burned Hills</i> May / October 1997</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBE-LF755UR887AFwynXhG9mpn0Bhgp26skzX-4R6oAWBTmMKCI-eW6TsVYvOsedc58Bmg-3Nt5Ro9-UEQ5qfebveNXasNCWxMwguOQPlmjpjuvTv9KqrdNnrXNTwZW7TATltTnPLzMWU/s1600/Brown%252C+Aha%2521+Heterosexuals+Fuck+Too%252C+1991.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBE-LF755UR887AFwynXhG9mpn0Bhgp26skzX-4R6oAWBTmMKCI-eW6TsVYvOsedc58Bmg-3Nt5Ro9-UEQ5qfebveNXasNCWxMwguOQPlmjpjuvTv9KqrdNnrXNTwZW7TATltTnPLzMWU/s400/Brown%252C+Aha%2521+Heterosexuals+Fuck+Too%252C+1991.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Aha! Heterosexuals Fuck Too</i>, 1991</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRo7cWu-T-u4_-4rNJzz9L60NzHrnUAbUGGxTF1sEWPUV22wy2S99mFlFy-VdPqqJdLGY4M6ekRnSO-sQEch1PCd048lM8rDK1rov_xAuDswKcCHeeqH3a4pyd8ygtgXMRJIrbCECHkp8/s1600/50.Alan-Artner%252C-Ironic-Contortionist-of-Irony_1993.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="331" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRo7cWu-T-u4_-4rNJzz9L60NzHrnUAbUGGxTF1sEWPUV22wy2S99mFlFy-VdPqqJdLGY4M6ekRnSO-sQEch1PCd048lM8rDK1rov_xAuDswKcCHeeqH3a4pyd8ygtgXMRJIrbCECHkp8/s400/50.Alan-Artner%252C-Ironic-Contortionist-of-Irony_1993.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alan-Artner, Contortionist of Irony, 1993</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1RU4fYW37gvdxpgCrmTcga_jRmOKUfN-x0FFgKz8bkd-PzhhoLquPcL2LPnaH1nx3v8Rja95PYCj1f9_wF0Mr-hS5-TCv_DnVlwaIntbixLS-PkZpJKGUaE1rQHkq3pqzdfE4MPk548w/s1600/The+Writing+in+the+Sky+1985.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1RU4fYW37gvdxpgCrmTcga_jRmOKUfN-x0FFgKz8bkd-PzhhoLquPcL2LPnaH1nx3v8Rja95PYCj1f9_wF0Mr-hS5-TCv_DnVlwaIntbixLS-PkZpJKGUaE1rQHkq3pqzdfE4MPk548w/s640/The+Writing+in+the+Sky+1985.jpg" width="427" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>The Writing in the Sky</i> 1985</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSP2hsBdyEtDZ6To1KrPQUvdpZDFo-DWbO8e1pknjWOhyhp0jlpjjGmWmjstQQ_atrsNztcfyo_XkB3PdndM2U8q2Jo2w4xQJfbHkj656-jNMti-7nptU4aKVyDrUl5NPP8R4-5zc_HWw/s1600/Brown%252C+roger%252C+tourist+trap+1974+oil+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSP2hsBdyEtDZ6To1KrPQUvdpZDFo-DWbO8e1pknjWOhyhp0jlpjjGmWmjstQQ_atrsNztcfyo_XkB3PdndM2U8q2Jo2w4xQJfbHkj656-jNMti-7nptU4aKVyDrUl5NPP8R4-5zc_HWw/s400/Brown%252C+roger%252C+tourist+trap+1974+oil+canvas.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Tourist trap, 1974</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlOtmoRfPFDfW5Rv4AfUa9Lp4c6NhoeZ0Zk4g4ocA2vX03euIHqLYjFBBgC1PT4Vi4todNoa0Q7y78YvIDjcfO7q6H_Pu-wtmdsU9qmGvjhaXruYgI9VKMVAsRJA_VDrk6M54Eq658dWc/s1600/Brown-Post+Modern+Res-erection+with+observation+deck_1984.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlOtmoRfPFDfW5Rv4AfUa9Lp4c6NhoeZ0Zk4g4ocA2vX03euIHqLYjFBBgC1PT4Vi4todNoa0Q7y78YvIDjcfO7q6H_Pu-wtmdsU9qmGvjhaXruYgI9VKMVAsRJA_VDrk6M54Eq658dWc/s640/Brown-Post+Modern+Res-erection+with+observation+deck_1984.jpg" width="420" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Post Modern Res-erection with observation deck</i>, 1984</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1gjxQxCzSn9ygvR4e6f6mOy9WaszBuRzuEfJqcGZoYOnrGJx-H-rF_WeTuUyw6hu7LY0mqFVS6E9KWbUl9kUhruJAZr8NlXN2oBe4JMgU4yWytsbQH_lQY8VtY9Tg3uBH8OIeaUhDcTQ/s1600/A+Tree+I+Saw+in+Sunderland%252C+1980+silkscreen.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1gjxQxCzSn9ygvR4e6f6mOy9WaszBuRzuEfJqcGZoYOnrGJx-H-rF_WeTuUyw6hu7LY0mqFVS6E9KWbUl9kUhruJAZr8NlXN2oBe4JMgU4yWytsbQH_lQY8VtY9Tg3uBH8OIeaUhDcTQ/s640/A+Tree+I+Saw+in+Sunderland%252C+1980+silkscreen.jpg" width="476" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>A Tree I Saw in Sunderland</i>, 1980 sérigraphie</td></tr>
</tbody></table>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKOyRDKlCF84QFJ22K_FHlm0YqFzVZy_Dgd7amo7_SGZE_ot0_l4jPCRjlB44v4VIetLYZCVUrmB2kMkMJMfrtGTGpZe2n2GNjPdEUK-N2GQmKcPWexnRxmeopYPz6PwTJh7AtRSWriJY/s1600/Brown_2015_inst_61.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKOyRDKlCF84QFJ22K_FHlm0YqFzVZy_Dgd7amo7_SGZE_ot0_l4jPCRjlB44v4VIetLYZCVUrmB2kMkMJMfrtGTGpZe2n2GNjPdEUK-N2GQmKcPWexnRxmeopYPz6PwTJh7AtRSWriJY/s400/Brown_2015_inst_61.jpg" width="400" /></a></div>
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<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "trebuchet ms" , sans-serif;">Mais ce que j'aime surtout ce sont les
œuvres tardives et la série des <i>Virtual Still Lifes</i>, presque des
mausolées ou autels personnels où le tableau devient objet et
s'accompagne de céramiques qu'il collectionnait. L'oeuvre
faite/peinte fusionne avec son environnement de vie et ainsi tout
converge dans une œuvre qui thésaurise. Il déborde et contamine le
cadre, l'espace autour de la peinture, travaille la cicatrisation
entre l'oeuvre et le monde, fait culture (voir ses lignes de champs
et de semences tressées) sous des cieux inquiets (voir le lien
depuis sa page Wikipédia vers <a href="https://en.wikipedia.org/wiki/La_Conchita,_California" target="_blank">La Conchita</a> et l'image de glissement
de terrain qui évoque fortement ses peintures) mais chargés. On peut voir son influence chez J<a href="http://artweek.la/issue/may-2-2011/article/john-bankston-the-changing-machine" target="_blank">ohn Bankston</a>, <a href="http://www.melissabrown.tv/" target="_blank">Melissa Brown</a> (un lien ?), <a href="http://michelrein.com/en/artistes/oeuvres/33/christian" target="_blank">Christian Hidaka</a> ou <a href="http://hyesooyou.blogspot.fr/" target="_blank">Hyesoo You</a>.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqcPvUKKobmqTqlsHR4c5hcQ7zuAHrz3mVx3R_J6irvahSgaasW5lvS580maFbI2PPQ9i4SDaMnQSpASket-XLlKR_2KnbpIvUGG5eD7pP4m7Fx_t4HLn4YucbiyMR5NNklwfQ6IpwqOs/s1600/1437510424_LaConchita+1998.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqcPvUKKobmqTqlsHR4c5hcQ7zuAHrz3mVx3R_J6irvahSgaasW5lvS580maFbI2PPQ9i4SDaMnQSpASket-XLlKR_2KnbpIvUGG5eD7pP4m7Fx_t4HLn4YucbiyMR5NNklwfQ6IpwqOs/s400/1437510424_LaConchita+1998.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVIEq2dVCbYO1P2HxvY-L0MX_wCL_J1vSfuVFI2MkUQsU9BFY5M0kLkpYO0oEpPLiAIN34F-apjRD5SaD2rV_OkGLVEiHrNaJ7aJr3o8R7tB1oq5B7P3YHeX3Fuoqd811wBNVun2hyxHA/s1600/front+room+of+the+Roger+Brown+Study+Collection+of+the+Art+Institute+of+Chicago.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVIEq2dVCbYO1P2HxvY-L0MX_wCL_J1vSfuVFI2MkUQsU9BFY5M0kLkpYO0oEpPLiAIN34F-apjRD5SaD2rV_OkGLVEiHrNaJ7aJr3o8R7tB1oq5B7P3YHeX3Fuoqd811wBNVun2hyxHA/s400/front+room+of+the+Roger+Brown+Study+Collection+of+the+Art+Institute+of+Chicago.JPG" width="400" /></a></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ_pU8X7P3MIBA2ebbFDVZ_xD0cBdTZpwUm95ovo-eCGtWyZUsH4np3Io4exrkrc03TEZIES2OAzuLbFcOTocgCI8JW7aG7p5foICtfiA3DbXiCyDuWIJexRjamwq2hCZCYjI4-36NUQk/s1600/room1.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQ_pU8X7P3MIBA2ebbFDVZ_xD0cBdTZpwUm95ovo-eCGtWyZUsH4np3Io4exrkrc03TEZIES2OAzuLbFcOTocgCI8JW7aG7p5foICtfiA3DbXiCyDuWIJexRjamwq2hCZCYjI4-36NUQk/s400/room1.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">3 vues de l'intérieure de la Conchita, ci dessus avec un beau Barbara Rossi</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRa4mVMWk0yLyFDoG9N66Rkw_tXq6lVYrA09XYmCE7dwtRcmssS9nYZQr1LVOjWVULiLfxwSqyYyFilFE6ym0vf3TccThPTXufhUleHRVujX4GFz-Ml44VVxSbOWcISKUgf7cJkfkAUP0/s1600/RogerBrown.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRa4mVMWk0yLyFDoG9N66Rkw_tXq6lVYrA09XYmCE7dwtRcmssS9nYZQr1LVOjWVULiLfxwSqyYyFilFE6ym0vf3TccThPTXufhUleHRVujX4GFz-Ml44VVxSbOWcISKUgf7cJkfkAUP0/s640/RogerBrown.jpg" width="396" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Roger Brown</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnwzXk51mkLes7Op69Ni9h3EKntX4ZLT9rzzTSbbOtioozgxDLJsaM-RUfOlLVip2QLoEJa5pjA_dC2t0-mA5ehjomKbrSSXD2yI42dlnEvbAvKlLTS0AKdS85-1YXIdC7ZgmsixilQ90/s1600/Brown%252C+Hancock+Building%252C+1974.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnwzXk51mkLes7Op69Ni9h3EKntX4ZLT9rzzTSbbOtioozgxDLJsaM-RUfOlLVip2QLoEJa5pjA_dC2t0-mA5ehjomKbrSSXD2yI42dlnEvbAvKlLTS0AKdS85-1YXIdC7ZgmsixilQ90/s640/Brown%252C+Hancock+Building%252C+1974.jpg" width="306" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Hancock Building</i>, 1974</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlnITSUIKwEWLYD3NUmLXEUwiloGVPu6YvYJ7iQR-tqeM1eWqnmL6eJTeQ9LczWZrft5rdB-1s4kcr_4Gc8oZvAq33zLZY27UVw3dSsqa-lWK4HlvNPAz2-6gIXxGDZQP67fQI5p1hLHY/s1600/Brown_JackKnife_1973.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlnITSUIKwEWLYD3NUmLXEUwiloGVPu6YvYJ7iQR-tqeM1eWqnmL6eJTeQ9LczWZrft5rdB-1s4kcr_4Gc8oZvAq33zLZY27UVw3dSsqa-lWK4HlvNPAz2-6gIXxGDZQP67fQI5p1hLHY/s640/Brown_JackKnife_1973.jpg" width="369" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jack Knife, 1973</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1eNIzocSAOBLJXKPXy2Gy046PJ4hGJozKyTAfJoxJ8MTKAv8RbK7jmatNgj9u6ctgm4Sw_F4TvgxHt4Q1msfQOvsztswUwULWhv1aueXVBwPsUD9pkgdwOnht3_CPoeZPhSX_7Z2dNos/s1600/Dr.+Imperial%2527s+Tree+of+Knowledge%252C+oil+on+canvas+with+neon.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1eNIzocSAOBLJXKPXy2Gy046PJ4hGJozKyTAfJoxJ8MTKAv8RbK7jmatNgj9u6ctgm4Sw_F4TvgxHt4Q1msfQOvsztswUwULWhv1aueXVBwPsUD9pkgdwOnht3_CPoeZPhSX_7Z2dNos/s640/Dr.+Imperial%2527s+Tree+of+Knowledge%252C+oil+on+canvas+with+neon.jpg" width="267" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Dr. Imperial's Tree of Knowledge</i>, oil on canvas with neon</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3grXSBHox8N0BYzHvJjvAiUAqPpdp3cr-XdmwynW6hw0y5O14yF7avc6w6TrUfQhG5T4C1Ob4N8wPs8px20z-k92OBXxsPzRyt-zcTHDgNJm8Ij_2B6lVOZpl4kjQvtTXv55hIR_65Io/s1600/Foothill+Footstool%252C+1975+oil+on+found+object.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3grXSBHox8N0BYzHvJjvAiUAqPpdp3cr-XdmwynW6hw0y5O14yF7avc6w6TrUfQhG5T4C1Ob4N8wPs8px20z-k92OBXxsPzRyt-zcTHDgNJm8Ij_2B6lVOZpl4kjQvtTXv55hIR_65Io/s320/Foothill+Footstool%252C+1975+oil+on+found+object.jpg" width="226" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Foothill Footstool</i>, 1975 oil on found object</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ3e8glzQxBmAk-5nNrsBfreVqZOqd2zrksgLVyYfSXm3XMrDIvYA83TmfSqMgMJGOHLxXhMD25tTyxXyUR3PRwrxtNc7GUxRL5fttPvYokVKKz0XHV4xLKfz50j7WGvgR_mYD8CbFfuI/s1600/Brown%252C+Pronghorn+Diorama%252C+1987.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ3e8glzQxBmAk-5nNrsBfreVqZOqd2zrksgLVyYfSXm3XMrDIvYA83TmfSqMgMJGOHLxXhMD25tTyxXyUR3PRwrxtNc7GUxRL5fttPvYokVKKz0XHV4xLKfz50j7WGvgR_mYD8CbFfuI/s320/Brown%252C+Pronghorn+Diorama%252C+1987.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Pronghorn Diorama</i>, 1987</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGF_3AyqgifmYhCFapu88pPzZhqT66iH3XR00S0BahuRd3KklGIJ7l0xNPpSkwfUorO7_2mTprVeMGqf1mSKfeOZDQqbh1m4F96KUk06LqByPxGc7gnq9hCAF8asQdHtJMXxxcH3er5fI/s1600/Brown_roger_virtual+still+life-15-006.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGF_3AyqgifmYhCFapu88pPzZhqT66iH3XR00S0BahuRd3KklGIJ7l0xNPpSkwfUorO7_2mTprVeMGqf1mSKfeOZDQqbh1m4F96KUk06LqByPxGc7gnq9hCAF8asQdHtJMXxxcH3er5fI/s400/Brown_roger_virtual+still+life-15-006.jpg" width="248" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Diverses Oeuvres de la série des <i>Virtual Still-Lifes</i></td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;">et un dernier choix-triptique de détails qui montrent son rapport à l'échelle humaine, au paysage et à l'objet, qui dit une condition actuelle de nos vies par l'interpénétration de ces 3 catégories (portrait, paysage, nature morte), <a href="http://maximememoirevive.blogspot.fr/2012/01/au-milieu-des-objets.html" target="_blank">vies parmi les objets</a> sur la scène sans limites d'un théâtre métaphysique à la De Chirico</span></div>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-1077656954176251912016-06-15T10:46:00.000+02:002016-06-15T10:46:39.349+02:00ANTONIO !<div style="text-align: justify;">
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRJe8C-c6Lhzcw-_4K-tCXScucdyH9Qy6YMYGby_InTGXrVt4aBPY96jomrB4raoEyhWsTAeCBultHITMF0EHDnaPbNP7nVXd3wX_6fdrhnkszi4foM5NG0vvbci0gUUwFJZiv2UHOkCE/s1600/6a0134861ef6b3970c013489a774b1970c-800wi.jpg" imageanchor="1"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRJe8C-c6Lhzcw-_4K-tCXScucdyH9Qy6YMYGby_InTGXrVt4aBPY96jomrB4raoEyhWsTAeCBultHITMF0EHDnaPbNP7nVXd3wX_6fdrhnkszi4foM5NG0vvbci0gUUwFJZiv2UHOkCE/s400/6a0134861ef6b3970c013489a774b1970c-800wi.jpg" width="330" /></a></span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;">A l'occasion de <a href="http://www.elmuseo.org/antoniolopez/" target="_blank">Future funk Fashion</a>,
une rétrospective consacrée par le Museo del Barrio (New York) à
<a href="http://www.smithsonianmag.com/arts-culture/antonios-world-the-life-and-work-of-a-celebrated-fashion-illustrator-57752906/?no-ist" target="_blank">Antonio Lopez</a><span style="font-family: "trebuchet ms" , sans-serif;"> (qui signait <i>Antonio</i>)</span> illustrateur de mode des années 60, 70 et 80, voici
un post pour regarder ses croquis, dessins et peintures sous l'angle
d'un style pictural possible à l'égal de la peinture moderne et
contemporaine des musées. Il pratique l'illustration, donc un
travail d'abord graphique, dessiné, gestuel, synthétique, figuratif
mais qui m'apparaît comme une façon de décloisonner le regard et
les catégories (de l'art contemporain) pour nourrir du travail en
peinture et notre rapport à l'histoire des formes, pour remettre au
centre ce qui est encore trop en marge. </span></span><span style="font-family: "Trebuchet MS",sans-serif;">Bien sur ça peut surprendre de voir
tout cela sur ce blog mais n'ayez crainte, c'est bon !</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhldT7T4K-I_Esltoiyku1VnBiJrNvpl3WzT39_mue9AR_sTFMc9n6-v2kU2KYh7hoNHkk72m42WaxfLOBV1nueBSSQ5vfGg6V2I1UStyc8cH6TMOseY2PmDC-tBednJqqgxbBYljWzBQ8/s1600/Carol+Labrie%252C+NYC_1969%252C+marker+and+color+overlay%252C+18+by+24+inches.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhldT7T4K-I_Esltoiyku1VnBiJrNvpl3WzT39_mue9AR_sTFMc9n6-v2kU2KYh7hoNHkk72m42WaxfLOBV1nueBSSQ5vfGg6V2I1UStyc8cH6TMOseY2PmDC-tBednJqqgxbBYljWzBQ8/s400/Carol+Labrie%252C+NYC_1969%252C+marker+and+color+overlay%252C+18+by+24+inches.jpg" width="310" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i><span style="font-family: "Trebuchet MS",sans-serif;">Carol Labrie, NYC 1969, marker and color overlay</span></i></td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"><br />Antonio Lopez est né
à Porto Rico en 1943, il arrive à New York à 7 ans, avec sa mère
couturière et son père fabricant de mannequins. Il étudie la mode
et le stylisme. Il travaille comme illustrateur pour de nombreux
magazine, au moment où la photo (Newton, Penn) commence à peine à
remplacer la mise en valeur et la communication visuelle dans la
presse. Ses illustrations de mode, de vêtements portés, représentés
et mis en scène sont publiés dans Vogue, Harper’s Bazaar, Elle et
la revue d'Andy Warhol, Interview. Il est au centre de la vie New
Yorkaise de la fin des années 70 et a également vécu et travaillé
à Paris avec son compagnon Juan Ramos (de 1969 à 1976), il y a
cotoyé Karl Lagerfeld, Paloma Picasso, Yves Saint-Laurent. Il dessine les
campagnes pour Missoni, Valentino, Versace et d'autres. Il meurt des suites du
virus du SIDA, en 1987.</span></span></div>
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<tr><td class="tr-caption" style="text-align: center;">Pour Elle, 1967</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">1973</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;">Son <a href="http://www.amazon.com/Antonio-Lopez-Fashion-Art-Disco/dp/0847837920/ref=pd_sim_b_2" target="_blank">iconographie</a> donne une image/une
réalité visible à des corps <a href="http://latino.si.edu/virtualgallery/antonio/bodyessay.htm" target="_blank">entre deux genres</a>, instables, il
invente réellement des corps possibles au travers de sa stylisation
des corps qui l'entoure, une clique de modèles et collaborateurs qui
vivent et travaillent ensemble : Juan Ramos, son compagnon et
fidèle collaborateur (plutôt directeur artistique pour les
accessoires, choix des vêtements et modèles, sources
iconographiques et manager, mort du SIDA en 1995), Jerry Hall,
célèbre top model des 70s (femme de Mick Jagger et modèle de
l'album de Roxy Music Siren), Grace Jones, Tina Chow et d'autres.
Corps rétro, corps androgynes, corps métisses, tout cela <span style="font-family: "trebuchet ms" , sans-serif;">à</span> la fois,
entre plusieurs époques/registres évoquées (années folles, lignes
d'épaules et de visages anguleuses de Grace Jones, peau noir et
cabaret provocant à la Josephine Baker. Concernant les hommes, il
utilise l'iconographie du biker comme érotisation masculine et gay
(à la suite de Marlon Brando et Kenneth Anger) plus ambiguë et
subtil que Tom of Finland.</span></span><br />
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAM6uCO1sncQSwUytBJwt4ux9lo-zoIkj0Uak87Te46IGJF6-QUHQtkOqIellM6hsgyoQCx32UVWfALDgcXi4zeSDPIIeIaJySXh-_xXw330uN1Y-d5HJ_pdgmOznnbjtzJmM5AfCO37s/s1600/AL183_MariaSnyder_ItalianVanity_Versace_1983_pencil_watercolor_gouache_27.63X19.12in._Reich_a-394x575.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAM6uCO1sncQSwUytBJwt4ux9lo-zoIkj0Uak87Te46IGJF6-QUHQtkOqIellM6hsgyoQCx32UVWfALDgcXi4zeSDPIIeIaJySXh-_xXw330uN1Y-d5HJ_pdgmOznnbjtzJmM5AfCO37s/s640/AL183_MariaSnyder_ItalianVanity_Versace_1983_pencil_watercolor_gouache_27.63X19.12in._Reich_a-394x575.jpg" width="436" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maria Snyder, ItalianVanity, Versace, 1983, pencil, watercolor, gouache</td></tr>
</tbody></table>
<br />
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR24WwChPfQoQ1mCimdz56650Du7m3n4BX-jafSHPFkxPWekAVbO8i2kwOccWl8EvMlOzCzF2hxEGFyhtrmGFUou5aeGgsC00TYsn1Z7Z7koWz_Do6eDI7vVXX4MDILDUt0kON2EOn1gI/s1600/google-afbeeldingen-resultaat-voor-http-3-bp-blogspot-com-_6wtidtdoib0-tt7-hvotc6i-aaaaaaaaaum-wzlluweau_g-s640-thelineoffashion-lead.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR24WwChPfQoQ1mCimdz56650Du7m3n4BX-jafSHPFkxPWekAVbO8i2kwOccWl8EvMlOzCzF2hxEGFyhtrmGFUou5aeGgsC00TYsn1Z7Z7koWz_Do6eDI7vVXX4MDILDUt0kON2EOn1gI/s640/google-afbeeldingen-resultaat-voor-http-3-bp-blogspot-com-_6wtidtdoib0-tt7-hvotc6i-aaaaaaaaaum-wzlluweau_g-s640-thelineoffashion-lead.jpg" width="499" /></a></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUcmhAiWg7WlUx2u_gG6rDtNcuK3ftvaLm9F_TIyHrPO7X1OBqfDUjCWpa_Xvkue9-u-3trJanv4Gw1FANWBSNhW88jWkSKmlKXuQVXQ_Oi3xEFNjk3sb3dQ_wcnY8sXzRjRHJkvinre8/s1600/AntonioLopez_Artwork_Pat+Cleveland_1982.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUcmhAiWg7WlUx2u_gG6rDtNcuK3ftvaLm9F_TIyHrPO7X1OBqfDUjCWpa_Xvkue9-u-3trJanv4Gw1FANWBSNhW88jWkSKmlKXuQVXQ_Oi3xEFNjk3sb3dQ_wcnY8sXzRjRHJkvinre8/s400/AntonioLopez_Artwork_Pat+Cleveland_1982.jpg" width="310" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pat Cleveland, 1982</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2TCzmi6egke_2O-kGeoYFdswZGjxjCLu_ti49ZNWeTNLR191aFIbAaZpwEElG4wMuRMUEwyEv9wERGntlo3oDf1Z_j0eQZnlM-VoftlF7bJCd04yrxT3Ii7qPlViDCHITHWuFWnYk2as/s1600/hall+jerry+bu+a+lopez.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2TCzmi6egke_2O-kGeoYFdswZGjxjCLu_ti49ZNWeTNLR191aFIbAaZpwEElG4wMuRMUEwyEv9wERGntlo3oDf1Z_j0eQZnlM-VoftlF7bJCd04yrxT3Ii7qPlViDCHITHWuFWnYk2as/s400/hall+jerry+bu+a+lopez.jpg" width="372" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jerry Hall</td></tr>
</tbody></table>
<div style="text-align: center;">
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"><br /></span></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"></span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4z81G9yCUFXdVUTG2pKIQL80d0kum49sE9P-MFqbdTUV-TUfwiuomwJyMuClvUfV4ee8HQsY9-lrgvI5H-UvLSAtaxXpyDU44W7mQKlqhsvxBUDNYTLsfyp2ZgbErMP2FTfJ6-E2J9mw/s1600/Lopez_Mr.+Chow%2527s+Drawing%252C+Paris+III_1973%252C+Pastel+on+paper%252C+25.63+x+19.63+in.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4z81G9yCUFXdVUTG2pKIQL80d0kum49sE9P-MFqbdTUV-TUfwiuomwJyMuClvUfV4ee8HQsY9-lrgvI5H-UvLSAtaxXpyDU44W7mQKlqhsvxBUDNYTLsfyp2ZgbErMP2FTfJ6-E2J9mw/s640/Lopez_Mr.+Chow%2527s+Drawing%252C+Paris+III_1973%252C+Pastel+on+paper%252C+25.63+x+19.63+in.jpg" width="524" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mr. Chow's Drawing, Paris III, 1973, Pastel on paper</td></tr>
</tbody></table>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiVSPJNCRHBer4cvv6vDgNljo2AUzGzbEUnjbsYp31UecA3nndjf4dFzs06nWj5lM08PGjggT5dCgSOVOlk-5YO4v6ns_16DLC_jatatT5TJiiH-tyKX0gJYLbWqF9QF25YHA8Zldp8nM/s1600/02387_AL_il_figsite.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiVSPJNCRHBer4cvv6vDgNljo2AUzGzbEUnjbsYp31UecA3nndjf4dFzs06nWj5lM08PGjggT5dCgSOVOlk-5YO4v6ns_16DLC_jatatT5TJiiH-tyKX0gJYLbWqF9QF25YHA8Zldp8nM/s400/02387_AL_il_figsite.jpg" width="400" /></a></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"></span></span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;"></span></span><br />
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</div>
<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;">Ses images sont réalisés au
crayon, à l'encre, l'aquarelle et il utilise la photo aussi, non pas
des polaroids mais des <a href="https://en.wikipedia.org/wiki/Instamatic" target="_blank">Instamatics</a>, appareil à l'optique
automatique, de poche avec Flash intégré. Il a aussi dessiné des
bijoux et chaussures et conçus des vitrines et décor de magasins
pour <a href="https://www.youtube.com/watch?v=G-pMwDzK8uw" target="_blank">Fiorucci</a>. Il a aussi réalisé une version illustré des 1001
nuits de Sir Richard Burton.</span></span><br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8pH6a2CPLTHFuHdUWGpDDbmp0zd-47_Ddr-mjfwgAWD1LPnWpMYj5BKNVn3HqAassZHfO4jKsiA_AiocDNoMJXe7D3nxpQO2m1NW-NJZmLY9zdWEHBMSq68TzHtDT21u5dDdRr9YMl8s/s1600/Lopez+Untitled+%2528Shoes%2529++c.1970.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8pH6a2CPLTHFuHdUWGpDDbmp0zd-47_Ddr-mjfwgAWD1LPnWpMYj5BKNVn3HqAassZHfO4jKsiA_AiocDNoMJXe7D3nxpQO2m1NW-NJZmLY9zdWEHBMSq68TzHtDT21u5dDdRr9YMl8s/s640/Lopez+Untitled+%2528Shoes%2529++c.1970.jpg" width="460" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Untitled (Shoes) vers 1970</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSilDjh6glziZ29hedR7rZ6bTB1KhMXOYRUlB9wqqGPkyPJjwfl_7Hs1DIRdbWVAgJ8AhDQa8BLzomc1IOIpjiImcbfEzR_7PUznL2Bs8eGOXjc8qrWEdBFI7Kp5Bdh6b6GBTOZw9hpGA/s1600/Lopez_Untitled+%2528Manuela+Papatakis%2529_1974%252C+Marker%252C+collage%252C+color+pencil%252C+and+Instamatic+photograph.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSilDjh6glziZ29hedR7rZ6bTB1KhMXOYRUlB9wqqGPkyPJjwfl_7Hs1DIRdbWVAgJ8AhDQa8BLzomc1IOIpjiImcbfEzR_7PUznL2Bs8eGOXjc8qrWEdBFI7Kp5Bdh6b6GBTOZw9hpGA/s640/Lopez_Untitled+%2528Manuela+Papatakis%2529_1974%252C+Marker%252C+collage%252C+color+pencil%252C+and+Instamatic+photograph.jpg" width="496" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Untitled (Manuela Papatakis), 1974, Marker, collage, color pencil, and Instamatic photograph</td></tr>
</tbody></table>
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<div style="text-align: justify;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjRUqNFgdaKYPyG59UsBUutQp4eJMKCIf3wz172cAr69JGmFMINAxv0RPSWhCucsx-wIJHTdDZ08LhpFH5x5KC5dNnemfTQL9aH3D20ICXSHlwn2_Lj-Io1_37Ia27Lqu2jYfx3pES3q8/s1600/06.-Antonio-Lopez-Instamatics.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjRUqNFgdaKYPyG59UsBUutQp4eJMKCIf3wz172cAr69JGmFMINAxv0RPSWhCucsx-wIJHTdDZ08LhpFH5x5KC5dNnemfTQL9aH3D20ICXSHlwn2_Lj-Io1_37Ia27Lqu2jYfx3pES3q8/s400/06.-Antonio-Lopez-Instamatics.jpg" width="311" /></a></div>
<div style="text-align: justify;">
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrEP4f_xExyW36lRpyTc0tmUU-N78pit-mNhfpm5UamynnereTB33z9eX4GARRxiYlb912SffHygAu3zyAubchUmqfBwm_6oHrNormJKlOze771MfXIYXm5W5aGMKHBGIWS8PF2fz7qUo/s1600/81xrXpeTLCL.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrEP4f_xExyW36lRpyTc0tmUU-N78pit-mNhfpm5UamynnereTB33z9eX4GARRxiYlb912SffHygAu3zyAubchUmqfBwm_6oHrNormJKlOze771MfXIYXm5W5aGMKHBGIWS8PF2fz7qUo/s400/81xrXpeTLCL.jpg" width="313" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">de la Série des Instamatics</td></tr>
</tbody></table>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;">
</span></span></span></div>
<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "Trebuchet MS",sans-serif;">Savourez donc son jeux de lignes
sinueuses, son goût du construit moderne et d'une imagerie pop datée
mais très singulière et au fond très archaïque, greffé sur la
culture de rue de NYC/les corps des quartiers latino et noirs. Goûtez
la tropicalisation du regard et des corps, le plaisir du corps a
devenir ligne et formes dans l'oeil de l'autre et de son désir.
Appréciez son utilisation du blanc, du fond vierge d'où la figure
émerge mais où elle disparaît, irradiée, happée, dissoute dans
une blancheur onctueuse par la façon dont se termine ses lignes.
Découvrez un temps parallèle au notre, une uchronie stylistique a
réinjecter dans l'histoire de l'art, dans l'histoire possible des
formes du corps. Il faut pouvoir regarder ces lignes comme des
peintures modernes, du matisse ou léger, mais d'un autre temps. Il
faut oublier le contexte qui a produit les images un instant pour
voir comment s'incarne le regard de Antonio Lopez. Son endroit est
celui où il est possible de figurer des corps dans l'art pendant que
celui-ci est rejeté hors de l'art, avec l'image en général, dans
les années 70. Pensez alors aux Chicago Imagists, à Robert
Heinecken, la Picture Generation, à Georgia O'Keeffe et Andy Warhol,
Gilbert & George ou même le Guston d'alors. </span></div>
<div style="margin-bottom: 0cm; text-align: justify;">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoyyzN3sbLlO9wYs27tntAa1XgOjpij4yLGNnW5rKtYexESDw57vMDMUAgOvNUTBHmVC9zhZhh0pc602crBGKF4bnPHqW7fDNwIEjcK5KJ09r1BYkSfHCBh2NKU3XR5yEfpvb28vDBdyQ/s1600/AntonioLopez_Artwork_Pat+Cleveland+1982.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoyyzN3sbLlO9wYs27tntAa1XgOjpij4yLGNnW5rKtYexESDw57vMDMUAgOvNUTBHmVC9zhZhh0pc602crBGKF4bnPHqW7fDNwIEjcK5KJ09r1BYkSfHCBh2NKU3XR5yEfpvb28vDBdyQ/s400/AntonioLopez_Artwork_Pat+Cleveland+1982.jpg" width="310" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pat Cleveland, 1982</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOLAORUhcha3bYjyZiITgmDejlkQSPKTlvBWsKFjelDnAGh6jVFPKBUnrsO9mN5Q8bRWEHtmrq5mMHS364jv7FA760znjuvcmxdNpXx_E2n-JiVzOQyOBDdhpa9Y0uMfvHC4agLizfzOI/s1600/lopez%252C+Portrait+Angelo+Colon%252C+1982%252C+Pencilwatercolor+on+paper.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /></a></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj0_SDoIZ00MPiL5faROYLIGqTPcKIK6ejRUXsGJd9V5UEOR6LtIRrejfFdQYWrNNVlz6_9W7uffxMVVKtQw9GLnn42anDDnGmvqi-ngfNLaSPPst8m_cmRFfgZOgRLPEo_dh2zgwUFsA/s1600/84+missoni.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj0_SDoIZ00MPiL5faROYLIGqTPcKIK6ejRUXsGJd9V5UEOR6LtIRrejfFdQYWrNNVlz6_9W7uffxMVVKtQw9GLnn42anDDnGmvqi-ngfNLaSPPst8m_cmRFfgZOgRLPEo_dh2zgwUFsA/s400/84+missoni.jpg" width="301" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">pour Missoni, 1984</td></tr>
</tbody></table>
<div style="margin-bottom: 0cm; text-align: justify;">
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<div style="margin-bottom: 0cm; text-align: justify;">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggRWCkNnY52mM3YYziWXzcKGeRFQ5MAXPg9miIWgr3Ftl95eSskl0Z9jQM0pnP0J8q5Rd3Xrl27XHb9JZ4veL7v2LfYRSs3N14_D8EHK767AHxiXP2-4e7OTwcR6KXyuNC4nirQeTTKW8/s1600/AntonioLopez_ItalianVogue_1981_100.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggRWCkNnY52mM3YYziWXzcKGeRFQ5MAXPg9miIWgr3Ftl95eSskl0Z9jQM0pnP0J8q5Rd3Xrl27XHb9JZ4veL7v2LfYRSs3N14_D8EHK767AHxiXP2-4e7OTwcR6KXyuNC4nirQeTTKW8/s400/AntonioLopez_ItalianVogue_1981_100.jpg" width="286" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vogue Italie, 1981</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKDS_NXb68fT4vN_N0gphzCpCdvIqMcBzwt030x8Gn1an5AnIAb3zPQAMf3Sn_BBRek_u06E-ZxTpXHtbVUceJ4ZS8UC0F0PXHXwCiab8WmftBNELBqHSAlFt-843aE0LmLNyVf5vQLt4/s1600/Lopez_Fernando%252C+Antonio%2527s+Tales+of+1001+Nights_1986%252C+Pencil%252C+watercolor%252C+gouache.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKDS_NXb68fT4vN_N0gphzCpCdvIqMcBzwt030x8Gn1an5AnIAb3zPQAMf3Sn_BBRek_u06E-ZxTpXHtbVUceJ4ZS8UC0F0PXHXwCiab8WmftBNELBqHSAlFt-843aE0LmLNyVf5vQLt4/s400/Lopez_Fernando%252C+Antonio%2527s+Tales+of+1001+Nights_1986%252C+Pencil%252C+watercolor%252C+gouache.gif" width="371" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Illustration pour les 1001 nuits, 1986, Pencil, watercolor, gouache</td></tr>
</tbody></table>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia6WRtzJFKCIMtwatGOM4awFLV7DWVzkBX9XZPDm9zURH5SvLgMxc-b7b1OsoXWQc4UKTx4f5R8j_RbDpGlmR80BrDBRZYr7To6MGgLgQsHELyUawobUOubXUeUm3UkukJF4b6RU3epa4/s1600/antonio-lopez-illustrations-ii.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia6WRtzJFKCIMtwatGOM4awFLV7DWVzkBX9XZPDm9zURH5SvLgMxc-b7b1OsoXWQc4UKTx4f5R8j_RbDpGlmR80BrDBRZYr7To6MGgLgQsHELyUawobUOubXUeUm3UkukJF4b6RU3epa4/s640/antonio-lopez-illustrations-ii.jpg" width="432" /></a></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiViMZfiVJhgjJtG9a04UxhyphenhyphenWFrXmkQw6135gFQ5dOECZ1jJi6BvhdkMr1m-SXUbXbhKjKhyphenhyphenMZ2smexbfInoZU8zU6IWHygw-ePDooe4MIL_l_HOrDPAD5KKa3vIFF8Los93njAKiXU2LU/s1600/lopez+for+vanity+1983_Pencil%252C+watercolour+and+acrylic+on+paper+51x71cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiViMZfiVJhgjJtG9a04UxhyphenhyphenWFrXmkQw6135gFQ5dOECZ1jJi6BvhdkMr1m-SXUbXbhKjKhyphenhyphenMZ2smexbfInoZU8zU6IWHygw-ePDooe4MIL_l_HOrDPAD5KKa3vIFF8Los93njAKiXU2LU/s400/lopez+for+vanity+1983_Pencil%252C+watercolour+and+acrylic+on+paper+51x71cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">pour Vanity 1983, Pencil, watercolour and acrylic on paper, 51 x 71cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDWk55lLkQ96idFuoeStWwq_MO3_D-u96WFt4lHecHSFgPC1ZhYv4mbIw8qlDtQtuFUtONou_lTLX9agmQftAw6DYjSSBEU-yhZSYMZpItYopwSZrwzEWhN2tF4boFd8GA0-cqjEiVZRM/s1600/marpessa+for+bill+blass+80s.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDWk55lLkQ96idFuoeStWwq_MO3_D-u96WFt4lHecHSFgPC1ZhYv4mbIw8qlDtQtuFUtONou_lTLX9agmQftAw6DYjSSBEU-yhZSYMZpItYopwSZrwzEWhN2tF4boFd8GA0-cqjEiVZRM/s400/marpessa+for+bill+blass+80s.jpg" width="299" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pour Marpessa, 1980s</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSlyXhc9HvlIVXBpT1AJnhBxlltsT7LB_QuhDgL7JgnR_g4M4Y3GrM5UZ97H7S9OAin_TvRzR2Pl8C_1uD0Ozr4pZYGWwG-uJMV12PCO7VIJbdCfxL8IBZJLyRSDTtxtN9sW1IuwFXwTY/s1600/antonio-lopez-grace-jones-pat-cleveland.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSlyXhc9HvlIVXBpT1AJnhBxlltsT7LB_QuhDgL7JgnR_g4M4Y3GrM5UZ97H7S9OAin_TvRzR2Pl8C_1uD0Ozr4pZYGWwG-uJMV12PCO7VIJbdCfxL8IBZJLyRSDTtxtN9sW1IuwFXwTY/s400/antonio-lopez-grace-jones-pat-cleveland.jpg" width="290" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Grace Jones et Pat Cleveland</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOLAORUhcha3bYjyZiITgmDejlkQSPKTlvBWsKFjelDnAGh6jVFPKBUnrsO9mN5Q8bRWEHtmrq5mMHS364jv7FA760znjuvcmxdNpXx_E2n-JiVzOQyOBDdhpa9Y0uMfvHC4agLizfzOI/s1600/lopez%252C+Portrait+Angelo+Colon%252C+1982%252C+Pencilwatercolor+on+paper.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOLAORUhcha3bYjyZiITgmDejlkQSPKTlvBWsKFjelDnAGh6jVFPKBUnrsO9mN5Q8bRWEHtmrq5mMHS364jv7FA760znjuvcmxdNpXx_E2n-JiVzOQyOBDdhpa9Y0uMfvHC4agLizfzOI/s400/lopez%252C+Portrait+Angelo+Colon%252C+1982%252C+Pencilwatercolor+on+paper.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Portrait of Angelo Colon, 1982, Pencil, watercolor on paper</td></tr>
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<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-family: "Trebuchet MS",sans-serif;">Il faut voir là, la mise en scène des
éléments graphiques et picturaux, le jeux des couleurs juxtaposées
et non superposées, qui produisent, en 2 ou 3 couleurs, le modelé
et les reflets de surface. Remarquez aussi l'interaction libre du
trait, noir ou coloré, avec les surfaces, comme chez Dufy. Et
surtout voyez les corps se dissoudre et se prolonger dans le fond, la
couleur, le vêtement et son mouvement graphique. C'est, je crois,
son art de saisir et d'inscrire le corps en mouvement dans le cadre
qui me fascine, un corps qui tente de fuir le cadre, s'y
contorsionne, fuit déjà vers la prochaine image et la prochaine
pose. Le geste du dessin-peinture court après et échappe à
lui-même. C'est la main qui veut suivre le corps, qui le caresse et
dans avec à distance. Pour produire à la fin une imagerie pop non
mécanique et non dépersonnalisée (comme Lichtenstein qui vise
l'impersonnel de l'imprimerie). Pop à la main, médiatique
personnel, là où nous en sommes en fait avec nos recherches de
personnalisation des interfaces. Mais <a href="https://www.youtube.com/watch?v=320rF9eWVk8" target="_blank">old school</a>, d'un autre temps et
rythme, celui d'un face a face avec le corps et non avec sa photo. Ce
rétro peut être source d'un future en peinture, comme chez Allen
Jones ou Ella Kruglyanskaya. Pour défendre un art investi
libidinalement et sans chantage au sujet culturellement référencé
et intellectuellement validé.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjorV1x0ijTAAM7csHs73-2oXcdRiSU3EfBbDPg4HYNVja1xgK3slqRJQ0FZTi1FF4oO89m_IdFe6QuZSniqTDeE9GHnS1Ud2Bqzf4SumtVQEQ0m8-5oORyWwO0KmdrpJhb1HbJslCu3qo/s1600/AntonioBilly.jpg" imageanchor="1"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjorV1x0ijTAAM7csHs73-2oXcdRiSU3EfBbDPg4HYNVja1xgK3slqRJQ0FZTi1FF4oO89m_IdFe6QuZSniqTDeE9GHnS1Ud2Bqzf4SumtVQEQ0m8-5oORyWwO0KmdrpJhb1HbJslCu3qo/s400/AntonioBilly.jpg" width="288" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3yb1u4oXPpF7BJu4QFugqV40YpdbFoeXO3ZM5QLmMXMp2z3kRK8KrBdcDkLgXBDfH2d2EyAQKmA0mUVX-4ypXpfRqaFI07kSU3e3mD9KDqn2YK-8Uj_cSfLMV8cKsh4L4ElavguR9Zpg/s1600/AntonioLopez_V1_460x285.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3yb1u4oXPpF7BJu4QFugqV40YpdbFoeXO3ZM5QLmMXMp2z3kRK8KrBdcDkLgXBDfH2d2EyAQKmA0mUVX-4ypXpfRqaFI07kSU3e3mD9KDqn2YK-8Uj_cSfLMV8cKsh4L4ElavguR9Zpg/s400/AntonioLopez_V1_460x285.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjssRwmSzFkfM0SbvFPS_FlLXelVyxr44_8spd6QPUvO3jEXJ8x3dqlyeCSOTuHQyNoqCOlUfB4v_lzQF2oSOm6IkF53Qeg-lCqGGNT0qhe5vcc9gSaeNh_AlOeTTU1A7WmiA2g-hlA42w/s1600/30LOPEZ_SPAN-superJumbo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjssRwmSzFkfM0SbvFPS_FlLXelVyxr44_8spd6QPUvO3jEXJ8x3dqlyeCSOTuHQyNoqCOlUfB4v_lzQF2oSOm6IkF53Qeg-lCqGGNT0qhe5vcc9gSaeNh_AlOeTTU1A7WmiA2g-hlA42w/s400/30LOPEZ_SPAN-superJumbo.jpg" width="400" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW09Tb0quwpX5BFOWITJBEiidOTctok3JuAnAhF1LD2H2ytmNm2DYpuPdbyd1omwLuZ8RvtwO6DKOiVYlxO-UwltluJsFpv6uU1NjvpgyxXGx_Jlbe-J5xWZv-oJ5CD6sm5sp87kRQtb8/s1600/08+Lopez-MotorcycleDrawing.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW09Tb0quwpX5BFOWITJBEiidOTctok3JuAnAhF1LD2H2ytmNm2DYpuPdbyd1omwLuZ8RvtwO6DKOiVYlxO-UwltluJsFpv6uU1NjvpgyxXGx_Jlbe-J5xWZv-oJ5CD6sm5sp87kRQtb8/s400/08+Lopez-MotorcycleDrawing.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: x-small;">Motorcycle drawing</span></td></tr>
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<tr><td style="text-align: center;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgE1VvuoC2iMt-be80T-2vW9fM73s0io4YwMmdih8Ab3otDkNz5iD5X6EUX2GurCmC5gMsUuNHKaqbZgNSuo3Vcf8eTvEgtpL4pvFEAmya3swM8QZ-sEaUNQzbA5iJfpdvpcHWPvHijgr8/s400/AL168_NormaKamaliCampaign_1986_Pencilandwatercoloronpaper_22x14.5inches_Reich_a-428x575.jpg" width="297" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Norma Kamali Campaign, 1986, Pencil and watercolor on paper</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnQRPYv6dAAt16-c9vc21SLojF2jbmwgP4kpfFUU-hCsowudu_zEE9baxmUTduy8gpU8wsHOojy7QcSoOMC0CfPhTaN8_5tL_vmMoXv8-izRvKKxa69-8_vX7dj8NzvhfzlWn5g8w5xz8/s1600/interview_1973_august_uschi_obermeier_pola_jessica_lange_grace_jones__antonio_lopez1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnQRPYv6dAAt16-c9vc21SLojF2jbmwgP4kpfFUU-hCsowudu_zEE9baxmUTduy8gpU8wsHOojy7QcSoOMC0CfPhTaN8_5tL_vmMoXv8-izRvKKxa69-8_vX7dj8NzvhfzlWn5g8w5xz8/s640/interview_1973_august_uschi_obermeier_pola_jessica_lange_grace_jones__antonio_lopez1.jpg" width="504" /></a></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-size: small;">
</span></span>Unknownnoreply@blogger.com1tag:blogger.com,1999:blog-4769690464168790671.post-23776833742078715872016-05-23T11:41:00.003+02:002016-05-23T12:12:39.947+02:00Formes en l'air / Shapes in midair<div style="text-align: justify;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWYPvoWa4cOgLy27MpBt-Dadx1r7lUv6NBhg2vpSeP0tB4BBxJKaPvVgMawXGSTxUiYtDL38kP8wuFlLTdXm99stWuN0XvOKSnWr0J-p3eewNYwaoYCQ4QYzcMeAbOp9sf9LBvXLcFtO0/s1600/13_P1220139devOK_72.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWYPvoWa4cOgLy27MpBt-Dadx1r7lUv6NBhg2vpSeP0tB4BBxJKaPvVgMawXGSTxUiYtDL38kP8wuFlLTdXm99stWuN0XvOKSnWr0J-p3eewNYwaoYCQ4QYzcMeAbOp9sf9LBvXLcFtO0/s640/13_P1220139devOK_72.jpg" width="449" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maxime Thieffine, sans titre, 2014, acrylique et collage sur papier</td></tr>
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: serif;"><span style="font-family: "trebuchet ms" , sans-serif;">Formes
qui flottent, ni en train de tomber, ni en train de monter, peut-être
accrochées sur le fond ou loin devant le fond, saisies mais bientôt hors
du cadre, explosion charnelle où l'air souffle entre les membres ...</span></span></span><br />
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<span style="font-family: "trebuchet ms" , sans-serif;"><span style="font-family: serif;"><span style="font-family: "trebuchet ms" , sans-serif;"> </span></span></span> <br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlooBFXItdu_lwjLnVzXIEkzfl5pRpGehqBBk-lAgFWq0fd9XuBYre6YrxCURS2QKdjPLpDYuwcKdVwkKqPfz5Hsz1QMpS2HRrqQbT2UrQnLPWgfnVPg71P_4rXTNXIsq4MfwIsCCVFwk/s1600/yoshida.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlooBFXItdu_lwjLnVzXIEkzfl5pRpGehqBBk-lAgFWq0fd9XuBYre6YrxCURS2QKdjPLpDYuwcKdVwkKqPfz5Hsz1QMpS2HRrqQbT2UrQnLPWgfnVPg71P_4rXTNXIsq4MfwIsCCVFwk/s400/yoshida.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ray Yoshida, non identifié, 1971</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj606IIXlJoRv-qW-ZX6LfdXWMOWkpU3k9jRZgyAbqPboj0aQZZk2xoYVuzJUYQko5sPdo-GYQuTnTJiHOBMZbNyjvi3K5jDYmLXh7JTZoLIBX87w2bok9Uc0g-c7021TG7xB5J-v-XcbU/s1600/12_hantai+blancs+1973-74+acry+235x265cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj606IIXlJoRv-qW-ZX6LfdXWMOWkpU3k9jRZgyAbqPboj0aQZZk2xoYVuzJUYQko5sPdo-GYQuTnTJiHOBMZbNyjvi3K5jDYmLXh7JTZoLIBX87w2bok9Uc0g-c7021TG7xB5J-v-XcbU/s400/12_hantai+blancs+1973-74+acry+235x265cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Simon Hantai,<i> blancs</i>, 1973-74, acrylique sur toile, 235 x 265 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT5ZBYLrcdo1L3KDoZI_TyWquaCaKKomZyy92Jw4c3PbgCgTktlE2tfQYprYP_1KDt4q6Dg6K3bfcvrCKYIUKCkgfhnToUOUXK-OyFTz_e8Ao8EMGvHdtiAYwXck8HfUsBJ2arQQzu2SA/s1600/14_de+kooning_unt+1984+195%252C5x223%252C5.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="353" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT5ZBYLrcdo1L3KDoZI_TyWquaCaKKomZyy92Jw4c3PbgCgTktlE2tfQYprYP_1KDt4q6Dg6K3bfcvrCKYIUKCkgfhnToUOUXK-OyFTz_e8Ao8EMGvHdtiAYwXck8HfUsBJ2arQQzu2SA/s400/14_de+kooning_unt+1984+195%252C5x223%252C5.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Wilhem de Kooning, untitled, 1984, 195,5 x 223,5 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwTsrYi9Nrgn7JJGP__Cklly5_lTjAgtJeiT7jGRNoYnWfLN9Eb4R1mpJKPT3UPin4wXOCnLFdPbqn26EJmMk9weqcf6RuSfBEl-iegymTeU6dwAM0j08rLTQYL_GsxNCX2EDuFOUyJbs/s1600/16_woodman+wallpaper+1+2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwTsrYi9Nrgn7JJGP__Cklly5_lTjAgtJeiT7jGRNoYnWfLN9Eb4R1mpJKPT3UPin4wXOCnLFdPbqn26EJmMk9weqcf6RuSfBEl-iegymTeU6dwAM0j08rLTQYL_GsxNCX2EDuFOUyJbs/s640/16_woodman+wallpaper+1+2013.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Betty Woodman, wallpaper 1, 2013, céramique émaillée clouée sur le mur</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEvlYLUlnQIFcrStMe0n8PPGonmmpD_5IvdkueIEogihcaCUW7YkIJm9sxQTikxvKE6Oca3HdkKQ0p349Q9dGDUha5foooQH3MODxmI8FqADIgC-uJOq6Jq1j9m_90QLFYnjKZ5HD1RIQ/s1600/Mrs_Shirley+%2528Jaffe%25292012.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEvlYLUlnQIFcrStMe0n8PPGonmmpD_5IvdkueIEogihcaCUW7YkIJm9sxQTikxvKE6Oca3HdkKQ0p349Q9dGDUha5foooQH3MODxmI8FqADIgC-uJOq6Jq1j9m_90QLFYnjKZ5HD1RIQ/s400/Mrs_Shirley+%2528Jaffe%25292012.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #0000ee;">Sarah Tritz, <i>Mrs S</i><span style="color: #0000ee;"><i>hirley</i>, 2012, gouache et collage sur papier</span><u><br /></u></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY1uhtnUyctkdI8EwAC_B1crCXn_2QZMCNGgcoBitpfVo-8yQ4ZdAXWFWaKkUOx2F_pVUyWWM5mmJGdtN2tP1S6l2IQU3ncNxJFuosUSbk2fBMHx3oYAAcQ8ZhwL440mh7V1JjqKJHvJE/s1600/47griffa_-senza-titolo.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY1uhtnUyctkdI8EwAC_B1crCXn_2QZMCNGgcoBitpfVo-8yQ4ZdAXWFWaKkUOx2F_pVUyWWM5mmJGdtN2tP1S6l2IQU3ncNxJFuosUSbk2fBMHx3oYAAcQ8ZhwL440mh7V1JjqKJHvJE/s400/47griffa_-senza-titolo.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Giorgio Griffa, senza titilo, huile sur toile</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJixn-qIXzxmij634cquC0LwwC3UOfGMLJBg3g7Pb0EwRpYokCHiR74YEMYZTykaK8MVY3hRPLCqTmLuroA08oqepHnhzRFIQMQWfkf6yscptb5yMeL28wmRDZ2JZc5xC1wL769rOMA5A/s1600/50Kessel%252C+Drawings+of+insects%252C+c.+1653.+Oil+on+Copper.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJixn-qIXzxmij634cquC0LwwC3UOfGMLJBg3g7Pb0EwRpYokCHiR74YEMYZTykaK8MVY3hRPLCqTmLuroA08oqepHnhzRFIQMQWfkf6yscptb5yMeL28wmRDZ2JZc5xC1wL769rOMA5A/s400/50Kessel%252C+Drawings+of+insects%252C+c.+1653.+Oil+on+Copper.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jan Van Kessel, Drawings of insects, c.1653. Oil on Copper</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLfVaHQ6rsQxnO-W_BAA0M_tn_i6jrpRLjyMYHwnT92iHP5rk4ajrvo-PodDAUE7_0IleU_X-IZZsaaVCMFo7MkvlDhAZ3huZznNVmTX8Sr0IaTXCevrn8sKBjrJrgivwhAqVzfagkHWc/s1600/08hesse_no+title+1965+ink+on+paper.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLfVaHQ6rsQxnO-W_BAA0M_tn_i6jrpRLjyMYHwnT92iHP5rk4ajrvo-PodDAUE7_0IleU_X-IZZsaaVCMFo7MkvlDhAZ3huZznNVmTX8Sr0IaTXCevrn8sKBjrJrgivwhAqVzfagkHWc/s400/08hesse_no+title+1965+ink+on+paper.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Eva Hesse, sans titre, encre sur papier, 1965</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_EjjdJHf5ZJ_C8Qh6GJaSMYBubIM8qtltl-LaTRzBI5yLgd-nDAZRR-xfj8c8yxF23cg2BRKQo2jvNRrXgW2q8ko1Y3I_ya2q3AH4uhdeJJA_8yi5_cqEMCh_lG83EVeQQ6VaIerXlNQ/s1600/12_shapiro_Untitled_2013_gouache.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_EjjdJHf5ZJ_C8Qh6GJaSMYBubIM8qtltl-LaTRzBI5yLgd-nDAZRR-xfj8c8yxF23cg2BRKQo2jvNRrXgW2q8ko1Y3I_ya2q3AH4uhdeJJA_8yi5_cqEMCh_lG83EVeQQ6VaIerXlNQ/s400/12_shapiro_Untitled_2013_gouache.jpg" width="387" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Joel Shapiro, Untitled, 2013 gouache sur papier</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzrIItuzFXJCkoD1R52h5D4AU4wPHlpH3PuHiVf_rSoCH9hafporzMelOL2puCQDYobIjO_hwhFbv3GfgDW8a8VfElDjfdo3aRcDfIA5T0-LvP-aKAG2GgD6yqob1k9ZRBWhYroVbQmfQ/s1600/10_siskind_terros+%2526+pleasurs+of+levitation+1961+gelatin+silver+pr+SF+moma.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzrIItuzFXJCkoD1R52h5D4AU4wPHlpH3PuHiVf_rSoCH9hafporzMelOL2puCQDYobIjO_hwhFbv3GfgDW8a8VfElDjfdo3aRcDfIA5T0-LvP-aKAG2GgD6yqob1k9ZRBWhYroVbQmfQ/s400/10_siskind_terros+%2526+pleasurs+of+levitation+1961+gelatin+silver+pr+SF+moma.jpg" width="343" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Aaron Siskind, terrors & pleasures of levitation, 1961 </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigFqqXdwrzQwflu_vNvU4RXJhlDMbHkj6GcZQI5gb6Qjk7IMGctD3CfSqZiCjuTIMz-DPuYDLUpdPWfZ43NcLba3lhfGqzj6mcvi96OYRg0R8oQT9t5E4PMdv6JMnnwmUuMJHqEoljRcw/s1600/09_P1220265+copy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigFqqXdwrzQwflu_vNvU4RXJhlDMbHkj6GcZQI5gb6Qjk7IMGctD3CfSqZiCjuTIMz-DPuYDLUpdPWfZ43NcLba3lhfGqzj6mcvi96OYRg0R8oQT9t5E4PMdv6JMnnwmUuMJHqEoljRcw/s640/09_P1220265+copy.jpg" width="488" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maxime Thieffine, sans titre, 2015, huile sur papier</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8LnrHWHCjRe9eM6-MBqyNbyydgkyAHxtGzaLQEtwDYYqXgD1rTDKq_czQch5c3XVXWLvhDik-lt_fCGIvLfTVrMu6l4W50mX3rUTkEHWeMiTmqrecTUbXnzDFv44uA9TVD5fXBceKcHk/s1600/20_Oehlen_unt+2012+fusain+300x200.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8LnrHWHCjRe9eM6-MBqyNbyydgkyAHxtGzaLQEtwDYYqXgD1rTDKq_czQch5c3XVXWLvhDik-lt_fCGIvLfTVrMu6l4W50mX3rUTkEHWeMiTmqrecTUbXnzDFv44uA9TVD5fXBceKcHk/s640/20_Oehlen_unt+2012+fusain+300x200.jpg" width="440" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Albert Oehlen, untitled, 2012, fusain sur papier, 300 x 200 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvk25KvyT-fBwwNNqn0uaZD3YMnLbmS_9mEObcF8XnbHpcX7dBynTw6ACTI8qfolC8VIeunPAzHZktAVZWmO7q58CgzRYnZnbrR0khk_pr0E5bFNlW7i96wN0DnHS2tJSjQcsGj2OVkHU/s1600/11_oiticica_seco+12+1957+41x41+cesar+%2526+claudio+O+coll+rio.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvk25KvyT-fBwwNNqn0uaZD3YMnLbmS_9mEObcF8XnbHpcX7dBynTw6ACTI8qfolC8VIeunPAzHZktAVZWmO7q58CgzRYnZnbrR0khk_pr0E5bFNlW7i96wN0DnHS2tJSjQcsGj2OVkHU/s400/11_oiticica_seco+12+1957+41x41+cesar+%2526+claudio+O+coll+rio.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Helio Oiticica, <i>seco 12</i>, 1957 41 x 41 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYX4pk9i7fIjsIi1ax2y4YJJx6J8kbxfT-BM_hOumOKpx9ySGm9thX38DqR5xmDfiV7kzsW4Ro7153YZWp-EVa7lih9dCoQynuE-ebb9pEqwc7HuFUYJZAtnRRcJW9WG1v2d0nvaKhPlk/s1600/05Hamilton_hers-is-a-lush+situation+1958.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYX4pk9i7fIjsIi1ax2y4YJJx6J8kbxfT-BM_hOumOKpx9ySGm9thX38DqR5xmDfiV7kzsW4Ro7153YZWp-EVa7lih9dCoQynuE-ebb9pEqwc7HuFUYJZAtnRRcJW9WG1v2d0nvaKhPlk/s400/05Hamilton_hers-is-a-lush+situation+1958.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Richard Hamilton, <i>hers is a lush situation</i>, 1968</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Yyur8HkeaPn47iotwz-_VDQbNaAqFAHPj6PcHNwx1IXzr0d5eu8J5rjo_TAlJDx_LUFtgCc9l0NxGQBK8rWrjDPwygSV9J8hrXYhXgGC1T570NqvTzW4bFXH2m-w-hPW5UcGX6OTVSc/s1600/10YOSHIDA_Aha+2000+01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Yyur8HkeaPn47iotwz-_VDQbNaAqFAHPj6PcHNwx1IXzr0d5eu8J5rjo_TAlJDx_LUFtgCc9l0NxGQBK8rWrjDPwygSV9J8hrXYhXgGC1T570NqvTzW4bFXH2m-w-hPW5UcGX6OTVSc/s400/10YOSHIDA_Aha+2000+01.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRUzGB7TLpIYA47UxB8CEu1k4aiP5htR6BhyErNmqc78gK5wnghk0V17a1snRDFyKf0bn-0oSjfSYIovOtKivUe_z35qxgXPf-LHuRXIFO4PHsY5sMQ2Ti6I2h7BF51SJFgrQMjlChf_g/s1600/10YOSHIDA_Aha+2000+02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="261" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRUzGB7TLpIYA47UxB8CEu1k4aiP5htR6BhyErNmqc78gK5wnghk0V17a1snRDFyKf0bn-0oSjfSYIovOtKivUe_z35qxgXPf-LHuRXIFO4PHsY5sMQ2Ti6I2h7BF51SJFgrQMjlChf_g/s400/10YOSHIDA_Aha+2000+02.jpg" width="400" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmxJErcAkrWCewOLbWe6r6Ca_pDIIqeCOMoh_T29Y5RyXfcoMRBANowCrylxIihRgzzfSBn7jDvq34pLA_RDrIZaJmZnUXdeqykwkNQ9PT0L-57fSHqNGHFyRxoMI-xPa7oVSngVnvmwI/s1600/10YOSHIDA_Aha+2000+03.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmxJErcAkrWCewOLbWe6r6Ca_pDIIqeCOMoh_T29Y5RyXfcoMRBANowCrylxIihRgzzfSBn7jDvq34pLA_RDrIZaJmZnUXdeqykwkNQ9PT0L-57fSHqNGHFyRxoMI-xPa7oVSngVnvmwI/s400/10YOSHIDA_Aha+2000+03.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ray Yoshida, Aha, 2000, (triptyque)</td></tr>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-64893120001710067282016-05-18T11:20:00.001+02:002016-05-23T09:46:12.327+02:00Sandwich<span style="font-family: "Trebuchet MS",sans-serif;">Une collection d'oeuvres aperçues/découvertes récemment autour du pain et de sa texture, selon différentes formules :</span><br />
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<span style="font-family: "Trebuchet MS",sans-serif;">1. Bien cuit</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYML917hRDR-k_eGsrgF1bRZRNwtTwwrugq2e3GizDpDInT3gtCYB4GSoGgj1CHtLM-prRQjlKRfGnqP4YciVvBN7MOwbIo7Q8X5U0TKKD-iuLH1_frWU2kXfrOF5dwU9C5wwluWfJbbU/s1600/estes_Bakery,+2013+oil+board.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYML917hRDR-k_eGsrgF1bRZRNwtTwwrugq2e3GizDpDInT3gtCYB4GSoGgj1CHtLM-prRQjlKRfGnqP4YciVvBN7MOwbIo7Q8X5U0TKKD-iuLH1_frWU2kXfrOF5dwU9C5wwluWfJbbU/s1600/estes_Bakery,+2013+oil+board.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Richard Estes, Bakery, 2013</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdKCTJD0TbAuo8vehwwY3h4t262zlwo55xXPOSSmrVp05KhS4TxkCBojLmduTLWUdy6K2zjL_VCYfUNey6fKsfFH9RkhXsc_hzanqnXp7Qig7d-n0Zmdy-T_oZ98pxEWhyphenhyphenBNxQHM_FX1k/s1600/Flegel+Still-Life+with+Bread+and+Confectionary.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdKCTJD0TbAuo8vehwwY3h4t262zlwo55xXPOSSmrVp05KhS4TxkCBojLmduTLWUdy6K2zjL_VCYfUNey6fKsfFH9RkhXsc_hzanqnXp7Qig7d-n0Zmdy-T_oZ98pxEWhyphenhyphenBNxQHM_FX1k/s400/Flegel+Still-Life+with+Bread+and+Confectionary.jpg" width="313" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Georg Flegl, nature morte, 17e.</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXiIGDXSCjsBh8MkhulEzD2sFBGzD2NJjNIFld1AkKjQld2bGBEFswyW6y7KG4hCw9YLsE6NtiDGW9oRNu5s1CGuIgr0nrN5sad2MAo7-9IWGnPN7NUi1zcDvl-XHRcM2Quv9GItFgDUI/s640/Fontana-Il-pane-1950-SC-3-recto.jpg" style="margin-left: auto; margin-right: auto;" width="521" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lucio Fontana, <i>il pane</i>, 1960, céramique</td></tr>
</tbody></table>
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<span style="font-family: "Trebuchet MS",sans-serif;">2. Pain noir</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKjd41dEcpHJw4t7u4aY9epFrpjPE-0wCJY4QwHGfWs3olHWCjs4QiheZGyy5RqSFM-a6hVcIaCkVKu0QbHDlrqzwCCb9cBW4j1NgwjVQlbmvIKKDRLccrKEu8LuacGfdn2ADO7WXrzKE/s1600/bread+66+56x63+cm+acry+on+celotex+metal+frame.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="357" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKjd41dEcpHJw4t7u4aY9epFrpjPE-0wCJY4QwHGfWs3olHWCjs4QiheZGyy5RqSFM-a6hVcIaCkVKu0QbHDlrqzwCCb9cBW4j1NgwjVQlbmvIKKDRLccrKEu8LuacGfdn2ADO7WXrzKE/s400/bread+66+56x63+cm+acry+on+celotex+metal+frame.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Richard Artschwager, bread, 1966, 56 x 63 cm acryc on celotex in metal frame</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5XcUqY_323qiYRGW8dqq9HDqE6KqXBFSHqHEI8kzH89TElm3Ll-MBkHoaabNOF6ArZArSQj5jp-FppJa4yeQCC3JNhxYUT1Uil1h9ZhHwNB_Elu69_-GFl6hlV93BHmXT9JAE9zLbsNo/s1600/mappelthorpe_bread2_1979.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="397" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5XcUqY_323qiYRGW8dqq9HDqE6KqXBFSHqHEI8kzH89TElm3Ll-MBkHoaabNOF6ArZArSQj5jp-FppJa4yeQCC3JNhxYUT1Uil1h9ZhHwNB_Elu69_-GFl6hlV93BHmXT9JAE9zLbsNo/s1600/mappelthorpe_bread2_1979.jpg" width="400" /></a></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDYMjdmI8X_X5-mruwjsIIT2S8lNo6cmid4wSfJ-YohsIvDFikO79RghaqrZUfUpCuYXcbL93mlqqXbhvQeT3FrV3lM5yXDWgYNvEM71Wvr768uO4879AgIN2hxQD9BSmUR3MyTWeqi6c/s1600/mappelthorpe_bread_1979.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDYMjdmI8X_X5-mruwjsIIT2S8lNo6cmid4wSfJ-YohsIvDFikO79RghaqrZUfUpCuYXcbL93mlqqXbhvQeT3FrV3lM5yXDWgYNvEM71Wvr768uO4879AgIN2hxQD9BSmUR3MyTWeqi6c/s1600/mappelthorpe_bread_1979.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Robert Mappelthorpe, bread 1 & 2 , 1979</td></tr>
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<span style="font-family: "Trebuchet MS",sans-serif;">3. Le complet</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixasFTygYsDwGyu6GhSg2ziwxhawZVuuDRF3zoBLquvDs6xqbFFop1YZETT2d5SH52Dtfu187bj0yvDgkomi9CkwcGrTF_C8mLkD8SEoAN80RhbHgdxlKNqKq7_LFnNSmEKlMOEMGzWKw/s1600/schutz_Sandwich+in+Landscape,+2010+66x78.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="337" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixasFTygYsDwGyu6GhSg2ziwxhawZVuuDRF3zoBLquvDs6xqbFFop1YZETT2d5SH52Dtfu187bj0yvDgkomi9CkwcGrTF_C8mLkD8SEoAN80RhbHgdxlKNqKq7_LFnNSmEKlMOEMGzWKw/s1600/schutz_Sandwich+in+Landscape,+2010+66x78.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dana Schutz, Sandwich in Landscape, 2010 66 x 78 cm<u><br /></u></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzcaOiEkNhEex41ab8SO_6TLsLGzF_bm6YCu6bs9nzeT-Lg5X-3biRE4JA4S8wNn9BZ6-hK6yl5mj2lDQehmalyMb7jPGxpQDdNldUL02zFYwP1dgarWXGupt6fxT98hInzb38fArzdxY/s1600/shore_american-surfaces.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzcaOiEkNhEex41ab8SO_6TLsLGzF_bm6YCu6bs9nzeT-Lg5X-3biRE4JA4S8wNn9BZ6-hK6yl5mj2lDQehmalyMb7jPGxpQDdNldUL02zFYwP1dgarWXGupt6fxT98hInzb38fArzdxY/s1600/shore_american-surfaces.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Stephen Shore, american surfaces series</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi20dg68n6Q8WA3izB-P4rnqourd1pRIVHLuCsTmPcqmJkxT_3XlIY63yrKHd0z7yfIDYbxnlXa13CpJtHY1566Tfh19IM58PZkrSzeb7CFucVrBVZ64ONFcvrnQnKdpb7-XGzpNzZ1X7c/s1600/baechler_camouflage+sandwich+%2528cross+examination%2529+2000+screenprint+91x91cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi20dg68n6Q8WA3izB-P4rnqourd1pRIVHLuCsTmPcqmJkxT_3XlIY63yrKHd0z7yfIDYbxnlXa13CpJtHY1566Tfh19IM58PZkrSzeb7CFucVrBVZ64ONFcvrnQnKdpb7-XGzpNzZ1X7c/s400/baechler_camouflage+sandwich+%2528cross+examination%2529+2000+screenprint+91x91cm.jpg" width="396" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Donald Baechler, <i>camouflage sandwich (cross examination)</i>, 2000</td></tr>
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<span style="font-family: "Trebuchet MS",sans-serif;">4. Pain d'apparat</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoWDVkoisjNGo6NIzob3LwXT-8zguwKemhz3MMe8tG69sFiuytWiaO0g92muWRPsnNN-SwplUi1OPvfv86-80y0JJkuN4Rq4x9Sv04XTSCLVgAJnxDv4XkuEXrrqmWNZnFVlmjREHbBJU/s1600/Feldmann_-breads.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoWDVkoisjNGo6NIzob3LwXT-8zguwKemhz3MMe8tG69sFiuytWiaO0g92muWRPsnNN-SwplUi1OPvfv86-80y0JJkuN4Rq4x9Sv04XTSCLVgAJnxDv4XkuEXrrqmWNZnFVlmjREHbBJU/s400/Feldmann_-breads.jpg" width="390" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hans Peter Feldman, pains</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfJUsvisPK_Ontdx9XHltomhV_M6nvsFlFgJOT3YwSXwD7sWyMEiQNFHx405EtgdVs4plIviqlkelPoUeMe09eIfaMH8KZRoht4UtNRNGObyihPIivhrnI2M9c7Qm7XPdXwdysboRa7xM/s1600/Manzoni-Achrome-62+brad+rolls+&+kaolin+1962.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="397" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfJUsvisPK_Ontdx9XHltomhV_M6nvsFlFgJOT3YwSXwD7sWyMEiQNFHx405EtgdVs4plIviqlkelPoUeMe09eIfaMH8KZRoht4UtNRNGObyihPIivhrnI2M9c7Qm7XPdXwdysboRa7xM/s1600/Manzoni-Achrome-62+brad+rolls+&+kaolin+1962.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Piero Manzoni, achrome, 1962, pain plastifié, gesso</td></tr>
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<br />
<span style="font-family: "Trebuchet MS",sans-serif;">5. Pain à l'huile</span><br />
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<tr><td style="text-align: center;"><img border="0" height="276" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGH8BLrmP5fikSKI0If_RDPp5zmy_J9WTgZuXkpEMOhR72zkFS7M5ulgy8wceD8Hubqr9tzjZkltUTihn88kg2Xs9TmjUgPFTYG7uEM2J7Zk2ljOzI0JvC7X0kWHer11E2K01otX-3S40/s1600/Treif_Collage2_t.jpg" style="margin-left: auto; margin-right: auto;" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span class="st">Ryan McLaughlin, <i>Treif Collage</i>, 2012</span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="340" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTVECDJ7oSGLA5GdgY6nJ54uBx7nJRZdeV8VklwTlOR-YGC0-fS6EAD7TMaFVRNEF2s3uvW7Mi6gCd-h044sO_7duopGFfyCJgekpfTmV0Tay5YQc3-1HrdlHZtoeX37nHegGT6NUjp8s/s400/Two+Pieces+of+Bread+Expressing+the+Sentiment+of+Love.+1940.+Oil+on+canvas.+81.3+x+100.3+Figueras.jpg" style="margin-left: auto; margin-right: auto;" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Salvador Dali, <i>Two Pieces of Bread Expressing the Sentiment of Love</i>. 1940. Oil on canvas. 81.3 x 100.3 cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8KbynB3l7UU459XEFMuYFm0XowkXiaJx0QaeWXB-dEU0UYsaXd9MAX-yVSJzupaszXwxocp2Og5mfVgpbjMrtaKbyIKlr3UMqPugGNLUL0u_2MbBtcHYel6qEll-QxZ4RTW2kkjmbdKo/s1600/ed+ruscha+boulangerie+1961.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8KbynB3l7UU459XEFMuYFm0XowkXiaJx0QaeWXB-dEU0UYsaXd9MAX-yVSJzupaszXwxocp2Og5mfVgpbjMrtaKbyIKlr3UMqPugGNLUL0u_2MbBtcHYel6qEll-QxZ4RTW2kkjmbdKo/s400/ed+ruscha+boulangerie+1961.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ed Ruscha, boulangerie, 1961</td></tr>
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</div>
<div style="margin-bottom: 0cm; text-align: justify;">
<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Je profite d'une exposition récente de
cette artiste méconnue au <a href="http://www.newmuseum.org/exhibitions/view/barbara-rossi-poor-traits" target="_blank">New Museum</a> à New York, exposition que je
n'ai pas vue, située au RDC a coté de la cafétéria dans un espace
horrible, mais bon … J'ai découvert ce travail il y a 2 ans avec
la sortie de <a href="http://risdmuseum.org/manual/148_what_nerve" target="_blank">What Nerve !</a> ainsi qu'avec les artistes de Chicago, des
<a href="http://smartmuseum.uchicago.edu/exhibitions/monster-roster-existentialist-art-in-postwar-chicago/" target="_blank">Monster Roster</a> aux <a href="https://en.wikipedia.org/wiki/Chicago_Imagists" target="_blank">Chicago Imagists</a> et les Hairy who, dont Ed Paschke
ou Peter Saul sont les plus connus. Ils on t poursuivi, contre la
doxa de leur temps (minimal, conceptuel, povera, critique
institutionnelle) un art de l'image, figuratif, souvent monstrueux,
techniquement sophistiqué, bien plus subtil ou libre thématiquement
que la figuration narrative chez nous. </span></span></span><span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"></span></span></span><span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Ils héritaient autant de la BD
underground que du pop art ou de Guston et Picabia : bref une
figuration alter-native. Ils ont ouvert le chemin à Mike Kelley,
Jeff Koons, George Condo ou les Simpsons, entre nombreux autres …
Donc parmi ces solitaires résistants, Barbara Rossi. </span></span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJXx1HN7wbkD_9xHn5SfAKJfW79Uo_6p3Lf7nHdGyyFHFy-mFyaVrE5UI59M_M4KMCDP6dV8kfACU3RJHHSibk5_ksaaozMjqNV0h1_TZRsj1ezUk9PiCENkecFdYMAVVEaPRN-qUGEX4/s1600/Rossi_vernon_oil+graphite+on+canvas+40x32+inch.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJXx1HN7wbkD_9xHn5SfAKJfW79Uo_6p3Lf7nHdGyyFHFy-mFyaVrE5UI59M_M4KMCDP6dV8kfACU3RJHHSibk5_ksaaozMjqNV0h1_TZRsj1ezUk9PiCENkecFdYMAVVEaPRN-qUGEX4/s400/Rossi_vernon_oil+graphite+on+canvas+40x32+inch.jpg" width="318" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vernon, oil & graphite on canvas</td></tr>
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<div style="margin-bottom: 0cm; text-align: center;">
<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"> </span></span></span></div>
<div style="text-align: justify;">
<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"></span></span></span></div>
<div style="margin-bottom: 0cm; text-align: justify;">
<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"></span></span></span></div>
<div style="margin-bottom: 0cm; text-align: justify;">
<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span></span></div>
<div style="margin-bottom: 0cm; text-align: justify;">
<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Son
travail est fait de dessins aux lignes sinueuses et serpentines
d'origine biomorphiques (sillons de visages et masses de tête) qui
ouvre sur un jeu cognitif d'associations, reconnaissances, délires,
une sorte d'abstraction figurative, terme qui m'est cher, immensément
riche et offerte par l'expressionnisme abstrait de Gorky ou
Frankenthaler (qui cherchait une autre type de figuration selon ses
propres mots). Entre geste et spéculation optique puis
imaginaire.</span></span></span></div>
<div style="margin-bottom: 0cm; text-align: justify;">
<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"></span></span></span></div>
<div style="margin-bottom: 0cm; text-align: justify;">
<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"></span></span></span></div>
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<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br />Rossi fait partie de la génération d'après
l'expressionnisme, qui considère ce monde des ainés comme des
données physiques et objectives, des mondes incarnés qu'il est
possible de « popifier », de simplifier et styliser
(comme Jean Hélion ou César Domela) comme on le ferait sur du
modèle vivant ou des natures mortes, par l'observation synthétisée
dans le geste et le traitement de la couleur ou lumière grâce à la
trame et au motif.</span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNrQF98rHsjWsjBHhere9etVS3a_Qv2Im-fjd4WSPi3vWd2FQOsUIdTiWsP3SPF0AEYhNMBMhgFIVa9XrkpSkcaXaKYEOy0zjlIxo4OnvAo2bAUMeJBg7j82aFrBclAaFl92sMY2XO0OU/s1600/ROSSI_Shep-Step-II-1973+acry+on+plexi.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNrQF98rHsjWsjBHhere9etVS3a_Qv2Im-fjd4WSPi3vWd2FQOsUIdTiWsP3SPF0AEYhNMBMhgFIVa9XrkpSkcaXaKYEOy0zjlIxo4OnvAo2bAUMeJBg7j82aFrBclAaFl92sMY2XO0OU/s400/ROSSI_Shep-Step-II-1973+acry+on+plexi.jpg" width="307" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Shep Step II, 1973 <span style="font-size: small;"><span style="font-size: x-small;">acrylique sur plexiglas</span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3PK1KY0vwIIwQqbMW9iX25_UgODWe64xnHv4X3fOdXLncFw06oW0wICW8dMpaYzfW0cSjlPL2aE5mN9aazpx26oxyyEeDSNdyMOaGOcUFoSU6PNKKdN4GDCn13KxDybs_hguRAUyKHDQ/s1600/rossi+wee+purr+1972.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3PK1KY0vwIIwQqbMW9iX25_UgODWe64xnHv4X3fOdXLncFw06oW0wICW8dMpaYzfW0cSjlPL2aE5mN9aazpx26oxyyEeDSNdyMOaGOcUFoSU6PNKKdN4GDCn13KxDybs_hguRAUyKHDQ/s400/rossi+wee+purr+1972.jpg" width="317" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Wee Purr, 1972, <span style="font-size: small;"><span style="font-size: x-small;">acrylique sur plexiglas</span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisBEyNTWfv3OWuMc89y6tcgahaYgG3C9iPZ7CT4c1sQgbdmPgQGFvwxwi2_PVneUdDscNxsR3FueA8Fb0Hmt8xsroKPKrwrfay7uGE3is2tkJVuU7zb4YbQ1-v4RRJgiyOM5GFeFttSsk/s1600/rossi+shep+step+1972.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisBEyNTWfv3OWuMc89y6tcgahaYgG3C9iPZ7CT4c1sQgbdmPgQGFvwxwi2_PVneUdDscNxsR3FueA8Fb0Hmt8xsroKPKrwrfay7uGE3is2tkJVuU7zb4YbQ1-v4RRJgiyOM5GFeFttSsk/s400/rossi+shep+step+1972.jpg" width="317" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Shep step, 1972, <span style="font-size: small;"><span style="font-size: x-small;">acrylique sur plexiglas</span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4SClO4gjJSG-Ify-7p5ZGJhxpniU7O9-Deek4CXSmmwfgmpd-6O5uRD3MADMLQCKKsjDh0nGrQqkN3MjFgiD9OAqakasTYfjx5xoeYTQBQbuBZeFUmsMcZzNtjqtduHG5PV8nAx0Siw8/s1600/Rossi%252C+Rose+Rock%252C+1972%252C+acrylic+on+Plexiglas+panel+and+frame.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4SClO4gjJSG-Ify-7p5ZGJhxpniU7O9-Deek4CXSmmwfgmpd-6O5uRD3MADMLQCKKsjDh0nGrQqkN3MjFgiD9OAqakasTYfjx5xoeYTQBQbuBZeFUmsMcZzNtjqtduHG5PV8nAx0Siw8/s400/Rossi%252C+Rose+Rock%252C+1972%252C+acrylic+on+Plexiglas+panel+and+frame.jpg" width="347" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-size: x-small;">Rose Rock, 1972, acrylique sur plexiglas</span></span></td></tr>
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<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Elle réalise donc soit des compositions en
amas composites évoquant le portrait ou bien des scènes à la
théâtralité horizontale, les deux dans la fidèle logique de Paul
Klee. L'expérimentation n'est plus sur le geste (quoique) et la
matière mais sur le traitement de surface, les effets de l'image
imprimée : aplat ou nuancé d'ombre plates, tramé de
multiple façons et jouant des bordures. La ligne de contour, simple
ou doublée d'une nuance, d'une fine trame, irradiant dans la masse
par ondes. Le plus fou est ensuite le choix de colorer la ligne de
cloisonnement et de produire du volume ainsi.<br />J'aime sa capacité
à développer et à caractériser la tache sans qu'elle perde sa
singularité, sans l'emmener dans une moyenne déjà vue, dans une
forme générique , ce rebond entre premier geste et
retour/développement dans le temps sur la matière et l'instant
initial.</span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpC5CJDYHVTgf8POtFYVnQ8sDA2Ff7_Vfkvggt9aH3giG9-3y3Sm3y-pY4ILibInXWKNPqnQxWSgxTAYFqo8O7g4TTNVMvw9BtpXZdJLexMfKw0-bp0UbE3nJvcj6j4QLCN9UoKdmvvZg/s1600/Rossi%252C+barbara_beach+dancing_1977+acry+on+masonite_39x51inch.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpC5CJDYHVTgf8POtFYVnQ8sDA2Ff7_Vfkvggt9aH3giG9-3y3Sm3y-pY4ILibInXWKNPqnQxWSgxTAYFqo8O7g4TTNVMvw9BtpXZdJLexMfKw0-bp0UbE3nJvcj6j4QLCN9UoKdmvvZg/s400/Rossi%252C+barbara_beach+dancing_1977+acry+on+masonite_39x51inch.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Beach dancing, 1977</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaZUiPEGrD9r3s8Y0iD1Q9Y1XYMRnzdeT4SkYGdcKoFHDVAFx_iXRGiYvmSGP_sc6x53bbIdp72AKHb41kIg5fDsWG9BaMCtK08PsVBGjhL28nJKRF_KM7KwBZ_oqVmBluZkTByfmLXbc/s1600/Rossi+turns+1981.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaZUiPEGrD9r3s8Y0iD1Q9Y1XYMRnzdeT4SkYGdcKoFHDVAFx_iXRGiYvmSGP_sc6x53bbIdp72AKHb41kIg5fDsWG9BaMCtK08PsVBGjhL28nJKRF_KM7KwBZ_oqVmBluZkTByfmLXbc/s400/Rossi+turns+1981.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">turns, 1981</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI4X_nDEi4CGm6IljBty2hk2Zc7eGOKj_Vr60LORAnh9xGZ1ilOKLQy_pEhnNlqHlFA1BSDE1W7cQFOoPYQKJpwsr9ieOhNf_pY1gD9y5zugdpdWZJX3CcHeM2mxYjjez83i9ZiVAARW4/s1600/Rossi_crucifixions_by+a+thread+1983.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI4X_nDEi4CGm6IljBty2hk2Zc7eGOKj_Vr60LORAnh9xGZ1ilOKLQy_pEhnNlqHlFA1BSDE1W7cQFOoPYQKJpwsr9ieOhNf_pY1gD9y5zugdpdWZJX3CcHeM2mxYjjez83i9ZiVAARW4/s400/Rossi_crucifixions_by+a+thread+1983.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Crucifixions by a thread, 1983</td></tr>
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<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">L'imagerie plus tardive, horizontale, est vraiment
singulière : devenant encore plus sophistiquée, pré-Photoshop ou
pré-informatique et pourtant très archaïque (comme Memphis) allant
vers le hiéroglyphe, la frise indienne ou aztèque. Elle ouvre là
un théâtre de formes très mobiles, très singulier, avec son
éclairage propre, ses réglages de couleurs propres, sa tradition
stylistique propre et des sujets très précis autant qu'originaux
mais dont les titres me semble encore en-deça de l'image même.
Inventer des sujets figuratifs nouveaux n'est pas rien ! Comme le
font Dana Schutz ou Yves Netzammer ou Orion Martin aujourd'hui.</span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuLXqMQemsIguHP94HHmkpnlPH1fKS-EyjLF-OrdVX_SLATSsyYl12nWP6HoFaF7lKUEUTd-wrgDuT0kBfEF_hS2x_qW-lWNA28-GtQOxQc-d3toGnoWyz4Hu60nwLpIfPtSo2snnVqHw/s1600/DOMELA_relief+74.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuLXqMQemsIguHP94HHmkpnlPH1fKS-EyjLF-OrdVX_SLATSsyYl12nWP6HoFaF7lKUEUTd-wrgDuT0kBfEF_hS2x_qW-lWNA28-GtQOxQc-d3toGnoWyz4Hu60nwLpIfPtSo2snnVqHw/s400/DOMELA_relief+74.jpg" width="265" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cesar Domela, 1974</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK6F-6M78FvSrEFiSm8xDo0jTB_pGSwl6nw1CGdz8BGS-bB1zjdnaAp_b5T6zgP1o9eUHfQTkvrZaucCQI95Eto-JwkS_jZsvH5ixst-6FsBLfUms5PwOj2EZo23DSabHWRm3mcQoaGi4/s1600/Orion_Martin_WEB-700x997.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK6F-6M78FvSrEFiSm8xDo0jTB_pGSwl6nw1CGdz8BGS-bB1zjdnaAp_b5T6zgP1o9eUHfQTkvrZaucCQI95Eto-JwkS_jZsvH5ixst-6FsBLfUms5PwOj2EZo23DSabHWRm3mcQoaGi4/s400/Orion_Martin_WEB-700x997.jpg" width="280" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Orion Martin, non identifié, 2015</td></tr>
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<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">On voit des acrobates devenant
mobiliers, des corps allongés, hospitalisés, oscultés, endormis
mais vifs, en forme. Elle met en scène l'apparition de formes dans un cadre, joue de l'oeuvre comme objet sans empêcher l'image et le corps d'advenir. Elle invente une incarnation possible par la
ligne colorée. Un corps de lignes et de nœuds, tendus et tendres.
Des mutants heureux dans un théâtre mental différent de celui de
Chirico mais pas loin non plus : des corps + un espace pour
les accueillir et les faire habiter un monde, pas LE monde, mais UN
monde. Donc un imaginaire du corps, un imaginaire où projeter notre
corps autre que celui des films, de la pub et de l'art déjà
existant.</span></span></span></div>
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<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiBJB2PeBUCirKElVMiyua4OrHHHQERKVaaPpAr9TC2dhAUJzzUodctbI_Lwx2Y1u9WnmUPToErBzt2vB-sk8lnzx2IoxHHUNIZF4OM9mUWGk-v3RRWOpCX3Vf6UGD55rMZZnhR2klWuE/s1600/Rossi_PURSUING+TWINS%252C+1979_acry_provate+coll.jpg" imageanchor="1"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiBJB2PeBUCirKElVMiyua4OrHHHQERKVaaPpAr9TC2dhAUJzzUodctbI_Lwx2Y1u9WnmUPToErBzt2vB-sk8lnzx2IoxHHUNIZF4OM9mUWGk-v3RRWOpCX3Vf6UGD55rMZZnhR2klWuE/s400/Rossi_PURSUING+TWINS%252C+1979_acry_provate+coll.jpg" width="400" /></a></span></span></span></div>
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<span style="color: #444444;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEtme_EfoJLi9uahpFueMblQ8ZJ1JHy0UMaHl97dlPkI5X4rfMoFL2BNuhzH8lperbWEXtOWDi7I5PnW123zulw0S1BPWYKla4rOHkQwPOqkL5AMg9r7RW-O_fhInMLWpWK40wbuojk7M/s1600/Rossi_PURSUING+TWINS_det1.jpg" imageanchor="1"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEtme_EfoJLi9uahpFueMblQ8ZJ1JHy0UMaHl97dlPkI5X4rfMoFL2BNuhzH8lperbWEXtOWDi7I5PnW123zulw0S1BPWYKla4rOHkQwPOqkL5AMg9r7RW-O_fhInMLWpWK40wbuojk7M/s400/Rossi_PURSUING+TWINS_det1.jpg" width="400" /></a></span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi2q_-3i-u2ca_Ji4zuJB794PYJiZs-vBd4oIHYwcJ3G2TNpiKGZ2s8bmc18IbjleUWJWpF_h9J15Q387MW0l7taGsVfESeLLHGLOjur7JKIUGuYiM2jcWSdbVmJ4cbFWGdCfj306_33o/s1600/Rossi_PURSUING+TWINS_det3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi2q_-3i-u2ca_Ji4zuJB794PYJiZs-vBd4oIHYwcJ3G2TNpiKGZ2s8bmc18IbjleUWJWpF_h9J15Q387MW0l7taGsVfESeLLHGLOjur7JKIUGuYiM2jcWSdbVmJ4cbFWGdCfj306_33o/s400/Rossi_PURSUING+TWINS_det3.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Pursuing twins </i>et détails, 1979</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxsMDmsAZKTJkv5Yn_XZxlWuBsdmraqUFoyvfXbPKTHlMAUS9aXR-izlvr9ew6WeeqRa7JtH5t-3qCMOX0m1_zftJs3bf7RKxa_J3SrOjaZX2ULr3VxT2JtW9LwW8mhAigtAj741xIZOo/s1600/Rossi_sleepers_1982.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxsMDmsAZKTJkv5Yn_XZxlWuBsdmraqUFoyvfXbPKTHlMAUS9aXR-izlvr9ew6WeeqRa7JtH5t-3qCMOX0m1_zftJs3bf7RKxa_J3SrOjaZX2ULr3VxT2JtW9LwW8mhAigtAj741xIZOo/s400/Rossi_sleepers_1982.jpg" width="301" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sleepers, 1991</td></tr>
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</span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-53581231778980582502016-05-10T11:21:00.001+02:002016-05-10T11:21:40.599+02:00Soft Focus<div style="text-align: justify;">
<span style="color: #666666;"><span style="font-family: "trebuchet ms" , sans-serif; font-size: small;"><span style="font-size: xx-small;">Une série d'oeuvres que j'ai compilées depuis plusieurs mois, que j'essaie, pour moi-même d'identifier, de dénommer. Déjà, les réunir permet de se faire un accrochage virtuel, un montage, pour mieux voir ce qui s'y passe. Une sorte d'abstraction liquide ou floue, ni géométrique, ni informe ou matiériste, ni excentrique, plutôt du coté du gestuel, mais du geste, parfois lent, parfois rapide, souvent les deux en même temps. Bref ce qui se passe <span style="font-family: "trebuchet ms" , sans-serif;">dans</span> la peinture liquide<span style="font-family: "trebuchet ms" , sans-serif;">,</span> l'acrylique<span style="font-family: "trebuchet ms" , sans-serif;">, qui se déploie </span>....</span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg29pMAplmRba-2nOco_-3lNVJB8Vy2zFFL8w4DPp9tbdB01C3gRuzVqIeTUH_AjQ82WlG7UPP2vVjQlYstXAsRAQkfjLJrcywzIbLGqiVfUyLgSdPYQW1yekGPZRSnirLyv8hd6focVKM/s1600/26_christensen_troubadour_88.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg29pMAplmRba-2nOco_-3lNVJB8Vy2zFFL8w4DPp9tbdB01C3gRuzVqIeTUH_AjQ82WlG7UPP2vVjQlYstXAsRAQkfjLJrcywzIbLGqiVfUyLgSdPYQW1yekGPZRSnirLyv8hd6focVKM/s400/26_christensen_troubadour_88.jpg" width="327" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dan Christensen,<i> troubadour</i>, 1988 acrylique sur toile</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkezsf7tB5ksgOIhXOj_oVOqKEddGcbJb-Pd-AD5kWOTyNNiQSOpkeW7FkkqVLiRg5ucZ_RSJqclQ5ee_hKlp-Sn5CcKED9lnkYq7ucLb4_KoLzjFtjEMgnj55sA_x3VCqieW4pMwWL7c/s1600/27_Dzubas%252C+friedel_stone-flower-1961.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkezsf7tB5ksgOIhXOj_oVOqKEddGcbJb-Pd-AD5kWOTyNNiQSOpkeW7FkkqVLiRg5ucZ_RSJqclQ5ee_hKlp-Sn5CcKED9lnkYq7ucLb4_KoLzjFtjEMgnj55sA_x3VCqieW4pMwWL7c/s400/27_Dzubas%252C+friedel_stone-flower-1961.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Friedl Dzubas, <i>stone flower</i>, 1961</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge4q_eIovF-Yd6LlBrEE0y9XCngu-K26ic_bZn8f39riyBVLPuYhrL8Q1XuRn8DJFzKERbZrwq88xJqBJ1fsZqMXeGA1UtUpRcsvD-_jhyphenhyphenX388GO1uA1s_FsOuO16-UVWkpzpnGrmw8AI/s1600/28_frankenthaler-hurricane-flag.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge4q_eIovF-Yd6LlBrEE0y9XCngu-K26ic_bZn8f39riyBVLPuYhrL8Q1XuRn8DJFzKERbZrwq88xJqBJ1fsZqMXeGA1UtUpRcsvD-_jhyphenhyphenX388GO1uA1s_FsOuO16-UVWkpzpnGrmw8AI/s400/28_frankenthaler-hurricane-flag.jpg" width="355" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Helen Frankenthaler, <i>hurricane flag, 1969</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihb1_wKVfDlanpYmQznIA_xVXvm43-lSoKkoS-N38sfiq0VzbnsLAhXowQ245C1x8liPJ2MFaETyV7A2wSOvIcP8bDQEYZBCUQyFQrWoN3tH0jMuGhKHMy-powqR0emES6pxIYHWVBBX4/s1600/29_Prieto_on+the+other+side.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihb1_wKVfDlanpYmQznIA_xVXvm43-lSoKkoS-N38sfiq0VzbnsLAhXowQ245C1x8liPJ2MFaETyV7A2wSOvIcP8bDQEYZBCUQyFQrWoN3tH0jMuGhKHMy-powqR0emES6pxIYHWVBBX4/s400/29_Prieto_on+the+other+side.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Monique Prieto, <i>on the other side, 1997, acrylique sur toile, 183 x 244 cm</i></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"><i><br /></i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3myJSgbMt5QUGEb43vyxltqnDj8wvLCfAbPVhZIO1NzSWXFyXOIwfcaZe6X8lhMf0QLhCN7vXdcGy_FTfuVNpbDFiVCMIrr-bpYfkT66kzm-b1j6mn7zlrwidT1CKT3ce58uSY-JvQ1M/s1600/30_VAN+VLIET+-+WHITE+CREPE+BOAT.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3myJSgbMt5QUGEb43vyxltqnDj8wvLCfAbPVhZIO1NzSWXFyXOIwfcaZe6X8lhMf0QLhCN7vXdcGy_FTfuVNpbDFiVCMIrr-bpYfkT66kzm-b1j6mn7zlrwidT1CKT3ce58uSY-JvQ1M/s400/30_VAN+VLIET+-+WHITE+CREPE+BOAT.jpg" width="325" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://visualmelt.com/Don-Van-Vliet" target="_blank">Don Van Vliet</a>, crepe white boat,</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNho2xNL_NzSd3rSPU5gEb3MC-PkNwBN4ePDAEO4k2kbu3hHM5NCS2NGbQ3jEtjSKKPJjqzDufNeGcUXlSdVw0ay4gGVBC3cZROX5YxKc743fAk7Pf0ZtkWzfNysFaIl8esoD3nTxv6lY/s1600/30_Treib%252C+Batignolles%252C+2015%252C+oil+on+canvas%252C+182.8+x+137+cm.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNho2xNL_NzSd3rSPU5gEb3MC-PkNwBN4ePDAEO4k2kbu3hHM5NCS2NGbQ3jEtjSKKPJjqzDufNeGcUXlSdVw0ay4gGVBC3cZROX5YxKc743fAk7Pf0ZtkWzfNysFaIl8esoD3nTxv6lY/s400/30_Treib%252C+Batignolles%252C+2015%252C+oil+on+canvas%252C+182.8+x+137+cm.jpeg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Patricia Treib, <i>Batignolles</i>, 2015 oil on vanvas, 182 x 137 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiscAXiRPmrfmLvA5OtMXf-z7d88XDOfC1r762bbY77cKRDszAEbIjrDQ2Na8UmWoDWj_Vq3YQj1nsGKHL1Y2IXJ1b2V_SW5MzmF6B99Oj-Q2gL7KMpiY_LPhdOP25JFqr8bdWHfCwznoc/s1600/31_thieffine_+2015+oil.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiscAXiRPmrfmLvA5OtMXf-z7d88XDOfC1r762bbY77cKRDszAEbIjrDQ2Na8UmWoDWj_Vq3YQj1nsGKHL1Y2IXJ1b2V_SW5MzmF6B99Oj-Q2gL7KMpiY_LPhdOP25JFqr8bdWHfCwznoc/s640/31_thieffine_+2015+oil.jpg" width="424" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maxime Thieffine, sans titre, 2016, huile et gesso sur toile</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSeF0rW1X2SpaVHzQ1mUZbZqmTQRkSi-le6hcKKelmA-aeG_tj3jIMkxbGqVBL_4-uqMEcgOkLkdJ6dU_2Hsaxva6i4k3Nl8gwzqKcvyzcquh8crFw2cNgC1g-Pa1YvSFzEDoOLBu__MA/s1600/33_christensen_1968_chevade_acrylic+on+canvas_92+x+72+inches.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSeF0rW1X2SpaVHzQ1mUZbZqmTQRkSi-le6hcKKelmA-aeG_tj3jIMkxbGqVBL_4-uqMEcgOkLkdJ6dU_2Hsaxva6i4k3Nl8gwzqKcvyzcquh8crFw2cNgC1g-Pa1YvSFzEDoOLBu__MA/s400/33_christensen_1968_chevade_acrylic+on+canvas_92+x+72+inches.jpg" width="310" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dan Christensen, non identifié, 1968, acrylique sur toile</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-yQJ1ksUnKb_YYLkMdWWfImGtDHxCwg7wSqdVrAYdSVtEWMj90KnPaWUy4wJMd4pcLf1SHVRpQNNCBsT1KNUglGgg2A5e3mlwPirzCJdyxGayFoHPp1cAoodUzMnMjtdt5TcDYIjPnTM/s1600/35_de+niro_still+Life+with+Guitar%252C+Torso%252C+and+Two+Vases%252C+1971.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-yQJ1ksUnKb_YYLkMdWWfImGtDHxCwg7wSqdVrAYdSVtEWMj90KnPaWUy4wJMd4pcLf1SHVRpQNNCBsT1KNUglGgg2A5e3mlwPirzCJdyxGayFoHPp1cAoodUzMnMjtdt5TcDYIjPnTM/s400/35_de+niro_still+Life+with+Guitar%252C+Torso%252C+and+Two+Vases%252C+1971.jpg" width="310" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Robert de Niro Sr, <i>still life with guitar, torso & 2 vases</i>, 1971</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGeC8MNpkxlLRsQPVauPH17WB1s5YtPW0dkmRsFovWfMqRsD3WnUvQdY4aYei5gOr917mg7_TYGJiQA-rsW4hBvDnnyfLR2v5PADFIBC-lf5CZLQHGRy1neZVH5Gnt9-NxtdjytQTo4qI/s1600/32_treib_pleat+2015.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGeC8MNpkxlLRsQPVauPH17WB1s5YtPW0dkmRsFovWfMqRsD3WnUvQdY4aYei5gOr917mg7_TYGJiQA-rsW4hBvDnnyfLR2v5PADFIBC-lf5CZLQHGRy1neZVH5Gnt9-NxtdjytQTo4qI/s400/32_treib_pleat+2015.jpg" width="305" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Patricia Treib, <i>pleat</i>, 2015</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDusf40FS2AUVlckA5i2TU_TJH__4E6XxYOeJk_OF0rir-MWNb44SHr88eymvYdZ58JOPHtG9FDneNQCclnfFL9kHLNLb0HElahyphenhyphentM1NFoR6ABrag17iYUcE4CQZ4FDRKGdHbAGM1lnl8/s1600/36_Dezeuze_Gaze-2_BF_LG.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDusf40FS2AUVlckA5i2TU_TJH__4E6XxYOeJk_OF0rir-MWNb44SHr88eymvYdZ58JOPHtG9FDneNQCclnfFL9kHLNLb0HElahyphenhyphentM1NFoR6ABrag17iYUcE4CQZ4FDRKGdHbAGM1lnl8/s640/36_Dezeuze_Gaze-2_BF_LG.jpg" width="393" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Daniel Dezeuze, gaze 2</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHLFsF_GDBwII9LBjB8itqr8GG0cyYyut8ETRaJnorUzTLJzNqj6TjMSyLze4_XXhd9TpVIHK9XOaV2Yd4xj7Al8rMGZR7CS_Up652hs2k0SHWDYDEGO2rUeRgdXzGQ5zGWQXKmKVEdYs/s1600/37_holyhead_unt+%2528drawing%2529+2015+21+x+15+cm+%25283%2529.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHLFsF_GDBwII9LBjB8itqr8GG0cyYyut8ETRaJnorUzTLJzNqj6TjMSyLze4_XXhd9TpVIHK9XOaV2Yd4xj7Al8rMGZR7CS_Up652hs2k0SHWDYDEGO2rUeRgdXzGQ5zGWQXKmKVEdYs/s640/37_holyhead_unt+%2528drawing%2529+2015+21+x+15+cm+%25283%2529.jpg" width="451" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Robert Holyhead,<i> untitled</i>, 2015, aquarelle sur papier 21 x 15 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFYvST1RlImye3oQ9PdftPozrbTp5FLDlbQOgcfOdkY1n4CNxhpUIFwEIbntgK9F-8mMOZk3iStIohNaTdK0U4VJ1IO3D1eI3gXF9wq5Z2GigIM6MhPWbgzTxW0SemwpmcN4GA0ilLg4E/s1600/29c_P1220626_OK.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFYvST1RlImye3oQ9PdftPozrbTp5FLDlbQOgcfOdkY1n4CNxhpUIFwEIbntgK9F-8mMOZk3iStIohNaTdK0U4VJ1IO3D1eI3gXF9wq5Z2GigIM6MhPWbgzTxW0SemwpmcN4GA0ilLg4E/s640/29c_P1220626_OK.jpg" width="440" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Maxime Thieffine, sans titre, 2015, huile sur gesso sur bois</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuNsKQv6LJ8DbNaxGf11cxbpEUGOVNMxMYPvbn9xHxKdjcLnQk7bU8DVonh2mlxNBGwruz9CGzqGUFjFeXEtvaoVtjMQMeKBTO2XmHzkSwJvcM-k0c9dsXb4BROI36dXAArTKiAKmU4OQ/s1600/40_christensen+unt+1967.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuNsKQv6LJ8DbNaxGf11cxbpEUGOVNMxMYPvbn9xHxKdjcLnQk7bU8DVonh2mlxNBGwruz9CGzqGUFjFeXEtvaoVtjMQMeKBTO2XmHzkSwJvcM-k0c9dsXb4BROI36dXAArTKiAKmU4OQ/s640/40_christensen+unt+1967.jpg" width="488" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dan Christensen, sans titre, 1967</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglyFffS9UVXT6Wx-4hUsie5BIxV7WSg-2o0vbXLw642o8vnG7fTaPRBYh-njXQwTEWvjjk0AqeriM0ffW2nDDui5kvwoiEC2j4oJ91R5MzSDgDZ-u_paBLm3XlFqeJ83XBvdngKo3EnOE/s1600/42_bullseye.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglyFffS9UVXT6Wx-4hUsie5BIxV7WSg-2o0vbXLw642o8vnG7fTaPRBYh-njXQwTEWvjjk0AqeriM0ffW2nDDui5kvwoiEC2j4oJ91R5MzSDgDZ-u_paBLm3XlFqeJ83XBvdngKo3EnOE/s400/42_bullseye.jpg" width="357" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Helen Frankenthaler, bulleye</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGOddOlQ2IcucqcX4b9Y1WqqfWMJ2lIy190dqAoUcEQ9ypivIhfxXH3CIy6ciXsE2yMtRjtaUSrZfFbj14IlvWiKnuNnjJBP6ibUjZmazImJiTZR7TPqMw8y7k7D3olEn6aRcSmBoBIec/s1600/43_Vicente-Esteban-Untitled-1995.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGOddOlQ2IcucqcX4b9Y1WqqfWMJ2lIy190dqAoUcEQ9ypivIhfxXH3CIy6ciXsE2yMtRjtaUSrZfFbj14IlvWiKnuNnjJBP6ibUjZmazImJiTZR7TPqMw8y7k7D3olEn6aRcSmBoBIec/s400/43_Vicente-Esteban-Untitled-1995.jpg" width="336" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vicente Esteban, sans titre, 1995</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJy6dAingb_Tz0InXTCmGs4nrGJD0ryU6OxNod25G8icodcYC_Il65zvSBdkY0W9cNrXlR11SsNuhzxhGn8N4GJABJl72KXgNkisxkyhVcMVSfyx5SihuyA75aAN5C8FuQAkOaocIUK1U/s1600/45_holyhead_fold_2015+55x33cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJy6dAingb_Tz0InXTCmGs4nrGJD0ryU6OxNod25G8icodcYC_Il65zvSBdkY0W9cNrXlR11SsNuhzxhGn8N4GJABJl72KXgNkisxkyhVcMVSfyx5SihuyA75aAN5C8FuQAkOaocIUK1U/s640/45_holyhead_fold_2015+55x33cm.jpg" width="411" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Robert holyhead, fold, 2015, huile, gesso et vernis sur toile, 55 x 33 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5-EeV4UR7x3lGZat2FXN6ufPwUCjpKhv-R2FAiWXFgjxAyncXzmpnDKyKXpFruxNVSsOR0IyQDZg7dpAB7Nj2EtymaKdRPjTHapzOtOqYUSAwryAz2z6SYzLWKHYYnzy1sz6A85IoNJw/s1600/46_Zaloudek%252C+Milarepa+VII%252C+1968%252C+acrylic+on+canvas%252C+177%252C8+x+228%252C6+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5-EeV4UR7x3lGZat2FXN6ufPwUCjpKhv-R2FAiWXFgjxAyncXzmpnDKyKXpFruxNVSsOR0IyQDZg7dpAB7Nj2EtymaKdRPjTHapzOtOqYUSAwryAz2z6SYzLWKHYYnzy1sz6A85IoNJw/s400/46_Zaloudek%252C+Milarepa+VII%252C+1968%252C+acrylic+on+canvas%252C+177%252C8+x+228%252C6+cm.jpg" width="312" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Duane Zaloudek, <i>Milarepa VII</i>, 1968, acrylic on canvas, 177,8 x 228,6 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifztqFItRkQnrZaGrtwl4GuNGaHWtn2Rw98pNxqDyfzTGXPJxRxy87ouBiitoT64PBUjGnKf30gfj9qw6SPjdRizvmpWoLqlGenE3bMAvdSQiVfMLA5dQmoVX6SEqjFvaJdsCE-X0Vg60/s1600/52_heron_january_15_1988_i_d5394642h.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifztqFItRkQnrZaGrtwl4GuNGaHWtn2Rw98pNxqDyfzTGXPJxRxy87ouBiitoT64PBUjGnKf30gfj9qw6SPjdRizvmpWoLqlGenE3bMAvdSQiVfMLA5dQmoVX6SEqjFvaJdsCE-X0Vg60/s320/52_heron_january_15_1988_i_d5394642h.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Patrick Heron, janvier 1988</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg87Tavm62gaXYFNduxoQexbr4sSmUhOu7BPn0rGwef3wZYJN2CozF-MP4Ry2vlHHarnWfaQcb3UvwEQh1AI6ziuM1tBvyFWcn4u5pTIt2sCPiu3aGJN0jymXHY_2NmEm6kw-9s84cFp3I/s1600/53_window+on+santa+fe+c1980.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="259" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg87Tavm62gaXYFNduxoQexbr4sSmUhOu7BPn0rGwef3wZYJN2CozF-MP4Ry2vlHHarnWfaQcb3UvwEQh1AI6ziuM1tBvyFWcn4u5pTIt2sCPiu3aGJN0jymXHY_2NmEm6kw-9s84cFp3I/s320/53_window+on+santa+fe+c1980.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Helen Frankenthaler, <i>window on santa fe</i>, 1980</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTuru46kgjBOYOOZWSzAm9U3dFzSWL_UVMxXi3DzzcSTQFHJtvanuph0lHfGbPnYQotgmh2kQ6kp0JQIg_o5q7ybCPsLExuxp8JTSdTrhx3ZVowYlguB85nS1ExHl30KvgdTUm328_24E/s1600/54_frankenthaler1956.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="220" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTuru46kgjBOYOOZWSzAm9U3dFzSWL_UVMxXi3DzzcSTQFHJtvanuph0lHfGbPnYQotgmh2kQ6kp0JQIg_o5q7ybCPsLExuxp8JTSdTrhx3ZVowYlguB85nS1ExHl30KvgdTUm328_24E/s320/54_frankenthaler1956.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Helen Frankenthaler, vue d'atelier, 1956, Gordon Parks pour Life magazine</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKzYIg3bJgOdEBMHx6k0Ool9wZKzvtihET_ahe8Z5XrrYJr3m8gKaf0XZmrzlm7C69bYfGnWV-jhQgOz02hDI1NU2tyvdNKfBSDSdiI4DKBzKX9vcdhItIWlvU28g-QUW8umpStzlNNjo/s1600/54_Grosse-Untitled_2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKzYIg3bJgOdEBMHx6k0Ool9wZKzvtihET_ahe8Z5XrrYJr3m8gKaf0XZmrzlm7C69bYfGnWV-jhQgOz02hDI1NU2tyvdNKfBSDSdiI4DKBzKX9vcdhItIWlvU28g-QUW8umpStzlNNjo/s400/54_Grosse-Untitled_2013.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Katharina Grosse, sans titre, 2013</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI_oeW2B68yj5HJmRU2BnnerG14F-e6NA4s8A0sQ4lgiEFrPeTsPPtzeaGede0j_sgC2kD4XrwoPbL_MdsVlk8cSEXCgQsr2Na5jZjhN8QmBDAR_hO1tBLRZKGpmwwgqP53COVvUtolKI/s1600/55_Dzubas-lotus+1962.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI_oeW2B68yj5HJmRU2BnnerG14F-e6NA4s8A0sQ4lgiEFrPeTsPPtzeaGede0j_sgC2kD4XrwoPbL_MdsVlk8cSEXCgQsr2Na5jZjhN8QmBDAR_hO1tBLRZKGpmwwgqP53COVvUtolKI/s400/55_Dzubas-lotus+1962.jpg" width="342" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Friedl Dzubas, lotus, 1962</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF9pgCKoUNgaOnEYPPwIWZsSH086PHtlRIRE8Vn1OZPKnJidnJOF2RxWe0rjEySfydZPsBI4RqiNWfBsueB-_HkAOW4Nz16IvYjRmaon7jXug16AhsnOlskiqzvFvtOzG3cLt20L7TDLM/s1600/58_at+the+mend.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF9pgCKoUNgaOnEYPPwIWZsSH086PHtlRIRE8Vn1OZPKnJidnJOF2RxWe0rjEySfydZPsBI4RqiNWfBsueB-_HkAOW4Nz16IvYjRmaon7jXug16AhsnOlskiqzvFvtOzG3cLt20L7TDLM/s400/58_at+the+mend.jpg" width="296" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Monique Prieto, at the mend, 1990's</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDbcXntIt2-iUCvxGNUXiI0gGSnsbqYlWGxUVCfaVpXnN1ieBVnMXbywq0xOTvCoNUrO-Qhabz1p_Dde_dpo7w3qkcuH0DaQ57Eis1Bb_y-bQiiWE8rF5ESgfi9ulW_z0_ntvIinCn6s4/s1600/59_zuckerman-hartung_yearn+fun+2012.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDbcXntIt2-iUCvxGNUXiI0gGSnsbqYlWGxUVCfaVpXnN1ieBVnMXbywq0xOTvCoNUrO-Qhabz1p_Dde_dpo7w3qkcuH0DaQ57Eis1Bb_y-bQiiWE8rF5ESgfi9ulW_z0_ntvIinCn6s4/s400/59_zuckerman-hartung_yearn+fun+2012.jpg" width="346" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Molly Zuckerman-Hartung, <i>yearn fun</i>, 2012</td></tr>
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<span style="color: #666666;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;">Une abstraction alternative, sans dogme ni credo, qui est attentive à ses propres déploiements, son devenir image, mais image d'une autre définition/focale, d'un autre niveau de culture, d'un autre niveau dans la culture et le rapport au langage.</span></span></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-19927431488154114862016-05-09T22:26:00.003+02:002016-05-09T22:26:29.681+02:00Contre ReliefUne suite d'oeuvres en mémoire depuis un bon moment autour du relief mural et de la peinture qui enfle en volume et sort de son cadre, à partir des contre reliefs de Tatline, oeuvres pivots du XX eme siècle et source infinie de travail. <br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif0ELXBGBETo0LWUXf1XVLvq4dylKRSZ5oBvakejulm69E8M2IKqIEzbYTSldLyqRM_WiqNxbp-AeOFbPeWtrFBezmr_UWgwX2MwmKxTij_b8QsPf8JCrgY0e0LZqeUKy2S7fvkmo3plA/s1600/kiesewetter,+thomas-mercury_2012+sheet+metal+steel+paint+140+x+188+x+65+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif0ELXBGBETo0LWUXf1XVLvq4dylKRSZ5oBvakejulm69E8M2IKqIEzbYTSldLyqRM_WiqNxbp-AeOFbPeWtrFBezmr_UWgwX2MwmKxTij_b8QsPf8JCrgY0e0LZqeUKy2S7fvkmo3plA/s1600/kiesewetter,+thomas-mercury_2012+sheet+metal+steel+paint+140+x+188+x+65+cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Thomas Kiesewetter, <i>Mercury,</i> 2012 acier peint, 140 x 188 x 65 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnmnq6v4qY2J6DYrhkt7K9Uj7OCOyXHr-CT2AqNueMy2qz7zVg0YjgNd1BeljaPoQgGtcEczCu-tElt7FrLVp4IaQdkkeSBVait59Etn-XTn2-an9ukGfiK2jRNaniurpyi5aAkpbWBB4/s1600/kiesewetter,+thomas-saturn_2012.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnmnq6v4qY2J6DYrhkt7K9Uj7OCOyXHr-CT2AqNueMy2qz7zVg0YjgNd1BeljaPoQgGtcEczCu-tElt7FrLVp4IaQdkkeSBVait59Etn-XTn2-an9ukGfiK2jRNaniurpyi5aAkpbWBB4/s1600/kiesewetter,+thomas-saturn_2012.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Thomas Kiesewetter, <i>Saturn,</i> 2012, acier peint</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj12H9Fry1STqfx4XYehhFgc0L_1alVobBKEFWzgtXpnSuK2atv6DQUTD-IJH_ufcVDmDncaHHdGJuUfUm7l5EAQiBMQ5eLqRq0AXLeJj5OLZLxx9YHX9bhpcHYHvJ4N8fOiF78AaAx1oA/s1600/costa+a+2014.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj12H9Fry1STqfx4XYehhFgc0L_1alVobBKEFWzgtXpnSuK2atv6DQUTD-IJH_ufcVDmDncaHHdGJuUfUm7l5EAQiBMQ5eLqRq0AXLeJj5OLZLxx9YHX9bhpcHYHvJ4N8fOiF78AaAx1oA/s1600/costa+a+2014.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Adriano Costa, titre inconnu, 2014</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBxVf4mGBk36YsIU4RmhsIwcrAsXF5m7XMvkVsGfkm7osqkvPbu7jA59unC5rdDZrftQwkITLDmxr2DjOPcKDGdEIej0WGDstjj6MLkyWoliO4Us51ApmtK5tlpkzg5VN0APnivjCS4R8/s1600/The+Place+In+The+Window,+II,n7+cot%C3%A9.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBxVf4mGBk36YsIU4RmhsIwcrAsXF5m7XMvkVsGfkm7osqkvPbu7jA59unC5rdDZrftQwkITLDmxr2DjOPcKDGdEIej0WGDstjj6MLkyWoliO4Us51ApmtK5tlpkzg5VN0APnivjCS4R8/s1600/The+Place+In+The+Window,+II,n7+cot%C3%A9.jpg" width="281" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Richard Tuttle, The Place In The Window, II, n5, 3 vues, pulpe de papier coloré, fil de fer</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlbcsGGpfNEFVob8H4iZqBFrsBgSVil3fjKeOFtcqBtruugrw5B8Ezi35mOUadQO8359XQDDCSgoihCNTF9hD-toW7yUhVEuBacto65S0Yz5029dgFhIfI-JDJCLah8fpP3gEVM25ptvE/s1600/costa_afasta.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlbcsGGpfNEFVob8H4iZqBFrsBgSVil3fjKeOFtcqBtruugrw5B8Ezi35mOUadQO8359XQDDCSgoihCNTF9hD-toW7yUhVEuBacto65S0Yz5029dgFhIfI-JDJCLah8fpP3gEVM25ptvE/s1600/costa_afasta.jpg" width="302" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Adriano Costa, <i>Afasta</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiZ_F1mz7B9pBbW7OA5rU4A2HZ8Qk-YzjpNDwVZGd3L7GcTf-C7alPje0B1O4yJUrOmuVkT_GVAc_SnanDtOx_DpDBjKgecsGYwzCq_KsVQiv6xzOECpsJpt4Cz6QcJGykjH5As5HQFo0/s1600/oudry_ft.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiZ_F1mz7B9pBbW7OA5rU4A2HZ8Qk-YzjpNDwVZGd3L7GcTf-C7alPje0B1O4yJUrOmuVkT_GVAc_SnanDtOx_DpDBjKgecsGYwzCq_KsVQiv6xzOECpsJpt4Cz6QcJGykjH5As5HQFo0/s1600/oudry_ft.jpg" width="326" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jean-Baptiste Oudry, non identifié, XVIII eme siècle</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieS9Jztl3E1b4EFxwFpkvq0DC1g4s2cTYfLm63VwljY4jz8nuK_8Bzq2p8i93ixSaQNifvHxmK6mE4n83Eo-mCfbbN7Ff8prrxzwArTVVHR6wLr_hZ_V2XNJxSsP34z9fh4YlG4IN05R4/s1600/stella+nightgown+91.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieS9Jztl3E1b4EFxwFpkvq0DC1g4s2cTYfLm63VwljY4jz8nuK_8Bzq2p8i93ixSaQNifvHxmK6mE4n83Eo-mCfbbN7Ff8prrxzwArTVVHR6wLr_hZ_V2XNJxSsP34z9fh4YlG4IN05R4/s1600/stella+nightgown+91.jpg" width="265" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Frank Stella, <i>nightgown</i>, 1991</td></tr>
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<tr><td style="text-align: center;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXTSPdNZSVQiSeA1_YVxqfso6tswaTjyl3c7qGzsQel-WfonNdlb7SUXsqpPFA479r0PXa-ZJtBs80Neogmiq8UvXChMEEvjw_A6Hw3y1Nqo_nFD-H8AJpKg9PQPuG8F6MeaeRDx1p2IA/s1600/Oudry_l'%C3%A9pervier_1739%2B97x74%2BNYC%2Bcoll%2Bpart.jpg" style="margin-left: auto; margin-right: auto;" width="282" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">JB Oudry,<i> l'épervier</i>, 1739, 97 x 74cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi75qtjsg5Xy9yjy5NRL3kBkw9Yn6_x8rcJ9mM2KUhiLrpCXGiXR5fy4BxV3k95CMiMCrrotPVueLRSsIEMiR34OptQmdKlMWIhwMxXvd2b4nFA4RqvPxs-ZmvEZi15oSOcWNs6N1uAO6E/s1600/Agnolet_etagere18_web.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi75qtjsg5Xy9yjy5NRL3kBkw9Yn6_x8rcJ9mM2KUhiLrpCXGiXR5fy4BxV3k95CMiMCrrotPVueLRSsIEMiR34OptQmdKlMWIhwMxXvd2b4nFA4RqvPxs-ZmvEZi15oSOcWNs6N1uAO6E/s1600/Agnolet_etagere18_web.JPG" width="252" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nadia Agnolet, non identifié<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1FrQZkbOjf3UFAwKA6LbSemkvjERW8E2shAj1I0PS3RdguJrPUWoTCLIDqKtXhm3LoApOq5C1mHIAUr0eRW-4aKtlDCoAncIjKntQz4fPQM84te8pGFWcPmILiev1HiwCnBmAxrr_yGA/s1600/tatlin+contre+relief+avec+palette.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1FrQZkbOjf3UFAwKA6LbSemkvjERW8E2shAj1I0PS3RdguJrPUWoTCLIDqKtXhm3LoApOq5C1mHIAUr0eRW-4aKtlDCoAncIjKntQz4fPQM84te8pGFWcPmILiev1HiwCnBmAxrr_yGA/s1600/tatlin+contre+relief+avec+palette.jpg" width="268" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vladimir Tatline, <i>contre relief avec palette</i>, date non identifiée<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2i9475ImjB8o4iL7yvxp3DIme33qpt0ly1GtrbTJDJDG5zkP5EhSktrSaz1MmVgKjjsg2r8YxB9BLqtlz3giqDHYSfXoJlqTJgFEyfZTbvOMbZ2ExrJw0r1pd26uSNQ3W-CPGhi6_eCY/s1600/agnolet_etagereweb2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2i9475ImjB8o4iL7yvxp3DIme33qpt0ly1GtrbTJDJDG5zkP5EhSktrSaz1MmVgKjjsg2r8YxB9BLqtlz3giqDHYSfXoJlqTJgFEyfZTbvOMbZ2ExrJw0r1pd26uSNQ3W-CPGhi6_eCY/s1600/agnolet_etagereweb2.jpg" width="336" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nadia Agnolet, <i>étagère à dessin,</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7WKWSEKU-H-CdAj6_bfzjvjTka1ki-dfyqiYETKh6LC6P3owv-tFEhFywdxjR2Baz9ncjj56J0dofxpv-DKUi28PvUwVUEWoTEQ6P0zXCE6ulMrd1_5kC4SUYanIvLbI_3TEfrz2hyxE/s1600/costa_dogs+are+men+2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7WKWSEKU-H-CdAj6_bfzjvjTka1ki-dfyqiYETKh6LC6P3owv-tFEhFywdxjR2Baz9ncjj56J0dofxpv-DKUi28PvUwVUEWoTEQ6P0zXCE6ulMrd1_5kC4SUYanIvLbI_3TEfrz2hyxE/s1600/costa_dogs+are+men+2013.jpg" width="257" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Adriano Costa, <i>dogs are men</i>, 2013<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOPXprn5WiCozLXAWHEWt7cxoAFFITzeN1d-xTdCcS4XuBL7wnO1G26_07AhRNu3zl2lkYL6o2z8bPhUYfHqMN3DVuiW7GvS5zpACwXRWj2BvqGUdW-fK0xdhnnYeQ2sKL9yM7IgXRafI/s1600/strau_Moctezuma-5-525x700.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhOPXprn5WiCozLXAWHEWt7cxoAFFITzeN1d-xTdCcS4XuBL7wnO1G26_07AhRNu3zl2lkYL6o2z8bPhUYfHqMN3DVuiW7GvS5zpACwXRWj2BvqGUdW-fK0xdhnnYeQ2sKL9yM7IgXRafI/s1600/strau_Moctezuma-5-525x700.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">3 Oeuvres de Josef Strau,<i> the jewels of Moctezuma</i>, 2013</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0gDIw8KTQEX_8YDUoallwOLjdNoZUEXuxicfg7BAWTkGSxWa5dXSd1nWd1PYaFFhp80lgvsmsBSqERSYrQGtkSnafkeG6JspP9jL0sO67xUhtlaQmW7GhXIc-tsZXWvpPrYFkFB76EGA/s1600/costa_A+Hist%C3%B3ria+do+t%C3%A9tano+-+Parte+2+2014+74x33+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0gDIw8KTQEX_8YDUoallwOLjdNoZUEXuxicfg7BAWTkGSxWa5dXSd1nWd1PYaFFhp80lgvsmsBSqERSYrQGtkSnafkeG6JspP9jL0sO67xUhtlaQmW7GhXIc-tsZXWvpPrYFkFB76EGA/s1600/costa_A+Hist%C3%B3ria+do+t%C3%A9tano+-+Parte+2+2014+74x33+cm.jpg" width="285" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Adriano Costa, <i>A História do tétano - Parte 2</i>, 2014, 74 x 33 cm</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHN5W3aDmwXkgY9C4u3lZjy3W_uTgPm9XDJGC3rlyD1-ZrfL3f9ZzeEfMCFBgS0rHR04Gf_QNqaYUbvZiWWwxjRdi2jDhaUyF6KyfWThW9xBLXVx6MLMXqeLGnr-cnhN7MArV1ymMud8A/s1600/Isa-Genzken-Schwules-Baby-(Gay-Baby)-1997.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHN5W3aDmwXkgY9C4u3lZjy3W_uTgPm9XDJGC3rlyD1-ZrfL3f9ZzeEfMCFBgS0rHR04Gf_QNqaYUbvZiWWwxjRdi2jDhaUyF6KyfWThW9xBLXVx6MLMXqeLGnr-cnhN7MArV1ymMud8A/s1600/Isa-Genzken-Schwules-Baby-(Gay-Baby)-1997.jpg" width="298" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilYnF8mmmB18NpHCe3IN9e-bgVR4Os34ljfoiAfcyjLtS4iMkhcpYSarS9Hul5Cx5Yg65mviZf2gQzrRkmY2xKkUGu2uo-_jU2toWj_fnvNG_ZfJ72fdt3GD4xzgYDYVYUHH8_QpUI1Go/s1600/gay+babies+1997+moma.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilYnF8mmmB18NpHCe3IN9e-bgVR4Os34ljfoiAfcyjLtS4iMkhcpYSarS9Hul5Cx5Yg65mviZf2gQzrRkmY2xKkUGu2uo-_jU2toWj_fnvNG_ZfJ72fdt3GD4xzgYDYVYUHH8_QpUI1Go/s1600/gay+babies+1997+moma.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Isa Genzken, <i>gay babies</i> (divers oeuvres de la série et vue d'accrochage), 1996-1997</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6objZ9mnUn2gYz9hhVTHaxlnBwXDXLwFicv5xbLxAGNhkmXxJFhbXVU-3DM3CxpglZ3b3bQ29rkytKcra1Qm98ttLqMTQfNa2Cbz9CLdL9EkI0EF_QRh5gfolS3KX6XBKUZLQX0EXCNw/s1600/oudry+1753+faisan+lievre+perdrix+Louvre.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6objZ9mnUn2gYz9hhVTHaxlnBwXDXLwFicv5xbLxAGNhkmXxJFhbXVU-3DM3CxpglZ3b3bQ29rkytKcra1Qm98ttLqMTQfNa2Cbz9CLdL9EkI0EF_QRh5gfolS3KX6XBKUZLQX0EXCNw/s1600/oudry+1753+faisan+lievre+perdrix+Louvre.JPG" width="307" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">JB Oudry, <i>faisan lievre et perdrix,</i> 1753</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV-zE1DQPsgCr7QBCR8_8pLeI7YThu8C9y1Jy5lu6Wvkc6sNCXSBnCK6eA6MiGtBniYNcZGPls5iP-KLHf0vUS26358gMf-W08AoKPCQAj80mbf1q1dX2y4cZ_QwMn7cF0XDLD5odTw_k/s1600/Stella_Frank_PF3087_K114_2008.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV-zE1DQPsgCr7QBCR8_8pLeI7YThu8C9y1Jy5lu6Wvkc6sNCXSBnCK6eA6MiGtBniYNcZGPls5iP-KLHf0vUS26358gMf-W08AoKPCQAj80mbf1q1dX2y4cZ_QwMn7cF0XDLD5odTw_k/s1600/Stella_Frank_PF3087_K114_2008.jpg" width="277" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Frank Stella, <i>K114</i>, 2008</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuwXbNJE2LVjlUQLEfgB1xTn0-qGHQ7bJAlOsAm90T7_A7ZU5KjM2ucvHDwL8cimHDWruJtI2SI9ShQTXnmDLy8qXsidaW8ZVz0rZqWEF0A4PfLKIMJmtJhU0AXFqBAOjDxJdHMB1414U/s1600/edwards_for+rchard+wright+1994.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuwXbNJE2LVjlUQLEfgB1xTn0-qGHQ7bJAlOsAm90T7_A7ZU5KjM2ucvHDwL8cimHDWruJtI2SI9ShQTXnmDLy8qXsidaW8ZVz0rZqWEF0A4PfLKIMJmtJhU0AXFqBAOjDxJdHMB1414U/s1600/edwards_for+rchard+wright+1994.jpg" width="213" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Melvin Edwards, for Richard Wright, 1994, acier soudé</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Sofi Zezmer, <i>all inclusive</i>, 2011, métal et pastique</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-Jzo-kRlpk9Y0qWmojClNPq34zIO3dBvmfT7QJmFJywqunfUbz9NyXfOS-4K39QL9JZkGsVCXEOhYnuFQXZ9ZI_QDBPluf8f7id_u5L7Y6OceySbwUU1hrr9bRi5JFj9BzW0TYyuPZqo/s1600/Edwards_Premonition_1990.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-Jzo-kRlpk9Y0qWmojClNPq34zIO3dBvmfT7QJmFJywqunfUbz9NyXfOS-4K39QL9JZkGsVCXEOhYnuFQXZ9ZI_QDBPluf8f7id_u5L7Y6OceySbwUU1hrr9bRi5JFj9BzW0TYyuPZqo/s1600/Edwards_Premonition_1990.jpg" width="312" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Melvin Edwards, <i>Premonition</i>, 1990, acier soudé</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Maxime Thieffine, <i>Sandwich (rose)</i>, 2013, biscotte et serviette éponge<br />
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<tr><td class="tr-caption" style="text-align: center;">Jessica Stockholder,<i> sans titre 526</i>, 2012</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Nadia Agnolet,<i> le chien</i></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW88oI5v2YbHareypQZq5X2VUn_hmaR-EymfVxrDKXacJ6MtEh8y4Zx8TsiJnc0Bm-xZh4CZGQb24-j1tP88x3Q-Uspdo_45J83HfpW0lhn_220EblGkKwFMAUbsjQaOqOKF1LKKQU6wA/s1600/tatlin+corner+relief.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW88oI5v2YbHareypQZq5X2VUn_hmaR-EymfVxrDKXacJ6MtEh8y4Zx8TsiJnc0Bm-xZh4CZGQb24-j1tP88x3Q-Uspdo_45J83HfpW0lhn_220EblGkKwFMAUbsjQaOqOKF1LKKQU6wA/s1600/tatlin+corner+relief.gif" width="400" /></a></div>
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<tr><td class="tr-caption" style="text-align: center;">Vladimir Tatline, <span class="st"><i>contre relief d'angle</i> (fer, zinc, aluminium), 1917</span></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqyIv8e1fA3fswL_bxY2apAgFpDmQbZTJ0VBKlRIW6n0nP6RXKITclzy_5s5oBkj-bZw5QLJ4tNdwddjJJzohkEZOyW7nDHhLeBdXwtL-ZLv9W4vE42h_TDQup1dIU0f936NRJBWyPJU4/s1600/Tatlin+contre+relief+bleu+1914.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqyIv8e1fA3fswL_bxY2apAgFpDmQbZTJ0VBKlRIW6n0nP6RXKITclzy_5s5oBkj-bZw5QLJ4tNdwddjJJzohkEZOyW7nDHhLeBdXwtL-ZLv9W4vE42h_TDQup1dIU0f936NRJBWyPJU4/s1600/Tatlin+contre+relief+bleu+1914.jpg" width="339" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF5j92qSuy4_6V4GsJR3XOZemyOCFY1odd2M4GS93RBuvJ04kx-tV_flfyvSWdAWH7XD6Nc5YidhXIUrmKm9AW-vhymztf2UQ6xVeUekpdq0aYpKRWVZ2iEkKptmxJS0f4l2DitYGSbU4/s1600/peto_stilleben_mit_laternen+1850.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF5j92qSuy4_6V4GsJR3XOZemyOCFY1odd2M4GS93RBuvJ04kx-tV_flfyvSWdAWH7XD6Nc5YidhXIUrmKm9AW-vhymztf2UQ6xVeUekpdq0aYpKRWVZ2iEkKptmxJS0f4l2DitYGSbU4/s1600/peto_stilleben_mit_laternen+1850.jpg" width="379" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">John Peto, <i>nature morte avec lanterne</i>, 1850</td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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Finalement, un jeu avec les matériaux (métal, fer, plastique) qui devient aussi un jeu avec les genres, picturaux et sexuels. La connotation des mains et des usages et des contextes semble ainsi tordue ou suspendue ....Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-85280803667397427072016-05-09T22:24:00.000+02:002016-05-10T10:35:28.902+02:00Unfinished, le non finito en peinture<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg_svseU06delO-tE3rMA2aZyNyOOG8_zanhm76Tswg0ynh2XN3U7RG01gY6YSEOBztVrMHD-bRgkHIymei6hiFpI9UMek5bhYy4v7cYHok3PLdnKUCNgFjFGhHhzy1Yf0QzgAsqDlEeI/s1600/01_van+eyck_St_Barbara_1437.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg_svseU06delO-tE3rMA2aZyNyOOG8_zanhm76Tswg0ynh2XN3U7RG01gY6YSEOBztVrMHD-bRgkHIymei6hiFpI9UMek5bhYy4v7cYHok3PLdnKUCNgFjFGhHhzy1Yf0QzgAsqDlEeI/s640/01_van+eyck_St_Barbara_1437.jpg" width="377" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jan Van Eyck, sainte barbe, 1437</td></tr>
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<span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">A l'occasion de l'exposition inaugurale du MET Breuer a New York intitulée Unfinished, sur le non fini en peinture, volontaire ou non, voici un choix d'oeuvres en parties issues de l'exposition et complétées par mes ajouts. J'aime beaucoup ici la façon dont on peut rendre visible les sous-couches et les strates du travail pictural sans empiler et dissimuler l'échaffaudage ou le squelette interne.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXbyr9ONsi0JWtX5ki5ZKgHdbIyu2tV6FodlKdeo_gOzxoO7YfAqMQNpWGWBwMyjfQeEw7d1LWSrNhJqFUSXAfPL4aPGKdsySDNmQij4DEEwupC-6VcbG80yetQzH81i50O7JuJUibB6I/s1600/02_picasso-harlequin.nocrop.w529.h756.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXbyr9ONsi0JWtX5ki5ZKgHdbIyu2tV6FodlKdeo_gOzxoO7YfAqMQNpWGWBwMyjfQeEw7d1LWSrNhJqFUSXAfPL4aPGKdsySDNmQij4DEEwupC-6VcbG80yetQzH81i50O7JuJUibB6I/s400/02_picasso-harlequin.nocrop.w529.h756.jpg" width="297" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Picasso, arlequin assis, 1923</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC-duxwv6RERTDKoxkfLRz-ZtmK5QWva-IjUCL9hmx2J9LrIUnmxzEERtOOT9HLOfpUBBU3XVP5a_kiHsEzohyphenhyphen19vnApspQzFirtk9ujuRFiTQV9TIXOWMI0w_-gC1ZNOeOwlc6qe9gcs/s1600/02b_73hWbYw1s8unw6o7_1280.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC-duxwv6RERTDKoxkfLRz-ZtmK5QWva-IjUCL9hmx2J9LrIUnmxzEERtOOT9HLOfpUBBU3XVP5a_kiHsEzohyphenhyphen19vnApspQzFirtk9ujuRFiTQV9TIXOWMI0w_-gC1ZNOeOwlc6qe9gcs/s400/02b_73hWbYw1s8unw6o7_1280.jpg" width="400" /></a></div>
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<tr><td class="tr-caption" style="text-align: center;">Andy Warhol, Do It Yourself (Violin), 1962</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT4D61nViL3aFgoWCSXISiO4oteCZ8wknTmwcvvxOZXhNZEhniQkMfa9DXbIyi7Ov-s5FB6ubKct3hl_-qbPadt3pOVvhwOeGWw3xkJ5pckqNbON0yTTECs1JEWkd33Po10c2Xidf6-Ss/s1600/03_Neel%252C+James+Hunter+Black+Draftee+1965.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT4D61nViL3aFgoWCSXISiO4oteCZ8wknTmwcvvxOZXhNZEhniQkMfa9DXbIyi7Ov-s5FB6ubKct3hl_-qbPadt3pOVvhwOeGWw3xkJ5pckqNbON0yTTECs1JEWkd33Po10c2Xidf6-Ss/s640/03_Neel%252C+James+Hunter+Black+Draftee+1965.jpg" width="420" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alice Neel, James Hunter, Black Draftee, 1965</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZvaoPc4gHkG-O-TvD5D7GUsfznMJCW6FZIvohRqWhI5Pd72EAmB9S2TkAA3JRbl0iwp0I7s3ZaFoi044R5yslOLVKTeHyoN2lI42DOmiKw9Uh-bTyX6C-vqJ-YlNh61IoaYicNdD2Gug/s1600/04_mengs.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZvaoPc4gHkG-O-TvD5D7GUsfznMJCW6FZIvohRqWhI5Pd72EAmB9S2TkAA3JRbl0iwp0I7s3ZaFoi044R5yslOLVKTeHyoN2lI42DOmiKw9Uh-bTyX6C-vqJ-YlNh61IoaYicNdD2Gug/s400/04_mengs.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anton Raffael Mengs<span style="font-size: x-small;">,</span> <br />
<h3>
<span style="font-weight: normal;"><span style="font-size: x-small;">Portrait of Mariana de Silva y Sarmiento, duquesa de Huescar, 18e siècle</span></span></h3>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL_IY9lEE29yBnHlSPG42G33WeFc7n-g0kdPGEkyyp8V_pm9Vk3-4GN2JtQDI3Lk8StmXVFUSsd3PIVCdHi4QG8jByAhJvrdBA-j4S47IdygBAayXV5kg1V9izbzT9YacGN47wUx7fexM/s1600/04METBREUER-slide-IFGT-superJumbo.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL_IY9lEE29yBnHlSPG42G33WeFc7n-g0kdPGEkyyp8V_pm9Vk3-4GN2JtQDI3Lk8StmXVFUSsd3PIVCdHi4QG8jByAhJvrdBA-j4S47IdygBAayXV5kg1V9izbzT9YacGN47wUx7fexM/s400/04METBREUER-slide-IFGT-superJumbo.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMQxj_YsQb9I-I4qi_48_aOb8s4JVGbnEXvWYz-dSobwlwvnSfMi-mKnlrCyt2nf3ascOJnmuBjWAl2S0Ulonic5a-L5qUO38OkKUGKNw7TsfQs1htUEUeaHTrHz4MxNnkpPFNExspyAY/s1600/05_Gainsborough+-The+Artist%2527s+Daughters+with+a+Cat+1759-61+Oil+on+canvas%252C+75%252C6+x+62%252C9.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMQxj_YsQb9I-I4qi_48_aOb8s4JVGbnEXvWYz-dSobwlwvnSfMi-mKnlrCyt2nf3ascOJnmuBjWAl2S0Ulonic5a-L5qUO38OkKUGKNw7TsfQs1htUEUeaHTrHz4MxNnkpPFNExspyAY/s400/05_Gainsborough+-The+Artist%2527s+Daughters+with+a+Cat+1759-61+Oil+on+canvas%252C+75%252C6+x+62%252C9.jpg" width="326" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Thomas Gainsborough, <i>The Artist's Daughters with a Cat</i>, 1759-61, Oil on canvas, 75,6 x 62,9 cm</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_PzijZLBX-Ft-zln0yc5ijaFaacojilSk9DN2pTCpndSUKYzcg2vepKw_q2Nym7uOVFb_1wFJGFnaoM-EiGSMxIn3wqjulqdZfGeuinxgT1V9n24rzE03tNkutkIbwLO5VENPwHW1FUg/s1600/06_manet_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_PzijZLBX-Ft-zln0yc5ijaFaacojilSk9DN2pTCpndSUKYzcg2vepKw_q2Nym7uOVFb_1wFJGFnaoM-EiGSMxIn3wqjulqdZfGeuinxgT1V9n24rzE03tNkutkIbwLO5VENPwHW1FUg/s400/06_manet_.jpg" width="300" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9D-Ry-vZPS5_AUzs6uZpFH-CpXP8SSrERhDukizWnsDSsrUnpb3Pis4YYJrjFpaIw96JH8dDTbtgscQiEaZI0UeWex9KMUHy4LWG5EG5HyA1h96ikMf__3pl4rkvazRMz-jnwVvdbnpA/s1600/06b__the-met-breuer-traces-the-unfinished-to_t491f3b67.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9D-Ry-vZPS5_AUzs6uZpFH-CpXP8SSrERhDukizWnsDSsrUnpb3Pis4YYJrjFpaIw96JH8dDTbtgscQiEaZI0UeWex9KMUHy4LWG5EG5HyA1h96ikMf__3pl4rkvazRMz-jnwVvdbnpA/s400/06b__the-met-breuer-traces-the-unfinished-to_t491f3b67.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Edouard Manet, Madame Manet, 1873, huile sur toile, 100.3 x 78.4 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsxgKjFl8FfIIQNVnMY8ET4lhYkUEoEoNdGb8xAJCYIA30klttPuzoKIvgDYeoUWQMN3BRTHjAhPRWDDK-A9ulHHRIgo721zqkdZMzlMz1OndMQ9HVajri3zdBSrqq-hsoHi0n_YGsVyg/s1600/09_Turner_amateur+theatricals+1827+14x19.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsxgKjFl8FfIIQNVnMY8ET4lhYkUEoEoNdGb8xAJCYIA30klttPuzoKIvgDYeoUWQMN3BRTHjAhPRWDDK-A9ulHHRIgo721zqkdZMzlMz1OndMQ9HVajri3zdBSrqq-hsoHi0n_YGsVyg/s400/09_Turner_amateur+theatricals+1827+14x19.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">WilliamTurner, amateur theatricals, 1827, 14x19 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-1ux0V9d28Yuq57_9G7THiLsUA-nGtLZG91l-T01I_5nUgaCRdzl9Or34NCwePtv8g53B40u2D8JNOqkO8bVd4E-B0x5y8zzOnDQFwQMa844qXDKSemqhrjf_hoCvqiBc3DzXeyw6EFc/s1600/10_west-treaty-1783.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-1ux0V9d28Yuq57_9G7THiLsUA-nGtLZG91l-T01I_5nUgaCRdzl9Or34NCwePtv8g53B40u2D8JNOqkO8bVd4E-B0x5y8zzOnDQFwQMa844qXDKSemqhrjf_hoCvqiBc3DzXeyw6EFc/s400/10_west-treaty-1783.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Benjamin West, treaty of Paris, 1783</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDidJOsAMfzIc5_lcGnPQ_PDXg8t8t9T7QfOlHI5c3ub6Hr-CNFtqL4mKIFber-UxhlTMZtHcCmGUokSdTmy_EpciyajvOmu-T4gOZLQUiovTQnWkDE6vKMP6O5etXvs9BB6HFm5sjd-M/s1600/11_%25C3%2589mile+Bernard+_Unfinished+sketch_back+of+Breton+Women.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDidJOsAMfzIc5_lcGnPQ_PDXg8t8t9T7QfOlHI5c3ub6Hr-CNFtqL4mKIFber-UxhlTMZtHcCmGUokSdTmy_EpciyajvOmu-T4gOZLQUiovTQnWkDE6vKMP6O5etXvs9BB6HFm5sjd-M/s400/11_%25C3%2589mile+Bernard+_Unfinished+sketch_back+of+Breton+Women.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Emile Bernard, croquis au dos de femmes bretonnes</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_NSayQyNGpgemqJAsdPAIiyI7RgywIo4uVHgETf8AlAE0CILIEg6Vui4uiHciQIrB6vJyu7gqJhbbqkz2ur79wWs3t00WVILr-yfN6VrxjG_5JaYuuy5cuHjogX8rr6mFhTGdDa8E3aU/s1600/14_untitled-36-1963.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_NSayQyNGpgemqJAsdPAIiyI7RgywIo4uVHgETf8AlAE0CILIEg6Vui4uiHciQIrB6vJyu7gqJhbbqkz2ur79wWs3t00WVILr-yfN6VrxjG_5JaYuuy5cuHjogX8rr6mFhTGdDa8E3aU/s400/14_untitled-36-1963.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Robert Ryman, untitled 36, 1963</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnBPVhjcwHp8UzHZijsDev10IZaiNxozinaqRLw2OR2RPFOtgxi3ufFomZz8JVnnYgZ16ACdlJqmffO_weeeOX4JIh_xwDUxOqlFX_ammSj9X9DZUxPSGdKDplctjpjYEqyGnGIgpIhnE/s1600/16_2011-02-07-Cezannecurtain.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnBPVhjcwHp8UzHZijsDev10IZaiNxozinaqRLw2OR2RPFOtgxi3ufFomZz8JVnnYgZ16ACdlJqmffO_weeeOX4JIh_xwDUxOqlFX_ammSj9X9DZUxPSGdKDplctjpjYEqyGnGIgpIhnE/s400/16_2011-02-07-Cezannecurtain.png" width="400" /></a></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsry9xvoUWYP3NZW8-OFuXaX-jG2LXaZHvdgBcUK0s9g7zQ6so10QM0zcJkuX1dEBGzIG8Z8FIYnqE5vjJ8-JdfitlMEoHYI3HEbYNZ35tcIgBFdLG8HRl2XQnsW5V10IpJ6JJTeC2r7A/s1600/15_2011-02-07-Cezannecarafe.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsry9xvoUWYP3NZW8-OFuXaX-jG2LXaZHvdgBcUK0s9g7zQ6so10QM0zcJkuX1dEBGzIG8Z8FIYnqE5vjJ8-JdfitlMEoHYI3HEbYNZ35tcIgBFdLG8HRl2XQnsW5V10IpJ6JJTeC2r7A/s400/15_2011-02-07-Cezannecarafe.png" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cézanne, nature morte avec pommes et vase (détails)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihjr37tHMRXR_POaw3f7TTyRk9xXH1s2rx9Gl7M-hmfwgp4gcZtfAo73RaLmyGKbKT4jVad4QbfNIkv7b69_TH_Fo0Xv_d6xdPj2tu85z1-DWbz7oXqMLEE_YS70nQwznFNTyPOko-QeM/s1600/17_cezanne+still+life+with+apples_vase+non+finito.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihjr37tHMRXR_POaw3f7TTyRk9xXH1s2rx9Gl7M-hmfwgp4gcZtfAo73RaLmyGKbKT4jVad4QbfNIkv7b69_TH_Fo0Xv_d6xdPj2tu85z1-DWbz7oXqMLEE_YS70nQwznFNTyPOko-QeM/s400/17_cezanne+still+life+with+apples_vase+non+finito.png" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cézanne, nature morte avec pommes et vase</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0vBxiVNnuDzgtzkEci9L6E17vXAfl8D-8WCYv7X92xi8aC9lem4ScCpk84oaSFn-7AanWbjcc6LIvgRqpIiUEvuu1kimmrkgvVXb3jzhoNUqe97b80Qcp6QheCaTaw3t1ie3dzkl6Vo4/s1600/19_Barr%25C3%25A9_59+120x110+C+1959.jpg" imageanchor="1"></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0vBxiVNnuDzgtzkEci9L6E17vXAfl8D-8WCYv7X92xi8aC9lem4ScCpk84oaSFn-7AanWbjcc6LIvgRqpIiUEvuu1kimmrkgvVXb3jzhoNUqe97b80Qcp6QheCaTaw3t1ie3dzkl6Vo4/s1600/19_Barr%25C3%25A9_59+120x110+C+1959.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0vBxiVNnuDzgtzkEci9L6E17vXAfl8D-8WCYv7X92xi8aC9lem4ScCpk84oaSFn-7AanWbjcc6LIvgRqpIiUEvuu1kimmrkgvVXb3jzhoNUqe97b80Qcp6QheCaTaw3t1ie3dzkl6Vo4/s400/19_Barr%25C3%25A9_59+120x110+C+1959.jpg" width="365" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Martin Barré, 1959, 120 x 110 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp6WwCW4hcp9OWQP4YcgTKNDYvRoco5PFDPydZu6lE9JaSgdBnDOBEm8ZfjG4HXmKd7vlFc_actDM3Bw7fmuhd6-5WlpCxqCwNJvx1kZPUVbLdr2IXL7gE79zU3kYaoKvRljQM6Tu0prs/s1600/20_duane-hanson-theredlist.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp6WwCW4hcp9OWQP4YcgTKNDYvRoco5PFDPydZu6lE9JaSgdBnDOBEm8ZfjG4HXmKd7vlFc_actDM3Bw7fmuhd6-5WlpCxqCwNJvx1kZPUVbLdr2IXL7gE79zU3kYaoKvRljQM6Tu0prs/s640/20_duane-hanson-theredlist.png" width="457" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Duane Hanson, <i>house painter</i>, 1984-88</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUds4VFWXHVk_ioq9T646EX9qUMfeQicOBA6smv3Ollu2sPJSyYB1tsYNDakIoJnvsicSXW_dkixBj_DQ0xCh_yxdVsQe-rI_Nc_K0TWY9dgEOkFvMfofrAm9NrugJg_XJ7iSOrmMPsxs/s1600/21_griffa_Trelineeconarabesco.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="380" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUds4VFWXHVk_ioq9T646EX9qUMfeQicOBA6smv3Ollu2sPJSyYB1tsYNDakIoJnvsicSXW_dkixBj_DQ0xCh_yxdVsQe-rI_Nc_K0TWY9dgEOkFvMfofrAm9NrugJg_XJ7iSOrmMPsxs/s400/21_griffa_Trelineeconarabesco.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Giorgio Griffa, tre linee con arabesco</td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtcgPSEHCQpXJh3wgEpfiP2ZPCirr5z5SS_JCLJw-pdGyLszsceh9CIehLV05rBJuIcVDTQ5LlxNF2iW3Qrn-dZ9112Dir_N_x859P6D5eRWGJN7fBS89hIrM1vjPnX42LejcVWOzJ51I/s1600/23_cassatt_young-girl-holding-a-loose-bouquet.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtcgPSEHCQpXJh3wgEpfiP2ZPCirr5z5SS_JCLJw-pdGyLszsceh9CIehLV05rBJuIcVDTQ5LlxNF2iW3Qrn-dZ9112Dir_N_x859P6D5eRWGJN7fBS89hIrM1vjPnX42LejcVWOzJ51I/s400/23_cassatt_young-girl-holding-a-loose-bouquet.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mary Cassatt, young girl holding a loose bouquet, 1880</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizXVdw4zwnO_Rl7G5SxAd94Ps5BmGBRwCVZ1N4veDn7WcmQMTHVY8S8Vbx-QTEJhQKWNTup8mOJe7mHdSkC3jHutg961fMbtHFOujgLyCAZSb01nEebjKM9-waYbSyCJkCt0Ip5bQ8Ftk/s1600/22_Kenneth+Alme.+Untitled%252C+2015.+Oil%252C+acrylics%252C+spray+and+primer+on+cotton+canvas%252C+wooden+stretcher+185+x+130+cm.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizXVdw4zwnO_Rl7G5SxAd94Ps5BmGBRwCVZ1N4veDn7WcmQMTHVY8S8Vbx-QTEJhQKWNTup8mOJe7mHdSkC3jHutg961fMbtHFOujgLyCAZSb01nEebjKM9-waYbSyCJkCt0Ip5bQ8Ftk/s400/22_Kenneth+Alme.+Untitled%252C+2015.+Oil%252C+acrylics%252C+spray+and+primer+on+cotton+canvas%252C+wooden+stretcher+185+x+130+cm.jpeg" width="292" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Kenneth Alme, Untitled, 2015. Oil, acrylics, spray and primer on cotton canvas, wooden stretcher, 185 x 130 cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_Xbvs7xQJUgLB8zm5WxC0NJKfchQ843avrxb-OTvgbKkkocKswHj-Ug6k6G6aj37RwHYcm1GGdm8j778jv66tS8XzapJ7yPtDt0U3UBfNeQDymhh-0ctiW27Pczo9T3uP4z71XNzfkrQ/s1600/24_Egon_Schiele_-_Gustav_Klimt_im_blauen_Malerkittel_-_1913.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_Xbvs7xQJUgLB8zm5WxC0NJKfchQ843avrxb-OTvgbKkkocKswHj-Ug6k6G6aj37RwHYcm1GGdm8j778jv66tS8XzapJ7yPtDt0U3UBfNeQDymhh-0ctiW27Pczo9T3uP4z71XNzfkrQ/s400/24_Egon_Schiele_-_Gustav_Klimt_im_blauen_Malerkittel_-_1913.jpeg" width="263" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Egon Schiele, Gustav Klimt in blauen Malerkittel, 1913</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM777dLHgsh5ChAUkUwgYzxyFbk9RHoKkUHC_9eI4SXDTEP_S37RK_tVTJqQcUEDicYNMdgy5ZCkgetKG5ZPrPNDX2E-Ddvv5xVCK7RUsRX2mvSr5jwuUvGOevP1_1LlByJND4xI_4HLg/s1600/25_02-nyy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM777dLHgsh5ChAUkUwgYzxyFbk9RHoKkUHC_9eI4SXDTEP_S37RK_tVTJqQcUEDicYNMdgy5ZCkgetKG5ZPrPNDX2E-Ddvv5xVCK7RUsRX2mvSr5jwuUvGOevP1_1LlByJND4xI_4HLg/s400/25_02-nyy.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vue de l'exposition Unfinished, MET Breuer, 2016</td></tr>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-69052678576637484852014-10-27T21:22:00.003+01:002014-10-27T21:22:22.692+01:00Eileen AGAR<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhERYPwb1zJV1J3Qok93XCAGs42ItZpVCqOnh_5ghNlgDjCiGPRqO9SIFBoHLTIs06RJVJwA86flcQBydGRe3NH8SaqW5U-t_UkgfmauXKKFwrDygoDUsa1xL2MQXeU2ZJPQqxARodc7mc/s1600/Agar_portrait.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhERYPwb1zJV1J3Qok93XCAGs42ItZpVCqOnh_5ghNlgDjCiGPRqO9SIFBoHLTIs06RJVJwA86flcQBydGRe3NH8SaqW5U-t_UkgfmauXKKFwrDygoDUsa1xL2MQXeU2ZJPQqxARodc7mc/s1600/Agar_portrait.jpg" height="400" width="328" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Portrait</td></tr>
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<div style="text-align: justify;">
<span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: small;">Une découverte impromptue, Eileen Agar (1899-1991), des liens <a href="http://en.wikipedia.org/wiki/Eileen_Agar" target="_blank">ici</a> et <a href="http://www.tate.org.uk/art/artists/eileen-agar-633" target="_blank">là</a> pour approfondir, et un accrochage intuitif à partir des oeuvres qui m'ont frappées : entre le surréalisme de Henry Moore et de Paul Klee (pour les compositions, la variété, le primitivisme, le floral et l'aquatique), et Max Ernst (pour certaines combinaisons de couleurs). Mais aussi des liens avec le pop anglais (Peter Blake, Gilbert & George, Chris Ofili ...) et surtout Francis Picabia et Paul Thek.</span></span> <span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">On oscille entre collage (formes trouvées) et peinture, entre improvisation et composition, entre bio-morphisme et description ...</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3gG7D1M9lTq_IZst89JDuZir-g-DMARbgCQidMlup_Z3uZpInjFZebJE5Qqyvpw-cVk1P6iKvP4jh0X7jR-_EaJUgtx-uUIF_YxZLJwsHir6ufOzcjEA1DivvS354pUfK7hAuRdjtS5o/s1600/Agar_Bum-Thumb+Rock,+Ploumanach,+Brittany,+1936.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3gG7D1M9lTq_IZst89JDuZir-g-DMARbgCQidMlup_Z3uZpInjFZebJE5Qqyvpw-cVk1P6iKvP4jh0X7jR-_EaJUgtx-uUIF_YxZLJwsHir6ufOzcjEA1DivvS354pUfK7hAuRdjtS5o/s1600/Agar_Bum-Thumb+Rock,+Ploumanach,+Brittany,+1936.jpg" height="400" width="377" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bum-Thumb Rock, Ploumanach, Brittany, 1936</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF3UmtnskjDJ-n-mSPJC3L_OoxnzjqUjAdQDbvt9iA0KqJ7hSJOPFAQviElDl-Bhx9K8IW4X4ljYqZ_iShAxcQSdeZ_OEc_3Kabqb7zhwNEEee8tH70DcLDfL51kEc91TpXovOUlDTtjk/s1600/Agar_luminous-forms-1964.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF3UmtnskjDJ-n-mSPJC3L_OoxnzjqUjAdQDbvt9iA0KqJ7hSJOPFAQviElDl-Bhx9K8IW4X4ljYqZ_iShAxcQSdeZ_OEc_3Kabqb7zhwNEEee8tH70DcLDfL51kEc91TpXovOUlDTtjk/s1600/Agar_luminous-forms-1964.jpg" height="288" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Luminous forms, 1964</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNaI6pb94UyHZJxb_a-ydYklS_w-JQi5TBwyhSriYVrI6Hc61H6zbtaUCCKvBNnplL9t5NYxu39JbqXt3GzNiVwwAdNh-ncFIu2TrchjBvTBBPwrzK9IlrbA3FIcaovJHWFDlFWmOYEu4/s1600/Agar_+Figures+in+a+Garden+1979%E2%80%9381+_tate.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNaI6pb94UyHZJxb_a-ydYklS_w-JQi5TBwyhSriYVrI6Hc61H6zbtaUCCKvBNnplL9t5NYxu39JbqXt3GzNiVwwAdNh-ncFIu2TrchjBvTBBPwrzK9IlrbA3FIcaovJHWFDlFWmOYEu4/s1600/Agar_+Figures+in+a+Garden+1979%E2%80%9381+_tate.jpg" height="320" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figures in a Garden, 1979–81 </td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW3e79IPTHfxeU7IVfURqaqxW0Rvgr1qMKcjrgGudfMRReUL6uqIZLaDTLTdlTwG_Ru-8-2x9kyDBDBe-OSNTc80xUo3O-BZ2yMeYEq9ZRFniWJuA-BFWxNn7IW2ACwUi3JwgJlKMZzT4/s1600/agar_oval+object+1963.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW3e79IPTHfxeU7IVfURqaqxW0Rvgr1qMKcjrgGudfMRReUL6uqIZLaDTLTdlTwG_Ru-8-2x9kyDBDBe-OSNTc80xUo3O-BZ2yMeYEq9ZRFniWJuA-BFWxNn7IW2ACwUi3JwgJlKMZzT4/s1600/agar_oval+object+1963.jpg" height="278" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Oval Object, 1953</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMBSDuF6aM2kjlNLHNP0scKd4RVcG8ljjCXmD15A4D4uor5uwzUf3aoqVKKPXrXnySYOODVgQWPTiIsR75RNZyGVtcq48V0kARSYC-vVcx1VtvZ6UPnFLLgoKNc-fk8QcQ4qV5RQMg3l0/s1600/Agar_seaweed-collage.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMBSDuF6aM2kjlNLHNP0scKd4RVcG8ljjCXmD15A4D4uor5uwzUf3aoqVKKPXrXnySYOODVgQWPTiIsR75RNZyGVtcq48V0kARSYC-vVcx1VtvZ6UPnFLLgoKNc-fk8QcQ4qV5RQMg3l0/s1600/Agar_seaweed-collage.jpg" height="320" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">seaweed collage</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrn78Y1nRMJ9eyI2trm-4IwW4F8X7fKO5yopFSNwqS-qr2VZ8dpHNRUzC6D3tvnyMoTcAnJ_n4METscfGNeLsygcQNB3DPVqyJDA50ahKJGpY_e_eFKAr5XtHoQmYQx_pW_AfR51UVNp8/s1600/Agar_Fish+basket_c1965_wicker_shell+wood+on+carboard+base_38x33x33cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrn78Y1nRMJ9eyI2trm-4IwW4F8X7fKO5yopFSNwqS-qr2VZ8dpHNRUzC6D3tvnyMoTcAnJ_n4METscfGNeLsygcQNB3DPVqyJDA50ahKJGpY_e_eFKAr5XtHoQmYQx_pW_AfR51UVNp8/s1600/Agar_Fish+basket_c1965_wicker_shell+wood+on+carboard+base_38x33x33cm.jpg" height="400" width="361" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fish basket, vers 1965, 38x33x33cm</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8p3JQHW0WsYnCqMecGvA8NkyVjgXI4_q6ZPFXa2307uez8MY89PEQIINrbZpBAJnFQqTrFQNqgci6QmQxFlA2nwV9tAuyWIqJTlWNWPXs9SanQ3bb0-pw3AKA13CDCsxlUv6wVDkGOWY/s1600/Agar_the+reaper_1938_gouache+&+leaf+21x27cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8p3JQHW0WsYnCqMecGvA8NkyVjgXI4_q6ZPFXa2307uez8MY89PEQIINrbZpBAJnFQqTrFQNqgci6QmQxFlA2nwV9tAuyWIqJTlWNWPXs9SanQ3bb0-pw3AKA13CDCsxlUv6wVDkGOWY/s1600/Agar_the+reaper_1938_gouache+&+leaf+21x27cm.jpg" height="305" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The reaper, 1938, gouache et feuille d'arbre sur papier</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyX2XvW4Yhp5Eqk71RA8sM1gHGdCjObcPc90g1gLYFnddYFeFQLVeiq1UgyCBAYVjzkwGng2c6fnWrjDM0nDONELhaxD6zbTewvUT6rsmtyr2qLt5-E0APcGPqfm8_n5Tt3OFe6-VAwYk/s1600/agar_Precious+Stones+1936.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyX2XvW4Yhp5Eqk71RA8sM1gHGdCjObcPc90g1gLYFnddYFeFQLVeiq1UgyCBAYVjzkwGng2c6fnWrjDM0nDONELhaxD6zbTewvUT6rsmtyr2qLt5-E0APcGPqfm8_n5Tt3OFe6-VAwYk/s1600/agar_Precious+Stones+1936.jpg" height="400" width="311" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Precious stones, 1936</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZuVJMXksiqVyYApR2JyDIlSC2EdPB31K5HmMYojVuSe9rCR8NU0v0eFVkGnivrcRXb6khN-rwGdNwwg1p9G5gpFeUKgUi86U_HpjWujfILKKcUHTnA9Ga6dzRUNpBsfdVvl29GyhTR7s/s1600/Agar_+Angel+of+Anarchy+1936%E2%80%9340.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZuVJMXksiqVyYApR2JyDIlSC2EdPB31K5HmMYojVuSe9rCR8NU0v0eFVkGnivrcRXb6khN-rwGdNwwg1p9G5gpFeUKgUi86U_HpjWujfILKKcUHTnA9Ga6dzRUNpBsfdVvl29GyhTR7s/s1600/Agar_+Angel+of+Anarchy+1936%E2%80%9340.jpg" height="400" width="302" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgW2zPDRByGto-PvBfBSKzB0Ihoo-rs_raUzR5xOdjMxFoa8MQ1mHtwlr4cv7jJmJJREuBGm0Hf5ugcb6PNZLbeURIVYEVYLOacgzOolyZ6vSI7VUVaP7DsyOAcx7CqoNuzoW834OJ3wFA/s1600/Agar_Plaster,+fabric,+shells,+beads,+diamante+stones+etc.+1936-40.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgW2zPDRByGto-PvBfBSKzB0Ihoo-rs_raUzR5xOdjMxFoa8MQ1mHtwlr4cv7jJmJJREuBGm0Hf5ugcb6PNZLbeURIVYEVYLOacgzOolyZ6vSI7VUVaP7DsyOAcx7CqoNuzoW834OJ3wFA/s1600/Agar_Plaster,+fabric,+shells,+beads,+diamante+stones+etc.+1936-40.jpg" height="400" width="321" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9qr6pIanBcxvQ2KAlTa91kbbuH0ocNlekRz2aCgQ85pR0UeLH_1kFKqRbLL7zXU-rziN1B9DfmRFqdZa7cRbRCMKb9_XNHPKDQDpiyX5UCv29ooSikVeljk74tKJzTq1yXrwnQ6_Deso/s1600/DSC_0253.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9qr6pIanBcxvQ2KAlTa91kbbuH0ocNlekRz2aCgQ85pR0UeLH_1kFKqRbLL7zXU-rziN1B9DfmRFqdZa7cRbRCMKb9_XNHPKDQDpiyX5UCv29ooSikVeljk74tKJzTq1yXrwnQ6_Deso/s1600/DSC_0253.JPG" height="400" width="322" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Angel of Anarchy, 1936–40</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggsxYBA1PD0fPiJaHlEVYifJR7ydDxhSqgM-PZiSqgo4BOOTtcxi0CU5udG1sCu2ZCnUJU8YJ-RjWFcXDW52YIO-CHciwSvLRtkDhEm1VkLsg0xV9rjJmlBmT0lNQPi_JwNX29EluK8ko/s1600/agar_instrumental+nude+1961.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggsxYBA1PD0fPiJaHlEVYifJR7ydDxhSqgM-PZiSqgo4BOOTtcxi0CU5udG1sCu2ZCnUJU8YJ-RjWFcXDW52YIO-CHciwSvLRtkDhEm1VkLsg0xV9rjJmlBmT0lNQPi_JwNX29EluK8ko/s1600/agar_instrumental+nude+1961.jpg" height="400" width="303" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">instrumental nude, 1961</td></tr>
</tbody></table>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizQiz6dFutIBHE-vNjZmGfdhDmlq0TowfvIfyH0ry_DfXHdkXkyYKFwn0kQOSdOxTr8etrwlLfO3FOBulkUNPTTY5IJ-phpPktdbrJQTOPpFs94vy2nibRWx19Xow9YX3IWY9n-Dcx7OU/s1600/EILEEN+AGAR+1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizQiz6dFutIBHE-vNjZmGfdhDmlq0TowfvIfyH0ry_DfXHdkXkyYKFwn0kQOSdOxTr8etrwlLfO3FOBulkUNPTTY5IJ-phpPktdbrJQTOPpFs94vy2nibRWx19Xow9YX3IWY9n-Dcx7OU/s1600/EILEEN+AGAR+1.jpg" height="400" width="322" /></a></div>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-15043152540664594142014-09-09T15:28:00.001+02:002014-09-09T15:28:57.666+02:00The Rendering Eye de Regula Boschler<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY7zInwqnLD5K6oLGIIUrACiydFVu0t44Eey3yo_64dzd_houv9I0LTsPcYPtJaT9TrdHd7AELPqWSWvFEzl5V0c7SlkPlZiLKPYK-iNVtbq81RCUphNP19iKaH1uWLjKcHv07x8hGWik/s1600/Boschler_face_miami.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY7zInwqnLD5K6oLGIIUrACiydFVu0t44Eey3yo_64dzd_houv9I0LTsPcYPtJaT9TrdHd7AELPqWSWvFEzl5V0c7SlkPlZiLKPYK-iNVtbq81RCUphNP19iKaH1uWLjKcHv07x8hGWik/s1600/Boschler_face_miami.jpg" height="320" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Faces, Miami</td></tr>
</tbody></table>
<div style="margin-bottom: 0cm;">
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<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="http://www.renderingeye.net/biography.php" target="_blank">Regula Boschler</a>, journaliste suisse
germanophone, historienne et documentariste, a beaucoup travaillé
sur les représentations et les médias. Elle publie un <a href="http://www.editionpatrickfrey.com/en/books/rendering-eye-urban-america-revisited-regula-bochsler-philipp-sarasin" target="_blank">livre</a> de vues / photographies / captures
d'écrans, la définition est délicate et intéressante
justement, qui s'intitule <a href="http://www.renderingeye.net/" target="_blank">The rendering eye, urban America revisited</a>.
Au delà des sempiternelles recherches fantasmatiques sur le paysage
américain, adoré ou critiqué, souvent les deux à la fois (façon
de revisiter Dan Graham, Lewis Baltz ou Emmet Godwin entre autres),
ce sont les qualités picturales de ses vues qui m'intéressent.</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMdp2uGB6mCL16lHOs2UyMf9C0lLnHXVP7Dfm21T5F02_AamtmtcWOU3lU8tyLrHHd3Eg01dzWV_h3RCGT1iayhR40pgfo44zEY2cORT7o6GSmZ3j_Ac_sUZp9bPJiajHfFd1JpsJflFc/s1600/faces+6_phoenix4_maps.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMdp2uGB6mCL16lHOs2UyMf9C0lLnHXVP7Dfm21T5F02_AamtmtcWOU3lU8tyLrHHd3Eg01dzWV_h3RCGT1iayhR40pgfo44zEY2cORT7o6GSmZ3j_Ac_sUZp9bPJiajHfFd1JpsJflFc/s1600/faces+6_phoenix4_maps.jpg" height="320" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Faces, Phoenix</td></tr>
</tbody></table>
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<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Les images sont dites réalisées
(«based on») à partir de capture d'écran du logiciel/application
d'Apple, <a href="http://032c.com/2014/apple-maps-is-painting-our-world-strange/" target="_blank">Fly Over de Apple Maps</a> : le terme est vague et peu précis,
quand à la définition d'image qui a permis de les extraire et de
les passer sous presse. Y a t-il eu des retouches ou ajustements par
des assistants, peut-être, mais peu importe au fond si l'on observe
la puissance d'évocation de la touche picturale. Les erreurs et
initiatives de l'algorythme produisent des textures de surfaces, des
contours lissés et drapés comme des peaux élastiques tendues sur
des masses devinées et schématiques. Selon une logique de
flaneur/navigateur qui tient du photographe de rue et du survol
aérien, l'oeil et la main sur la souris ont été attirés par
l'effet pictural ready-made produit par la qualité de l'algorythme,
originellement prévu pour le ciblage de tirs de missiles.</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg-jaGEJkNFia2pJ5Jrpd6JoygGfME5DWG9vC5hoVzF8dUZVza68HApm8JsmRvR4W3HKEfmkXdpnb4FGWTEaPL1HUHzaCZiAYka1-D6_-n7pwAcGJwVEyxJrPWRE7Pu-bp24snUaLAX0A/s1600/harbour16_seattle-2014-01-20-07.43.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg-jaGEJkNFia2pJ5Jrpd6JoygGfME5DWG9vC5hoVzF8dUZVza68HApm8JsmRvR4W3HKEfmkXdpnb4FGWTEaPL1HUHzaCZiAYka1-D6_-n7pwAcGJwVEyxJrPWRE7Pu-bp24snUaLAX0A/s1600/harbour16_seattle-2014-01-20-07.43.jpg" height="320" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Harbour, Seattle</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgsKW6vVQr27YH7Pk1B33VVMwYPSruRAlS-cK7EX0zD3moPWOscGTt2GUiMhpNRfMAcELb3s_OcNQ8czqAYp7SnDDGKS5bboWqoWp5lBxlbLhl5bNiqJns5xvqIamGP5bu3MFm-DDDB84/s1600/harbour+13_cape-town-2014-01-26-23.01.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgsKW6vVQr27YH7Pk1B33VVMwYPSruRAlS-cK7EX0zD3moPWOscGTt2GUiMhpNRfMAcELb3s_OcNQ8czqAYp7SnDDGKS5bboWqoWp5lBxlbLhl5bNiqJns5xvqIamGP5bu3MFm-DDDB84/s1600/harbour+13_cape-town-2014-01-26-23.01.jpg" height="320" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Harbour, Cape Town</td></tr>
</tbody></table>
<div style="margin-bottom: 0cm;">
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<div style="margin-bottom: 0cm; text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Ses vues de rues désertes, bâtiment
et routes, sites industriels et grands ouvrages sont regroupées en
neuf catégories : <i>downtown, harbour, faces, suburbia, time off,
industry, nature, wasteland, movement</i>, pas toutes aussi intéressantes
visuellement pour mon angle de vue. Pour ce que j'ai sélectionné,
on voit donc dans ses surfaces colorées un aspect caoutchouteux
réminiscent de Manet ou Caillebote, de l'impressionnisme pour les
vues de paysages « naturels » ou des textures picturales
aperçues chez Philippe Cogné, Peter Doig, Denis Laget, Neil Jenney,
<a href="http://maximememoirevive.blogspot.fr/2014/08/another-artschwager.html" target="_blank">Richard Artschwager</a> ou Josephine Halvorson. Ca donne envie de peindre
et de regarder de plus près la peinture ...</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV4OKJsIrUpZwWMVjozpN5xg3qRxH_RAgEfwbnIYVrYuXD6ZOVLrqWqn0BowAan8qJIWKAOIdlotSJM56mpwHLSNUaoDTanwpvPdGnzSDfzq-mPolLJfCiouUHu7AnQNCDg6s5k1F8COM/s1600/leeds.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV4OKJsIrUpZwWMVjozpN5xg3qRxH_RAgEfwbnIYVrYuXD6ZOVLrqWqn0BowAan8qJIWKAOIdlotSJM56mpwHLSNUaoDTanwpvPdGnzSDfzq-mPolLJfCiouUHu7AnQNCDg6s5k1F8COM/s1600/leeds.jpg" height="320" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nature, Leeds</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWPsnip3DoORXcnMfBfldTVZIQxdR5bf0HiPCbLqTpC6Dxcm8lcc2TqzBdsG9zOM_Ne2hx8kqN43cnY-OZVYxF2cXbWoid3scvjZqq2ZQSSMAyNRBMSwLWbjA6uZuXpXrcoG6LW3R56HA/s1600/nature+20-cliffs-of-moher-2014-03.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWPsnip3DoORXcnMfBfldTVZIQxdR5bf0HiPCbLqTpC6Dxcm8lcc2TqzBdsG9zOM_Ne2hx8kqN43cnY-OZVYxF2cXbWoid3scvjZqq2ZQSSMAyNRBMSwLWbjA6uZuXpXrcoG6LW3R56HA/s1600/nature+20-cliffs-of-moher-2014-03.jpg" height="320" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nature, cliff of Moher</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeFErYqzfgHHvuIupboUX5toMJJ7f1Y-1urjZLzvJBYyoN3MDp4tKdJ2JSy8bIHY5fWuRKnxBIKH0Y2I1zYNu6Uypfy2vcyAfOxf85UAXH_YcT34L9KmzJopgbgBs7O2qX0MWbQbLdZgs/s1600/Regula+Boschler_The+Rendering+Eye+2014.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeFErYqzfgHHvuIupboUX5toMJJ7f1Y-1urjZLzvJBYyoN3MDp4tKdJ2JSy8bIHY5fWuRKnxBIKH0Y2I1zYNu6Uypfy2vcyAfOxf85UAXH_YcT34L9KmzJopgbgBs7O2qX0MWbQbLdZgs/s1600/Regula+Boschler_The+Rendering+Eye+2014.jpg" height="318" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Non identifié</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb9dtM0oQMtzPpLWrAxsN03_GG07xygAQyJ2nhLxPAClvXz1Gee-kAM-O3YR6JKU4gXu-GOCSFfC-7Fx8uen5EN7aYnluvK8eqvApYKAPF6vmsIX8bBwyCWMKaQP1MEXvBAjPpCJXqGOE/s1600/rendering+eye+movement+10.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb9dtM0oQMtzPpLWrAxsN03_GG07xygAQyJ2nhLxPAClvXz1Gee-kAM-O3YR6JKU4gXu-GOCSFfC-7Fx8uen5EN7aYnluvK8eqvApYKAPF6vmsIX8bBwyCWMKaQP1MEXvBAjPpCJXqGOE/s1600/rendering+eye+movement+10.jpg" height="320" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Movement 10</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWCRIPEtK3ethK_VX8uzVWuGO-Sx9k-xxcUZp8zR2ScH7B7aQ7_QW9B_auh5qDhKnERdGP0CyFke2ASGZfLyQEeeyQjC8KvxqMtxdU64FGmJVC3Py7CAQ71j5MqX51vz40c3rOq1MI3xc/s1600/rendering-eye-miami+hafen-pano.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWCRIPEtK3ethK_VX8uzVWuGO-Sx9k-xxcUZp8zR2ScH7B7aQ7_QW9B_auh5qDhKnERdGP0CyFke2ASGZfLyQEeeyQjC8KvxqMtxdU64FGmJVC3Py7CAQ71j5MqX51vz40c3rOq1MI3xc/s1600/rendering-eye-miami+hafen-pano.jpg" height="225" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Miami</td></tr>
</tbody></table>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3EZW4tSSOkV2BYR77h87-_KPo1J1HR5lj7RiM37gEFcX78vLRkv4OKiewskw1hucDRR6Tocbx9rwpJhmYoHhx20kLaCeNIjjAH2HMbMMMa0lNEEySR28kHmdDDB1fge7uVt74W66MF2I/s1600/The_Rendering_Eye_Harbor_4-1024x818.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3EZW4tSSOkV2BYR77h87-_KPo1J1HR5lj7RiM37gEFcX78vLRkv4OKiewskw1hucDRR6Tocbx9rwpJhmYoHhx20kLaCeNIjjAH2HMbMMMa0lNEEySR28kHmdDDB1fge7uVt74W66MF2I/s1600/The_Rendering_Eye_Harbor_4-1024x818.jpg" height="318" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Harbour 4 </td></tr>
</tbody></table>
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-83290972483194802682014-09-02T22:39:00.000+02:002014-09-02T22:49:17.041+02:00Art is Sex<div class="separator" style="clear: both; text-align: center;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_KtJkhaQbo5l8V9O85uLwmCCZ7zDynuK_RdHHtuOFwIRmMbppP5Uo3f2fU07nldUDOf7_EMIgME3C14x2gan0t5oViFrhHRVEJRDEoREUqdtie4imhNUgeGoarrHnt2CAZFi0ElAfodk/s1600/baselitz_meldie+d'amour_eau+forte+sur+Velin_2000_66x49.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_KtJkhaQbo5l8V9O85uLwmCCZ7zDynuK_RdHHtuOFwIRmMbppP5Uo3f2fU07nldUDOf7_EMIgME3C14x2gan0t5oViFrhHRVEJRDEoREUqdtie4imhNUgeGoarrHnt2CAZFi0ElAfodk/s1600/baselitz_meldie+d'amour_eau%2Bforte%2Bsur%2BVelin_2000_66x49.jpg" height="400" width="301" /></a></td><td style="text-align: center;"></td><td style="text-align: center;"></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Georg Baselitz, Mélodie d'amour, eau-forte sur papier Velin, 2000</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJFpNequimMmlLebx77rALkaMNm9oDRf_Die_xmYgUNK6t9nU9iCjnSoz_YXC3I2QCvrOOu_VORVSbGINpNVXRU31O6ZDYe03acyB_TOn3WLRVdfk9ZMyqLlXNiYqL8PECXB-OehZmH-s/s1600/Lawson,+T_The+Joy+of+Sex+III,+1979+oil+housepaint+on+canvas.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJFpNequimMmlLebx77rALkaMNm9oDRf_Die_xmYgUNK6t9nU9iCjnSoz_YXC3I2QCvrOOu_VORVSbGINpNVXRU31O6ZDYe03acyB_TOn3WLRVdfk9ZMyqLlXNiYqL8PECXB-OehZmH-s/s1600/Lawson,+T_The+Joy+of+Sex+III,+1979+oil+housepaint+on+canvas.png" height="400" width="261" /> </a></td><td style="text-align: center;"></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Thomas Lawson, The Joy of Sex III, 1979, oil & housepaint on canvas</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_lPjT1mHAoa0d2eo6AIEutlR0UY4PZrLRNBsQwysZTrLioyRVW8IpAZAxo0k075hihpNL1avm5TqllU-9-u_qwqVTeG4lKn8vFBUvbDZ8rxFSbR2YAVNAdMvauEDhzaYpfIN4vvQxsC4/s1600/PLE-Sarah-Tritz-041.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_lPjT1mHAoa0d2eo6AIEutlR0UY4PZrLRNBsQwysZTrLioyRVW8IpAZAxo0k075hihpNL1avm5TqllU-9-u_qwqVTeG4lKn8vFBUvbDZ8rxFSbR2YAVNAdMvauEDhzaYpfIN4vvQxsC4/s1600/PLE-Sarah-Tritz-041.jpg" height="400" width="330" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sarah Tritz, les fesses, 2014 peinture sur photographie collée sur aluminium, collage</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYjHtX7-BIBdn3oB7wIFYYRa2RgTkSEh3rr6ERb9EB_KdDNHRuKkMTnhZ_HJs_H1orD9yKd80nh7AczjJ7L5iwSA6YVbdgfbi5z1kqezGSCqb8iA-hgQaUIqVR48N7f4LeYSivdt1Qzuo/s1600/maslansky_Logical+Construction+I,+2012,+acrylic+on+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYjHtX7-BIBdn3oB7wIFYYRa2RgTkSEh3rr6ERb9EB_KdDNHRuKkMTnhZ_HJs_H1orD9yKd80nh7AczjJ7L5iwSA6YVbdgfbi5z1kqezGSCqb8iA-hgQaUIqVR48N7f4LeYSivdt1Qzuo/s1600/maslansky_Logical+Construction+I,+2012,+acrylic+on+canvas.jpg" height="400" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jonathan Maslansky, Logical Construction I, 2012, acrylic on canvas</td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Parce que c'est quand même étonnant que ça ne soit pas plus présent dans la création contemporaine, comme thème ou sujet, parce que, quand même .... </span></span></div>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Ca = l'envie, le désir, la fascination pour les parties génitales, le corps et ses mouvements intérieurs, la difficulté à dire et à représenter, le rapport à l'autre, la présence, le magnétisme, la surprise à chaque fois, l'activité sexuelle comme la plus grande abstraction ET la façon la plus concrète d'être là. L'art et/dans la vie et vice versa ...</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizSjgNumX_IkZQECYtAz_VQQ9V_hm6p4MgHyKFBT8Y0qp-48MGkMsuawDjKKBXp3CkwpHOmUlGFgKczAR72sy-g-RSK0ASOUY2cupHZxwWVgC-n18GDbiHAmsedGi3x_EmttytPPFMA_I/s1600/Bader_heaven&earth_blum&poe+2013_clitoris+with-and+play.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizSjgNumX_IkZQECYtAz_VQQ9V_hm6p4MgHyKFBT8Y0qp-48MGkMsuawDjKKBXp3CkwpHOmUlGFgKczAR72sy-g-RSK0ASOUY2cupHZxwWVgC-n18GDbiHAmsedGi3x_EmttytPPFMA_I/s1600/Bader_heaven&earth_blum&poe+2013_clitoris+with-and+play.jpg" height="266" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Darren Bader, clitoris with/and play, 2013</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk2YdyC3iQ8_sPtCqp523RpzU4EAUzWKG3gLB2Kj0I-XHAmFFtMCVUwLSNzrClgFku3JdTfKBYha-TiIMpLAT69B7Cf8wpGD8UkEZm4RrC5cb86onc8X_7tiCpe3zWPKJZV5523qyu6ZU/s1600/hempton_caspar+2014+35x30.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk2YdyC3iQ8_sPtCqp523RpzU4EAUzWKG3gLB2Kj0I-XHAmFFtMCVUwLSNzrClgFku3JdTfKBYha-TiIMpLAT69B7Cf8wpGD8UkEZm4RrC5cb86onc8X_7tiCpe3zWPKJZV5523qyu6ZU/s1600/hempton_caspar+2014+35x30.jpg" height="320" width="277" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Celia Hempton, Caspar, 2014, 35 x 30 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRfKxVLg90qq2lkCmPUPw10Z7NnlQJxhrsqzh_AiawNn0eTbJ7Ij5__6VwxxOoosgu0wWA5SYKoJV-lKtJYO5AS0gOUhOWmJ1EPEM8_K0xN9YNpXUN-stL0QuNokjtV61JAWLatpGCQXk/s1600/Currin+amanda+2003.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRfKxVLg90qq2lkCmPUPw10Z7NnlQJxhrsqzh_AiawNn0eTbJ7Ij5__6VwxxOoosgu0wWA5SYKoJV-lKtJYO5AS0gOUhOWmJ1EPEM8_K0xN9YNpXUN-stL0QuNokjtV61JAWLatpGCQXk/s1600/Currin+amanda+2003.png" height="317" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">John Currin, Amanda, 2003</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1wIeXvJ16dnWf2sUR7ZGixEcnaKYO-uIwWEmkL7TvLePWW81OATNLvp8-oLlVyYEVVECFM8nNnIMSKOwVRZX8HvYZ4szH5eOb2UmJxG-IL7iTUHH8TVmift5OqzoGWfjY62AHM2RczRY/s1600/Bader_heaven&earth_blum&poe+2013_anus+and-with+greyness.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1wIeXvJ16dnWf2sUR7ZGixEcnaKYO-uIwWEmkL7TvLePWW81OATNLvp8-oLlVyYEVVECFM8nNnIMSKOwVRZX8HvYZ4szH5eOb2UmJxG-IL7iTUHH8TVmift5OqzoGWfjY62AHM2RczRY/s1600/Bader_heaven&earth_blum&poe+2013_anus+and-with+greyness.jpg" height="266" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Darren Bader, Anus and/with greyness, 2013</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLPEigJut2UxZzsZrRNepeBup6Bytzc45T5JRW4j_bhqnB2eO2DTIbPeGKgkIaFwCJtdIwPi0OqeQXqrCn3WK4H0j75mT66JBciDOl5ek8UkKybtGcLPgd_2kFJNU6aPqK6C3T9WD6x6U/s1600/hempton_kajsa+2014+61x51.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLPEigJut2UxZzsZrRNepeBup6Bytzc45T5JRW4j_bhqnB2eO2DTIbPeGKgkIaFwCJtdIwPi0OqeQXqrCn3WK4H0j75mT66JBciDOl5ek8UkKybtGcLPgd_2kFJNU6aPqK6C3T9WD6x6U/s1600/hempton_kajsa+2014+61x51.jpg" height="320" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Celia Hempton, Kajsa, 2014, 61x51 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiREzWrfyMJAeUgfyMsUlzOSu2Ol1n7IgiXRNjYjcnvh6Y2zgnK8YsV5UECtxnBRXKAUNOxcedb_j_3R0GwPmKBK09XBLgn_Vq6vzSHyQue0oWG6yjzdPpSiQpsLAYnYRoIksWH7MiO5T8/s1600/Chapman,+jesse_Mark-Woods_20140505_Algus_Greenspon_2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiREzWrfyMJAeUgfyMsUlzOSu2Ol1n7IgiXRNjYjcnvh6Y2zgnK8YsV5UECtxnBRXKAUNOxcedb_j_3R0GwPmKBK09XBLgn_Vq6vzSHyQue0oWG6yjzdPpSiQpsLAYnYRoIksWH7MiO5T8/s1600/Chapman,+jesse_Mark-Woods_20140505_Algus_Greenspon_2.jpg" height="400" width="282" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jesse Chapman, The Pagan, 2012, oil on linen</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvkMgviB2ozGBb4IX6grkv0ep1-R56-KEwPhm28Fvt88gIRcF1HSEszfUF3yBKhjxWnxGPK2RNJ84snamyZzocLkaAMYYeQBY6m-FX8v-rjMCWQWpTGfgr5KHWUKwZpOLNOXFKLv_3EdQ/s1600/Foullon_possession_09.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvkMgviB2ozGBb4IX6grkv0ep1-R56-KEwPhm28Fvt88gIRcF1HSEszfUF3yBKhjxWnxGPK2RNJ84snamyZzocLkaAMYYeQBY6m-FX8v-rjMCWQWpTGfgr5KHWUKwZpOLNOXFKLv_3EdQ/s1600/Foullon_possession_09.jpg" height="320" width="317" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3yEaHentmfQvAXU-8ZRA4MZe1BS0jObfB7u5k9u7FjgIHT2PPMx-9JYTqCxFNli_KQJUTyAN1kNF9XPX5rm5tEYwiNH6bpHjf8Bpfbx0f9bwcEwenEx5-0nAuyoN524k88jpE5Pk0_qI/s1600/Foullon_possession_det.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3yEaHentmfQvAXU-8ZRA4MZe1BS0jObfB7u5k9u7FjgIHT2PPMx-9JYTqCxFNli_KQJUTyAN1kNF9XPX5rm5tEYwiNH6bpHjf8Bpfbx0f9bwcEwenEx5-0nAuyoN524k88jpE5Pk0_qI/s1600/Foullon_possession_det.jpg" height="400" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Rachel Foulon, possession, 2009</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioeJztiUi8Qy6uwuEEZebKNlerCRK5peX12G-OGk-Ego7_q2D3IuoqiVUW55wP8HqXMtZQBT3vdLy5jhayjyPxMFsxr_WvRbyVw2r9zHXqrmNXnEz-_xq1L3gxGSZ_EkzpeL7rEoM8jOs/s1600/Hanneline+R%C3%B8geberg_Balzac+I,+2008.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioeJztiUi8Qy6uwuEEZebKNlerCRK5peX12G-OGk-Ego7_q2D3IuoqiVUW55wP8HqXMtZQBT3vdLy5jhayjyPxMFsxr_WvRbyVw2r9zHXqrmNXnEz-_xq1L3gxGSZ_EkzpeL7rEoM8jOs/s1600/Hanneline+R%C3%B8geberg_Balzac+I,+2008.jpg" height="400" width="317" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hanneline Røgeberg, Balzac I, 2008</td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZZNXn_B-bztUx1RS5ewW069DaLx1UpUoVuljgZdM3a8F9gIedHfqvqfBsxgW5w8oQ457_C_G6c4SdG1_AozGfjbaUce2KLG5IukXBZGxyjY9H7dcOvEgQxA8JQXbLYI5Mre6hzA5Pfow/s1600/Brown,+cecily_sweetie+2001.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZZNXn_B-bztUx1RS5ewW069DaLx1UpUoVuljgZdM3a8F9gIedHfqvqfBsxgW5w8oQ457_C_G6c4SdG1_AozGfjbaUce2KLG5IukXBZGxyjY9H7dcOvEgQxA8JQXbLYI5Mre6hzA5Pfow/s1600/Brown,+cecily_sweetie+2001.jpg" height="400" width="345" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cecily Brown, Sweetie, 2001</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSVXyTEQUOfEt8r7_KyaNj41pyrVPSHmBh8GXeOTYo_58lhOb4v3w_VAHAr3IoU6VkIgrfLCRSjv5SCZa9Z1srSVFvL0KaGF-xeTEMORKNYJITxDu3iSX9JE3cBhGxpXfIFQaqGuakkeU/s1600/Wolfson,+jordan_Untitled_2011,+printed+adhesive+on+lobster+claw+and+marble.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSVXyTEQUOfEt8r7_KyaNj41pyrVPSHmBh8GXeOTYo_58lhOb4v3w_VAHAr3IoU6VkIgrfLCRSjv5SCZa9Z1srSVFvL0KaGF-xeTEMORKNYJITxDu3iSX9JE3cBhGxpXfIFQaqGuakkeU/s1600/Wolfson,+jordan_Untitled_2011,+printed+adhesive+on+lobster+claw+and+marble.jpg" height="266" width="400" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiCb6HyZhNC1rXWM9hYMzsk1qCmIK0jfc887HX1PJeY0dJlwF2vVr5PH8eKE1lkBfo77OxvbIbo2TtW9FY273ccYOOBmnBcSXQ21zbjOpowbmf7JkyeFZfXmQxHyOrLCLdz9nVXhyDJUc/s1600/Wolfson_claws1-1024x527.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiCb6HyZhNC1rXWM9hYMzsk1qCmIK0jfc887HX1PJeY0dJlwF2vVr5PH8eKE1lkBfo77OxvbIbo2TtW9FY273ccYOOBmnBcSXQ21zbjOpowbmf7JkyeFZfXmQxHyOrLCLdz9nVXhyDJUc/s1600/Wolfson_claws1-1024x527.jpg" height="205" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jordan Wolfson, Untitled (claws 1), 2011, printed adhesive on lobster claw and marble</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguVJ4gMm0zQehIp-7lXxPwDx3XVysVQQ49Js3K8BvVrAD2gDReHzw_MU2RAt0gJYW9mDtEuga7swoFbz3p0RL0wsPaN_hyphenhyphen8Dn6t29L_4QrqxGr1viemX0062OjYgbEeLiwdFj_TRDZSV8/s1600/feinstein,_humpers+2006+wood+paint+hardware+116x180x200.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguVJ4gMm0zQehIp-7lXxPwDx3XVysVQQ49Js3K8BvVrAD2gDReHzw_MU2RAt0gJYW9mDtEuga7swoFbz3p0RL0wsPaN_hyphenhyphen8Dn6t29L_4QrqxGr1viemX0062OjYgbEeLiwdFj_TRDZSV8/s1600/feinstein,_humpers+2006+wood+paint+hardware+116x180x200.jpg" height="400" width="317" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Rachel Feinstein, humpers, 2006, wood, paint, hardware, 116 x 180 x 200 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisUGCYCIv6jN43CSm6eQNR2sXrXoMdDUlfpv4NbVrSb9mv9GKzVDiOxVvupp2p1VN6jI8Q3sXoicz73j_HOyud0b3dlbVQg7Ro5hIOvfzvo2JxECZChGca67mUMXpFmPqnoPrsjs_Ru80/s1600/condo_Couple-on-Blue-Striped-Chair_2005.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisUGCYCIv6jN43CSm6eQNR2sXrXoMdDUlfpv4NbVrSb9mv9GKzVDiOxVvupp2p1VN6jI8Q3sXoicz73j_HOyud0b3dlbVQg7Ro5hIOvfzvo2JxECZChGca67mUMXpFmPqnoPrsjs_Ru80/s1600/condo_Couple-on-Blue-Striped-Chair_2005.jpg" height="400" width="366" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">George Condo, Couple on Blue Striped Chair, 2005</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDUmGQU7lLuOiSG2oEJQh9cySM96OTpQ8GlpFq4panBqRXiweHfJvJJKCC05tvi32LHXKOubzB1S2MEe4F3fvoVyq7Mw_D_XgC7z29N4hibLoGKG2xGigM1xWWkndtg1qgzMZRXA1r0sc/s1600/maslansky_Painting,+2012,+acrylic+on+bed+sheet.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDUmGQU7lLuOiSG2oEJQh9cySM96OTpQ8GlpFq4panBqRXiweHfJvJJKCC05tvi32LHXKOubzB1S2MEe4F3fvoVyq7Mw_D_XgC7z29N4hibLoGKG2xGigM1xWWkndtg1qgzMZRXA1r0sc/s1600/maslansky_Painting,+2012,+acrylic+on+bed+sheet.jpg" height="400" width="361" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jonathan Maslansky, Painting, 2012, acrylic on bed sheet</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpc0d2_sOKnHs6szMYfJr2eRU8geVUvA6NU1ufMOmjtglXDvUG16a26KeVOP4_wG8-1Yic0Xr2S7_AT6wZzew2XZtC2dT4Rs7hlw05QwR6fkceIP_KrqHnK_6ycIyMP8q4dYuSM5QHUvo/s1600/picabia_carnaval_1924-27.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpc0d2_sOKnHs6szMYfJr2eRU8geVUvA6NU1ufMOmjtglXDvUG16a26KeVOP4_wG8-1Yic0Xr2S7_AT6wZzew2XZtC2dT4Rs7hlw05QwR6fkceIP_KrqHnK_6ycIyMP8q4dYuSM5QHUvo/s1600/picabia_carnaval_1924-27.JPG" height="312" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Francis Picabia, Carnaval, v1924-27</td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">et je renvoie au <a href="http://maximememoirevive.blogspot.fr/2013/08/sexe.html" target="_blank">post</a> de l'été dernier également</span></span>.Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-4296538118184892462014-08-31T09:21:00.000+02:002014-08-31T09:21:04.032+02:00Phyllis Galembo<div style="text-align: justify;">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgusZ91dfiDggNMrC4Es84U46-4GlnkIVcPgANb4UG_iHI6nVpYH0VwEoIuszJ1AopPckIkmg7JgJDJRgrNNoCA5mIhs-2KWQNXuW5hQ9h4JueU5rBccWin8BAV-3HJ1hfEoRc-992gKOA/s1600/Phyllis-Galembo-25-540x545.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgusZ91dfiDggNMrC4Es84U46-4GlnkIVcPgANb4UG_iHI6nVpYH0VwEoIuszJ1AopPckIkmg7JgJDJRgrNNoCA5mIhs-2KWQNXuW5hQ9h4JueU5rBccWin8BAV-3HJ1hfEoRc-992gKOA/s1600/Phyllis-Galembo-25-540x545.jpg" height="400" width="396" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="http://www.galembo.com/" target="_blank">Phyllis Galembo</a> prend en photo des
participants aux défilés et carnavals, fêtes traditionnelles
autant que déguisements contemporains. C'est justement dans le
brouillage de ces distinctions entre l'authentique (traditions
collectives) et le capricieux singulier que son travail prend toute
sa force. Ce qui est capturé est fait pour être vu, il échappe
donc au voyeurisme colonialiste. Elle ne montre pas des individus, ni
des croyances, mais des personnages, des projections nées d'un
montage mystérieux entre l'histoire et la mémoire des lieux, la puissance de jeu
des individus et de délire formel. Même logique donc que
l'éthnographie poétique et participative de Jean Rouch.
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF9Im5ZNqrHBhwLOOHJXg4-l82ZCkiB81wr7ddwMOVKEZ96U37MhvdKs8FigbIUUAzXbj6zPysqMeJcTITUREV3sK4RdVsx13TjKqHdeeAlU9cAjxECsM93HBFtyHWrJhISu6LJ4VhQLc/s1600/Galembo,+Okpo+Masquerade,+Calabar+South,+Nigeria,+2005.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF9Im5ZNqrHBhwLOOHJXg4-l82ZCkiB81wr7ddwMOVKEZ96U37MhvdKs8FigbIUUAzXbj6zPysqMeJcTITUREV3sK4RdVsx13TjKqHdeeAlU9cAjxECsM93HBFtyHWrJhISu6LJ4VhQLc/s1600/Galembo,+Okpo+Masquerade,+Calabar+South,+Nigeria,+2005.jpg" height="400" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Okpo Masquerade, Calabar South, Nigeria, 2005</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMt9enkj0ZF4kwqThZ7PYLifz3azxlEQObrJLvVzeKSaqAFX6vOrHKvdeWIC_hdF3mI8Tz73D2fX5yptGkCnhajmkQj0uvgcHIjoYonqnYhwS-FxrAvriiBBmr1PSFe1Cz7j-1y5kqeMs/s1600/Galembo-Mami+Wata+Mask,+Cross+River,+Nigeria+2004.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMt9enkj0ZF4kwqThZ7PYLifz3azxlEQObrJLvVzeKSaqAFX6vOrHKvdeWIC_hdF3mI8Tz73D2fX5yptGkCnhajmkQj0uvgcHIjoYonqnYhwS-FxrAvriiBBmr1PSFe1Cz7j-1y5kqeMs/s1600/Galembo-Mami+Wata+Mask,+Cross+River,+Nigeria+2004.jpg" height="400" width="396" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mami Wata Mask, Cross River, Nigeria 2004</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwXzdueob7WckO-4ioUMufBWMX0bg4pWCxo8pPBlNKlcpumvzKO8JuHylSVKP45QleYbxHngHmYRwpfmCcLgphofj5cE_b8wGMMgnqqXSnDpb1DwXNibDUJ7Xf-XW5m2MAX11eIc10XQE/s1600/Phyllis-Galembo-Water+Buffalo+Devil,+Red+Indians,+Freetown,+Sierra+Leone,+2008.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwXzdueob7WckO-4ioUMufBWMX0bg4pWCxo8pPBlNKlcpumvzKO8JuHylSVKP45QleYbxHngHmYRwpfmCcLgphofj5cE_b8wGMMgnqqXSnDpb1DwXNibDUJ7Xf-XW5m2MAX11eIc10XQE/s1600/Phyllis-Galembo-Water+Buffalo+Devil,+Red+Indians,+Freetown,+Sierra+Leone,+2008.jpg" height="400" width="397" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Water Buffalo Devil, Red Indians, Freetown, Sierra Leone, 2008</td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Phyllis Galembo travaille sur ce sujet
depuis les années 80, d'Haiti au Nigeria, Ghana, Zambie, Bénin,
Sierra Leone et Burkina-Faso, très fertile croisement entre question
de genre (la puissance transformative, magique du costume et du
masque sous le regard de l'autre) et question de culture minoritaire.
Mais ce qui m'intéresse personnellement et justifie ce post, c'est
simplement son rapport à ses sujets comme couleur et comme puissance
picturale et esthétique, comme dérèglement visuel ou du visible.
La puissance des images provient du paradoxe entre la théâtralité du
costume, sa puissance délirante presque psychédélique (la veine
surréalisante) et l'objectivité froide, mécanique, factuelle de la
prise de vue photographique. La netteté du regard, droit, solide,
amical et attentif (comme les Hilla & Bernd Becher) permet de
VOIR et d'accéder au monde imaginaire et à la fiction ouverte par
les costumes, masques et attitudes. Pour moi ce sont des peintures
performées, des visions voyageuses, appelées à infiltrer les
imaginaires et à circuler dans les cultures pour apparaître au
moment nécessaire et opportun, par nécessité d'une expression,
individuelle ou collective.
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqW8R6tuFOW_F6UXuj8Y9nZuYBUAXAHtZfNb9HDChm7Zx2Trqb2hyphenhyphen_F8MJ3wwQA_LXzL2DSkpzOPE58Qlf9vyCB8J0x0OLbwXJQCZsk2PU6XOx-lHqWoHWXhxPEDQ2i7NdbYYOI8YIpko/s1600/Galembo-Baby+Dance+of+Etikpe,+Cross+River,+Nigeria+2004.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqW8R6tuFOW_F6UXuj8Y9nZuYBUAXAHtZfNb9HDChm7Zx2Trqb2hyphenhyphen_F8MJ3wwQA_LXzL2DSkpzOPE58Qlf9vyCB8J0x0OLbwXJQCZsk2PU6XOx-lHqWoHWXhxPEDQ2i7NdbYYOI8YIpko/s1600/Galembo-Baby+Dance+of+Etikpe,+Cross+River,+Nigeria+2004.jpg" height="400" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Galembo-Baby Dance of Etikpe, Cross River, Nigeria 2004</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1qqinpCPLaASDNo5VCWMdwVj-BG45s9rQNyBVflYOtYLyZNJPB5kqTkGT3w2asQjyl5TYVaabcs3kglmHjs6xmJ4lZYh8i24B7VsMcAoL3r1k5XEVZYXpC08Nt3kx3EJ_b5qMcr_q-lA/s1600/Ghost+and+Bull,+Dodo+Masquerade,+Bobo-Dioulasso,+Burkina+Faso,+2009.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1qqinpCPLaASDNo5VCWMdwVj-BG45s9rQNyBVflYOtYLyZNJPB5kqTkGT3w2asQjyl5TYVaabcs3kglmHjs6xmJ4lZYh8i24B7VsMcAoL3r1k5XEVZYXpC08Nt3kx3EJ_b5qMcr_q-lA/s1600/Ghost+and+Bull,+Dodo+Masquerade,+Bobo-Dioulasso,+Burkina+Faso,+2009.jpg" height="400" width="395" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ghost and Bull, Dodo Masquerade, Bobo-Dioulasso, Burkina Faso, 2009</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuIlN_ohi_MeHph4QvoAVoBnUSu2dk29d62bz68XcOk7PL0Om6-LBbsZ3MIV21714U36npOxCQdSaMAECa4L7w4fYMdMLQKSO6lzPHFiTqRMt4_Pvd2q-jdX_QPM8LelebnwXy7pHQMiw/s1600/Jaguar+style+or+Ekong-Itaghafon,+Calabar,+Nigeria,+2005.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuIlN_ohi_MeHph4QvoAVoBnUSu2dk29d62bz68XcOk7PL0Om6-LBbsZ3MIV21714U36npOxCQdSaMAECa4L7w4fYMdMLQKSO6lzPHFiTqRMt4_Pvd2q-jdX_QPM8LelebnwXy7pHQMiw/s1600/Jaguar+style+or+Ekong-Itaghafon,+Calabar,+Nigeria,+2005.jpg" height="400" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jaguar style or Ekong-Itaghafon, Calabar, Nigeria, 2005</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0HPp0dUurSxTl22_vkFM67XPX-BhGXCMEMrOUvJQP7wUzMKZYhLoWh5gv-WbTfkMHM-FyWSafwTY22N8alpY-9SXYacqy30KmY2lAAbuR6P0VNsbhKT5_B1aYw9VWVRMHtHZlQI6zIyI/s1600/Masquerade+from+Gossina+Village,+Burkina+Faso+2006.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0HPp0dUurSxTl22_vkFM67XPX-BhGXCMEMrOUvJQP7wUzMKZYhLoWh5gv-WbTfkMHM-FyWSafwTY22N8alpY-9SXYacqy30KmY2lAAbuR6P0VNsbhKT5_B1aYw9VWVRMHtHZlQI6zIyI/s1600/Masquerade+from+Gossina+Village,+Burkina+Faso+2006.jpg" height="400" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Masquerade from Gossina Village, Burkina Faso, 2006</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZrik3FxURj_vWf7jM0IH7X-E3_X_Sx3Abt8dBvRLMxkNzooCuIl0HXE3IVw-lh4XJfDcxZVClvf83V-STQyq67mE5kYJ54QrtKwS_nMgNl5m_Sf-orfMbW1YEUvw3f_SjIZoGhchMUs8/s1600/Phyllis-Galembo-13.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZrik3FxURj_vWf7jM0IH7X-E3_X_Sx3Abt8dBvRLMxkNzooCuIl0HXE3IVw-lh4XJfDcxZVClvf83V-STQyq67mE5kYJ54QrtKwS_nMgNl5m_Sf-orfMbW1YEUvw3f_SjIZoGhchMUs8/s1600/Phyllis-Galembo-13.jpeg" height="400" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Son travail fait suite à celui de
<a href="http://maximememoirevive.blogspot.fr/2013/05/ralph-eugene-meatyard.html" target="_blank">Meatyard</a>, déjà évoqué sur ce blog (elle a d'ailleurs réalisé
une série sur les fêtes d'Halloween) et peut être comparé à
celui de Cindy Sherman (Galembo aurait d'ailleurs mérité une bonne
place dans l'expo récente sur l'objet surréaliste au Centre
Pompidou) et son imaginaire rejoint parfois celui de Paul Klee. Plus
proche, elle évoque bien sur Charles Fréger (bien plus mou, figé et pénible
à mon goût), <a href="http://www.grands-reporters.com/Les-peuples-de-l-Omo.html" target="_blank">Hans Silvester</a> (trop en retrait, selon moi, en terme
de positionnement du photographe), Axel Hoedt et se situe à la suite d'Edward
Curtis et finalement, elle s'inscrit dans toute la tradition du
portrait photographique, aussi bien colonial, anthropométrique,
documentaire, artistique, de mode que des images de pop stars en
scène ou de la photo de films.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkHf4pY_dI_00EHHES8IB9ys4P9ARD3TQRuyrckm346ZQHfYUTXwZdDGiHkQjTkKctkgcc2-aJC-fj1QDlTsVoU29RBgrUE6h9O6tfDgbHMnU_fx0D-HeDShyAMSYgdOLs9GTDLvnBEwU/s1600/Gelede+Masquerade,+Agonli-Houegbo+Village,+Benin+2006.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkHf4pY_dI_00EHHES8IB9ys4P9ARD3TQRuyrckm346ZQHfYUTXwZdDGiHkQjTkKctkgcc2-aJC-fj1QDlTsVoU29RBgrUE6h9O6tfDgbHMnU_fx0D-HeDShyAMSYgdOLs9GTDLvnBEwU/s1600/Gelede+Masquerade,+Agonli-Houegbo+Village,+Benin+2006.jpg" height="400" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gelede Masquerade, Agonli-Houegbo Village, Benin 2006</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTY7bZR2bPuPAq-W_SLBZZuLFQszokSAI6T5eiiph0vtFp4wooSNCKVWSUWXXvdviD_EEYW6C2Ub5y_HbTJ5UfAsgPRlvGBbt0lpk4T8nngw9GJm6FM5DRFXml-psYD969R84RYi0gu9o/s1600/Ngar+Ball+Traditional+Masquerade+Dance,+Cross+River.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTY7bZR2bPuPAq-W_SLBZZuLFQszokSAI6T5eiiph0vtFp4wooSNCKVWSUWXXvdviD_EEYW6C2Ub5y_HbTJ5UfAsgPRlvGBbt0lpk4T8nngw9GJm6FM5DRFXml-psYD969R84RYi0gu9o/s1600/Ngar+Ball+Traditional+Masquerade+Dance,+Cross+River.png" height="400" width="398" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ngar Ball Traditional Masquerade Dance, Cross River</td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Elle enseigne la photographie à New
York et est représentée par la galerie <a href="http://www.stevenkasher.com/artists" target="_blank">Steven Kasher</a>. Elle a
également réalisé d'autres séries et travaillé sur d'autres
sujets au Brésil, Mexique et Jamaïque.</span></span></div>
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</span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-27463435124025854122014-08-31T09:16:00.001+02:002014-08-31T09:16:32.433+02:00Another Artschwager<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxdjeCJZ45w7mf7vJpwcaP44cNuNHHNKUU5Ent4QMLExa4AV0lPdziLFCvF8YxHiupjh6gc2oN8PESeyw6zHPTDNSG7jDsEAf9LUwa0bNn8X0Lp4w_LM_bza8_yZniJKJKKY_HMu-zdb8/s1600/01_portrait+zero_1961+wood+screws+rope.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxdjeCJZ45w7mf7vJpwcaP44cNuNHHNKUU5Ent4QMLExa4AV0lPdziLFCvF8YxHiupjh6gc2oN8PESeyw6zHPTDNSG7jDsEAf9LUwa0bNn8X0Lp4w_LM_bza8_yZniJKJKKY_HMu-zdb8/s1600/01_portrait+zero_1961+wood+screws+rope.jpg" height="400" width="278" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Portrait zero, 1961, wood, screws, rope</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-e_jagFNSu33SNjnul8hRLYCbT80YNrl5__yrj17sOJGSskTI6g0WFUa0jm8BfTEqVq7ThVm3nSs0VFeRHXa-h4GVDC2EUvxDn-wsXvkCC4BdDEAhBXu_b6SBAzfRQkaNWdHwrBQxcGg/s1600/02_artschwager_baby_1962+acry+on+celotex+in+alu+frame+125x105cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-e_jagFNSu33SNjnul8hRLYCbT80YNrl5__yrj17sOJGSskTI6g0WFUa0jm8BfTEqVq7ThVm3nSs0VFeRHXa-h4GVDC2EUvxDn-wsXvkCC4BdDEAhBXu_b6SBAzfRQkaNWdHwrBQxcGg/s1600/02_artschwager_baby_1962+acry+on+celotex+in+alu+frame+125x105cm.jpg" height="320" width="270" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif; font-size: x-small;">baby, 1962, acrylic on celotex in aluminium frame, 125 x 105 cm</span></td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: #333333;">L'an
passé (2013) cet artiste est décédé et, honnêtement, ce fut à
ma grande indifférence. Ses sculptures en bois et formica me
semblent justes sympathiques mais lourdes et pseudo kitsch, ses <a href="https://www.youtube.com/watch?v=SuBZOYL8uXQ" target="_blank"><i>Blps</i></a>, les pilules plates
exposées/dispersées dans l'espace urbain ou muséal (la blague devenu monument absurde) me fatiguent et représentent pour
moi le pire de ce que peut être l'art contemporain. C'est récemment
en feuilletant le catalogue de l'exposition au <a href="http://www.nmnm.mc/index.php?option=com_k2&view=item&id=200&Itemid=303&lang=fr" target="_blank">Nouveau Musée National de Monaco</a>, que j'ai changé mon regard en découvrant une
toute autre facette de cet artiste américain, dont nous ne
connaissons finalement que les “tubes”, qui je crois, sont des
malentendus, heureux pour sa carrière économique, qui l'ont fait
croiser les avant-gardes et fait jouer parfois au malin, alors qu'il
me semble être finalement un humble peintre de la texture du
quotidien, comme les hyper-réalistes ou Stephen Shore, Tatline ou Edouard Vuillard. </span></span></span>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGNBu6KM349jOo4-5Rd4MvTBAkIUsJg42gkbUcsPu7wwPcGXAh5ay-Ehqcx6hGkBoeouSsolCor6Yw2Dsbl_la2d-fJW99xuc1eU1544MMZxf8E0yAT9j_qdpMRoF7yjfn_waOheUKdc4/s1600/03_low+overhead+85.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGNBu6KM349jOo4-5Rd4MvTBAkIUsJg42gkbUcsPu7wwPcGXAh5ay-Ehqcx6hGkBoeouSsolCor6Yw2Dsbl_la2d-fJW99xuc1eU1544MMZxf8E0yAT9j_qdpMRoF7yjfn_waOheUKdc4/s1600/03_low+overhead+85.jpeg" height="320" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Low Overhead, 1985 </td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Q8sdA6TJqiu7xhCjZ0NeEi6OtBoY4wJ9_fS_fDIhB92VV_NrPLnLj3asjZvG0r2wPIIuQ3Va_ganTWhRgXWf71u0llaB9GTgGb-meVcG9hx3_E_Ff34zvtH0y7MxFlqrKnwTaUbJNbE/s1600/04_unt+(potatoes%2B5)%2B1997_acry%2Bcelotex%2Bwood%2Bframe%2B134x81x6cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5Q8sdA6TJqiu7xhCjZ0NeEi6OtBoY4wJ9_fS_fDIhB92VV_NrPLnLj3asjZvG0r2wPIIuQ3Va_ganTWhRgXWf71u0llaB9GTgGb-meVcG9hx3_E_Ff34zvtH0y7MxFlqrKnwTaUbJNbE/s1600/04_unt+(potatoes%2B5)%2B1997_acry%2Bcelotex%2Bwood%2Bframe%2B134x81x6cm.jpg" height="400" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "Trebuchet MS",sans-serif; font-size: x-small;">untitled (potatoes 5), 1997, acrylic on celotex, wood frame, 134 x 81 x 6 cm</span></td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: #333333;">A
mesure que le XXeme siècle s'éloigne, on voit mieux les oeuvres des
individus alors que les combats et manifestes idéologiques
disparaissent et s'auto-ridiculisent. Ainsi, comme pour Lucio
Fontana, on peut relativiser des figures trop vénérées et
néanmoins explorer leur singularité de goût et d'imaginaire, dans
leur irrégularité et leur non conformisme par rapport aux
idéologies esthétiques dominantes. Comme chez Stella ou Guston (pas
si éloigné de Artschwager), deux traitres au dogme moderniste,
c'est ce que j'aimerai partager ici avec une sélection personnelle
d'oeuvres graphiques et picturales d'Artschwager. Je précise qu'elle
datent autant des années 60 que des dernières années, et ne
correspondent donc pas à une periode d'immaturité ou de régression.</span></span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizmVxHKWSJVv489kw2G2GZsc6fB9QGz3bpmbAl0ygiQGv1bJOvyrT5y3lfQgoyuLmhEUacD33Ufg8iDUatj7j7ZbSoaRUwNs03Hl5EkoOQcq6y_S6mg7ZrK_QAtfOK67jUV_fnh5rJY7E/s1600/05_bowl+of+peaches+on+glass+table_acry+on+celotex+metal+frame+1973_49x63cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizmVxHKWSJVv489kw2G2GZsc6fB9QGz3bpmbAl0ygiQGv1bJOvyrT5y3lfQgoyuLmhEUacD33Ufg8iDUatj7j7ZbSoaRUwNs03Hl5EkoOQcq6y_S6mg7ZrK_QAtfOK67jUV_fnh5rJY7E/s1600/05_bowl+of+peaches+on+glass+table_acry+on+celotex+metal+frame+1973_49x63cm.jpg" height="313" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bowl of peaches on glass table, acrylic on celotex, metal frame, 1973, 49 x 63 cm</td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: #333333;">RA
est né en 1923 d'une mère juive ukrainienne et d'un père allemand,
botaniste, qui a travaillé sur la pomme de terre (ceci aura un sens
en regardant les images), il a grandi dans l'état du Nouveau Mexique
(je le mentionne car je remarque d'innombrables artistes que
j'apprécie qui sont nés, vivent, sont passés ou sont morts dans
cet état, ce qui devrait donner lieu à un post sur ce blog
bientôt). Il a commencé l'art tardivement après une carrière de
dessinateur industriel et de photographe professionnel, avec sa
première expo à 42 ans en 1965, entre minimal et pop.</span></span></span></div>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: #333333;">Il
a beaucoup dessiné et peint sur des panneaux de fibres d'isolation
(sur celotex, voir le visuel à la fin), ce choix du support lié à
la construction amène un rapport à l'espace domestique (il vénère
Vuillard, comme moi) ainsi qu'une fibre et texture qui apparaissent
dans le tracé et la matière picturale. Matière brillante,
matelassée, souple et compacte, fibreuse, volumineuse, l'image
possède donc toujours déjà un corps. Ses cadres, singuliers, me
fascinent, en métal (comme un velux dans une toiture, par rapport au
celotex) ou en bois, peint, biseautés, dénivelés, ses seuils
prolongent l'image dans l'espace physique du spectateur.</span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4ZcGI-d8WqPB9QQsimXnJ5mj8toQMHnNTXDz_4a5szxZQkFx7ELz0HZcOY7CR4lYxAH4q1mYi121IlhK5IPhWm4rAUJ5lQxxlkSNYl6nQiGZb8Nt0_kzBiSKirj9zJENcpETxJUJ4ck4/s1600/06_artschwager_light+bulbs+2007+charcoal+pastel+ink+on+handmade+paper+132x191cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4ZcGI-d8WqPB9QQsimXnJ5mj8toQMHnNTXDz_4a5szxZQkFx7ELz0HZcOY7CR4lYxAH4q1mYi121IlhK5IPhWm4rAUJ5lQxxlkSNYl6nQiGZb8Nt0_kzBiSKirj9zJENcpETxJUJ4ck4/s1600/06_artschwager_light+bulbs+2007+charcoal+pastel+ink+on+handmade+paper+132x191cm.jpg" height="268" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">light bulbs, 2007, charcoal, pastel, ink on handmade paper, 132,x,191,cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgAbxYfRFGEyJ4vlCwdkueBsOt4BluoYC4PpGMRUIFSgBKkYVNTf5Jo0HYtxhJwPwKHK-sE0Vs2qOpDJS_rdW9Q42Bx9qNbb9bTiBuxivsj9HP3B6uuAt7gGZybj8yDLJRg8ewUtdyAf4/s1600/07_artschwager_unt1962_acry+canvas_115x155cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgAbxYfRFGEyJ4vlCwdkueBsOt4BluoYC4PpGMRUIFSgBKkYVNTf5Jo0HYtxhJwPwKHK-sE0Vs2qOpDJS_rdW9Q42Bx9qNbb9bTiBuxivsj9HP3B6uuAt7gGZybj8yDLJRg8ewUtdyAf4/s1600/07_artschwager_unt1962_acry+canvas_115x155cm.jpg" height="292" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">untitled, 1962,acrylic on canvas, 115 x 155 cm</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxFGQl8IHgs-35LMFPtDEqmZeqlsc4VQqdivNG71meF46nitN3IerwDoNT8ebyn_bMtT3pDFCuF21DjBvp13NXSdhQH1P2rT-jgxyGjwU88slmbXjrC2NVli-sHRxe9l5MoAM6T0w27is/s1600/08_horizon+with+orange+sky_2007_pastel+on+paper+63x96cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxFGQl8IHgs-35LMFPtDEqmZeqlsc4VQqdivNG71meF46nitN3IerwDoNT8ebyn_bMtT3pDFCuF21DjBvp13NXSdhQH1P2rT-jgxyGjwU88slmbXjrC2NVli-sHRxe9l5MoAM6T0w27is/s1600/08_horizon+with+orange+sky_2007_pastel+on+paper+63x96cm.jpg" height="261" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">horizon with orange sky, 2007, pastel on paper, 63 x 96 cm</td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: #333333;">Son
regard explore et plonge, il s'immerge dans la texture biochimique et
psychique des objets et de leur matière, que ce soit dans la fibre
alimentaire (les pommes de terre), les poils et cheveux, les couches
géologiques ou les ondes des veines du bois. Il explose aussi contre
le mur des chaises et autres formes de la série <i>Splatter</i> pour en
faire jaillir leur jus intime et leur faire cracher leur entrailles
atomiques. Sa première oeuvre inventoriée est un autoportrait en
pendu, réalisé à partir de chutes de bois, de visses et d'une
corde, comme un contre-relief de Tatline ou un assemblage cubiste.</span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguXOwcHFvcilO0sxdnXVzQtf6JlnYbmTZUCcgdT81Bolrak6TxboIMCkrkkIeWGYGFdVoBLnNdgkaHho7Y1FzHowWNFxOs_8w7ne53YTiR38jeNP0m1IVejoYbz7-_q7ZxVvSHbABUvPE/s1600/09_chair-chair-1987-90+red+oak+formica+steel+cow.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguXOwcHFvcilO0sxdnXVzQtf6JlnYbmTZUCcgdT81Bolrak6TxboIMCkrkkIeWGYGFdVoBLnNdgkaHho7Y1FzHowWNFxOs_8w7ne53YTiR38jeNP0m1IVejoYbz7-_q7ZxVvSHbABUvPE/s1600/09_chair-chair-1987-90+red+oak+formica+steel+cow.jpg" height="285" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chair/chair, 1987-90, red oak, formica, steel, cow hide</td></tr>
</tbody></table>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh12gtqZ08Kc1svH2iZg0tmTp7wO_N1a68REhVKbwwT4J_Inzy6eP_0V1fKmJwtJpkaFUHvQYM0i2iXC0Buet3RbM_vfeL1s1xW0ZhhCtJ9qf1Cr29DiLcMal6BotUdIhP-VojYFxQdLY/s1600/09_white+table+88+acry+on+celotex+formica+wood+frame.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh12gtqZ08Kc1svH2iZg0tmTp7wO_N1a68REhVKbwwT4J_Inzy6eP_0V1fKmJwtJpkaFUHvQYM0i2iXC0Buet3RbM_vfeL1s1xW0ZhhCtJ9qf1Cr29DiLcMal6BotUdIhP-VojYFxQdLY/s1600/09_white+table+88+acry+on+celotex+formica+wood+frame.jpg" height="312" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">white table, 1988, acrylic on celotex, formica, wood frame</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicl8zDOXs2QWq2IvKfU-qeQIACfK7fbp23Xk3biittqJmmgHBmnJZUOFQFLnaEDjniGkvYITsH4Qv40uZh4kdpMpqkJeOMGphmOFfkPhO5ejyc7BSc185men-UnZOKMW5u0nsSYBFX6S8/s1600/10_artschwager_Splatt_er+Chair,+Table,+Mirror+05+formica+&+acrylic+on+wood.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicl8zDOXs2QWq2IvKfU-qeQIACfK7fbp23Xk3biittqJmmgHBmnJZUOFQFLnaEDjniGkvYITsH4Qv40uZh4kdpMpqkJeOMGphmOFfkPhO5ejyc7BSc185men-UnZOKMW5u0nsSYBFX6S8/s1600/10_artschwager_Splatt_er+Chair,+Table,+Mirror+05+formica+&+acrylic+on+wood.jpg" height="400" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Splatter Chair, Table, Mirror, 2005, formica & acrylic on wood</td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgojkZ0p-GR74O54B2JTHVDBflSj-qI8L1gF4lcuoCDvI7imxWjS_EqwIkT17lMyUgRQZVEb_BPjNAAm-zOOVZ1EFs8l0ioqDtemfhf5f-ZyK_qV-DgVVfZnWK2EmHUj1-_NRjTSB3SmsM/s1600/11_Artschwager.+Splatter+Table.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgojkZ0p-GR74O54B2JTHVDBflSj-qI8L1gF4lcuoCDvI7imxWjS_EqwIkT17lMyUgRQZVEb_BPjNAAm-zOOVZ1EFs8l0ioqDtemfhf5f-ZyK_qV-DgVVfZnWK2EmHUj1-_NRjTSB3SmsM/s1600/11_Artschwager.+Splatter+Table.jpg" height="320" width="240" /></a></span></span></div>
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<div style="line-height: 0.55cm; margin-bottom: 0.26cm; text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Puis
en regardant cette sélection d'oeuvres, on remarque plusieurs choses
: les rapports du haut et du bas, en terme de mise en espace et de
sujet : portrait suspendu et enfant au sol ou table vues en plongée,
ce qui se répète ensuite dans la logique de ses oeuvres, au mur ET
au sol ou passant de l'un à l'autre quand il jette et éclate les
chaises ou formes au mur, dans les angles, quand il confond le point
de vue sur le paysage (ses pastels), sensé être de loin en surplomb
et qui ressemble à une coupe géologique, donc vue du dessous ou
même ce dessus de porte trop bas (<i>Low overhead</i>) qui oblige donc à
se courber, à abaisser ce qui domine.</span></span></div>
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<div style="line-height: 0.55cm; margin-bottom: 0.26cm; text-align: justify;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Les
rapports au liquide, à l'oralité et à la fluidité, et plus
globalement à la logique de mâchage/écrabouillage et de
transformation sont omni-présents. On connait ses meubles et
retables assez morbides mais ils penchent aussi vers le psychédélisme
et le morphing, un mouvement vivant de la matière. Son portrait de
bébé tenant un biberon de lait est frappant, dans l'association du
sol (bois de parquet) au blanc du lait qu'on retrouve en divers
oeuvres (patates qui s'écoulent, chaises tables et miroirs qui ont
fondu en éclatant, dessus de porte en pseudo marbre qui glisse). Son
gout d'ailleurs des couches compressées par le choix de ses
matériaux déjà industriellement machés/cuits/travaillés en fait
l'opposé de l'arte povera, et pourrait permettre de le placer finalement entre
Paul Thek, Kenneth Price et Haim Steinbach.</span></span></div>
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<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR-EA7MX8gqGQstGQV6INQPTbrdtHYZ4fR0lNpC8vkytSRrE02ke6FzBgtLK2bnZLAeSKK9js7p42aSgi621wi9qB51cpJnssH4jJdQ0iQq-L2WV8JDrSDuHdfG70HR-reMUGzLzYGEso/s1600/12_artschwager_desert-growth+2005+acrylic,+pastel,+fiber+panel+on+soundboard.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR-EA7MX8gqGQstGQV6INQPTbrdtHYZ4fR0lNpC8vkytSRrE02ke6FzBgtLK2bnZLAeSKK9js7p42aSgi621wi9qB51cpJnssH4jJdQ0iQq-L2WV8JDrSDuHdfG70HR-reMUGzLzYGEso/s1600/12_artschwager_desert-growth+2005+acrylic,+pastel,+fiber+panel+on+soundboard.jpg" height="285" width="400" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">desert growth, 2005, acrylic, pastel, fiber panel on soundboard</span></span></td></tr>
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<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJC3r5kco8qhSC_rZCawgAWseaAt7tvWmAPy0aL0qwotif9nS6j52_ZppsNErpI67zDznOKf7uM4ZoznntR9GWxv9sK6RJnzt3GhYGrAZLBXScYecKq1sVb44v4L0jB1ajdU7zPntM8NA/s1600/12b_artschwager_journal+2+1991+formica+&+acry+on+wood.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJC3r5kco8qhSC_rZCawgAWseaAt7tvWmAPy0aL0qwotif9nS6j52_ZppsNErpI67zDznOKf7uM4ZoznntR9GWxv9sK6RJnzt3GhYGrAZLBXScYecKq1sVb44v4L0jB1ajdU7zPntM8NA/s1600/12b_artschwager_journal+2+1991+formica+&+acry+on+wood.jpg" height="290" width="400" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;">journal 2, 1991, formica & acrylique sur bois</span></span></span></td></tr>
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<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_7314zbBycVnaYVqsxk_kHuGPJy1MDKPvjxCHMYEjmPKo8vtcaMnTt-pjOU2I4U7RjemBAW8fHr57pI3T1TATSvYxl9TnVyaUehtehFt3HTErhPAiQ248ek9_QGAWH1kssSq8UALiavE/s1600/13_watermelon_2008_oil+pastel+on+paper.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_7314zbBycVnaYVqsxk_kHuGPJy1MDKPvjxCHMYEjmPKo8vtcaMnTt-pjOU2I4U7RjemBAW8fHr57pI3T1TATSvYxl9TnVyaUehtehFt3HTErhPAiQ248ek9_QGAWH1kssSq8UALiavE/s1600/13_watermelon_2008_oil+pastel+on+paper.jpg" height="262" width="400" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;">Watermelon, 2008, pastel gras sur papier</span></span></span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdNtc3MRbyA7GRqK_-Wj0bFdYh5GSePrXPG3_6BAb2yFV6X49GEZNHK7htcxxT50Z5HgVpfk7TgfKEBP3vrK-ogW8ltamhVdrqL6qQkuubBDlhoj7kq_1tzXtytaubHGSUCi-3xKQKv4A/s1600/14_Artschwager-Landscape-with-Pond-2011.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdNtc3MRbyA7GRqK_-Wj0bFdYh5GSePrXPG3_6BAb2yFV6X49GEZNHK7htcxxT50Z5HgVpfk7TgfKEBP3vrK-ogW8ltamhVdrqL6qQkuubBDlhoj7kq_1tzXtytaubHGSUCi-3xKQKv4A/s1600/14_Artschwager-Landscape-with-Pond-2011.jpg" height="306" width="400" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;">Landscape with pond, 2011, pastel</span></span></span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcbMNUppE2ot9tqa03kMPYYk3GAjetI1VJ1LBwSAIBfIjKlWFxqqv4wgpjXkNLIBPlEgC1oxD73uuCWzsxEKZ1h1KCDzYK_g8tgFH8dn-xHQhFwyRGxVVBgMUfwFyYTTExUcVicqxffAo/s1600/15_unt_1969_71x71x16cm_rubberised+hair.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcbMNUppE2ot9tqa03kMPYYk3GAjetI1VJ1LBwSAIBfIjKlWFxqqv4wgpjXkNLIBPlEgC1oxD73uuCWzsxEKZ1h1KCDzYK_g8tgFH8dn-xHQhFwyRGxVVBgMUfwFyYTTExUcVicqxffAo/s1600/15_unt_1969_71x71x16cm_rubberised+hair.jpg" height="397" width="400" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">Untitled, 1969, 71x71x16cm, rubberised hair</span></span></td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSiX-GFRH321QnAPxm17PFy_4jXcL1QCxtsXdjSITPFhdTlQYe-Rteu8iv_M_vXMnbKEHdmE4ch8D-_XrrAzBC0F-EEtgYHojoJkHXUgsRzMrV0POPrUZQuBwRcTcEnmWP2dayv2glYig/s1600/16_self+portrait+2003+acry+on+fiber+panel+metal+frame61x63cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSiX-GFRH321QnAPxm17PFy_4jXcL1QCxtsXdjSITPFhdTlQYe-Rteu8iv_M_vXMnbKEHdmE4ch8D-_XrrAzBC0F-EEtgYHojoJkHXUgsRzMrV0POPrUZQuBwRcTcEnmWP2dayv2glYig/s1600/16_self+portrait+2003+acry+on+fiber+panel+metal+frame61x63cm.jpg" height="380" width="400" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: "Trebuchet MS",sans-serif;">self portrait, 2003, acrylic on fiber panel, metal frame, 61x63cm</span></span></td></tr>
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<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUlaLfuNykKCKeD8EB-llfVjS9sPa1pyAK_39IwLBWOC2lSmqUkqNPs_LM3ndhTTC9slZNyR04yy2zSKvzP-g7d16cXwp-KVvGQTBwbeBvDUFlMQZeM3nwOaDT5zDsTkfN4qjH9A5Vr4Q/s1600/17_4000_boards_re-touch_copy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUlaLfuNykKCKeD8EB-llfVjS9sPa1pyAK_39IwLBWOC2lSmqUkqNPs_LM3ndhTTC9slZNyR04yy2zSKvzP-g7d16cXwp-KVvGQTBwbeBvDUFlMQZeM3nwOaDT5zDsTkfN4qjH9A5Vr4Q/s1600/17_4000_boards_re-touch_copy.jpg" height="400" width="265" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><span style="font-size: x-small;">exemple de Celotex</span></span></span></td></tr>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-80362118439748967272014-08-29T14:28:00.000+02:002014-08-29T14:28:28.720+02:00Ivon Hitchens<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu_idCdFSIoQCrKqJGC7kg-TyuvLvss2a3ysN30jS2__C1y5yjeekV6nzTXekJUQwdfKV44vGnbAxlPzddfCMVYkKpkfeM3rSSwA3gUgzf02Ch8LO1VuhKv2lFLcIH4zqfCPVEuuWfbhE/s1600/01_hitchens_+Nude,+Sizewell+1934+oil+canvas51x60cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiu_idCdFSIoQCrKqJGC7kg-TyuvLvss2a3ysN30jS2__C1y5yjeekV6nzTXekJUQwdfKV44vGnbAxlPzddfCMVYkKpkfeM3rSSwA3gUgzf02Ch8LO1VuhKv2lFLcIH4zqfCPVEuuWfbhE/s1600/01_hitchens_+Nude,+Sizewell+1934+oil+canvas51x60cm.jpg" height="336" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nude, Sizewell, 1934, 51x60 cm</td></tr>
</tbody></table>
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<div style="font-weight: normal; margin-bottom: 0cm; text-align: justify; text-decoration: none;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Je feuillette par hasard un vieux catalogue de vente aux enchères
chez Boulinier et tombe sur quelques repros de <a href="http://www.jonathanclarkfineart.com/index.php/component/zoo/category/ivon-hitchens" target="_blank">Ivon Hitchens</a>, peintre
anglais du XXeme siècle, je décide d'en savoir plus, séduit et
intrigué. Il est né Sydney Ivon Hitchens (le masculin pour Yvonne)
en 1893</span><span style="font-family: "Trebuchet MS",sans-serif;"></span><span style="font-family: "Trebuchet MS",sans-serif;"> et mort en 1979, il y a 35 ans aujourd'hui. Fils de peintre et petit
fils de prêtre, il fit ses études à la Royal Academy de 1911 a
1918.</span><span style="font-family: "Trebuchet MS",sans-serif;"></span></span></div>
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<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">
Après des débuts classiques avec des portraits très renaissance
puis se tournant vers l'art moderne, d'abord vers le symbolisme et le
paysage à la Maurice Denis, il commence à tordre la vision (à la
façon de Spilliaert, Vallotton et les Nabis), courbant la
perspective comme à travers un judas, puis sa palette et sa touche
rencontrent Matisse dans les années 20 et ses espaces se
fractionnent sous l'influence tardive de Cézanne. </span></span></div>
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<div style="font-weight: normal; margin-bottom: 0cm; text-align: justify; text-decoration: none;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Très vite, sa
caractéristique apparaît : ses formats très horizontaux et
allongés, comme étirés. Son sujet majeur : le paysage, ce qui
est plutôt ce qui m'intéresse le moins en peinture. Mais ...</span></span></div>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuvn1ACYQt1oACea-I4V9BlFMsToc2zhYd7yDUdoWbNnBq_ZW-xMkK9jZzEBCNHVztANjCZDid7mdRW0eVfT5oQm5EfmJemvA2Q2rpAQsTUZXPkCzR_-84CeAjz5lLM4py3e_76B9pYuA/s1600/02_hitchens+triangle+to+beyond+_1936+oil+on+voowd+&+canvas+76x51cm+tate.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuvn1ACYQt1oACea-I4V9BlFMsToc2zhYd7yDUdoWbNnBq_ZW-xMkK9jZzEBCNHVztANjCZDid7mdRW0eVfT5oQm5EfmJemvA2Q2rpAQsTUZXPkCzR_-84CeAjz5lLM4py3e_76B9pYuA/s1600/02_hitchens+triangle+to+beyond+_1936+oil+on+voowd+&+canvas+76x51cm+tate.jpg" height="400" width="268" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Triangle to beyond, 1936, 76 x 51 cm</td></tr>
</tbody></table>
<br />
<br />
<div style="font-weight: normal; margin-bottom: 0cm; text-align: justify; text-decoration: none;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Il définit sa peinture contre le modelé et le dessin : en
étant plutôt attentif à la matière de la peinture (toujours de
l'huile sur toile). Plus précisément, il énumère les qualités et
critères à apprécier dans une peinture, selon lui : le poids de la
peinture sur la toile, l'épaisseur et la finesse de la couche, la
relation de la peinture avec la toile et son grain, la texture
(douce, granuleuse, sèche ou fluide) et la masse et énergie et la
direction des coups de pinceaux.</span></span></div>
<div style="font-weight: normal; margin-bottom: 0cm; text-align: justify; text-decoration: none;">
<br /></div>
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">
</span></span><div style="font-weight: normal; margin-bottom: 0cm; text-align: justify; text-decoration: none;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;"><br /></span></span>
</div>
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">
</span></span><div style="font-weight: normal; margin-bottom: 0cm; text-align: justify; text-decoration: none;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">
Il dit que ces images sont faites pour être écoutées : il précise
d'ailleurs que son « orchestre » organise 7 composantes
: je garde l'anglais pour rester précis et ne pas interpréter
maladroitement : line, form (2D mark), plane, shape, tone,
Notan, colour. Le Notan est une notion chinoise lié à la
répartition du clair et du foncé, de la luminosité non pas du
sujet (donc pas comme le clair obscur) mais dans l'image en cours de
composition.</span></span></div>
<div style="font-weight: normal; margin-bottom: 0cm; text-align: justify; text-decoration: none;">
<br /></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0ChoSQWa2rtIKafLsj27xbBzeK-CeThfeLpNOm32NRDdXWcGjqt628kiXe0GpDEMdxixEpTfgZblV__SEhUdHW-gnqnfVQZe_Mekh7CIgXWtp0n5jf_evt7uh2PgQgT5zr_0j6hOluXI/s1600/03_Blue+&+yellow+1936_51x76cm.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0ChoSQWa2rtIKafLsj27xbBzeK-CeThfeLpNOm32NRDdXWcGjqt628kiXe0GpDEMdxixEpTfgZblV__SEhUdHW-gnqnfVQZe_Mekh7CIgXWtp0n5jf_evt7uh2PgQgT5zr_0j6hOluXI/s1600/03_Blue+&+yellow+1936_51x76cm.JPG" height="285" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Blue & yellow 1936, 51 x 76cm</td></tr>
</tbody></table>
<br />
<div style="font-weight: normal; margin-bottom: 0cm; text-align: justify; text-decoration: none;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">On peut le voir, l'intérêt, au delà de ses magnifiques palettes et
jeux de couleurs, réside dans cette façon d'être ni abstrait ni
figuratif, dans un espace visuel ET mental, de gérer les espaces
entre les coups de brosses, leurs nuances propres, leur intensité
dynamique et lumineuse afin de convoquer un paysage de synthèse
optique. A la fois net ET flou, gestuel ET d'observation, processuel
(la peinture ne montre qu'elle même et sa fabrique) ET de
représentation, diverses logiques souvent exclues et inconciliable
selon les paradigme du moderne du siècle passé. Se vivant
d'ailleurs hors école et courant, il déclare en 1934 : « A painter shoud have no rules or formulas». Il a eu du
succès, à partir des années 30 et semble aujourd'hui, relativement
oublié ou noyé dans la masse informe de l'histoire de la peinture
moderne anglaise. Néanmoins, Howard Hodgkin, présenté récemment à
<a href="http://www.gagosian.com/exhibitions/howard-hodgkin--june-13-2014" target="_blank">Gagosian Paris</a> lui doit beaucoup, Christian Hidaka sans doute, même
Gerhard Richter je trouve. Un peintre canadien comme Anders Oinonen,
sur qui je me suis promis de revenir, a du le regarder également. En
1934, il participait à une exposition nommée « Objective
Abstraction », qui dit bien les choses.</span></span>
</div>
<br />
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV-hMPqL-6F6FNzKXst5QRdo5FpyCU0-cue7ItDPhyphenhyphenzfL7ysySYMHp9BIimraUbTKeKXoBDOOhYPdAe25MD_QHfOytihMZ4XgRbOfqT1A0qY5_yAuBdztarAFGpJEXG04CirylVP9xFnA/s1600/04_interior+boy+in+bed+1941_40x74cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV-hMPqL-6F6FNzKXst5QRdo5FpyCU0-cue7ItDPhyphenhyphenzfL7ysySYMHp9BIimraUbTKeKXoBDOOhYPdAe25MD_QHfOytihMZ4XgRbOfqT1A0qY5_yAuBdztarAFGpJEXG04CirylVP9xFnA/s1600/04_interior+boy+in+bed+1941_40x74cm.jpg" height="211" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">interior boy in bed, 1941, 40 x 74 cm</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnAY_cqa0Y0ZMxcI7blbEkkqOflDzG8X5BGoEy6up85HQo0zLAkorgNnmKF59H9Y-D23miT3c8qBeyhNUb4q2Lb0xSBUxJr2XAzJZP5AhtAXNhdD8TiLb51E3f8lTSM07bpLCmJBBfHL8/s1600/05_P1160529.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnAY_cqa0Y0ZMxcI7blbEkkqOflDzG8X5BGoEy6up85HQo0zLAkorgNnmKF59H9Y-D23miT3c8qBeyhNUb4q2Lb0xSBUxJr2XAzJZP5AhtAXNhdD8TiLb51E3f8lTSM07bpLCmJBBfHL8/s1600/05_P1160529.JPG" height="252" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifié</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0bdSocfLN6l_7Yt5ZkM_0mBJ9vjftuH1KfAPXWi9i8afAcypBf4_-RTvLEgG0pPUwMu0tJQtckdYgIZwt4zvOAcvqWsTUNa52G5sVKLqzfDiv7gh9eC4xX2Pp09Y4VqUioA_KYAtoTHo/s1600/08_Divided+Oak+Tree,+No.+2+1958+51x116cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0bdSocfLN6l_7Yt5ZkM_0mBJ9vjftuH1KfAPXWi9i8afAcypBf4_-RTvLEgG0pPUwMu0tJQtckdYgIZwt4zvOAcvqWsTUNa52G5sVKLqzfDiv7gh9eC4xX2Pp09Y4VqUioA_KYAtoTHo/s1600/08_Divided+Oak+Tree,+No.+2+1958+51x116cm.jpg" height="171" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Divided Oak Tree, No. 2, 1958, 51 x 116cm</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq9hSju-PZ2NPm_vFtc_lMAqJ1j_FMaeNy3RYDtTG3utZNs-qrj3Ptpqnxzg-AgJjTy-XTBGQQdKd4e3oq82_wVnqNdmL04F6XK5KvTPCyWvyL3_y5uWaUuZbAdSTWubb7JAohIqUcnts/s1600/09_hitchens+autumn+trees+1962.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq9hSju-PZ2NPm_vFtc_lMAqJ1j_FMaeNy3RYDtTG3utZNs-qrj3Ptpqnxzg-AgJjTy-XTBGQQdKd4e3oq82_wVnqNdmL04F6XK5KvTPCyWvyL3_y5uWaUuZbAdSTWubb7JAohIqUcnts/s1600/09_hitchens+autumn+trees+1962.jpg" height="177" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Autumn trees, 1962</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhphV15H6GK3WaTIE-4GC_pc5lwyepdrHvlTDMNPLlyfMFNJ2_N5etazt21w3b0m4bepXOa6JD-P0djtzsnABDK7Fd0_853iqi1jhfMEnMimvXeEwdpJeA186yoIbSmWiKaoVbehDHnITI/s1600/10_hitchens+dark+downs+through+trees+1966.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;">
</a><div style="font-weight: normal; margin-bottom: 0cm; text-align: justify; text-decoration: none;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">Pour ma part, c'est son choix de format, très étirés, qui
m'intrigue, comme des découpes, des plaques de microscope, des
prélèvements qui semblent extraits avec un couteau enfoncé et
vrillé dans le paysage, bien sur comme des rouleaux de peinture
chinoise ou bien encore comme des décors peints. Ces formats
permettent de perdre l'oeil, d'empêcher la saisie globale et
immédiate de la composition, de suspendre la hiérarchie des
échelles, de saisir le moment même où l'oeil va faire le point,
juste avant et pas encore totalement. Il produit des espaces par la
lumière et la couleur, sans mystique d'absolu et tout le tralala des
Klein, Rothko, Fontana etc … C'est donc une peinture qui dialogue
et travaille la question de l'image, de sa naissance, de sa
production, comme les photos pixellisées de Thomas Ruff par exemple.
Il s'agit d'une expérience cognitive d'ivresse solitaire du mental
et de son accroche in extremis au réel. Cette amarrage tendu entre
vision et observation, geste et image fait tout le prix et
l'actualité de son travail.</span></span></div>
<div style="font-weight: normal; margin-bottom: 0cm; text-decoration: none;">
<br /></div>
<div style="font-weight: normal; margin-bottom: 0cm; text-decoration: none;">
<br />
</div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhphV15H6GK3WaTIE-4GC_pc5lwyepdrHvlTDMNPLlyfMFNJ2_N5etazt21w3b0m4bepXOa6JD-P0djtzsnABDK7Fd0_853iqi1jhfMEnMimvXeEwdpJeA186yoIbSmWiKaoVbehDHnITI/s1600/10_hitchens+dark+downs+through+trees+1966.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhphV15H6GK3WaTIE-4GC_pc5lwyepdrHvlTDMNPLlyfMFNJ2_N5etazt21w3b0m4bepXOa6JD-P0djtzsnABDK7Fd0_853iqi1jhfMEnMimvXeEwdpJeA186yoIbSmWiKaoVbehDHnITI/s1600/10_hitchens+dark+downs+through+trees+1966.jpg" height="173" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">dark downs through trees, 1966</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikvQ4iAIMtoufO2Tk-C5GiKIQAKK2w5c_v9HyPKkjNUpC8W5y8GOHBLOfug7V-wjrcCpd7QzCIQ3by1m293kgG23cpJBICIpthMWN_kFgj_r04FL3edpD2yBpgO8dqvLhqGe9M8a9RUAI/s1600/11_Hitchens_white+sea+clouds+1967.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikvQ4iAIMtoufO2Tk-C5GiKIQAKK2w5c_v9HyPKkjNUpC8W5y8GOHBLOfug7V-wjrcCpd7QzCIQ3by1m293kgG23cpJBICIpthMWN_kFgj_r04FL3edpD2yBpgO8dqvLhqGe9M8a9RUAI/s1600/11_Hitchens_white+sea+clouds+1967.jpg" height="327" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">white sea clouds, 1967</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4XpIxvLjq7Mw5aK96RNyjGw2lP6mmH3LFcEZXecCP3iJRKgNxh2lbvzw4HoS0nxSFFV0GsvXA8JLTo0gAbBdrFCs1NKziPisDmFiOIA2yi_iAbou-VK1Z5QT8yqQC1wbY_PqP27FCmBM/s1600/12_Yellow-Hill_1968+45x117cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4XpIxvLjq7Mw5aK96RNyjGw2lP6mmH3LFcEZXecCP3iJRKgNxh2lbvzw4HoS0nxSFFV0GsvXA8JLTo0gAbBdrFCs1NKziPisDmFiOIA2yi_iAbou-VK1Z5QT8yqQC1wbY_PqP27FCmBM/s1600/12_Yellow-Hill_1968+45x117cm.jpg" height="157" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Yellow Hill, 1968, 45 x 117cm</td></tr>
</tbody></table>
<br />
<div style="font-weight: normal; margin-bottom: 0cm; text-align: justify; text-decoration: none;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">La théâtralité des compositions me plaît aussi. Ainsi que
l'humour et la désolation de voir apparaître des formes du monde
dans des coups de brosses et de la matière étalée dans un cadre.
C'est la grandeur désolée de la peinture moderne qui brille ici. Sa
palette de couleur dans les années 60 plus particulièrement est
sublime, proche de O'Keeffe ou Frankenthaler, onctueuse, lumineuse,
pop et acide, abstraite et singulière.</span></span></div>
<div style="font-weight: normal; margin-bottom: 0cm; text-decoration: none;">
<br />
</div>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZuH5UKLVvWb1cdPqXTmnB1V6dafmueZNrSASMuwtfa26OJNz-OdzAEV-sznAId7rIjooA4iAEYAmZOrYPAKxtfiJWYcaD9rWQVrTql0v9nzz0MdSrtzqJwoufvBU5juHksAhdlooi0Cs/s1600/13_south+coast+1969.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZuH5UKLVvWb1cdPqXTmnB1V6dafmueZNrSASMuwtfa26OJNz-OdzAEV-sznAId7rIjooA4iAEYAmZOrYPAKxtfiJWYcaD9rWQVrTql0v9nzz0MdSrtzqJwoufvBU5juHksAhdlooi0Cs/s1600/13_south+coast+1969.jpg" height="213" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">South Coast, 1969</td></tr>
</tbody></table>
<div style="font-weight: normal; margin-bottom: 0cm; text-decoration: none;">
</div>
<div style="font-weight: normal; margin-bottom: 0cm; text-decoration: none;">
<br />
</div>
<div style="font-weight: normal; margin-bottom: 0cm; text-align: justify; text-decoration: none;">
<span style="font-size: small;"><span style="font-family: "Trebuchet MS",sans-serif;">En attendant une certaine ré-évaluation et d'en voir en vrai, je
conseille <a href="http://www.amazon.fr/Ivon-Hitchens-Peter-Khoroche/dp/0853319367" target="_blank">le beau catalogue de Peter Khoroche</a> (2007), visible à la
BPI du centre Pompidou.</span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-9210378654967188702013-08-28T11:51:00.003+02:002013-08-28T11:51:50.677+02:00James Hyde<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="Default" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="FR" style="color: windowtext; font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="color: black;">“J’aime faire des objets et les
regarder; c’est ça le travail d’atelier. </span></span></span></div>
<div class="Default" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="FR" style="color: windowtext; font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="color: black;">Si on ne prend pas plaisir avec les
matériaux – comment ils s’assemblent, </span></span></span></div>
<div class="Default" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="FR" style="color: windowtext; font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="color: black;">le jeu dans le travail – peu importe les
idées qu’on peut avoir </span></span></span></div>
<div class="Default" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="FR" style="color: windowtext; font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="color: black;">car elles sont laissées pour mortes.” </span></span></span></div>
<div class="Default" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="FR" style="color: windowtext; font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;"></span> </div>
<div class="Default" style="margin: 0cm 0cm 0pt; text-align: center;">
<span lang="FR" style="color: windowtext; font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;"><span style="font-family: "Trebuchet MS", sans-serif;"><span style="color: black;">James Hyde.<o:p></o:p></span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiunuHdzfWzojPVzcTMZmUl1zPSkOz1OlumRY1MsIRzVgCzRYbRr2_WQxevO5U_sTcSOnKy-rI2jsZeUcg6i3dot0wYRH3ge9FbzzsuGEneKAZIJqoPrSwI4aAxYg92t5UvXCktUbfluA0/s1600/2003+child+glow+furniture+2003+st+l%C3%A9ger.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiunuHdzfWzojPVzcTMZmUl1zPSkOz1OlumRY1MsIRzVgCzRYbRr2_WQxevO5U_sTcSOnKy-rI2jsZeUcg6i3dot0wYRH3ge9FbzzsuGEneKAZIJqoPrSwI4aAxYg92t5UvXCktUbfluA0/s400/2003+child+glow+furniture+2003+st+l%C3%A9ger.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">3 vues de son exposition au Parc Saint-Léger en 2003</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Vue de l'exposition à Bourges en 2006</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1ZOUDcRvMXhtGHH4ce70YPOL66RyCPsoomrk4TP2C19ytTnTtmR_MBERbmtDPYap5ASgS8ijKc3DIiEULWIROWGpmnYu6usPOIQ-DvL0lLICuHGKJhCrM4SsQ8iWiDCCrkVm5TjsbxAM/s1600/Hyde+gyproy+(pandora)+2003.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1ZOUDcRvMXhtGHH4ce70YPOL66RyCPsoomrk4TP2C19ytTnTtmR_MBERbmtDPYap5ASgS8ijKc3DIiEULWIROWGpmnYu6usPOIQ-DvL0lLICuHGKJhCrM4SsQ8iWiDCCrkVm5TjsbxAM/s400/Hyde+gyproy+(pandora)+2003.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fragment de <em>Pandora</em>, dispersé dans le parc Saint-Léger (2003)</td></tr>
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<span style="color: black;"><span lang="FR" style="font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;">J</span><span lang="FR" style="font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;">ames Hyde est né à Philadelphie</span><span lang="FR" style="font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;"> en 1958 et travaille</span><span lang="FR" style="font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;"> actuellement </span><span lang="FR" style="font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;">à New York</span><span lang="FR" style="font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;">. </span><span lang="FR" style="font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;">Actif depuis 30 ans</span><span lang="FR" style="font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;">, son travail est
fondamentalement pictural mais appliqué sur divers supports et matérialités, au
travers de très nombreuses séries et formats très bien documentés <a href="http://www.jameshyde.com/" target="_blank">sur son site web</a>. Exposé quelques fois en France (</span><span lang="FR" style="font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;">au Parc
Saint Léger en <a href="http://www.jameshyde.com/parcsaintleger/parcsaintleger.html" target="_blank">2003</a> et accompagné d’un catalogue édité à l’occasion, puis à Bourges
en <a href="http://www.jameshyde.com/THE_NEW/pages/exhibitions/2008/bourges/" target="_blank">2006</a> et à Annemasse en <a href="http://www.jameshyde.com/THE_NEW/pages/exhibitions/2010/villaduparc/" target="_blank">2010</a>), il est représenté par la <a href="http://www.fillesducalvaire.com/fr/artists" target="_blank">Galerie Les Filles du Calvaire</a> à Paris. C’est par hasard, sur le net, au cours de la résidence
céramique des Lamarche-Ovize à Noisy-le-Sec (été 2012) que j’ai découvert son
travail par le biais de ses combinaisons<span style="mso-spacerun: yes;">
</span>photo-céramique. Son travail sculptural résonne d’ailleurs avec celui
des deux comparses.<o:p></o:p></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaXKe7O5Lb1JnwIZ4VcJ3el30NNLcMwypTdNvJPGOYWjtE3aIrrLPk03jkKCww6fQ8HAJvRlXskRAoc62LEbDYnQNqACKTiRzYTv_pIE-uIzYGqBG8mHAsrTuAD1Mr7rn8b4zC9F1zi_8/s1600/2002FALLENMOBILE_paper+mache+on+styrofoam,+colored+lights,+wire.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="352" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaXKe7O5Lb1JnwIZ4VcJ3el30NNLcMwypTdNvJPGOYWjtE3aIrrLPk03jkKCww6fQ8HAJvRlXskRAoc62LEbDYnQNqACKTiRzYTv_pIE-uIzYGqBG8mHAsrTuAD1Mr7rn8b4zC9F1zi_8/s400/2002FALLENMOBILE_paper+mache+on+styrofoam,+colored+lights,+wire.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fallen mobile, 2002<br />
papier-maché sur mousse expansive, ampoules colorées. cables</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw6xSJXZMH_eIkxnYMoK1COzQGu_YMycUKvHGuqHQVS96tUuep1UCf9TYA_75YynFWJF3t4rt1yccMT0PJt1l2PLV3XYFwP5XHucnr4LZoxDTfG76LFSVjWVEjMQmsLr6Ewaaw3YyrDdE/s1600/Hyde_OR-2008+parex+on+wood+spray+on+cinder+block.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw6xSJXZMH_eIkxnYMoK1COzQGu_YMycUKvHGuqHQVS96tUuep1UCf9TYA_75YynFWJF3t4rt1yccMT0PJt1l2PLV3XYFwP5XHucnr4LZoxDTfG76LFSVjWVEjMQmsLr6Ewaaw3YyrDdE/s400/Hyde_OR-2008+parex+on+wood+spray+on+cinder+block.jpg" width="280" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Or, 2008<br />
enduit sur bois, peinture en bombe sur parpaing</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoTdmedvV0ksntcwVBksLssznHElnRcxchMQd5ZZhIFu1FUKwRc_eWVYv4oAo965zLU6Ixc2_T5ywXefJX1eGRZ_ztCJVpGF74sWHMmMkUN1TBX8_EmRNxq__yEmbXSBgnVEhNZ0jSykQ/s1600/hyde+little+B.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoTdmedvV0ksntcwVBksLssznHElnRcxchMQd5ZZhIFu1FUKwRc_eWVYv4oAo965zLU6Ixc2_T5ywXefJX1eGRZ_ztCJVpGF74sWHMmMkUN1TBX8_EmRNxq__yEmbXSBgnVEhNZ0jSykQ/s400/hyde+little+B.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Little B.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8A5uWZKTUxKP2p0gOnkRwd7FxwXVH8JuppKivhNHujj-RMu4zP0iD24Zm5Mx_3SxOoAi5ZkN1mSWNwCFYQNoiMxpGgz-aDAIh2LjsHc3j3Phy7-yrzSwMiFkUp9_DINTilUKiQsKNBQE/s1600/hyde_PROPPED,+2011,+Paint+on+archival+inkjet+print+on+wood+with+plexiglass.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8A5uWZKTUxKP2p0gOnkRwd7FxwXVH8JuppKivhNHujj-RMu4zP0iD24Zm5Mx_3SxOoAi5ZkN1mSWNwCFYQNoiMxpGgz-aDAIh2LjsHc3j3Phy7-yrzSwMiFkUp9_DINTilUKiQsKNBQE/s400/hyde_PROPPED,+2011,+Paint+on+archival+inkjet+print+on+wood+with+plexiglass.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em>Propped</em>, 2011<br />
peinture sur impression sur papier archive, bois et plexiglas</td></tr>
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<span lang="FR" style="color: windowtext; font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;"><span style="color: black;">Ici un aperçu subjectif, à travers le
temps, au travers de ses séries et supports, par regroupement formels. </span></span><span lang="FR" style="font-family: "Trebuchet MS","sans-serif"; mso-ansi-language: FR;"><span style="color: black;">Il
a peint sur des photographies de détails de peintures de Stuart Davis, Tiepolo
ou Goya. <span style="mso-spacerun: yes;"> </span>Son gout du décollement du plan
pictural en relief et plans-relief vient de Blinky Palermo et donc de Tatlin ...</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixEp3sa1hrUYQGr_n2j9aZkQSS67OxFosurL6OBVvMCfUrnZ3G3asvEiABcbNseN4YztJsFSnqvP6Tu7csyqTzLYVWKNOZmP5C3lIydu_egNkbXs684GByPJSfvT9xPmUhZ24VdXiPGLQ/s1600/Hyde+2011_blossom.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixEp3sa1hrUYQGr_n2j9aZkQSS67OxFosurL6OBVvMCfUrnZ3G3asvEiABcbNseN4YztJsFSnqvP6Tu7csyqTzLYVWKNOZmP5C3lIydu_egNkbXs684GByPJSfvT9xPmUhZ24VdXiPGLQ/s400/Hyde+2011_blossom.jpg" width="291" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Blossom, 2011</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoIWsXcOTg2usPwseuO38vaZ4TunAbXPUuX0OLs7aNetitqUfG30xdHlp4Y4WuQp-v05yjpzj9svYL8IBL81EFfi_TQPVMj-RuoN7jch0_WI_Rm4OtwGg0Yp3Dq5_YpWrw-qyMwu9RyYs/s1600/Hyde+J.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoIWsXcOTg2usPwseuO38vaZ4TunAbXPUuX0OLs7aNetitqUfG30xdHlp4Y4WuQp-v05yjpzj9svYL8IBL81EFfi_TQPVMj-RuoN7jch0_WI_Rm4OtwGg0Yp3Dq5_YpWrw-qyMwu9RyYs/s400/Hyde+J.jpg" width="306" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Weights & heats, 2006<br />
peinture sur bois, papier, nylon dans boite en verre</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMx1zep2fkQfD_O1_A3rD8dvA7Q7orDAbNo_5JKlOYUr-B5IaUmM-_710tjJ0qPnEtBx3TeqsJLr9gUxmg8fTuxm-ZG94NVGmwhIZ1gYaDfI0Fgw1-278zlC4whtZYScy0Jb-Spfwfu9g/s1600/Hyde+SWEEP+1997+carpet+acry+steel.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMx1zep2fkQfD_O1_A3rD8dvA7Q7orDAbNo_5JKlOYUr-B5IaUmM-_710tjJ0qPnEtBx3TeqsJLr9gUxmg8fTuxm-ZG94NVGmwhIZ1gYaDfI0Fgw1-278zlC4whtZYScy0Jb-Spfwfu9g/s400/Hyde+SWEEP+1997+carpet+acry+steel.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sweep, 1997<br />
peinture acrylique sur tapis et structure en acier.</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieRqUc_C0TKxwkAlMdSMFGK0FDqdHwa1ELLT6MATOmq5SsBx3apEqUG8vV42dqdP74wk9bKYPahBrcCfxO1WNA0j9JsPMHjIWPe_UggniRVXifI3FHM19861fFCxWG7Icuj3ZxaSrXni0/s1600/Hyde,James_Rotational+2006,+glass,+paint.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieRqUc_C0TKxwkAlMdSMFGK0FDqdHwa1ELLT6MATOmq5SsBx3apEqUG8vV42dqdP74wk9bKYPahBrcCfxO1WNA0j9JsPMHjIWPe_UggniRVXifI3FHM19861fFCxWG7Icuj3ZxaSrXni0/s400/Hyde,James_Rotational+2006,+glass,+paint.jpg" width="306" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Rotational, 2006<br />
peinture à l'huile et acrylique sur Bois, papier et verre</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtonekoX3qykkQZRmtoOx16z-G4PGUxFtuLNH9smZWCSrUh59F1FQ6Qk-hjwTnMIeONpevpxYRWhRmXMKMjEGLhisG3AxN4bqpvZ-bdVtq6hthIEquN3ylGWXLCt9KXFdGoQxu_42vIlY/s1600/hyde_2005-bigbeanbag_acrylic+sur+lin.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtonekoX3qykkQZRmtoOx16z-G4PGUxFtuLNH9smZWCSrUh59F1FQ6Qk-hjwTnMIeONpevpxYRWhRmXMKMjEGLhisG3AxN4bqpvZ-bdVtq6hthIEquN3ylGWXLCt9KXFdGoQxu_42vIlY/s400/hyde_2005-bigbeanbag_acrylic+sur+lin.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Big bean bag, 2005, acrylique sur toile de lin, rembourrage</td></tr>
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<span lang="FR" style="font-family: "Trebuchet MS","sans-serif"; font-size: 12pt; mso-ansi-language: FR;"><span style="color: black;">Son travail de peinture sur photos ou sur céramique m’évoque
<a href="http://maximememoirevive.blogspot.com/2012/09/gerhard-richter-panorama-2012.html" target="_blank">Gerhard Richter</a> et j’ai senti une réelle fraternité avec le travail de <a href="http://critiquedart.revues.org/1522" target="_blank">Dominique Figarella</a>, <a href="http://www.crousel.com/home/artists/Cl%C3%A9ment%20Rodzielski/" target="_blank">Clément Rodzielski</a> (ou même <a href="http://emmanuelherve.com/en/artistes/oeuvres/1097/roxane-borujerdi" target="_blank">Roxane Borujerdi</a>), pour le fragment
pictural sur divers supports et les combinaisons colorées.<o:p></o:p></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqOwbzA7R0jN1KMamSuTZFwdA-UE9gqqTM6gWx45Qnt5aZoVumtZI2C1kIV3DXUiI8e82u2KFd-yZQqt1Mq9oLInDKet33IXQT9fI5Ia289s5z9v34o5MlWwFxG0zuMwfx5Q3yMVbMcdE/s1600/2002_along.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqOwbzA7R0jN1KMamSuTZFwdA-UE9gqqTM6gWx45Qnt5aZoVumtZI2C1kIV3DXUiI8e82u2KFd-yZQqt1Mq9oLInDKet33IXQT9fI5Ia289s5z9v34o5MlWwFxG0zuMwfx5Q3yMVbMcdE/s640/2002_along.jpg" width="417" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Along, 2002<br />
verre moulé, peinture, adhésif et fixation en acier</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhNnxHkg4hyphenhyphenYJ4FsHHqW4XnWhmaHPZJY9BL32TyqCH3fdBb_GA8U-8k2q9anQymMrMFKFFzzq52ToHsIUWOTyHIoVydrV1VQpNDc1iw_V8GVDj3ncLRSo0jGBN-_na0UclpRGwjMzFtBs/s1600/Hyde+72352.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhNnxHkg4hyphenhyphenYJ4FsHHqW4XnWhmaHPZJY9BL32TyqCH3fdBb_GA8U-8k2q9anQymMrMFKFFzzq52ToHsIUWOTyHIoVydrV1VQpNDc1iw_V8GVDj3ncLRSo0jGBN-_na0UclpRGwjMzFtBs/s400/Hyde+72352.jpg" width="395" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">non identifiée, sangle nylon et fixations</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm2kmXdr79UmHdwNQaO7HxKXMIa4EwAHlRtzd3pUhuHfP7lbabQ4KGqjPuF8O3ZUoaAhAJ53-MO6sYrLKXskTjhyEwaPRChCh6gUs_VqvG1jGOkZB7W3eGANGKvNyvCvU_CkLuVnTYsbs/s1600/Allow+1996+paint+on+paper+board+push+pins.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="312" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm2kmXdr79UmHdwNQaO7HxKXMIa4EwAHlRtzd3pUhuHfP7lbabQ4KGqjPuF8O3ZUoaAhAJ53-MO6sYrLKXskTjhyEwaPRChCh6gUs_VqvG1jGOkZB7W3eGANGKvNyvCvU_CkLuVnTYsbs/s400/Allow+1996+paint+on+paper+board+push+pins.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Allow, 1996<br />
peinture sur papier, panneau de bois, punaises</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG6NfozjBEPLHiLGuRExWp0hNBT4JXWcw9OdKcDnDUlBVNt7xa_O3m0hK_uvULbbXTihY2_y_nDpbbZYFJZ6ULTZkrBjU_cDRYM_qrT9yPa4m2ADKrmsVUgiP2dcArIuyvXM0s4jqL0ao/s1600/hyde_2002_TRIP_nylon.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG6NfozjBEPLHiLGuRExWp0hNBT4JXWcw9OdKcDnDUlBVNt7xa_O3m0hK_uvULbbXTihY2_y_nDpbbZYFJZ6ULTZkrBjU_cDRYM_qrT9yPa4m2ADKrmsVUgiP2dcArIuyvXM0s4jqL0ao/s400/hyde_2002_TRIP_nylon.jpg" width="388" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Trip, 2002, sangle nylon et fixations</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0sKoYy3y4kc49hdzfmLuMAeNnOlmag1-PYBV_AXxIvvRQpn0cuo2UOVmomGDRj1-FuEGBkzFXd_5zuCNMOm6KcFnkHJ0Fo0HzwL8kgTiYs4QTsidG9Ad0XzX_8RA06muWjX8xf1mNcac/s1600/Hyde_2010_CLOUDY0.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0sKoYy3y4kc49hdzfmLuMAeNnOlmag1-PYBV_AXxIvvRQpn0cuo2UOVmomGDRj1-FuEGBkzFXd_5zuCNMOm6KcFnkHJ0Fo0HzwL8kgTiYs4QTsidG9Ad0XzX_8RA06muWjX8xf1mNcac/s400/Hyde_2010_CLOUDY0.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cloud, 2010<br />
peinture sur tirage photo</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO_8grEvOYeLlRqJq8sf6KH62ryq5YCzC7E_nNP4_8mUGi35thWc1lXVFiAmUJITbrOREcjz8ULyNtdumlOpZ6CKs69sPKl5kUyg8qbNeN1Uux5Em9O6-c_TqMNf6nDydVYFnr9AAKp3Q/s1600/hyde_2010_SWIMMER0.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="282" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgO_8grEvOYeLlRqJq8sf6KH62ryq5YCzC7E_nNP4_8mUGi35thWc1lXVFiAmUJITbrOREcjz8ULyNtdumlOpZ6CKs69sPKl5kUyg8qbNeN1Uux5Em9O6-c_TqMNf6nDydVYFnr9AAKp3Q/s400/hyde_2010_SWIMMER0.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Swimmer, 2010, sangle nylon et fixations</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpEIUyzFMfWfw3Uo0KhAi-BjP7-3nkSPYyD98DGaEdryDiz_ac1SUmH33gw3qAUYX35pRIAu8XJmykxKyVm2A-05wlh65NWVxJ9H60fC2Wek3QxFDAHKPtumsucahleZi6VvMvGjgZB7U/s1600/hyde_2010_EIGTHNOTE0.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpEIUyzFMfWfw3Uo0KhAi-BjP7-3nkSPYyD98DGaEdryDiz_ac1SUmH33gw3qAUYX35pRIAu8XJmykxKyVm2A-05wlh65NWVxJ9H60fC2Wek3QxFDAHKPtumsucahleZi6VvMvGjgZB7U/s400/hyde_2010_EIGTHNOTE0.jpg" width="276" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Eighthnote, 2010<br />
peinture sur tirage photo</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI_ABzKB3bSHgPx9u9ZSprb3ovlERgSnpa8gtJWFqTuqtGbQEGADr6zAHFHfCUaBBouKvxJvVpT3Gh1pnA77bxA5tO-C2gvi0WCxJh9y519Cl8XK3psc7cw78e1Rtp2teuDf_qff_lCm0/s1600/hyde_side_2001_sangles+en+nylon,+plastique+vinyl+89+x+135+x+25+cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="303" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI_ABzKB3bSHgPx9u9ZSprb3ovlERgSnpa8gtJWFqTuqtGbQEGADr6zAHFHfCUaBBouKvxJvVpT3Gh1pnA77bxA5tO-C2gvi0WCxJh9y519Cl8XK3psc7cw78e1Rtp2teuDf_qff_lCm0/s400/hyde_side_2001_sangles+en+nylon,+plastique+vinyl+89+x+135+x+25+cm.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">side, 2001, sangles en nylon, plastique vinyl, 89 x 135 x 25 cm</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ4fo-L-RLgWKd_eF2XE0pIn9dwwrq_S6lFm7zw3zYyAbXnZHffbTw-DCTV4XMJty713Xqcr6lGq-KVOEIYdymcDcGhbhyphenhyphen0vTvgxKnpEqwpbKienS1JMgXsvoZSpG4A34Mgsdh54F3AT0/s1600/hyde_Hyde+REFRAIN+1993+cast+glass+steel+bracket+tape+enamel.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ4fo-L-RLgWKd_eF2XE0pIn9dwwrq_S6lFm7zw3zYyAbXnZHffbTw-DCTV4XMJty713Xqcr6lGq-KVOEIYdymcDcGhbhyphenhyphen0vTvgxKnpEqwpbKienS1JMgXsvoZSpG4A34Mgsdh54F3AT0/s400/hyde_Hyde+REFRAIN+1993+cast+glass+steel+bracket+tape+enamel.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">REFRAIN, 1993 <br />
verre moulé, acier, adhésif et émail</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMcJ9nfdv2mAtLgBzjkRgd435KWriUxhe_SCzsgN5dKny4eDSyYKYYkm3ee22Y70Mc-97gjQSXMAPm-Wc9zBqIqzoh6ShtyRe_W5Dz5Skn6JxLUF3C6YGRDOp56MHH_hi7HXkW3SNz3aE/s1600/hyde_2000_foam_cast+glass,+scrubbing+pads,+steel+bracket.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="303" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMcJ9nfdv2mAtLgBzjkRgd435KWriUxhe_SCzsgN5dKny4eDSyYKYYkm3ee22Y70Mc-97gjQSXMAPm-Wc9zBqIqzoh6ShtyRe_W5Dz5Skn6JxLUF3C6YGRDOp56MHH_hi7HXkW3SNz3aE/s400/hyde_2000_foam_cast+glass,+scrubbing+pads,+steel+bracket.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Foam, 2000, verre moulé, chiffons, peinture et fixation en acier</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm3Nsr7WitI4jwRbE_cizOQIpR4TBKSPIq63LcMvaKC0yHGFu0qITvyx4LNLjUg4AgIdkN4DSOkeBpNM6dLzsGhhPnzoOkJlqqKn9OPFBBLKJ-cWS54JuqxlrqHE-v4IrdHZnFLeICnW4/s1600/transit+2001.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm3Nsr7WitI4jwRbE_cizOQIpR4TBKSPIq63LcMvaKC0yHGFu0qITvyx4LNLjUg4AgIdkN4DSOkeBpNM6dLzsGhhPnzoOkJlqqKn9OPFBBLKJ-cWS54JuqxlrqHE-v4IrdHZnFLeICnW4/s400/transit+2001.jpg" width="332" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">transit, 2001, sangle nylon et fixations</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtE52nPP7bRTxUdomegks1Q3SD-e-fbEChwPRgIJrYcqaH97FYrVGwMMzW5QL5A9_EaadTaeKLz_L9ynjmRMwJGc-jAfwpQe5Ts_4N8MuM_fRQNIhlpw6er-Ll48eSo6qVzgKF4kbpJUM/s1600/Hyde+BLUE+WITH+GREEN+BALL+2004.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtE52nPP7bRTxUdomegks1Q3SD-e-fbEChwPRgIJrYcqaH97FYrVGwMMzW5QL5A9_EaadTaeKLz_L9ynjmRMwJGc-jAfwpQe5Ts_4N8MuM_fRQNIhlpw6er-Ll48eSo6qVzgKF4kbpJUM/s400/Hyde+BLUE+WITH+GREEN+BALL+2004.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"> Blue with green ball, 2004<br />
acrylique sur impression jet d'encre sur papier archive</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
</div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3qDeSxkA8W76mBr9FnRMBFG55edcCvhN5_d6UlxxTYWQgzlvL32pgikwRAMrVVJ-XJS05s72NQJEXs517ysiYVZdes9gVHGQI2y-3YTUqybH2_ctMJMnxhzDTn8Gb2DQeeaO0JIOqFcM/s1600/Hyde+2003IVRYCEILINGb.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3qDeSxkA8W76mBr9FnRMBFG55edcCvhN5_d6UlxxTYWQgzlvL32pgikwRAMrVVJ-XJS05s72NQJEXs517ysiYVZdes9gVHGQI2y-3YTUqybH2_ctMJMnxhzDTn8Gb2DQeeaO0JIOqFcM/s400/Hyde+2003IVRYCEILINGb.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ivry ceiling, 2003, papier sur tirage photo</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil3DLk_KDh_BzgUn1xM6G_BBGMGovJ9R55Q3dCLaMhDSu8Mm9TAO_tLc_fa6UVQoTP4_SLk01LNoR_4OU1gg5cu_t9i8n0WnBZEZb0-Kkmm5NArzKIxO9x0SXFMTVgy7DxnRJ8iGMsK6w/s1600/Hyde+MAX+2005+acry+on+digital+print.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil3DLk_KDh_BzgUn1xM6G_BBGMGovJ9R55Q3dCLaMhDSu8Mm9TAO_tLc_fa6UVQoTP4_SLk01LNoR_4OU1gg5cu_t9i8n0WnBZEZb0-Kkmm5NArzKIxO9x0SXFMTVgy7DxnRJ8iGMsK6w/s400/Hyde+MAX+2005+acry+on+digital+print.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"> Max, 2005<br />
acrylique sur impression jet d'encre sur papier archive</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS5W4I6P7jgdvqa6WemTGa6Q2Of2qa5hX-wN4q27Lp1P50RoFXQelhnJK20wl2YKDSB6O5DYDZ_Za6aUWYigD6Th_kElRADtx6RxsM6H_UKMrKXu4HeRSO-gq7lKAt3SeJwOzj5X88aq0/s1600/hyde_DOWN+FOR+UP,+2011,+acrylic+on+paper+on+archival+inkjet+print+on+stretched+linen.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS5W4I6P7jgdvqa6WemTGa6Q2Of2qa5hX-wN4q27Lp1P50RoFXQelhnJK20wl2YKDSB6O5DYDZ_Za6aUWYigD6Th_kElRADtx6RxsM6H_UKMrKXu4HeRSO-gq7lKAt3SeJwOzj5X88aq0/s400/hyde_DOWN+FOR+UP,+2011,+acrylic+on+paper+on+archival+inkjet+print+on+stretched+linen.jpg" width="321" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"> Down for Up, 2011<br />
acrylique sur impression jet d'encre sur papier archive</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrj1Ttvq-2T2wx8-_Wrcoo_qWHuzc2mJ6Vm2GTD3TSOt3bC4XV4DkTpANClSSkY7GxvP5KDTqgbRtNyGylIk-gxk-8sU8fA1LMs30cZhmVD080kg9Yxy4Wm3JIN3AQjJDLYYeReJej6_A/s1600/hyde_2012_SIP_5905.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrj1Ttvq-2T2wx8-_Wrcoo_qWHuzc2mJ6Vm2GTD3TSOt3bC4XV4DkTpANClSSkY7GxvP5KDTqgbRtNyGylIk-gxk-8sU8fA1LMs30cZhmVD080kg9Yxy4Wm3JIN3AQjJDLYYeReJej6_A/s400/hyde_2012_SIP_5905.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Sip, 2012<br />
acrylique sur impression jet d'encre sur papier archive<br />
</td></tr>
</tbody></table>
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAjeKFUKA7tTHpks_fHkusrlMbPAqW3GNxoeryXDttuVlGKLdr3BWpCD0yv5Yj2btcc465uJHbT-j38obdzehJUMi6Xvss84htuIhGbjD9mELKRvi-r6G7Rw7DxXEW3DbBz4wlGoA_6dQ/s1600/hyde_THE+ARCHITECT+(GOYA),+2006,+acrylic+on+archival+inkjet+print.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAjeKFUKA7tTHpks_fHkusrlMbPAqW3GNxoeryXDttuVlGKLdr3BWpCD0yv5Yj2btcc465uJHbT-j38obdzehJUMi6Xvss84htuIhGbjD9mELKRvi-r6G7Rw7DxXEW3DbBz4wlGoA_6dQ/s400/hyde_THE+ARCHITECT+(GOYA),+2006,+acrylic+on+archival+inkjet+print.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">THE ARCHITECT (GOYA), 2006, acrylique sur impression jet d'encre sur papier archive</td></tr>
</tbody></table>
<br />
<span style="color: black; font-family: "Trebuchet MS", sans-serif;">et les oeuvres photo-céramiques </span><br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPsj7Pgerkxl-W9KRmgFYxm_fC6qsGcVcyYmlCasWd3O8keBcqIGNkh1owcDSVWNrDbxgfgyvRUXv3KPVnIO_vj4gSM68i7H2j6SWq3HL5Qo9feBZrVcYnfMHh8WyMywh9EzmbLJYRQTo/s1600/Hyde+handle_2005+CERAMICHANDLEb.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="363" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPsj7Pgerkxl-W9KRmgFYxm_fC6qsGcVcyYmlCasWd3O8keBcqIGNkh1owcDSVWNrDbxgfgyvRUXv3KPVnIO_vj4gSM68i7H2j6SWq3HL5Qo9feBZrVcYnfMHh8WyMywh9EzmbLJYRQTo/s400/Hyde+handle_2005+CERAMICHANDLEb.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Handle, 2005<br />
peinture vynile sur tirage jet d'encre sur papier d'archivage, sur céramique émaillée</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFgpOojy3rJJdI_22Gqw0iUNFrGCnpUd1yEvxej5vjwW6e9fH6uDBW9h2q1B-sobByIE1aM0ksnEX_Ip0HICCmpCvPx7ymoFKUg8LLIgEAsvpgT_2_xD4L5EVr-8amCNjbnJX3WG6LvBk/s1600/hyde+on+over.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFgpOojy3rJJdI_22Gqw0iUNFrGCnpUd1yEvxej5vjwW6e9fH6uDBW9h2q1B-sobByIE1aM0ksnEX_Ip0HICCmpCvPx7ymoFKUg8LLIgEAsvpgT_2_xD4L5EVr-8amCNjbnJX3WG6LvBk/s400/hyde+on+over.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">On over,<br />
peinture vynile sur tirage jet d'encre sur papier d'archivage, sur céramique émaillée</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYyHkMXm8vUJfmzr5K-f79ywgctO9a8L_fO2KTAAfMhzQdWPE5trdg9IfRiGOLpZB6Atj0c6051Wjhj55VboT-C-EgRAlKkBWpPtpHcemCsGUSY2zyprvdE7RAQXAG8o0t5D7tJTYSaPk/s1600/Hyde+part+OGB+2000.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYyHkMXm8vUJfmzr5K-f79ywgctO9a8L_fO2KTAAfMhzQdWPE5trdg9IfRiGOLpZB6Atj0c6051Wjhj55VboT-C-EgRAlKkBWpPtpHcemCsGUSY2zyprvdE7RAQXAG8o0t5D7tJTYSaPk/s400/Hyde+part+OGB+2000.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Part OGB, 2000<br />
peinture vynile sur tirage jet d'encre sur papier d'archivage, sur céramique émaillée</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZyVDuz-01vvAKazLayoIsN-SU7B9hwSSt95eblZ1hJkOHquWw20FKXPYTn9hRj6R-TZbZhxDg6nkBtHLfpZo-8e7yKYmx6e8DUFju2qQfbVLLADR4EjQGQ1CjW6K42LejiH7aw4xNiro/s1600/hyde_CAPILLARY,+2002+-+2012,+archival+inkjet+print+on+glazed+porcelain.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZyVDuz-01vvAKazLayoIsN-SU7B9hwSSt95eblZ1hJkOHquWw20FKXPYTn9hRj6R-TZbZhxDg6nkBtHLfpZo-8e7yKYmx6e8DUFju2qQfbVLLADR4EjQGQ1CjW6K42LejiH7aw4xNiro/s400/hyde_CAPILLARY,+2002+-+2012,+archival+inkjet+print+on+glazed+porcelain.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">CAPILLARY, 2002 - 2012<br />
peinture vynile sur tirage jet d'encre sur papier d'archivage, sur céramique émaillée</td></tr>
</tbody></table>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhazqe4G8zPjQHiOvqNX1m0X9yoTFYvBsRBKL_hn4dA85jbnQF0aPaCnpREgGAaZ9TGrNaJJi7Fc_Va5IhURKePpHerrZWa6GZAwCJsNAXo2N6G2sp1e-nknQmeTYQVsbnhGooXyU-pKiU/s1600/hyde_CHUTE,+2011,+vinyl+paint+on+archival+inkjet+print+on+glazed+porcelain,.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhazqe4G8zPjQHiOvqNX1m0X9yoTFYvBsRBKL_hn4dA85jbnQF0aPaCnpREgGAaZ9TGrNaJJi7Fc_Va5IhURKePpHerrZWa6GZAwCJsNAXo2N6G2sp1e-nknQmeTYQVsbnhGooXyU-pKiU/s400/hyde_CHUTE,+2011,+vinyl+paint+on+archival+inkjet+print+on+glazed+porcelain,.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">CHUTE, 2011<br />
peinture vynile sur tirage jet d'encre sur papier d'archivage, sur céramique émaillée</td></tr>
</tbody></table>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-4769690464168790671.post-83979379259195800612013-08-23T11:11:00.000+02:002013-08-23T11:11:12.879+02:00Maria Sibylla Merian<div style="text-align: justify;">
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</span><span lang="FR" style="mso-ansi-language: FR;"><span style="font-family: "Trebuchet MS", sans-serif;">On s'intéresse, dans l’art
contemporain en ce moment, aux artistes bruts ou depuis quelques années au
document (à tout ce qui relève de schémas scientifiques ou techniques
pré-modernes) et on arrive donc bienheureusement à ré-évaluer/regarder aussi des artistes
</span><a href="http://maximememoirevive.blogspot.com/2012/10/interieurs-romantiques.html" target="_blank"><span style="font-family: "Trebuchet MS", sans-serif;">négligés par le Louvre ou les historiens d’art officiels</span></a><span style="font-family: "Trebuchet MS", sans-serif;">, ces naturalistes (et
qui plus est, dans ce cas, une femme), entre art, vulgarisation et science, telle
que Maria Sybilla Merian (1647-1717), qui, tout comme <a href="http://commons.wikimedia.org/wiki/Category:Pierre-Joseph_Redout%C3%A9?uselang=fr" target="_blank">Pierre-Joseph Redouté</a> ou <a href="http://en.wikipedia.org/wiki/Ernst_Haeckel" target="_blank">Ernest Haeckel</a> (pour
les plus connus), ont dessiné et (fait) graver. <span style="mso-spacerun: yes;"> </span>J’ai découvert cette artiste cet été en Allemagne :
le même jour par <a href="http://www.amazon.de/dp/3458083510/?tag=gartenliterat-21" target="_blank">un livre</a> sur les étagères de K.S. et dans une librairie par <a href="http://www.hatjecantz.de/maria-sibylla-merian-5588-0.html" target="_blank">cet ouvrage</a> récent édité chez Hatje Cantz.</span></span></div>
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<span lang="FR" style="mso-ansi-language: FR;"><span style="font-family: "Trebuchet MS", sans-serif;">Merian travaille
l’œuvre multiple destinée au marché de la gravure et de l’édition, pour les
collections royales ou privées. Cet art est celui de l’ère des Lumières ouvert par
la Renaissance : on s’y émerveille de la Création, on observe et décrit avant
de classer et d'indexer le monde entier. Cet art - et le parcours biographique de
Merian en est le fruit - bénéficie évidemment de la colonisation (et du
commerce international) et de l’avancée des sciences (de l’optique en particulier).
Elle aura voyagée elle-même pour préciser ses images (elle « zoome »
par bateau à travers l’espace du globe) au risque des maladies et des
considérations de ses contemporains.<o:p></o:p></span></span></div>
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<span lang="FR" style="mso-ansi-language: FR;"><span style="font-family: "Trebuchet MS", sans-serif;">Ce qu’il nous en
reste aujourd’hui, ce dont on peut en hériter donc, réside dans la finesse du
regard qui, à partir du réel observé, en milieu naturel, en mouvement, DEGAGE,
EXTRAIT des formes, et invente donc (sa précision scientifique est discutée mais
peu importe) ce qui est montré en le désignant et en le mettant en scène :
par ses choix de cadrage, de différents moments de floraison, éclosion, développement
(avec donc des aspects proto-chrono-photographiques) de l’insecte ou de la
plante, par la façon de trancher/pénétrer/voir en coupe (ce côté anatomiste et pornographique
de la science occidentale), par son art de la mise en page (jeu des vides et de
composition) et au travers de son art de coloriste, de contrastes et variations et puis
finalement et surtout par la richesse des formes et leurs emboîtements (comme
chez <a href="http://maximememoirevive.blogspot.com/2013/06/anna-zemankova.html" target="_blank">Anna Zemankova</a> ou Jessica Stockholder). <o:p></o:p></span></span></div>
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<span lang="FR" style="mso-ansi-language: FR;"><span style="font-family: "Trebuchet MS", sans-serif;">Ce travail visuel
nous parle mieux aujourd’hui après avoir vu les dessins de plantes d' Ellsworth Kelly,
les multiples inspirations végétales (ou mécano-morphiques) des surréalistes
tels que Ernst, Klee et Picabia ou la peinture hyper réaliste de Jean Hucleux ou même les peintures de De Kooning
ou Arshile Gorky ou Georgia O'Keeffe. A la différence des natures mortes hollandaises qui mettent en scène
la fleur dans une image, elle met en page la fleur sur la feuille blanche, déjà
moderne (ou japonisante) faisant cohabiter l’illusion ET les moyens de l’illusion
sur le même plan. Le spectateur devient observateur (nuance importante) et
observe autant le trait que le sujet représenté. Donc absolument figuratif ET
abstrait à la fois. Le vivant devient un théâtre : la tige courbée, le papillon séducteur, l'animal parade, la chenille prend la pose, le pastille s'expose ...</span></span></div>
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<span lang="FR" style="mso-ansi-language: FR;"><span style="font-family: "Trebuchet MS", sans-serif;">Internet regorge
de ses reproductions, malheureusement rarement accompagnées de légendes, avec
mes excuses donc pour ce post léger en informations. Je conseille fortement de zoomer dans les images pour vraiment les VOIR (à défaut des originaux).</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPpLeq-e6w0ynaGWIxqH1TD_LNP9XzQLo7uWxKiFXQUKVR0nEpPi38SQW2rtDxY1L5TRrMbY0DEnHMYB1E6l_XggCYmIag-ln5xYgGwmEHHgUhWDhCtkW_mQK-o0y_9GbYN5FEq8-2j1g/s1600/Portrait+of+Esther+Barbara+von+Sandrart_Merian_Maria_Sibylla_1647-1717.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPpLeq-e6w0ynaGWIxqH1TD_LNP9XzQLo7uWxKiFXQUKVR0nEpPi38SQW2rtDxY1L5TRrMbY0DEnHMYB1E6l_XggCYmIag-ln5xYgGwmEHHgUhWDhCtkW_mQK-o0y_9GbYN5FEq8-2j1g/s400/Portrait+of+Esther+Barbara+von+Sandrart_Merian_Maria_Sibylla_1647-1717.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Portrait de MS Merian par Esther Barbara von Sandrart</td></tr>
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